HAL (France)
open access
How museum visitors perceive painting conservation: Qualitative perspectives on the Isenheim Altarpiece
This study addressed qualitative knowledge gaps about how painting conservation impacts the perceptions of museum visitors. It examined Matthias Grünewald’s Isenheim Altarpiece using eye-tracking and interviews with 86 participants representing both pre and postconservation groups. The results revea
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- Examining exhibits: Interaction in museums and galleries#730178
- Notes on the Artistic Ego#744265
- Dead Birds and Shot Bags#990995
- Illustrations, Documents, Tools: Collecting the Boundaries of Art in the Science Museum, London#424090
- The Entanglement of Art, Life, and Entrainment A Dialogue Between Alva Noë and Nishida Kitarō#690645
Record · ID 1479870
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive