SJSU ScholarWorks
metadata only
Ecstasy, Confession, Image, and Silence in Buber, Bergman, and Godard
This essay discusses the contrasting attitudes toward ecstatic experience as described in Martin Buber's book Ekstatische Konfessionen (1909). Ingmar Bergman's film Persona (1966), and Jean-Luc Godard's film Weekend (1967). The attitude toward ecstasy depends heavily on the use of language and confi
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- Ideology and Iconography in Gustav Machatý’s Ecstasy (1933)#1055286
- La conoscenza estatica nelle Conferenze di Erlangen di F.W.J. Schelling#718010
- Las teorías narrativas frente a los casos de duplicación: una defensa de la determinación de la identidad personal#107566
- Cinéma expression sociale”. Critiques et ciné-clubs, ou interprétations et usages sociaux du film en France (1920-1950)#157683
- El impacto de TikTok en las estrategias de publicidad y marketing de los artistas emergentes y su visibilidad en el mercado actual#196625
Record · ID 1055284
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive