Spectrum: Concordia University Research Repository
metadata only
The dynamics of terror : or, The grotesque character of Gothic fiction
This essay examines the use of the grotesque to create terror in Gothic fiction in the late l8th century and throughout the 19th century. After using Mervyn Peake's Titus Groan and Gormenghast to establish the central role of the grotesque in fully successful Gothic texts, the focus then shifts to a
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- Unorderly Delights: The Concept of the Grotesque in the Aesthetics of Kant, Hegel, and Victor Hugo#103204
- Did Mary Shelley Write Frankenstein? A Stylometric Analysis#924690
- Did Mary Shelley Write Frankenstein? A Stylometric Analysis#920456
- The Frankenstein Paradigm: More than human, less than nothing#725728
- Frankenstein: The 200th Anniversary of a Cultural Icon and the Science Around His Creation#957526
Record · ID 1020395
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive