PsyArXiv
metadata only
Musical Groove as Stabilization of Coordinated Movement: A Dynamical and Embodied Approach to Musical Rhythm
Research has shown that the bodily experience of pleasurable urge to move to music, called groove, is the strongest for rhythms with an intermediate level of syncopation. Current theories explain groove in terms of predictive processes in the brain, as an active inference which resolves prediction e
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- The Origin of Musical Groove: A Probabilistic Updating Theory#236831
- Top-down influences on neural music processing: preference, enjoyment and familiarity influence neural tracking and brain rhythms differently#440234
- The Role of Repetition in Groove Experience#171055
- The Orpheus Hypothesis III - The Orphic Body: A Phenomenology of Temporal Entrainment and the Crisis of Predictive Coding#124977
- GamPIT: Examining the Influence of Gambling-Related Cues on Instrumental Behaviour Using Pavlovian-to-Instrumental Transfer#663297
Record · ID 1237240
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive