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Developing high-end television drama through transnational coproduction: a study of Medici: Masters of Florence, My Brilliant Friend, and The Name of the Rose
Michele Hilmes (2014) poses a deceptively simple yet pressing question about the evolving landscape of transnational television: ‘What do we mean by “coproduction” anymore?’ Once defined by financial collaboration or distribution presale, transnational coproduction today increasingly involves comple
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