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Como era gostoso o meu modernista: as leituras famintas da re-antropofagia sobre Macunaíma.
Nearly a century after the publication of Macunaíma: the hero with no character (1928), by Mário de Andrade, and the Anthropophagic Manifesto (1928), by Oswald de Andrade, new interpretive paths have emerged in light of intellectual and political theories that challenge the hegemonic spaces of acade
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