CONTENTS The Project Gutenberg eBook of The White Bees This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title : The White Bees Author : Henry Van Dyke Release date : February 1, 2003 [eBook #3757] Most recently updated: January 8, 2021 Language : English Other information and formats : www.gutenberg.org/ebooks/3757 Credits : Produced by Charles Franks, Robert Rowe, and the Online Distributed Proofreading Team *** START OF THE PROJECT GUTENBERG EBOOK THE WHITE BEES *** Produced by Charles Franks, Robert Rowe, and the Online Distributed Proofreading Team. The White Bees by Henry van Dyke CONTENTS THE WHITE BEES NEW YEAR'S EVE SONGS FOR AMERICA Sea-Gulls of Manhattan Urbs Coronata America Doors of Daring A Home Song A Noon Song An American in Europe The Ancestral Dwellings Francis Makemie National Monuments IN PRAISE OF POETS Mother Earth Milton: Three Sonnets Wordsworth Keats Shelley Robert Browning Longfellow Thomas Bailey Aldrich Edmund Clarence Stedman LYRICS, DRAMATIC AND PERSONAL Late Spring Nepenthe Hesper Arrival Departure The Black Birds Without Disguise Gratitude Master of Music Stars and the Soul To Julia Marlowe Pan Learns Music "Undine" Love in a Look My April Lady A Lover's Envy The Hermit Thrush Fire-Fly City The Gentle Traveller Sicily, December, 1908 The Window Twilight in the Alps Jeanne D'Arc Hudson's Last Voyage THE WHITE BEES AND OTHER POEMS THE WHITE BEES I LEGEND Long ago Apollo called to Aristaeus, youngest of the shepherds, Saying, "I will make you keeper of my bees." Golden were the hives, and golden was the honey; golden, too, the music, Where the honey-makers hummed among the trees. Happy Aristaeus loitered in the garden, wandered in the orchard, Careless and contented, indolent and free; Lightly took his labour, lightly took his pleasure, till the fated moment When across his pathway came Eurydice. Then her eyes enkindled burning love within him; drove him wild with longing, For the perfect sweetness of her flower-like face; Eagerly he followed, while she fled before him, over mead and mountain, On through field and forest, in a breathless race. But the nymph, in flying, trod upon a serpent; like a dream she vanished; Pluto's chariot bore her down among the dead; Lonely Aristaeus, sadly home returning, found his garden empty, All the hives deserted, all the music fled. Mournfully bewailing,—"ah, my honey-makers, where have you departed?"— Far and wide he sought them, over sea and shore; Foolish is the tale that says he ever found them, brought them home in triumph,— Joys that once escape us fly for evermore. Yet I dream that somewhere, clad in downy whiteness, dwell the honey-makers, In aerial gardens that no mortal sees: And at times returning, lo, they flutter round us, gathering mystic harvest,— So I weave the legend of the long-lost bees. II THE SWARMING OF THE BEES I Who can tell the hiding of the white bees' nest? Who can trace the guiding of their swift home flight? Far would be his riding on a life-long quest: Surely ere it ended would his beard grow white. Never in the coming of the rose-red Spring, Never in the passing of the wine-red Fall, May you hear the humming of the white bee's wing Murmur o'er the meadow, ere the night bells call. Wait till winter hardens in the cold grey sky, Wait till leaves are fallen and the brooks all freeze, Then above the gardens where the dead flowers lie, Swarm the merry millions of the wild white bees. II Out of the high-built airy hive, Deep in the clouds that veil the sun, Look how the first of the swarm arrive; Timidly venturing, one by one, Down through the tranquil air, Wavering here and there, Large, and lazy in flight,— Caught by a lift of the breeze, Tangled among the naked trees,— Dropping then, without a sound, Feather-white, feather-light, To their rest on the ground. III Thus the swarming is begun. Count the leaders, every one Perfect as a perfect star Till the slow descent is done. Look beyond them, see how far Down the vistas dim and grey, Multitudes are on the way. Now a sudden brightness Dawns within the sombre day, Over fields of whiteness; And the sky is swiftly alive With the flutter and the flight Of the shimmering bees, that pour From the hidden door of the hive Till you can count no more. IV Now on the branches of hemlock and pine Thickly they settle and cluster and swing, Bending them low; and the trellised vine And the dark elm-boughs are traced with a line Of beauty wherever the white bees cling. Now they are hiding the wrecks of the flowers, Softly, softly, covering all, Over the grave of the summer hours Spreading a silver pall. Now they are building the broad roof ledge, Into a cornice smooth and fair, Moulding the terrace, from edge to edge, Into the sweep of a marble stair. Wonderful workers, swift and dumb, Numberless myriads, still they come, Thronging ever faster, faster, faster! Where is their queen? Who is their master? The gardens are faded, the fields are frore,— How will they fare in a world so bleak? Where is the hidden honey they seek? What is the sweetness they toil to store In the desolate day, where no blossoms gleam? Forgetfulness and a dream! V But now the fretful wind awakes; I hear him girding at the trees; He strikes the bending boughs, and shakes The quiet clusters of the bees To powdery drift; He tosses them away, He drives them like spray; He makes them veer and shift Around his blustering path. In clouds blindly whirling, In rings madly swirling, Full of crazy wrath, So furious and fast they fly They blur the earth and blot the sky In wild, white mirk. They fill the air with frozen wings And tiny, angry, icy stings; They blind the eyes, and choke the breath, They dance a maddening dance of death Around their work, Sweeping the cover from the hill, Heaping the hollows deeper still, Effacing every line and mark, And swarming, storming in the dark Through the long night; Until, at dawn, the wind lies down, Weary of fight. The last torn cloud, with trailing gown, Passes the open gates of light; And the white bees are lost in flight. VI Look how the landscape glitters wide and still, Bright with a pure surprise! The day begins with joy, and all past ill, Buried in white oblivion, lies Beneath the snowdrifts under crystal skies. New hope, new love, new life, new cheer, Flow in the sunrise beam,— The gladness of Apollo when he sees, Upon the bosom of the wintry year, The honey-harvest of his wild white bees, Forgetfulness and a dream! III LEGEND Listen, my beloved, while the silver morning, like a tranquil vision, Fills the world around us and our hearts with peace; Quiet is the close of Aristaeus' legend, happy is the ending— Listen while I tell you how he found release. Many months he wandered far away in sadness, desolately thinking Only of the vanished joys he could not find; Till the great Apollo, pitying his shepherd, loosed him from the burden Of a dark, reluctant, backward-looking mind. Then he saw around him all the changeful beauty of the changing seasons, In the world-wide regions where his journey lay; Birds that sang to cheer him, flowers that bloomed beside him, stars that shone to guide him,— Traveller's joy was plenty all along the way! Everywhere he journeyed strangers made him welcome, listened while he taught them Secret lore of field and forest he had learned: How to train the vines and make the olives fruit- ful; how to guard the sheepfolds; How to stay the fever when the dog-star burned. Friendliness and blessing followed in his foot- steps; richer were the harvests, Happier the dwellings, wheresoe'er he came; Little children loved him, and he left behind him, in the hour of parting, Memories of kindness and a god-like name. So he travelled onward, desolate no longer, patient in his seeking, Reaping all the wayside comfort of his quest; Till at last in Thracia, high upon Mount Haemus, far from human dwelling, Weary Aristaeus laid him down to rest. Then the honey-makers, clad in downy whiteness, fluttered soft around him, Wrapt him in a dreamful slumber pure and deep. This is life, beloved: first a sheltered garden, then a troubled journey, Joy and pain of seeking,—and at last we sleep! NEW YEAR'S EVE I The other night I had a dream, most clear And comforting, complete In every line, a crystal sphere, And full of intimate and secret cheer. Therefore I will repeat That vision, dearest heart, to you, As of a thing not feigned, but very true, Yes, true as ever in my life befell; And you, perhaps, can tell Whether my dream was really sad or sweet. II The shadows flecked the elm-embowered street I knew so well, long, long ago; And on the pillared porch where Marguerite Had sat with me, the moonlight lay like snow. But she, my comrade and my friend of youth, Most gaily wise, Most innocently loved,— She of the blue-grey eyes That ever smiled and ever spoke the truth,— From that familiar dwelling, where she moved Like mirth incarnate in the years before, Had gone into the hidden house of Death. I thought the garden wore White mourning for her blessed innocence, And the syringa's breath Came from the corner by the fence, Where she had made her rustic seat, With fragrance passionate, intense, As if it breathed a sigh for Marguerite. My heart was heavy with a sense Of something good forever gone. I sought Vainly for some consoling thought, Some comfortable word that I could say To the sad father, whom I visited again For the first time since she had gone away. The bell rang shrill and lonely,—then The door was opened, and I sent my name To him,—but ah! 't was Marguerite who came! There in the dear old dusky room she stood Beneath the lamp, just as she used to stand, In tender mocking mood. "You did not ask for me," she said, "And so I will not let you take my hand; "But I must hear what secret talk you planned "With father. Come, my friend, be good, "And tell me your affairs of state: "Why you have stayed away and made me wait "So long. Sit down beside me here,— "And, do you know, it seemed a year "Since we have talked together,—why so late?" Amazed, incredulous, confused with joy I hardly dared to show, And stammering like a boy, I took the place she showed me at her side; And then the talk flowed on with brimming tide Through the still night, While she with influence light Controlled it, as the moon the flood. She knew where I had been, what I had done, What work was planned, and what begun; My troubles, failures, fears she understood, And touched them with a heart so kind, That every care was melted from my mind, And every hope grew bright, And life seemed moving on to happy ends. (Ah, what self-beggared fool was he That said a woman cannot be The very best of friends?) Then there were memories of old times, Recalled with many a gentle jest; And at the last she brought the book of rhymes We made together, trying to translate The Songs of Heine (hers were always best). "Now come," she said, "To-night we will collaborate "Again; I'll put you to the test. "Here's one I never found the way to do,— "The simplest are the hardest ones, you know,— "I give this song to you." And then she read: Mein kind, wir waren Kinder, Zwei Kinder, jung und froh. But all the while a silent question stirred Within me, though I dared not speak the word: "Is it herself, and is she truly here, "And was I dreaming when I heard "That she was dead last year? "Or was it true, and is she but a shade "Who brings a fleeting joy to eye and ear, "Cold though so kind, and will she gently fade "When her sweet ghostly part is played "And the light-curtain falls at dawn of day?" But while my heart was troubled by this fear So deeply that I could not speak it out, Lest all my happiness should disappear, I thought me of a cunning way To hide the question and dissolve the doubt. "Will you not give me now your hand, "Dear Marguerite," I asked, "to touch and hold, "That by this token I may understand "You are the same true friend you were of old?" She answered with a smile so bright and calm It seemed as if I saw new stars arise In the deep heaven of her eyes; And smiling so, she laid her palm In mine. Dear God, it was not cold But warm with vital heat! "You live!" I cried, "you live, dear Marguerite!" Then I awoke; but strangely comforted, Although I knew again that she was dead. III Yes, there's the dream! And was it sweet or sad? Dear mistress of my waking and my sleep, Present reward of all my heart's desire, Watching with me beside the winter fire, Interpret now this vision that I had. But while you read the meaning, let me keep The touch of you: for the Old Year with storm Is passing through the midnight, and doth shake The corners of the house,—and oh! my heart would break Unless both dreaming and awake My hand could feel your hand was warm, warm, warm! SONGS FOR AMERICA SEA-GULLS OF Manhattan Children of the elemental mother, Born upon some lonely island shore Where the wrinkled ripples run and whisper, Where the crested billows plunge and roar; Long-winged, tireless roamers and adventurers, Fearless breasters of the wind and sea, In the far-off solitary places I have seen you floating wild and free! Here the high-built cities rise around you; Here the cliffs that tower east and west, Honeycombed with human habitations, Have no hiding for the sea-bird's nest: Here the river flows begrimed and troubled; Here the hurrying, panting vessels fume, Restless, up and down the watery highway, While a thousand chimneys vomit gloom. Toil and tumult, conflict and confusion, Clank and clamor of the vast machine Human hands have built for human bondage— Yet amid it all you float serene; Circling, soaring, sailing, swooping lightly Down to glean your harvest from the wave; In your heritage of air and water, You have kept the freedom Nature gave. Even so the wild-woods of Manhattan Saw your wheeling flocks of white and grey; Even so you fluttered, followed, floated, Round the Half-Moon creeping up the bay; Even so your voices creaked and chattered, Laughing shrilly o'er the tidal rips, While your black and beady eyes were glistening Round the sullen British prison-ships. Children of the elemental mother, Fearless floaters 'mid the double blue, From the crowded boats that cross the ferries Many a longing heart goes out to you. Though the cities climb and close around us, Something tells us that our souls are free, While the sea-gulls fly above the harbor, While the river flows to meet the sea! URBS CORONATA (Song for the City College of New York) O youngest of the giant brood Of cities far-renowned; In wealth and power thou hast passed Thy rivals at a bound; And now thou art a queen, New York; And how wilt thou be crowned? "Weave me no palace-wreath of pride," The royal city said; "Nor forge an iron fortress-wall To frown upon my head; But let me wear a diadem Of Wisdom's towers instead." And so upon her island height She worked her will forsooth, She set upon her rocky brow A citadel of Truth, A house of Light, a home of Thought, A shrine of noble Youth. Stand here, ye City College towers, And look both up and down; Remember all who wrought for you Within the toiling town; Remember all they thought for you, And all the hopes they brought for you, And be the City's Crown. AMERICA I Love thine inland seas, Thy groves of giant trees, Thy rolling plains; Thy rivers' mighty sweep, Thy mystic canyons deep, Thy mountains wild and steep, All thy domains; Thy silver Eastern strands, Thy Golden Gate that stands Wide to the West; Thy flowery Southland fair, Thy sweet and crystal air,— O land beyond compare, Thee I love best! Additional verses for the National Hymn, March, 1906. DOORS OF DARING The mountains that enfold the vale With walls of granite, steep and high, Invite the fearless foot to scale Their stairway toward the sky. The restless, deep, dividing sea That flows and foams from shore to shore, Calls to its sunburned chivalry, "Push out, set sail, explore!" And all the bars at which we fret, That seem to prison and control, Are but the doors of daring, set Ajar before the soul. Say not, "Too poor," but freely give; Sigh not, "Too weak," but boldly try. You never can begin to live Until you dare to die. A HOME SONG I Read within a poet's book A word that starred the page: "Stone walls do not a prison make, Nor iron bars a cage!" Yes, that is true; and something more You'll find, where'er you roam, That marble floors and gilded walls Can never make a home. But every house where Love abides, And Friendship is a guest, Is surely home, and home-sweet-home: For there the heart can rest. A NOON SONG There are songs for the morning and songs for the night, For sunrise and sunset, the stars and the moon; But who will give praise to the fulness of light, And sing us a song of the glory of noon? Oh, the high noon, and the clear noon, The noon with golden crest; When the sky burns, and the sun turns With his face to the way of the west! How swiftly he rose in the dawn of his strength; How slowly he crept as the morning wore by; Ah, steep was the climbing that led him at length To the height of his throne in the blue summer sky. Oh, the long toil, and the slow toil, The toil that may not rest, Till the sun looks down from his journey's crown, To the wonderful way of the west! AN AMERICAN IN EUROPE 'Tis fine to see the Old World, and travel up and down Among the famous palaces and cities of renown, To admire the crumbly castles and the statues of the kings,— But now I think I've had enough of antiquated things. So it's home again, and home again, America for me I My heart is turning home again, and there I long to be, In the land of youth and freedom beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man's town, there's power in the air; And Paris is a woman's town, with flowers in her hair; And it's sweet to dream in Venice, and it's great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods, in green battalions drilled; I like the gardens of Versailles with flashing fountains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her way! I know that Europe's wonderful, yet something seems to lack: The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free,— We love our land for what she is and what she is to be. Oh, it's home again, and home again, America for me I I want a ship that's westward bound to plough the rotting sea. To the blessed Land of Room Enough beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. THE ANCESTRAL DWELLINGS Dear to my heart are the ancestral dwellings of America, Dearer than if they were haunted by ghosts of royal splendour; These are the homes that were built by the brave beginners of a nation, They are simple enough to be great, and full of a friendly dignity. I love the old white farmhouses nestled in New England valleys, Ample and long and low, with elm-trees feather- ing over them: Borders of box in the yard, and lilacs, and old- fashioned flowers, A fan-light above the door, and little square panes in the windows, The wood-shed piled with maple and birch and hickory ready for winter, The gambrel-roof with its garret crowded with household relics,— All the tokens of prudent thrift and the spirit of self-reliance. I love the look of the shingled houses that front the ocean; Their backs are bowed, and their lichened sides are weather-beaten; Soft in their colour as grey pearls, they are full of patience and courage. They seem to grow out of the rocks, there is something indomitable about them: Pacing the briny wind in a lonely land they stand undaunted, While the thin blue line of smoke from the square-built chimney rises, Telling of shelter for man, with room for a hearth and a cradle. I love the stately southern mansions with their tall white columns, They look through avenues of trees, over fields where the cotton is growing; I can see the flutter of white frocks along their shady porches, Music and laughter float from the windows, the yards are full of hounds and horses. They have all ridden away, yet the houses have not forgotten, They are proud of their name and place, and their doors are always open, For the thing they remember best is the pride of their ancient hospitality. In the towns I love the discreet and tranquil Quaker dwellings, With their demure brick faces and immaculate white-stone doorsteps; And the gabled houses of the Dutch, with their high stoops and iron railings, (I can see their little brass knobs shining in the morning sunlight); And the solid houses of the descendants of the Puritans, Fronting the street with their narrow doors and dormer-windows; And the triple-galleried, many-pillared mansions of Charleston, Standing sideways in their gardens full of roses and magnolias. Yes, they are all dear to my heart, and in my eyes they are beautiful; For under their roofs were nourished the thoughts that have made the nation; The glory and strength of America came from her ancestral dwellings. FRANCIS MAKEMIE (Presbyter of Christ in America, 1683-1708) To thee, plain hero of a rugged race, We bring the meed of praise too long delayed! Thy fearless word and faithful work have made For God's Republic firmer path and place In this New World: thou hast proclaimed the grace And power of Christ in many a forest glade, Teaching the truth that leaves men unafraid Of frowning tyranny or death's dark face. Oh, who can tell how much we owe to thee, Makemie, and to labour such as thine, For all that makes America the shrine Of faith untrammeled and of conscience free? Stand here, grey stone, and consecrate the sod Where rests this brave Scotch-Irish man of God! NATIONAL MONUMENTS Count not the cost of honour to the dead! The tribute that a mighty nation pays To those who loved her well in former days Means more than gratitude for glories fled; For every noble man that she hath bred, Lives in the bronze and marble that we raise, Immortalized by art's immortal praise, To lead our sons as he our fathers led. These monuments of manhood strong and high Do more than forts or battle-ships to keep Our dear-bought liberty. They fortify The heart of youth with valour wise and deep; They build eternal bulwarks, and command Eternal strength to guard our native land. IN PRAISE OF POETS MOTHER EARTH Mother of all the high-strung poets and singers departed, Mother of all the grass that weaves over their graves the glory of the field, Mother of all the manifold forms of life, deep- bosomed, patient, impassive, Silent brooder and nurse of lyrical joys and sor- rows! Out of thee, yea, surely out of the fertile depth below thy breast, Issued in some Strange way, thou lying motion- less, voiceless, All these songs of nature, rhythmical, passionate, yearning, Coming in music from earth, but not unto earth returning. Dust are the blood-red hearts that beat in time to these measures, Thou hast taken them back to thyself, secretly, irresistibly Drawing the crimson currents of life down, down, down Deep into thy bosom again, as a river is lost in the sand. But the souls of the singers have entered into the songs that revealed them,— Passionate songs, immortal songs of joy and grief and love and longing: Floating from heart to heart of thy children, they echo above thee: Do they not utter thy heart, the voices of those that love thee? Long hadst thou lain like a queen transformed by some old enchantment Into an alien shape, mysterious, beautiful, speech- less, Knowing not who thou wert, till the touch of thy Lord and Lover Working within thee awakened the man-child to breathe thy secret. All of thy flowers and birds and forests and flow- ing waters Are but enchanted forms to embody the life of the spirit; Thou thyself, earth-mother, in mountain and meadow and ocean, Holdest the poem of God, eternal thought and emotion. MILTON I Lover of beauty, walking on the height Of pure philosophy and tranquil song; Born to behold the visions that belong To those who dwell in melody and light; Milton, thou spirit delicate and bright! What drew thee down to join the Roundhead throng Of iron-sided warriors, rude and strong, Fighting for freedom in a world half night? Lover of Liberty at heart wast thou, Above all beauty bright, all music clear: To thee she bared her bosom and her brow, Breathing her virgin promise in thine ear, And bound thee to her with a double vow,— Exquisite Puritan, grave Cavalier! II The cause, the cause for which thy soul resigned Her singing robes to battle on the plain, Was won, O poet, and was lost again; And lost the labour of thy lonely mind On weary tasks of prose. What wilt thou find To comfort thee for all the toil and pain? What solace, now thy sacrifice is vain And thou art left forsaken, poor, and blind? Like organ-music comes the deep reply: "The cause of truth looks lost, but shall be won. For God hath given to mine inward eye Vision of England soaring to the sun. And granted me great peace before I die, In thoughts of lowly duty bravely done." III O bend again above thine organ-board, Thou blind old poet longing for repose! Thy Master claims thy service not with those Who only stand and wait for his reward. He pours the heavenly gift of song restored Into thy breast, and bids thee nobly close A noble life, with poetry that flows In mighty music of the major chord. Where hast thou learned this deep, majestic strain, Surpassing all thy youthful lyric grace, To sing of Paradise? Ah, not in vain The griefs that won at Dante's side thy place, And made thee, Milton, by thy years of pain, The loftiest poet of the Saxon race! WORDSWORTH Wordsworth, thy music like a river rolls Among the mountains, and thy song is fed By living springs far up the watershed; No whirling flood nor parching drought controls The crystal current; even on the shoals It murmurs clear and sweet; and when its bed Darkens below mysterious cliffs of dread, Thy voice of peace grows deeper in our souls. But thou in youth hast known the breaking stress Of passion, and hast trod despair's dry ground Beneath black thoughts that wither and de- stroy. Ah, wanderer, led by human tenderness Home to the heart of Nature, thou hast found The hidden Fountain of Recovered Joy. KEATS The melancholy gift Aurora gained From Jove, that her sad lover should not see The face of death, no goddess asked for thee, My Keats! But when the crimson blood-drop stained Thy pillow, thou didst read the fate ordained,— Brief life, wild love, a flight of poesy! And then,—a shadow fell on Italy: Thy star went down before its brightness waned. Yet thou hast won the gift Tithonus missed: Never to feel the pain of growing old, Nor lose the blissful sight of beauty's truth, But with the ardent lips that music kissed To breathe thy song, and, ere thy heart grew cold, Become the Poet of Immortal Youth. SHELLEY Knight-errant of the Never-ending Quest, And Minstrel of the Unfulfilled Desire; For ever tuning thy frail earthly lyre To some unearthly music, and possessed With painful passionate longing to invest The golden dream of Love's immortal fire In mortal robes of beautiful attire, And fold perfection to thy throbbing breast! What wonder, Shelley, if the restless wave Should claim thee and the leaping flame con- sume Thy drifted form on Viareggio's beach? Fate to thy body gave a fitting grave, And bade thy soul ride on with fiery plume, Thy wild song ring in ocean's yearning speech! ROBERT BROWNING How blind the toil that burrows like the mole, In winding graveyard pathways under- ground, For Browning's lineage! What if men have found Poor footmen or rich merchants on the roll Of his forbears? Did they beget his soul? Nay, for he came of ancestry renowned Through all the world,—the poets laurel- crowned With wreaths from which the autumn takes no toll. The blazons on his coat-of-arms are these: The flaming sign of Shelley's heart on fire, The golden globe of Shakespeare's human stage, The staff and scrip of Chaucer's pilgrimage, The rose of Dante's deep, divine desire, The tragic mask of wise Euripides. LONGFELLOW In a great land, a new land, a land full of labour and riches and confusion, Where there were many running to and fro, and shouting, and striving together, In the midst of the hurry and the troubled noise, I heard the voice of one singing. "What are you doing there, O man, singing quietly amid all this tumult? This is the time for new inventions, mighty shoutings, and blowings of the trumpet." But he answered, "I am only shepherding my sheep with music." So he went along his chosen way, keeping his little flock around him; And he paused to listen, now and then, beside the antique fountains, Where the faces of forgotten gods were refreshed with musically falling waters; Or he sat for a while at the blacksmith's door, and heard the cling-clang of the anvils; Or he rested beneath old steeples full of bells, that showered their chimes upon him; Or he walked along the border of the sea, drink- ing in the long roar of the billows; Or he sunned himself in the pine-scented ship- yard, amid the tattoo of the mallets; Or he leaned on the rail of the bridge, letting his thoughts flow with the whispering river; He hearkened also to ancient tales, and made them young again with his singing. Then a flaming arrow of death fell on his flock, and pierced the heart of his dearest! Silent the music now, as the shepherd entered the mystical temple of sorrow: Long he tarried in darkness there: but when he came out he was singing. And I saw the faces of men and women and children silently turning toward him; The youth setting out on the journey of life, and the old man waiting beside the last mile-stone; The toiler sweating beneath his load; and the happy mother rocking her cradle; The lonely sailor on far-off seas; and the grey- minded scholar in his book-room; The mill-hand bound to a clacking machine; and the hunter in the forest; And the solitary soul hiding friendless in the wilderness of the city; Many human faces, full of care and longing, were drawn irresistibly toward him, By the charm of something known to every heart, yet very strange and lovely, And at the sound of that singing wonderfully all their faces were lightened. "Why do you listen, O you people, to this old and world-worn music? This is not for you, in the splendour of a new age, in the democratic triumph! Listen to the clashing cymbals, the big drums, the brazen trumpets of your poets." But the people made no answer, following in their hearts the simpler music: For it seemed to them, noise-weary, nothing could be better worth the hearing Than the melodies which brought sweet order into life's confusion. So the shepherd sang his way along, until he came unto a mountain: And I know not surely whether it was called Parnassus, But he climbed it out of sight, and still I heard the voice of one singing. THOMAS BAILEY ALDRICH I BIRTHDAY VERSES Dear Aldrich, now November's mellow days Have brought another Festa round to you, You can't refuse a loving-cup of praise From friends the fleeting years have bound to you. Here come your Marjorie Daw, your dear Bad Boy, Prudence, and Judith the Bethulian, And many more, to wish you birthday joy, And sunny hours, and sky caerulean! Your children all, they hurry to your den, With wreaths of honour they have won for you, To merry-make your threescore years and ten You, old? Why, life has just begun for you! There's many a reader whom your silver songs And crystal stories cheer in loneliness. What though the newer writers come in throngs? You're sure to keep your charm of only-ness. You do your work with careful, loving touch,— An artist to the very core of you,— you know the magic spell of "not-too-much": We read,—and wish that there was more of you. And more there is: for while we love your books Because their subtle skill is part of you; We love you better, for our friendship looks Behind them to the human heart of you. November 24,1906. II MEMORIAL SONNET This is the house where little Aldrich read The early pages of Life's wonder-book: With boyish pleasure, in this ingle-nook He watched the drift-wood fire of Fancy spread Bright colours on the pictures, blue and red: Boy-like he skipped the longer words, and took His happy way, with searching, dreamful look Among the deeper things more simply said. Then, came his turn to write: and still the flame Of Fancy played through all the tales he told, And still he won the laurelled poet's fame With simple words wrought into rhymes of gold. Look, here's the face to which this house is frame,— A man too wise to let his heart grow old! (Dedication of the Aldrich Memorial at Portsmouth, June 11, 1908.) EDMUND CLARENCE STEDMAN Oh, quick to feel the lightest touch Of beauty or of truth, Rich in the thoughtfulness of age, The hopefulness of youth, The courage of the gentle heart, The wisdom of the pure, The strength of finely tempered souls To labour and endure! The blue of springtime in your eyes Was never quenched by pain; And winter brought your head the crown Of snow without a stain. The poet's mind, the prince's heart, You kept until the end, Nor ever faltered in your work, Nor ever failed a friend. You followed, through the quest of life, The light that shines above The tumult and the toil of men, And shows us what to love. Right loyal to the best you knew, Reality or dream, You ran the race, you fought the fight, A follower of the Gleam. We lay upon your well-earned grave The wreath of asphodel, We speak above your peaceful face The tender word Farewell! For well you fare, in God's good care, Somewhere within the blue, And know, to-day, your dearest dreams Are true,—and true,—and true! (Read at the funeral of Mr. Stedman, January 21, 1908.) LYRICS DRAMATIC AND PERSONAL LATE SPRING I Ah, who will tell me, in these leaden days, Why the sweet Spring delays, And where she hides,—the dear desire Of every heart that longs For bloom, and fragrance, and the ruby fire Of maple-buds along the misty hills, And that immortal call which fills The waiting wood with songs? The snow-drops came so long ago, It seemed that Spring was near! But then returned the snow With biting winds, and all the earth grew sere, And sullen clouds drooped low To veil the sadness of a hope deferred: Then rain, rain, rain, incessant rain Beat on the window-pane, Through which I watched the solitary bird That braved the tempest, buffeted and tossed, With rumpled feathers, down the wind again. Oh, were the seeds all lost When winter laid the wild flowers in their tomb? I searched their haunts in vain For blue hepaticas, and trilliums white, And trailing arbutus, the Spring's delight, Starring the withered leaves with rosy bloom. The woods were bare: and every night the frost To all my longings spoke a silent nay, And told me Spring was far and far away. Even the robins were too cold to sing, Except a broken and discouraged note,— Only the tuneful sparrow, on whose throat Music has put her triple finger-print, Lifted his head and sang my heart a hint,— "Wait, wait, wait! oh, wait a while for Spring!" II But now, Carina, what divine amends For all delay! What sweetness treasured up, What wine of joy that blends A hundred flavours in a single cup, Is poured into this perfect day! For look, sweet heart, here are the early flowers, That lingered on their way, Thronging in haste to kiss the feet of May, And mingled with the bloom of later hours,— Anemonies and cinque-foils, violets blue And white, and iris richly gleaming through The grasses of the meadow, and a blaze Of butter-cups and daisies in the field, Filling the air with praise, As if a silver chime of bells had pealed! The frozen songs within the breast Of silent birds that hid in leafless woods, Melt into rippling floods Of gladness unrepressed. Now oriole and blue-bird, thrush and lark, Warbler and wren and vireo, Confuse their music; for the living spark Of Love has touched the fuel of desire, And every heart leaps up in singing fire. It seems as if the land Were breathing deep beneath the sun's caress, Trembling with tenderness, While all the woods expand, In shimmering clouds of rose and gold and green, To veil the joys too sacred to be seen. III Come, put your hand in mine, True love, long sought and found at last, And lead me deep into the Spring divine That makes amends for all the wintry past. For all the flowers and songs I feared to miss Arrive with you; And in the lingering pressure of your kiss My dreams come true; And in the promise of your generous eyes I read the mystic sign Of joy more perfect made Because so long delayed, And bliss enhanced by rapture of surprise. Ah, think not early love alone is strong; He loveth best whose heart has learned to wait Dear messenger of Spring that tarried long, You're doubly dear because you come so late. NEPENTHE Yes it was like you to forget, And cancel in the welcome of your smile My deep arrears of debt, And with the putting forth of both your hands To sweep away the bars my folly set Between us—bitter thoughts, and harsh de- mands, And reckless deeds that seemed untrue To love, when all the while My heart was aching through and through For you, sweet heart, and only you. Yet, as I turned to come to you again, I thought there must be many a mile Of sorrowful reproach to cross, And many an hour of mutual pain To bear, until I could make plain That all my pride was but the fear of loss, And all my doubt the shadow of despair To win a heart so innocent and fair; And even that which looked most ill Was but the fever-fret and effort vain To dull the thirst which you alone could still. But as I turned the desert miles were crossed, And when I came the weary hours were sped! For there you stood beside the open door, Glad, gracious, smiling as before, And with bright eyes and tender hands outspread Restored me to the Eden I had lost. Never a word of cold reproof, No sharp reproach, no glances that accuse The culprit whom they hold aloof,— Ah, 't is not thus that other women use The power they have won! For there is none like you, beloved,—none Secure enough to do what you have done. Where did you learn this heavenly art,— You sweetest and most wise of all that live,— With silent welcome to impart Assurance of the royal heart That never questions where it would forgive? None but a queen could pardon me like this! My sovereign lady, let me lay Within each rosy palm a loyal kiss Of penitence, then close the fingers up, Thus—thus! Now give the cup Of full nepenthe in your crimson mouth, And come—the garden blooms with bliss, The wind is in the south, The rose of love with dew is wet— Dear, it was like you to forget! HESPER Her eyes are like the evening air, Her voice is like a rose, Her lips are like a lovely song, That ripples as it flows, And she herself is sweeter than The sweetest thing she knows. A slender, haunting, twilight form Of wonder and surprise, She seemed a fairy or a child, Till, deep within her eyes, I saw the homeward-leading star Of womanhood arise. ARRIVAL Across a thousand miles of sea, a hundred leagues of land, Along a path I had not traced and could not understand, I travelled fast and far for this,—to take thee by the hand. A pilgrim knowing not the shrine where he would bend his knee, A mariner without a dream of what his port would be, So fared I with a seeking heart until I came to thee. O cooler than a grove of palm in some heat-weary place, O fairer than an isle of calm after the wild sea race, The quiet room adorned with flowers where first I saw thy face! Then furl the sail, let fall the oar, forget the paths of foam! The Power that made me wander far at last has brought me home To thee, dear haven of my heart, and I no more will roam. DEPARTURE Oh, why are you shining so bright, big Sun, And why is the garden so gay? Do you know that my days of delight are done, Do you know I am going away? If you covered your face with a cloud, I'd dream You were sorry for me in my pain, And the heads of the flowers all bowed would seem To be weeping with me in the rain. But why is your head so low, sweet heart, And why are your eyes overcast? Are they clouded because you know we must part, Do you think this embrace is our last? Then kiss me again, and again, and again, Look up as you bid me good-bye! For your face is too dear for the stain of a tear, And your smile is the sun in my sky. THE BLACK BIRDS I Once, only once, I saw it clear,— That Eden every human heart has dreamed A hundred times, but always far away! Ah, well do I remember how it seemed, Through the still atmosphere Of that enchanted day, To lie wide open to my weary feet: A little land of love and joy and rest, With meadows of soft green, Rosy with cyclamen, and sweet With delicate breath of violets unseen,— And, tranquil 'mid the bloom As if it waited for a coming guest, A little house of peace and joy and love Was nested like a snow-white dove From the rough mountain where I stood, Homesick for happiness, Only a narrow valley and a darkling wood To cross, and then the long distress Of solitude would be forever past,— I should be home at last. But not too soon! oh, let me linger here And feed my eyes, hungry with sorrow, On all this loveliness, so near, And mine to-morrow! Then, from the wood, across the silvery blue, A dark bird flew, Silent, with sable wings. Close in his wake another came,— Fragments of midnight floating through The sunset flame,— Another and another, weaving rings Of blackness on the primrose sky,— Another, and another, look, a score, A hundred, yes, a thousand rising heavily From that accursed, dumb, and ancient wood,— They boiled into the lucid air Like smoke from some deep caldron of despair! And more, and more, and ever more, The numberless, ill-omened brood, Flapping their ragged plumes, Possessed the landscape and the evening light With menaces and glooms. Oh, dark, dark, dark they hovered o'er the place Where once I saw the little house so white Amid the flowers, covering every trace Of beauty from my troubled sight,— And suddenly it was night! II At break of day I crossed the wooded vale; And while the morning made A trembling light among the tree-tops pale, I saw the sable birds on every limb, Clinging together closely in the shade, And croaking placidly their surly hymn. But, oh, the little land of peace and love That those night-loving wings had poised above,— Where was it gone? Lost, lost forevermore! Only a cottage, dull and gray, In the cold light of dawn, With iron bars across the door: Only a garden where the withering heads Of flowers, presaging decay, Hung over barren beds: Only a desolate field that lay Untilled beneath the desolate day,— Where Eden seemed to bloom I found but these! So, wondering, I passed along my way, With anger in my heart, too deep for words, Against that grove of evil-sheltering trees, And the black magic of the croaking birds. WITHOUT DISGUISE If I have erred in showing all my heart, And lost your favour by a lack of pride; If standing like a beggar at your side With naked feet, I have forgot the art Of those who bargain well in passion's mart, And win the thing they want by what they hide; Be mine the fault as mine the hope denied, Be mine the lover's and the loser's part. The sin, if sin it was, I do repent, And take the penance on myself alone; Yet after I have borne the punishment, I shall not fear to stand before the throne Of Love with open heart, and make this plea: "At least I have not lied to her nor Thee!" GRATITUDE Do you give thanks for this?—or that?" No, God be thanked I am not grateful In that cold, calculating way, with blessing ranked As one, two, three, and four,—that would be hateful. I only know that every day brings good above My poor deserving; I only feel that, in the road of Life, true Love Is leading me along and never swerving. Whatever gifts and mercies in my lot may fall, I would not measure As worth a certain price in praise, or great or small; But take and use them all with simple pleasure. For when we gladly eat our daily bread, we bless The Hand that feeds us; And when we tread the road of Life in cheer- fulness, Our very heart-beats praise the Love that leads us. MASTER OF MUSIC (In memory of Theodore Thomas, 1905) Glory of architect, glory of painter, and sculp- tor, and bard, Living forever in temple and picture and statue and song,— Look how the world with the lights that they lit is illumined and starred, Brief was the flame of their life, but the lamps of their art burn long! Where is the Master of Music, and how has he vanished away? Where is the work that he wrought with his wonderful art in the air? Gone,—it is gone like the glow on the cloud at the close of the day! The Master has finished his work, and the glory of music is—where? Once, at the wave of his wand, all the billows of musical sound Followed his will, as the sea was ruled by the prophet of old: Now that his hand is relaxed, and his rod has dropped to the ground, Silent and dark are the shores where the mar- vellous harmonies rolled! Nay, but not silent the hearts that were filled by that life-giving sea; Deeper and purer forever the tides of their being will roll, Grateful and joyful, O Master, because they have listened to thee,— The glory of music endures in the depths of the human soul. STARS AND THE SOUL (To Charles A. Young, Astronomer) "Two things," the wise man said, "fill me with awe: The starry heavens and the moral law." Nay, add another wonder to thy roll,— The living marvel of the human soul! Born in the dust and cradled in the dark, It feels the fire of an immortal spark, And learns to read, with patient, searching eyes, The splendid secret of the unconscious skies. For God thought Light before He spoke the word; The darkness understood not, though it heard: But man looks up to where the planets swim, And thinks God's thoughts of glory after Him. What knows the star that guides the sailor's way, Or lights the lover's bower with liquid ray, Of toil and passion, danger and distress, Brave hope, true love, and utter faithfulness? But human hearts that suffer good and ill, And hold to virtue with a loyal will, Adorn the law that rules our mortal strife With star-surpassing victories of life. So take our thanks, dear reader of the skies, Devout astronomer, most humbly wise, For lessons brighter than the stars can give, And inward light that helps us all to live. The world has brought the laurel-leaves to crown The star-discoverer's name with high, renown; Accept the flower of love we lay with these For influence sweeter than the Pleiades! TO JULIA MARLOWE (Reading Keats' Ode on a Grecian Urn) Long had I loved this "Attic shape," the brede Of marble maidens round this urn divine: But when your golden voice began to read, The empty urn was filled with Chian wine. PAN LEARNS MUSIC Limber-limbed, lazy god, stretched on the rock, Where is sweet Echo, and where is your flock? What are you making here? "Listen," said Pan,— "Out of a river-reed music for man!" "UNDINE" 'Twas far away and long ago, When I was but a dreaming boy, This fairy tale of love and woe Entranced my heart with tearful joy; And while with white Undine I wept, Your spirit,—ah, how strange it seems, Was cradled in some star, and slept, Unconscious of her coming dreams. LOVE IN A LOOK Let me but feel thy look's embrace, Transparent, pure, and warm, And I'll not ask to touch thy face, Or fold thee with mine arm. For in thine eyes a girl doth rise, Arrayed in candid bliss, And draws me to her with a charm More close than any kiss. A loving-cup of golden wine, Songs of a silver brook, And fragrant breaths of eglantine, Are mingled in thy look. More fair they are than any star, Thy topaz eyes divine— And deep within their trysting-nook Thy spirit blends with mine. MY APRIL LADY When down the stair at morning The sunbeams round her float, Sweet rivulets of laughter Are bubbling in her throat; The gladness of her greeting Is gold without alloy; And in the morning sunlight I think her name is Joy. When in the evening twilight The quiet book-room lies, We read the sad old ballads, While from her hidden eyes The tears are falling, falling, That give her heart relief; And in the evening twilight, I think her name is Grief. My little April lady, Of sunshine and of showers, She weaves the old spring magic, And breaks my heart in flowers! But when her moods are ended, She nestles like a dove; Then, by the pain and rapture, I know her name is Love. A LOVER'S ENVY I envy every flower that blows Along the meadow where she goes, And every bird that sings to her, And every breeze that brings to her The fragrance of the rose. I envy every poet's rhyme That moves her heart at eventime, And every tree that wears for her Its brightest bloom, and bears for her The fruitage of its prime.