Maiwa's Revenge; Or, The War of the Little Hand
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
CHAPTER VIII. MAIWA IS AVENGED CHAPTER VIII. MAIWA IS AVENGED “The impi formed up; alas, an hour before it had been stronger by a third than it was now. Then Nala detached two hundred men to collect and attend to the injured, and at my suggestion issued a stringent order that none of the enemy’s wounded, and above all no women or children, were to be killed, as is the savage custom among African natives. On the contrary, they were to be allowed to send word to their women that they might come in to nurse them and fear nothing, for Nala made war upon Wambe the tyrant, and not on the Matuku tribe. “Then we started with some four hundred men for the chief’s kraal. Very soon we were there. It was, as I have said, placed against the mountain side, but within the fortified lines, and did not at all cover more than an acre and a half of ground. Outside was a tiny reed fence, within which, neatly arranged in a semi-circular line, stood the huts of the chief’s principal wives. Maiwa of course knew every inch of the kraal, for she had lived in it, and led us straight to the entrance. We peeped through the gateway—not a soul was to be seen. There were the huts and there was the clear open space floored with a concrete of lime, on which the sun beat fiercely, but nobody could we see or hear. “‘The jackal has gone to earth,’ said Maiwa; ‘he will be in the cave behind his hut,’ and she pointed with her spear towards another small and semi-circular enclosure, over which a large hut was visible, that had the cliff itself for a background. I stared at this fence; by George! it was true, it was entirely made of tusks of ivory planted in the ground with their points bending outwards. The smallest ones, though none were small, were placed nearest to the cliff on either side, but they gradually increased in size till they culminated in two enormous tusks, which, set up so that their points met, something in the shape of an inverted V, formed the gateway to the hut. I was dumbfoundered with delight; and indeed, where is the elephant-hunter who would not be, if he suddenly saw five or six hundred picked tusks set up in a row, and only waiting for him to take them away? Of course the stuff was what is known as ‘black’ ivory; that is, the exterior of the tusks had become black from years or perhaps centuries of exposure to wind and weather, but I was certain that it would be none the worse for that. Forgetting the danger of the deed, in my excitement I actually ran right across the open space, and drawing my knife scratched vigorously at one of the great tusks to see how deep the damage might be. As I thought, it was nothing; there beneath the black covering gleamed the pure white ivory. I could have capered for joy, for I fear that I am very mercenary at heart, when suddenly I heard the faint echo of a cry for assistance. ‘Help!’ screamed a voice in the Sisutu dialect from somewhere behind the hut; ‘help! they are murdering me.’ “ I knew the voice ; it was John Every’s. Oh, what a selfish brute was I! For the moment that miserable ivory had driven the recollection of him out of my head, and now—perhaps it was too late. “Nala, Maiwa, and the soldiers had now come up. They too heard the voice and interpreted its tone, though they had not caught the words. “‘This way,’ cried Maiwa, and we started at a run, passing round the hut of Wambe. Behind was the narrow entrance to a cave. We rushed through it heedless of the danger of the ambush, and this is what we saw, though very confusedly at first, owing to the gloom. “In the centre of the cave, and with either end secured to the floor by strong stakes, stood a huge double-springed lion trap edged with sharp and grinning teeth. It was set, and beyond the trap, indeed almost over it, a terrible struggle was in progress. A naked or almost naked white man, with a great beard hanging down over his breast, in spite of his furious struggles, was being slowly forced and dragged towards the trap by six or eight women. Only one man was present, a fat, cruel-looking man with small eyes and a hanging lip. It was the chief Wambe, and he stood by the trap ready to force the victim down upon it so soon as the women had dragged him into the necessary position. “At this instant they caught sight of us, and there came a moment’s pause, and then, before I knew what she was going to do, Maiwa lifted the assegai she still held, and whirled it at Wambe’s head. I saw the flash of light speed towards him, and so did he, for he stepped backward to avoid it—stepped backward right into the trap. He yelled with pain as the iron teeth of the ‘Thing that bites’ sprang up with a rattling sound like living fangs and fastened into him—such a yell I have not often heard. Now at last he tasted of the torture which he had inflicted upon so many, and though I trust I am a Christian, I cannot say that I felt sorry for him. “The assegai sped on and struck one of the women who had hold of the unfortunate Every, piercing through her arm. This made her leave go, an example that the other women quickly followed, so that Every fell to the ground, where he lay gasping. “‘Kill the witches,’ roared Nala, in a voice of thunder, pointing to the group of women. “‘Nay,’ gasped Every, ‘spare them. He made them do it,’ and he pointed to the human fiend in the trap. Then Maiwa waved her hand to us to fall back, for the moment of her vengeance was come. We did so, and she strode up to her lord, and flinging the white robe from her stood before him, her fierce beautiful face fixed like stone. “‘Who am I?’ she cried in so terrible a voice that he ceased his yells. ‘Am I that woman who was given to thee for wife, and whose child thou slewest? Or am I an avenging spirit come to see thee die? “‘What is this?’ she went on, drawing the withered baby-hand from the pouch at her side. “‘Is it the hand of a babe? and how came that hand to be thus alone? What cut it off from the babe? and where is the babe? Is it a hand? or is it the vision of a hand that shall presently tear thy throat? “‘Where are thy soldiers, Wambe? Do they sleep and eat and go forth to do thy bidding? or are they perchance dead and scattered like the winter leaves?’ “He groaned and rolled his eyes while the fierce-faced woman went on. “‘Art thou still a chief, Wambe? or does another take thy place and power, and say, Lord, what doest thou there? and what is that slave’s leglet upon thy knee? “‘Is it a dream, Wambe, great lord and chief? or’—and she lifted her clenched hands and shook them in his face—‘hath a woman’s vengeance found thee out and a woman’s wit o’ermatched thy tyrannous strength? and art thou about to slowly die in torments horrible to think on, oh, thou accursed murderer of little children?’ “And with one wild scream she dashed the dead hand of the child straight into his face, and then fell senseless on the floor. As for the demon in the trap, he shrank back so far as its iron bounds would allow, his yellow eyes starting out of his head with pain and terror, and then once more began to yell. “The scene was more than I could bear. “‘Nala,’ I said, ‘this must stop. That man is a fiend, but he must not be left to die there. See thou to it.’ “‘Nay,” answered Nala, ‘let him taste of the food wherewith he hath fed so many; leave him till death shall find him.’ “‘That I will not,’ I answered. ‘Let his end be swift; see thou to it.’ “‘As thou wilt, Macumazahn,’ answered the chief, with a shrug of the shoulders; ‘first let the white man and Maiwa be brought forth.’ “So the soldiers came forward and carried Every and the woman into the open air. As the former was borne past his tormentor, the fallen chief, so cowardly was his wicked heart, actually prayed him to intercede for him, and save him from a fate which, but for our providential appearance, would have been Every’s own. “So we went away, and in another moment one of the biggest villains on the earth troubled it no more. Once in the fresh air Every recovered quickly. I looked at him, and horror and sorrow pierced me through to see such a sight. His face was the face of a man of sixty, though he was not yet forty, and his poor body was cut to pieces with stripes and scars, and other marks of the torments which Wambe had for years amused himself with inflicting on him. “As soon as he recovered himself a little he struggled on to his knees, burst into a paroxysm of weeping, and clasping my legs with his emaciated arms, would have actually kissed my feet. “‘What are you about, old fellow?’ I said, for I am not accustomed to that sort of thing, and it made me feel uncomfortable. “‘Oh, God bless you?’ he moaned, ‘God bless you! If only you knew what I have gone through; and to think that you should have come to help me, and at the risk of your own life! Well, you were always a true friend—yes, yes, a true friend.’ “‘Bosh,’ I answered testily; ‘I’m a trader, and I came after that ivory,’ and I pointed to the stockade of tusks. ‘Did you ever hear of an elephant-hunter who would not have risked his immortal soul for them, and much more his carcase?’ “But he took no notice of my explanations, and went on God blessing me as hard as ever, till at last I bethought me that a nip of brandy, of which I had a flask full, might steady his nerves a bit. I gave it him, and was not disappointed in the result, for he brisked up wonderfully. Then I hunted about in Wambe’s hut, and found a kaross to put over his poor bruised shoulders, and he was quite a man again. “‘Now,’ I said, ‘why did the late lamented Wambe want to put you in that trap?’ “‘Because as soon as they heard that the fight was going against them, and that Maiwa was charging at the head of Nala’s impi, one of the women told Wambe that she had seen me write something on some leaves and give them to Maiwa before she went away to purify herself. Then of course he guessed that I had to do with your seizing the koppie and holding it while the impi rushed the place from the mountain, so he determined to torture me to death before help could come. Oh, heavens! what a mercy it is to hear English again.’ “‘How long have you been a prisoner here, Every?’ I asked. “‘Six years and a bit, Quatermain; I have lost count of the odd months lately. I came up here with Major Aldey and three other gentlemen and forty bearers. That devil Wambe ambushed us, and murdered the lot to get their guns. They weren’t much use to him when he got them, being breech-loaders, for the fools fired away all the ammunition in a month or two. However, they are all in good order, and hanging up in the hut there. They didn’t kill me because one of them saw me mending a gun just before they attacked us, so they kept me as a kind of armourer. Twice I tried to make a bolt of it, but was caught each time. Last time Wambe had me flogged very nearly to death—you can see the scars upon my back. Indeed I should have died if it hadn’t been for the girl Maiwa, who nursed me by stealth. He got that accursed lion trap among our things also, and I suppose he has tortured between one and two hundred people to death in it. It was his favourite amusement, and he would go every day and sit and watch his victim till he died. Sometimes he would give him food and water to keep him alive longer, telling him or her that he would let him go if he lived till a certain day. But he never did let them go. They all died there, and I could show you their bones behind that rock.’ “‘The devil!’ I said, grinding my teeth. ‘I wish I hadn’t interfered; I wish I had left him to the same fate.’ “‘Well, he got a taste of it any way,’ said Every; ‘I’m glad he got a taste. There’s justice in it, and now he’s gone to hell, and I hope there is another one ready for him there. By Jove! I should like to have the setting of it.’ “And so he talked on, and I sat and listened to him, wondering how he had kept his reason for so many years. But he didn’t talk as I have told it, in plain English. He spoke very slowly, and as though he had got something in his mouth, continually using native words because the English ones had slipped his memory. “At last Nala came up and told us that food was made ready, and thankful enough we were to get it, I can tell you. After we had eaten we held a consultation. Quite a thousand of Wambe’s soldiers were put hors de combat , but at least two thousand remained hidden in the bush and rocks, and these men, together with those in the outlying kraals, were a source of possible danger. The question arose, therefore, what was to be done—were they to be followed or left alone? I waited till everybody had spoken, some giving one opinion and some another, and then being appealed to I gave mine. It was to the effect that Nala should take a leaf out of the great Zulu T’Chaka’s book, and incorporate the tribe, not destroy it. We had a good many women among the prisoners. Let them, I suggested, be sent to the hiding-places of the soldiers and make an offer. If the men would come and lay down their arms and declare allegiance to Nala, they and their town and cattle should be spared. Wambe’s cattle alone would be seized as the prize of war. Moreover, Wambe having left no children, his wife Maiwa should be declared chieftainess of the tribe, under Nala. If they did not accept this offer by the morning of the second day it should be taken as a declaration that they wished to continue the war. Their town should be burned, their cattle, which our men were already collecting and driving in in great numbers, would be taken, and they should be hunted down. “This advice was at once declared to be wise, and acted on. The women were despatched, and I saw from their faces that they never expected to get such terms, and did not think that their mission would be in vain. Nevertheless, we spent that afternoon in preparations against possible surprise, and also in collecting all the wounded of both parties into a hospital, which we extemporized out of some huts, and there attending to them as best we could. “That evening Every had the first pipe of tobacco that he had tasted for six years. Poor fellow, he nearly cried with joy over it. The night passed without any sign of attack, and on the following morning we began to see the effect of our message, for women, children, and a few men came in in little knots, and took possession of their huts. It was of course rather difficult to prevent our men from looting, and generally going on as natives, and for the matter of that white men too, are in the habit of doing after a victory. But one man who after warning was caught maltreating a woman was brought out and killed by Nala’s order, and though there was a little grumbling, that put a stop to further trouble. “On the second morning the head men and numbers of their followers came in in groups, and about midday a deputation of the former presented themselves before us without their weapons. They were conquered, they said, and Wambe was dead, so they came to hear the words of the great lion who had eaten them up, and of the crafty white man, the jackal, who had dug a hole for them to fall in, and of Maiwa, Lady of War, who had led the charge and turned the fate of the battle. “So we let them hear the words, and when we had done an old man rose and said, that in the name of the people he accepted the yoke that was laid upon their shoulders, and that the more gladly because even the rule of a woman could not be worse than the rule of Wambe. Moreover, they knew Maiwa, the Lady of War, and feared her not, though she was a witch and terrible to see in battle. “Then Nala asked his daughter if she was willing to become chieftainess of the tribe under him. “Maiwa, who had been very silent since her revenge was accomplished, answered yes, that she was, and that her rule should be good and gentle to those who were good and gentle to her, but the froward and rebellious she would smite with a rod of iron; which from my knowledge of her character I thought exceedingly probable. “The head man replied that that was a good saying, and they did not complain at it, and so the meeting ended. “Next day we spent in preparations for departure. Mine consisted chiefly in superintending the digging up of the stockade of ivory tusks, which I did with the greatest satisfaction. There were some five hundred of them altogether. I made inquiries about it from Every, who told me that the stockade had been there so long that nobody seemed to know exactly who had collected the tusks originally. There was, however, a kind of superstitious feeling about them which had always prevented the chiefs from trying to sell this great mass of ivory. Every and I examined it carefully, and found that although it was so old its quality was really as good as ever, and there was very little soft ivory in the lot. At first I was rather afraid lest, now that my services had been rendered, Nala should hesitate to part with so much valuable property, but this was not the case. When I spoke to him on the subject he merely said, ‘Take it, Macumazahn, take it; you have earned it well,’ and, to speak the truth, though I say it who shouldn’t, I think I had. So we pressed several hundred Matuku bearers into our service, and next day marched off with the lot. “Before we went I took a formal farewell of Maiwa, whom we left with a bodyguard of three hundred men to assist her in settling the country. She gave me her hand to kiss in a queenly sort of way, and then said, “‘Macumazahn, you are a brave man, and have been a friend to me in my need. If ever you want help or shelter, remember that Maiwa has a good memory for friend and foe. All I have is yours. “And so I thanked her and went. She was certainly a very remarkable woman. A year or two ago I heard that her father Nala was dead, and that she had succeeded to the chieftainship of both tribes, which she ruled with great justice and firmness. “I can assure you that we ascended the pass leading to Wambe’s town with feelings very different from those with which we had descended it a few days before. But if I was grateful for the issue of events, you can easily imagine what poor Every’s feelings were. When we got to the top of the pass, before the whole impi he actually flopped down upon his knees and thanked Heaven for his escape, the tears running down his face. But then, as I have said, his nerves were shaken—though now that his beard was trimmed and he had some sort of clothes on his back, and hope in his heart, he looked a very different man from the poor wretch whom we had rescued from death by torture. “Well, we separated from Nala at the little stairway or pass over the mountain—Every and I and the ivory going down the river which I had come up a few weeks before, and the chief returning to his own kraal on the further side of the mountain. He gave us an escort of a hundred and fifty men, however, with instructions to accompany us for six days’ journey, and to keep the Matuku bearers in order and then return. I knew that in six days we should be able to reach a district where porters were plentiful, and whence we could easily get the ivory conveyed to Delagoa Bay.” “And did you land it up safe?” I asked. “Well no,” said Quatermain, “we lost about a third of it in crossing a river. A flood came down suddenly just as the men were crossing and many of them had to throw down their tusks to save their lives. We had no means of dragging it up, and so we were obliged to leave it, which was very sad. However, we sold what remained for nearly seven thousand pounds, so we did not do so badly. I don’t mean that I got seven thousand pounds out of it, because, you see, I insisted upon Every taking a half share. Poor fellow, he had earned it, if ever a man did. He set up a store in the old colony on the proceeds and did uncommonly well.” “And what did you do with the lion trap?” asked Sir Henry. “Oh, I brought that away with me also, and when I reached Durban I put it in my house. But really I could not bear to sit opposite to it at nights as I smoked. Visions of that poor woman and the hand of her dead child would rise up in my mind, and also of all the horrors of which it had been the instrument. I began to dream at last that it held me by the leg. This was too much for my nerves, so I just packed it up and shipped it to its maker in England, whose name was stamped upon the steel, sending him a letter at the same time to tell him to what purpose the infernal machine had been put. I believe that he gave it to some museum or other.” “And what became of the tusks of the three bulls which you shot! You must have left them at Nala’s kraal, I suppose.” The old gentleman’s face fell at this question. “Ah,” he said, “that is a very sad story. Nala promised to send them with my goods to my agent at Delagoa, and so he did. But the men who brought them were unarmed, and, as it happened, they fell in with a slave caravan under the command of a half-bred Portuguese, who seized the tusks, and what is worse, swore that he had shot them. I paid him out afterwards, however,” he added with a smile of satisfaction, “but it did not give me back my tusks, which no doubt have been turned into hair brushes long ago;” and he sighed. “Well,” said Good, “that is a capital yarn of yours, Quatermain, but——” “But what?” he asked sharply, foreseeing a draw. “But I don’t think that it was so good as mine about the ibex—it hasn’t the same finish .” Mr. Quatermain made no reply. Good was beneath it. “Do you know, gentlemen,” he said, “it is half-past two in the morning, and if we are going to shoot the big wood to-morrow we ought to leave here at nine-thirty sharp.” “Oh, if you shoot for a hundred years you will never beat the record of those three woodcocks,” I said. “Or of those three elephants,” added Sir Henry. And then we all went to bed, and I dreamed that I had married Maiwa, and was much afraid of that attractive but determined lady. *** END OF THE PROJECT GUTENBERG EBOOK MAIWA'S REVENGE; OR, THE WAR OF THE LITTLE HAND *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- A Prisoner of Morro; Or, In the Hands of the Enemy#42655
- The Power of Sexual Surrender#60675
- Law in the Shadow of Negotiation: On the Jurisprudence of Roger Fisher#1178082
- Kissing the Rod: A Novel. (Vol. 1 of 3)#57809
- Theory and Practice: The Point of Contact#710795
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive