Durham e-Theses
metadata only
Shakespeare’s English Histories: The Mannerist Staging of Memory and the ‘Noble Lie’
In this study I argue that Shakespeare’s Henry V (with references to 1&2 Henry IV), Richard III and the Henry VI trilogy, influenced by sixteenth-century Mannerism, stage collective memory as a ‘legitimised’ distortion of history— a noble lie integrated into what Paul Ricoeur identifies as ‘a framew
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- The Works of William Shakespeare [Cambridge Edition] [Vol. 1 of 9] Introduction and Publisher's Advertising#41730
- Handbook battles, H.J. Rose versus Robert Graves: a lesson in common ground#100595
- YPFS Lessons Learned Oral History Project: An Interview with Christos Gortsos#310547
- « Staging the Doubting Conscience: From 'The Conflict of Conscience' to 'Richard III' »,#153871
- Commercialised History: Popular History Magazines in Europe#215187
Record · ID 1065498
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive