CHAPTER XLVI. “Say, Joe,” was his greeting to his old-time working-mate next morning, “there’s a Frenchman out on Twenty-eighth Street. He’s made a pot of money, and he’s going back to France. It’s a dandy, well-appointed, small steam laundry. There’s a start for you if you want to settle down. Here, take this; buy some clothes with it and be at this man’s office by ten o’clock. He looked up the laundry for me, and he’ll take you out and show you around. If you like it, and think it is worth the price—twelve thousand—let me know and it is yours. Now run along. I’m busy. I’ll see you later.” “Now look here, Mart,” the other said slowly, with kindling anger, “I come here this mornin’ to see you. Savve? I didn’t come here to get no laundry. I come here for a talk for old friends’ sake, and you shove a laundry at me. I tell you what you can do. You can take that laundry an’ go to hell.” He was out of the room when Martin caught him and whirled him around. “Now look here, Joe,” he said; “if you act that way, I’ll punch your head. And for old friends’ sake I’ll punch it hard. Savve?—you will, will you?” Joe had clinched and attempted to throw him, and he was twisting and writhing out of the advantage of the other’s hold. They reeled about the room, locked in each other’s arms, and came down with a crash across the splintered wreckage of a wicker chair. Joe was underneath, with arms spread out and held and with Martin’s knee on his chest. He was panting and gasping for breath when Martin released him. “Now we’ll talk a moment,” Martin said. “You can’t get fresh with me. I want that laundry business finished first of all. Then you can come back and we’ll talk for old sake’s sake. I told you I was busy. Look at that.” A servant had just come in with the morning mail, a great mass of letters and magazines. “How can I wade through that and talk with you? You go and fix up that laundry, and then we’ll get together.” “All right,” Joe admitted reluctantly. “I thought you was turnin’ me down, but I guess I was mistaken. But you can’t lick me, Mart, in a stand-up fight. I’ve got the reach on you.” “We’ll put on the gloves sometime and see,” Martin said with a smile. “Sure; as soon as I get that laundry going.” Joe extended his arm. “You see that reach? It’ll make you go a few.” Martin heaved a sigh of relief when the door closed behind the laundryman. He was becoming anti-social. Daily he found it a severer strain to be decent with people. Their presence perturbed him, and the effort of conversation irritated him. They made him restless, and no sooner was he in contact with them than he was casting about for excuses to get rid of them. He did not proceed to attack his mail, and for a half hour he lolled in his chair, doing nothing, while no more than vague, half-formed thoughts occasionally filtered through his intelligence, or rather, at wide intervals, themselves constituted the flickering of his intelligence. He roused himself and began glancing through his mail. There were a dozen requests for autographs—he knew them at sight; there were professional begging letters; and there were letters from cranks, ranging from the man with a working model of perpetual motion, and the man who demonstrated that the surface of the earth was the inside of a hollow sphere, to the man seeking financial aid to purchase the Peninsula of Lower California for the purpose of communist colonization. There were letters from women seeking to know him, and over one such he smiled, for enclosed was her receipt for pew-rent, sent as evidence of her good faith and as proof of her respectability. Editors and publishers contributed to the daily heap of letters, the former on their knees for his manuscripts, the latter on their knees for his books—his poor disdained manuscripts that had kept all he possessed in pawn for so many dreary months in order to fund them in postage. There were unexpected checks for English serial rights and for advance payments on foreign translations. His English agent announced the sale of German translation rights in three of his books, and informed him that Swedish editions, from which he could expect nothing because Sweden was not a party to the Berne Convention, were already on the market. Then there was a nominal request for his permission for a Russian translation, that country being likewise outside the Berne Convention. He turned to the huge bundle of clippings which had come in from his press bureau, and read about himself and his vogue, which had become a furore. All his creative output had been flung to the public in one magnificent sweep. That seemed to account for it. He had taken the public off its feet, the way Kipling had, that time when he lay near to death and all the mob, animated by a mob-mind thought, began suddenly to read him. Martin remembered how that same world-mob, having read him and acclaimed him and not understood him in the least, had, abruptly, a few months later, flung itself upon him and torn him to pieces. Martin grinned at the thought. Who was he that he should not be similarly treated in a few more months? Well, he would fool the mob. He would be away, in the South Seas, building his grass house, trading for pearls and copra, jumping reefs in frail outriggers, catching sharks and bonitas, hunting wild goats among the cliffs of the valley that lay next to the valley of Taiohae. In the moment of that thought the desperateness of his situation dawned upon him. He saw, cleared eyed, that he was in the Valley of the Shadow. All the life that was in him was fading, fainting, making toward death. He realized how much he slept, and how much he desired to sleep. Of old, he had hated sleep. It had robbed him of precious moments of living. Four hours of sleep in the twenty-four had meant being robbed of four hours of life. How he had grudged sleep! Now it was life he grudged. Life was not good; its taste in his mouth was without tang, and bitter. This was his peril. Life that did not yearn toward life was in fair way toward ceasing. Some remote instinct for preservation stirred in him, and he knew he must get away. He glanced about the room, and the thought of packing was burdensome. Perhaps it would be better to leave that to the last. In the meantime he might be getting an outfit. He put on his hat and went out, stopping in at a gun-store, where he spent the remainder of the morning buying automatic rifles, ammunition, and fishing tackle. Fashions changed in trading, and he knew he would have to wait till he reached Tahiti before ordering his trade-goods. They could come up from Australia, anyway. This solution was a source of pleasure. He had avoided doing something, and the doing of anything just now was unpleasant. He went back to the hotel gladly, with a feeling of satisfaction in that the comfortable Morris chair was waiting for him; and he groaned inwardly, on entering his room, at sight of Joe in the Morris chair. Joe was delighted with the laundry. Everything was settled, and he would enter into possession next day. Martin lay on the bed, with closed eyes, while the other talked on. Martin’s thoughts were far away—so far away that he was rarely aware that he was thinking. It was only by an effort that he occasionally responded. And yet this was Joe, whom he had always liked. But Joe was too keen with life. The boisterous impact of it on Martin’s jaded mind was a hurt. It was an aching probe to his tired sensitiveness. When Joe reminded him that sometime in the future they were going to put on the gloves together, he could almost have screamed. “Remember, Joe, you’re to run the laundry according to those old rules you used to lay down at Shelly Hot Springs,” he said. “No overworking. No working at night. And no children at the mangles. No children anywhere. And a fair wage.” Joe nodded and pulled out a note-book. “Look at here. I was workin’ out them rules before breakfast this A.M. What d’ye think of them?” He read them aloud, and Martin approved, worrying at the same time as to when Joe would take himself off. It was late afternoon when he awoke. Slowly the fact of life came back to him. He glanced about the room. Joe had evidently stolen away after he had dozed off. That was considerate of Joe, he thought. Then he closed his eyes and slept again. In the days that followed Joe was too busy organizing and taking hold of the laundry to bother him much; and it was not until the day before sailing that the newspapers made the announcement that he had taken passage on the Mariposa . Once, when the instinct of preservation fluttered, he went to a doctor and underwent a searching physical examination. Nothing could be found the matter with him. His heart and lungs were pronounced magnificent. Every organ, so far as the doctor could know, was normal and was working normally. “There is nothing the matter with you, Mr. Eden,” he said, “positively nothing the matter with you. You are in the pink of condition. Candidly, I envy you your health. It is superb. Look at that chest. There, and in your stomach, lies the secret of your remarkable constitution. Physically, you are a man in a thousand—in ten thousand. Barring accidents, you should live to be a hundred.” And Martin knew that Lizzie’s diagnosis had been correct. Physically he was all right. It was his “think-machine” that had gone wrong, and there was no cure for that except to get away to the South Seas. The trouble was that now, on the verge of departure, he had no desire to go. The South Seas charmed him no more than did bourgeois civilization. There was no zest in the thought of departure, while the act of departure appalled him as a weariness of the flesh. He would have felt better if he were already on board and gone. The last day was a sore trial. Having read of his sailing in the morning papers, Bernard Higginbotham, Gertrude, and all the family came to say good-by, as did Hermann von Schmidt and Marian. Then there was business to be transacted, bills to be paid, and everlasting reporters to be endured. He said good-by to Lizzie Connolly, abruptly, at the entrance to night school, and hurried away. At the hotel he found Joe, too busy all day with the laundry to have come to him earlier. It was the last straw, but Martin gripped the arms of his chair and talked and listened for half an hour. “You know, Joe,” he said, “that you are not tied down to that laundry. There are no strings on it. You can sell it any time and blow the money. Any time you get sick of it and want to hit the road, just pull out. Do what will make you the happiest.” Joe shook his head. “No more road in mine, thank you kindly. Hoboin’s all right, exceptin’ for one thing—the girls. I can’t help it, but I’m a ladies’ man. I can’t get along without ’em, and you’ve got to get along without ’em when you’re hoboin’. The times I’ve passed by houses where dances an’ parties was goin’ on, an’ heard the women laugh, an’ saw their white dresses and smiling faces through the windows—Gee! I tell you them moments was plain hell. I like dancin’ an’ picnics, an’ walking in the moonlight, an’ all the rest too well. Me for the laundry, and a good front, with big iron dollars clinkin’ in my jeans. I seen a girl already, just yesterday, and, d’ye know, I’m feelin’ already I’d just as soon marry her as not. I’ve ben whistlin’ all day at the thought of it. She’s a beaut, with the kindest eyes and softest voice you ever heard. Me for her, you can stack on that. Say, why don’t you get married with all this money to burn? You could get the finest girl in the land.” Martin shook his head with a smile, but in his secret heart he was wondering why any man wanted to marry. It seemed an amazing and incomprehensible thing. From the deck of the Mariposa , at the sailing hour, he saw Lizzie Connolly hiding in the skirts of the crowd on the wharf. Take her with you, came the thought. It is easy to be kind. She will be supremely happy. It was almost a temptation one moment, and the succeeding moment it became a terror. He was in a panic at the thought of it. His tired soul cried out in protest. He turned away from the rail with a groan, muttering, “Man, you are too sick, you are too sick.” He fled to his stateroom, where he lurked until the steamer was clear of the dock. In the dining saloon, at luncheon, he found himself in the place of honor, at the captain’s right; and he was not long in discovering that he was the great man on board. But no more unsatisfactory great man ever sailed on a ship. He spent the afternoon in a deck-chair, with closed eyes, dozing brokenly most of the time, and in the evening went early to bed. After the second day, recovered from seasickness, the full passenger list was in evidence, and the more he saw of the passengers the more he disliked them. Yet he knew that he did them injustice. They were good and kindly people, he forced himself to acknowledge, and in the moment of acknowledgment he qualified—good and kindly like all the bourgeoisie, with all the psychological cramp and intellectual futility of their kind, they bored him when they talked with him, their little superficial minds were so filled with emptiness; while the boisterous high spirits and the excessive energy of the younger people shocked him. They were never quiet, ceaselessly playing deck-quoits, tossing rings, promenading, or rushing to the rail with loud cries to watch the leaping porpoises and the first schools of flying fish. He slept much. After breakfast he sought his deck-chair with a magazine he never finished. The printed pages tired him. He puzzled that men found so much to write about, and, puzzling, dozed in his chair. When the gong awoke him for luncheon, he was irritated that he must awaken. There was no satisfaction in being awake. Once, he tried to arouse himself from his lethargy, and went forward into the forecastle with the sailors. But the breed of sailors seemed to have changed since the days he had lived in the forecastle. He could find no kinship with these stolid-faced, ox-minded bestial creatures. He was in despair. Up above nobody had wanted Martin Eden for his own sake, and he could not go back to those of his own class who had wanted him in the past. He did not want them. He could not stand them any more than he could stand the stupid first-cabin passengers and the riotous young people. Life was to him like strong, white light that hurts the tired eyes of a sick person. During every conscious moment life blazed in a raw glare around him and upon him. It hurt. It hurt intolerably. It was the first time in his life that Martin had travelled first class. On ships at sea he had always been in the forecastle, the steerage, or in the black depths of the coal-hold, passing coal. In those days, climbing up the iron ladders out the pit of stifling heat, he had often caught glimpses of the passengers, in cool white, doing nothing but enjoy themselves, under awnings spread to keep the sun and wind away from them, with subservient stewards taking care of their every want and whim, and it had seemed to him that the realm in which they moved and had their being was nothing else than paradise. Well, here he was, the great man on board, in the midmost centre of it, sitting at the captain’s right hand, and yet vainly harking back to forecastle and stoke-hole in quest of the Paradise he had lost. He had found no new one, and now he could not find the old one. He strove to stir himself and find something to interest him. He ventured the petty officers’ mess, and was glad to get away. He talked with a quartermaster off duty, an intelligent man who promptly prodded him with the socialist propaganda and forced into his hands a bunch of leaflets and pamphlets. He listened to the man expounding the slave-morality, and as he listened, he thought languidly of his own Nietzsche philosophy. But what was it worth, after all? He remembered one of Nietzsche’s mad utterances wherein that madman had doubted truth. And who was to say? Perhaps Nietzsche had been right. Perhaps there was no truth in anything, no truth in truth—no such thing as truth. But his mind wearied quickly, and he was content to go back to his chair and doze. Miserable as he was on the steamer, a new misery came upon him. What when the steamer reached Tahiti? He would have to go ashore. He would have to order his trade-goods, to find a passage on a schooner to the Marquesas, to do a thousand and one things that were awful to contemplate. Whenever he steeled himself deliberately to think, he could see the desperate peril in which he stood. In all truth, he was in the Valley of the Shadow, and his danger lay in that he was not afraid. If he were only afraid, he would make toward life. Being unafraid, he was drifting deeper into the shadow. He found no delight in the old familiar things of life. The Mariposa was now in the northeast trades, and this wine of wind, surging against him, irritated him. He had his chair moved to escape the embrace of this lusty comrade of old days and nights. The day the Mariposa entered the doldrums, Martin was more miserable than ever. He could no longer sleep. He was soaked with sleep, and perforce he must now stay awake and endure the white glare of life. He moved about restlessly. The air was sticky and humid, and the rain-squalls were unrefreshing. He ached with life. He walked around the deck until that hurt too much, then sat in his chair until he was compelled to walk again. He forced himself at last to finish the magazine, and from the steamer library he culled several volumes of poetry. But they could not hold him, and once more he took to walking. He stayed late on deck, after dinner, but that did not help him, for when he went below, he could not sleep. This surcease from life had failed him. It was too much. He turned on the electric light and tried to read. One of the volumes was a Swinburne. He lay in bed, glancing through its pages, until suddenly he became aware that he was reading with interest. He finished the stanza, attempted to read on, then came back to it. He rested the book face downward on his breast and fell to thinking. That was it. The very thing. Strange that it had never come to him before. That was the meaning of it all; he had been drifting that way all the time, and now Swinburne showed him that it was the happy way out. He wanted rest, and here was rest awaiting him. He glanced at the open port-hole. Yes, it was large enough. For the first time in weeks he felt happy. At last he had discovered the cure of his ill. He picked up the book and read the stanza slowly aloud:- “‘From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives forever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea.’” He looked again at the open port. Swinburne had furnished the key. Life was ill, or, rather, it had become ill—an unbearable thing. “That dead men rise up never!” That line stirred him with a profound feeling of gratitude. It was the one beneficent thing in the universe. When life became an aching weariness, death was ready to soothe away to everlasting sleep. But what was he waiting for? It was time to go. He arose and thrust his head out the port-hole, looking down into the milky wash. The Mariposa was deeply loaded, and, hanging by his hands, his feet would be in the water. He could slip in noiselessly. No one would hear. A smother of spray dashed up, wetting his face. It tasted salt on his lips, and the taste was good. He wondered if he ought to write a swan-song, but laughed the thought away. There was no time. He was too impatient to be gone. Turning off the light in his room so that it might not betray him, he went out the port-hole feet first. His shoulders stuck, and he forced himself back so as to try it with one arm down by his side. A roll of the steamer aided him, and he was through, hanging by his hands. When his feet touched the sea, he let go. He was in a milky froth of water. The side of the Mariposa rushed past him like a dark wall, broken here and there by lighted ports. She was certainly making time. Almost before he knew it, he was astern, swimming gently on the foam-crackling surface. A bonita struck at his white body, and he laughed aloud. It had taken a piece out, and the sting of it reminded him of why he was there. In the work to do he had forgotten the purpose of it. The lights of the Mariposa were growing dim in the distance, and there he was, swimming confidently, as though it were his intention to make for the nearest land a thousand miles or so away. It was the automatic instinct to live. He ceased swimming, but the moment he felt the water rising above his mouth the hands struck out sharply with a lifting movement. The will to live, was his thought, and the thought was accompanied by a sneer. Well, he had will,—ay, will strong enough that with one last exertion it could destroy itself and cease to be. He changed his position to a vertical one. He glanced up at the quiet stars, at the same time emptying his lungs of air. With swift, vigorous propulsion of hands and feet, he lifted his shoulders and half his chest out of water. This was to gain impetus for the descent. Then he let himself go and sank without movement, a white statue, into the sea. He breathed in the water deeply, deliberately, after the manner of a man taking an anaesthetic. When he strangled, quite involuntarily his arms and legs clawed the water and drove him up to the surface and into the clear sight of the stars. The will to live, he thought disdainfully, vainly endeavoring not to breathe the air into his bursting lungs. Well, he would have to try a new way. He filled his lungs with air, filled them full. This supply would take him far down. He turned over and went down head first, swimming with all his strength and all his will. Deeper and deeper he went. His eyes were open, and he watched the ghostly, phosphorescent trails of the darting bonita. As he swam, he hoped that they would not strike at him, for it might snap the tension of his will. But they did not strike, and he found time to be grateful for this last kindness of life. Down, down, he swam till his arms and legs grew tired and hardly moved. He knew that he was deep. The pressure on his ear-drums was a pain, and there was a buzzing in his head. His endurance was faltering, but he compelled his arms and legs to drive him deeper until his will snapped and the air drove from his lungs in a great explosive rush. The bubbles rubbed and bounded like tiny balloons against his cheeks and eyes as they took their upward flight. Then came pain and strangulation. This hurt was not death, was the thought that oscillated through his reeling consciousness. Death did not hurt. It was life, the pangs of life, this awful, suffocating feeling; it was the last blow life could deal him. His wilful hands and feet began to beat and churn about, spasmodically and feebly. But he had fooled them and the will to live that made them beat and churn. He was too deep down. They could never bring him to the surface. He seemed floating languidly in a sea of dreamy vision. Colors and radiances surrounded him and bathed him and pervaded him. What was that? It seemed a lighthouse; but it was inside his brain—a flashing, bright white light. It flashed swifter and swifter. There was a long rumble of sound, and it seemed to him that he was falling down a vast and interminable stairway. And somewhere at the bottom he fell into darkness. That much he knew. He had fallen into darkness. And at the instant he knew, he ceased to know. *** END OF THE PROJECT GUTENBERG EBOOK MARTIN EDEN *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.