The Giant Raft

CHAPTER XX. THE LOWER AMAZON CHAPTER XX. THE LOWER AMAZON Little remains to tell of the second part of the voyage down the mighty river. It was but a series of days of joy. Joam Dacosta returned to a new life, which shed its happiness on all who belonged to him. The giant raft glided along with greater rapidity on the waters now swollen by the floods. On the left they passed the small village of Don Jose de Maturi, and on the right the mouth of that Madeira which owes its name to the floating masses of vegetable remains and trunks denuded of their foliage which it bears from the depths of Bolivia. They passed the archipelago of Caniny, whose islets are veritable boxes of palms, and before the village of Serpa, which, successively transported from one back to the other, has definitely settled on the left of the river, with its little houses, whose thresholds stand on the yellow carpet of the beach. The village of Silves, built on the left of the Amazon, and the town of Villa Bella, which is the principal guarana market in the whole province, were soon left behind by the giant raft. And so was the village of Faro and its celebrated river of the Nhamundas, on which, in 1539, Orellana asserted he was attacked by female warriors, who have never been seen again since, and thus gave us the legend which justifies the immortal name of the river of the Amazons. Here it is that the province of Rio Negro terminates. The jurisdiction of Para then commences; and on the 22d of September the family, marveling much at a valley which has no equal in the world, entered that portion of the Brazilian empire which has no boundary to the east except the Atlantic. “How magnificent!” remarked Minha, over and over again. “How long!” murmured Manoel. “How beautiful!” repeated Lina. “When shall we get there?” murmured Fragoso. And this was what might have been expected of these folks from the different points of view, though time passed pleasantly enough with them all the same. Benito, who was neither patient nor impatient, had recovered all his former good humor. Soon the jangada glided between interminable plantations of cocoa-trees with their somber green flanked by the yellow thatch or ruddy tiles of the roofs of the huts of the settlers on both banks from Obidos up to the town of Monto Alegre. Then there opened out the mouth of the Rio Trombetas, bathing with its black waters the houses of Obidos, situated at about one hundred and eighty miles from Belem, quite a small town, and even a “citade” with large streets bordered with handsome habitations, and a great center for cocoa produce. Then they saw another tributary, the Tapajos, with its greenish-gray waters descending from the south-west; and then Santarem, a wealthy town of not less than five thousand inhabitants, Indians for the most part, whose nearest houses were built on the vast beach of white sand. After its departure from Manaos the jangada did not stop anywhere as it passed down the much less encumbered course of the Amazon. Day and night it moved along under the vigilant care of its trusty pilot; no more stoppages either for the gratification of the passengers or for business purposes. Unceasingly it progressed, and the end rapidly grew nearer. On leaving Alemquer, situated on the left bank, a new horizon appeared in view. In place of the curtain of forests which had shut them in up to then, our friends beheld a foreground of hills, whose undulations could be easily descried, and beyond them the faint summits of veritable mountains vandyked across the distant depth of sky. Neither Yaquita, nor her daughter, nor Lina, nor old Cybele, had ever seen anything like this. But in this jurisdiction of Para, Manoel was at home, and he could tell them the names of the double chain which gradually narrowed the valley of the huge river. “To the right,” said he, “that is the Sierra de Paracuarta, which curves in a half-circle to the south! To the left, that is the Sierra de Curuva, of which we have already passed the first outposts.” “Then they close in?” asked Fragoso. “They close in!” replied Manoel. And the two young men seemed to understand each other, for the same slight but significant nodding of the head accompanied the question and reply. At last, notwithstanding the tide, which since leaving Obidos had begun to be felt, and which somewhat checked the progress of the raft, the town of Monto Alegre was passed, then that of Pravnha de Onteiro, then the mouth of the Xingu, frequented by Yurumas Indians, whose principal industry consists in preparing their enemies’ heads for natural history cabinets. To what a superb size the Amazon had now developed as already this monarch of rivers gave signs of opening out like a sea! Plants from eight to ten feet high clustered along the beach, and bordered it with a forest of reeds. Porto de Mos, Boa Vista, and Gurupa, whose prosperity is on the decline, were soon among the places left in the rear. Then the river divided into two important branches, which flowed off toward the Atlantic, one going away northeastward, the other eastward, and between them appeared the beginning of the large island of Marajo. This island is quite a province in itself. It measures no less than a hundred and eighty leagues in circumference. Cut up by marshes and rivers, all savannah to the east, all forest to the west, it offers most excellent advantages for the raising of cattle, which can here be seen in their thousands. This immense barricade of Marajo is the natural obstacle which has compelled the Amazon to divide before precipitating its torrents of water into the sea. Following the upper branch, the jangada, after passing the islands of Caviana and Mexiana, would have found an embouchure of some fifty leagues across, but it would also have met with the bar of the prororoca, that terrible eddy which, for the three days preceding the new or full moon, takes but two minutes instead of six hours to raise the river from twelve to fifteen feet above ordinary high-water mark. This is by far the most formidable of tide-races. Most fortunately the lower branch, known as the Canal of Breves, which is the natural area of the Para, is not subject to the visitations of this terrible phenomenon, and its tides are of a more regular description. Araujo, the pilot, was quite aware of this. He steered, therefore, into the midst of magnificent forests, here and there gliding past island covered with muritis palms; and the weather was so favorable that they did not experience any of the storms which so frequently rage along this Breves Canal. A few days afterward the jangada passed the village of the same name, which, although built on the ground flooded for many months in the year, has become, since 1845, an important town of a hundred houses. Throughout these districts, which are frequented by Tapuyas, the Indians of the Lower Amazon become more and more commingled with the white population, and promise to be completely absorbed by them. And still the jangada continued its journey down the river. Here, at the risk of entanglement, it grazed the branches of the mangliers, whose roots stretched down into the waters like the claws of gigantic crustaceans; then the smooth trunks of the paletuviers, with their pale-green foliage, served as the resting-places for the long poles of the crew as they kept the raft in the strength of the current. Then came the Tocantins, whose waters, due to the different rivers of the province of Goyaz, mingle with those of the Amazon by an embouchure of great size, then the Moju, then the town of Santa Ana. Majestically the panorama of both banks moved along without a pause, as though some ingenious mechanism necessitated its unrolling in the opposite direction to that of the stream. Already numerous vessels descending the river, ubas, egariteas, vigilandas, pirogues of all builds, and small coasters from the lower districts of the Amazon and the Atlantic seaboard, formed a procession with the giant raft, and seemed like sloops beside some might man-of-war. At length there appeared on the left Santa Maria de Belem do Para—the “town” as they call it in that country—with its picturesque lines of white houses at many different levels, its convents nestled among the palm-trees, the steeples of its cathedral and of Nostra Senora de Merced, and the flotilla of its brigantines, brigs, and barks, which form its commercial communications with the old world. The hearts of the passengers of the giant raft beat high. At length they were coming to the end of the voyage which they had thought they would never reach. While the arrest of Joam detained them at Manaos, halfway on their journey, could they ever have hoped to see the capital of the province of Para? It was in the course of this day, the 15th of October—four months and a half after leaving the fazenda of Iquitos—that, as they rounded a sharp bend in the river, Belem came into sight. The arrival of the jangada had been signaled for some days. The whole town knew the story of Joam Dacosta. They came forth to welcome him, and to him and his people accorded a most sympathetic reception. Hundreds of craft of all sorts conveyed them to the fazender, and soon the jangada was invaded by all those who wished to welcome the return of their compatriot after his long exile. Thousands of sight-seers—or more correctly speaking, thousands of friends crowded on to the floating village as soon as it came to its moorings, and it was vast and solid enough to support the entire population. Among those who hurried on board one of the first pirogues had brought Madame Valdez. Manoel’s mother was at last able to clasp to her arms the daughter whom her son had chosen. If the good lady had not been able to come to Iquitos, was it not as though a portion of the fazenda, with her new family, had come down the Amazon to her? Before evening the pilot Araujo had securely moored the raft at the entrance of a creek behind the arsenal. That was to be its last resting-place, its last halt, after its voyage of eight hundred leagues on the great Brazilian artery. There the huts of the Indians, the cottage of the negroes, the store-rooms which held the valuable cargo, would be gradually demolished; there the principal dwelling, nestled beneath its verdant tapestry of flowers and foliage, and the little chapel whose humble bell was then replying to the sounding clangor from the steeples of Belem, would each in its turn disappear. But, ere this was done, a ceremony had to take place on the jangada—the marriage of Manoel and Minha, the marriage of Lina and Fragoso. To Father Passanha fell the duty of celebrating the double union which promised so happily. In that little chapel the two couples were to receive the nuptial benediction from his hands. If it happened to be so small as to be only capable of holding the members of Dacosta’s family, was not the giant raft large enough to receive all those who wished to assist at the ceremony? and if not, and the crowd became so great, did not the ledges of the river banks afford sufficient room for as many others of the sympathizing crowd as were desirous of welcoming him whom so signal a reparation had made the hero of the day? It was on the morrow, the 16th of October, that with great pomp the marriages were celebrated. It was a magnificent day, and from about ten o’clock in the morning the raft began to receive its crowd of guests. On the bank could be seen almost the entire population of Belem in holiday costume. On the river, vessels of all sorts crammed with visitors gathered round the enormous mass of timber, and the waters of the Amazon literally disappeared even up to the left bank beneath the vast flotilla. When the chapel bell rang out its opening note it seemed like a signal of joy to ear and eye. In an instant the churches of Belem replied to the bell of the jangada. The vessels in the port decked themselves with flags up to their mastheads, and the Brazilian colors were saluted by the many other national flags. Discharges of musketry reverberated on all sides, and it was only with difficulty that their joyous detonations could cope with the loud hurrahs from the assembled thousands. The Dacosta family came forth from their house and moved through the crowd toward the little chapel. Joam was received with absolutely frantic applause. He gave his arm to Madame Valdez; Yaquita was escorted by the governor of Belem, who, accompanied by the friends of the young army surgeon, had expressed a wish to honor the ceremony with his presence. Manoel walked by the side of Minha, who looked most fascinating in her bride’s costume, and then came Fragoso, holding the hand of Lina, who seemed quite radiant with joy. Then followed Benito, then old Cybele and the servants of the worthy family between the double ranks of the crew of the jangada. Padre Passanha awaited the two couples at the entrance of the chapel. The ceremony was very simple, and the same bands which had formerly blessed Joam and Yaquita were again stretched forth to give the nuptial benediction to their child. So much happiness was not likely to be interrupted by the sorrow of long separation. In fact, Manoel Valdez almost immediately sent in his resignation, so as to join the family at Iquitos, where he is still following the profession of a country doctor. Naturally the Fragosos did not hesitate to go back with those who were to them friends rather than masters. Madame Valdez had no desire to separate so happy a group, but she insisted on one thing, and that was that they should often come and see her at Belem. Nothing could be easier. Was not the mighty river a bond of communication between Belem and Iquitos? In a few days the first mail steamer was to begin a regular and rapid service, and it would then only take a week to ascend the Amazon, on which it had taken the giant raft so many months to drift. The important commercial negotiations, ably managed by Benito, were carried through under the best of conditions, and soon of what had formed this jangada—that is to say, the huge raft of timber constructed from an entire forest at Iquitos—there remained not a trace. A month afterward the fazender, his wife, his son, Manoel and Minha Valdez, Lina and Fragoso, departed by one of the Amazon steamers for the immense establishment at Iquitos of which Benito was to take the management. Joam Dacosta re-entered his home with his head erect, and it was indeed a family of happy hearts which he brought back with him from beyond the Brazilian frontier. As for Fragoso, twenty times a day was he heard to repeat, “What! without the liana?” and he wound up by bestowing the name on the young mulatto who, by her affection for the gallant fellow, fully justified its appropriateness. “If it were not for the one letter,” he said, “would not Lina and Liana be the same?” *** END OF THE PROJECT GUTENBERG EBOOK THE GIANT RAFT *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Related documents

• The Raft#54417
• Raftmates: A Story of the Great River#39919
• Rafter, R. v [2026] EWCA Crim 1225 (29 September 2026)#1124017
• Rafter, R. v [2026] EWCA Crim 1225 (29 September 2026)#1123984
• Stick to the raft#66060