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Fascisme, cinéma et archéologie : de "Cabiria" (G. Pastrone, 1914) au "Miroir de Diane" (Y. Gianikian et A. Ricci Lucchi, 1996)

Anne-Violaine Houcke
HAL (France) · Papers
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Cet article propose d’envisager différents gestes archéologiques mis en œuvre dans le cinéma italien, de Cabiria (G. Pastrone, 1914) au Miroir de Diane (Y. Gianikian et A. Ricci Lucchi, 1996) : l’ambition monumentale de reconstituer le passé à partir des découvertes archéologiques dans le péplum, l’
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