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Split Selves, Alienated Subjects: Mr. Robot and Severance Against Corporate Capitalism
Mr. Robot (Sam Esmail, 2015-2019) and Severance (Dan Erickson, 2022-) portray corporations as a capitalist structure that is simultaneously formative, dehumanizing, and antagonistic. Rather than reducing capitalism to an external structure, these series also present it as an internalized force that
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