Arsène Lupin
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
CHAPTER XXIII THE END OF THE DUEL CHAPTER XXIII THE END OF THE DUEL “The handcuffs?” said Lupin; and his face fell. Then it cleared; and he added lightly, “After all, there’s nothing like being careful; and, by Jove, with me you need to be. I might get away yet. What luck it is for you that I’m so soft, so little of a Charmerace, so human! Truly, I can’t be much of a man of the world, to be in love like this!” “Come, come, hold out your hands!” said Guerchard, jingling the handcuffs impatiently. “I should like to see that child for the last time,” said Lupin gently. “All right,” said Guerchard. “Arsène Lupin—and nabbed by you! If you aren’t in luck! Here you are!” said Lupin bitterly; and he held out his wrists. Guerchard snapped the handcuffs on them with a grunt of satisfaction. Lupin gazed down at them with a bitter face, and said: “Oh, you are in luck! You’re not married by any chance?” “Yes, yes; I am,” said Guerchard hastily; and he went quickly to the door and opened it: “Dieusy!” he called. “Dieusy! Mademoiselle Kritchnoff is at liberty. Tell her so, and bring her in here.” Lupin started back, flushed and scowling; he cried: “With these things on my hands! ... No! ... I can’t see her!” Guerchard stood still, looking at him. Lupin’s scowl slowly softened, and he said, half to himself, “But I should have liked to see her ... very much ... for if she goes like that ... I shall not know when or where—” He stopped short, raised his eyes, and said in a decided tone: “Ah, well, yes; I should like to see her.” “If you’ve quite made up your mind,” said Guerchard impatiently, and he went into the anteroom. Lupin stood very still, frowning thoughtfully. He heard footsteps on the stairs, and then the voice of Guerchard in the anteroom, saying, in a jeering tone, “You’re free, mademoiselle; and you can thank the Duke for it. You owe your liberty to him.” “Free! And I owe it to him?” cried the voice of Sonia, ringing and golden with extravagant joy. “Yes, mademoiselle,” said Guerchard. “You owe it to him.” She came through the open door, flushed deliciously and smiling, her eyes brimming with tears of joy. Lupin had never seen her look half so adorable. “Is it to you I owe it? Then I shall owe everything to you. Oh, thank you—thank you!” she cried, holding out her hands to him. Lupin half turned away from her to hide his handcuffs. She misunderstood the movement. Her face fell suddenly like that of a child rebuked: “Oh, I was wrong. I was wrong to come here!” she cried quickly, in changed, dolorous tones. “I thought yesterday ... I made a mistake ... pardon me. I’m going. I’m going.” Lupin was looking at her over his shoulder, standing sideways to hide the handcuffs. He said sadly. “Sonia—” “No, no, I understand! It was impossible!” she cried quickly, cutting him short. “And yet if you only knew—if you knew how I have changed—with what a changed spirit I came here.... Ah, I swear that now I hate all my past. I loathe it. I swear that now the mere presence of a thief would overwhelm me with disgust.” “Hush!” said Lupin, flushing deeply, and wincing. “Hush!” “But, after all, you’re right,” she said, in a gentler voice. “One can’t wipe out what one has done. If I were to give back everything I’ve taken—if I were to spend years in remorse and repentance, it would be no use. In your eyes I should always be Sonia Kritchnoff, the thief!” The great tears welled slowly out of her eyes and rolled down her cheeks; she let them stream unheeded. “Sonia!” cried Lupin, protesting. But she would not hear him. She broke out with fresh vehemence, a feverish passion: “And yet, if I’d been a thief, like so many others... but you know why I stole. I’m not trying to defend myself, but, after all, I did it to keep honest; and when I loved you it was not the heart of a thief that thrilled, it was the heart of a poor girl who loved...that’s all...who loved.” “You don’t know what you’re doing! You’re torturing me! Be quiet!” cried Lupin hoarsely, beside himself. “Never mind...I’m going...we shall never see one another any more,” she sobbed. “But will you...will you shake hands just for the last time?” “No!” cried Lupin. “You won’t?” wailed Sonia in a heartrending tone. “I can’t!” cried Lupin. “You ought not to be like this.... Last night ... if you were going to let me go like this ... last night ... it was wrong,” she wailed, and turned to go. “Wait, Sonia! Wait!” cried Lupin hoarsely. “A moment ago you said something.... You said that the mere presence of a thief would overwhelm you with disgust. Is that true?” “Yes, I swear it is,” cried Sonia. Guerchard appeared in the doorway. “And if I were not the man you believe?” said Lupin sombrely. “What?” said Sonia; and a faint bewilderment mingled with her grief. “If I were not the Duke of Charmerace?” “Not the Duke?” “If I were not an honest man?” said Lupin. “You?” cried Sonia. “If I were a thief? If I were—” “Arsène Lupin,” jeered Guerchard from the door. Lupin turned and held out his manacled wrists for her to see. “Arsène Lupin! ... it’s ... it’s true!” stammered Sonia. “But then, but then ... it must be for my sake that you’ve given yourself up. And it’s for me you’re going to prison. Oh, Heavens! How happy I am!” She sprang to him, threw her arms round his neck, and pressed her lips to his. “And that’s what women call repenting,” said Guerchard. He shrugged his shoulders, went out on to the landing, and called to the policeman in the hall to bid the driver of the prison-van, which was waiting, bring it up to the door. “Oh, this is incredible!” cried Lupin, in a trembling voice; and he kissed Sonia’s lips and eyes and hair. “To think that you love me enough to go on loving me in spite of this—in spite of the fact that I’m Arsène Lupin. Oh, after this, I’ll become an honest man! It’s the least I can do. I’ll retire.” “You will?” cried Sonia. “Upon my soul, I will!” cried Lupin; and he kissed her again and again. Guerchard came back into the room. He looked at them with a cynical grin, and said, “Time’s up.” “Oh, Guerchard, after so many others, I owe you the best minute of my life!” cried Lupin. Bonavent, still in his porter’s livery, came hurrying through the anteroom: “Master,” he cried, “I’ve found it.” “Found what?” said Guerchard. “The secret entrance. It opens into that little side street. We haven’t got the door open yet; but we soon shall.” “The last link in the chain,” said Guerchard, with warm satisfaction. “Come along, Lupin.” “But he’s going to take you away! We’re going to be separated!” cried Sonia, in a sudden anguish of realization. “It’s all the same to me now!” cried Lupin, in the voice of a conqueror. “Yes, but not to me!” cried Sonia, wringing her hands. “Now you must keep calm and go. I’m not going to prison,” said Lupin, in a low voice. “Wait in the hall, if you can. Stop and talk to Victoire; condole with her. If they turn you out of the house, wait close to the front door.” “Come, mademoiselle,” said Guerchard. “You must go.” “Go, Sonia, go—good-bye—good-bye,” said Lupin; and he kissed her. She went quietly out of the room, her handkerchief to her eyes. Guerchard held open the door for her, and kept it open, with his hand still on the handle; he said to Lupin: “Come along.” Lupin yawned, stretched himself, and said coolly, “My dear Guerchard, what I want after the last two nights is rest—rest.” He walked quickly across the room and stretched himself comfortably at full length on the couch. “Come, get up,” said Guerchard roughly. “The prison-van is waiting for you. That ought to fetch you out of your dream.” “Really, you do say the most unlucky things,” said Lupin gaily. He had resumed his flippant, light-hearted air; his voice rang as lightly and pleasantly as if he had not a care in the world. “Do you mean that you refuse to come?” cried Guerchard in a rough, threatening tone. “Oh, no,” said Lupin quickly: and he rose. “Then come along!” said Guerchard. “No,” said Lupin, “after all, it’s too early.” Once more he stretched himself out on the couch, and added languidly, “I’m lunching at the English Embassy.” “Now, you be careful!” cried Guerchard angrily. “Our parts are changed. If you’re snatching at a last straw, it’s waste of time. All your tricks—I know them. Understand, you rogue, I know them.” “You know them?” said Lupin with a smile, rising. “It’s fatality!” He stood before Guerchard, twisting his hands and wrists curiously. Half a dozen swift movements; and he held out his handcuffs in one hand and threw them on the floor. “Did you know that trick, Guerchard? One of these days I shall teach you to invite me to lunch,” he said slowly, in a mocking tone; and he gazed at the detective with menacing, dangerous eyes. “Come, come, we’ve had enough of this!” cried Guerchard, in mingled astonishment, anger, and alarm. “Bonavent! Boursin! Dieusy! Here! Help! Help!” he shouted. “Now listen, Guerchard, and understand that I’m not humbugging,” said Lupin quickly, in clear, compelling tones. “If Sonia, just now, had had one word, one gesture of contempt for me, I’d have given way—yielded ... half-yielded, at any rate; for, rather than fall into your triumphant clutches, I’d have blown my brains out. I’ve now to choose between happiness, life with Sonia, or prison. Well, I’ve chosen. I will live happy with her, or else, my dear Guerchard, I’ll die with you. Now let your men come—I’m ready for them.” Guerchard ran to the door and shouted again. “I think the fat’s in the fire now,” said Lupin, laughing. He sprang to the table, opened the cardboard box, whipped off the top layer of cotton-wool, and took out a shining bomb. He sprang to the wall, pressed the button, the bookshelf glided slowly to one side, the lift rose to the level of the floor and its doors flew open just as the detectives rushed in. “Collar him!” yelled Guerchard. “Stand back—hands up!” cried Lupin, in a terrible voice, raising his right hand high above his head. “You know what this is ... a bomb.... Come and collar me now, you swine! ... Hands up, you ... Guerchard!” “You silly funks!” roared Guerchard. “Do you think he’d dare?” “Come and see!” cried Lupin. “I will!” cried Guerchard. And he took a step forward. As one man his detectives threw themselves upon him. Three of them gripped his arms, a fourth gripped him round the waist; and they all shouted at him together, not to be a madman! ... To look at Lupin’s eyes! ... That Lupin was off his head! “What miserable swine you are!” cried Lupin scornfully. He sprang forward, caught up the kit-bag in his left hand, and tossed it behind him into the lift. “You dirty crew!” he cried again. “Oh, why isn’t there a photographer here? And now, Guerchard, you thief, give me back my pocket-book.” “Never!” screamed Guerchard, struggling with his men, purple with fury. “Oh, Lord, master! Do be careful! Don’t rile him!” cried Bonavent in an agony. “What? Do you want me to smash up the whole lot?” roared Lupin, in a furious, terrible voice. “Do I look as if I were bluffing, you fools?” “Let him have his way, master!” cried Dieusy. “Yes, yes!” cried Bonavent. “Let him have his way!” cried another. “Give him his pocket-book!” cried a third. “Never!” howled Guerchard. “It’s in his pocket—his breast-pocket! Be smart!” roared Lupin. “Come, come, it’s got to be given to him,” cried Bonavent. “Hold the master tight!” And he thrust his hand into the breast of Guerchard’s coat, and tore out the pocket-book. “Throw it on the table!” cried Lupin. Bonavent threw it on to the table; and it slid along it right to Lupin. He caught it in his left hand, and slipped it into his pocket. “Good!” he said. And then he yelled ferociously, “Look out for the bomb!” and made a feint of throwing it. The whole group fell back with an odd, unanimous, sighing groan. Lupin sprang into the lift, and the doors closed over the opening. There was a great sigh of relief from the frightened detectives, and then the chunking of machinery as the lift sank. Their grip on Guerchard loosened. He shook himself free, and shouted, “After him! You’ve got to make up for this! Down into the cellars, some of you! Others go to the secret entrance! Others to the servants’ entrance! Get into the street! Be smart! Dieusy, take the lift with me!” The others ran out of the room and down the stairs, but with no great heartiness, since their minds were still quite full of the bomb, and Lupin still had it with him. Guerchard and Dieusy dashed at the doors of the opening of the lift-well, pulling and wrenching at them. Suddenly there was a click; and they heard the grunting of the machinery. There was a little bump and a jerk, the doors flew open of themselves; and there was the lift, empty, ready for them. They jumped into it; Guerchard’s quick eye caught the button, and he pressed it. The doors banged to, and, to his horror, the lift shot upwards about eight feet, and stuck between the floors. As the lift stuck, a second compartment, exactly like the one Guerchard and Dieusy were in, came up to the level of the floor of the smoking-room; the doors opened, and there was Lupin. But again how changed! The clothes of the Duke of Charmerace littered the floor; the kit-bag was open; and he was wearing the very clothes of Chief-Inspector Guerchard, his seedy top-hat, his cloak. He wore also Guerchard’s sparse, lank, black hair, his little, bristling, black moustache. His figure, hidden by the cloak, seemed to have shrunk to the size of Guerchard’s. He sat before a mirror in the wall of the lift, a make-up box on the seat beside him. He darkened his eyebrows, and put a line or two about his eyes. That done he looked at himself earnestly for two or three minutes; and, as he looked, a truly marvellous transformation took place: the features of Arsène Lupin, of the Duke of Charmerace, decomposed, actually decomposed, into the features of Jean Guerchard. He looked at himself and laughed, the gentle, husky laugh of Guerchard. He rose, transferred the pocket-book to the coat he was wearing, picked up the bomb, came out into the smoking-room, and listened. A muffled roaring thumping came from the well of the lift. It almost sounded as if, in their exasperation, Guerchard and Dieusy were engaged in a struggle to the death. Smiling pleasantly, he stole to the window and looked out. His eyes brightened at the sight of the motor-car, Guerchard’s car, waiting just before the front door and in charge of a policeman. He stole to the head of the stairs, and looked down into the hall. Victoire was sitting huddled together on a chair; Sonia stood beside her, talking to her in a low voice; and, keeping guard on Victoire, stood a brown-faced, active, nervous policeman, all alertness, briskness, keenness. “Hi! officer! come up here! Be smart,” cried Lupin over the bannisters, in the husky, gentle voice of Chief-Inspector Guerchard. The policeman looked up, recognized the great detective, and came bounding zealously up the stairs. Lupin led the way through the anteroom into the sitting-room. Then he said sharply: “You have your revolver?” “Yes,” said the young policeman. And he drew it with a flourish. “Put it away! Put it away at once!” said Lupin very smartly. “You’re not to use it. You’re not to use it on any account! You understand?” “Yes,” said the policeman firmly; and with a slightly bewildered air he put the revolver away. “Here! Stand here!” cried Lupin, raising his voice. And he caught the policeman’s arm, and hustled him roughly to the front of the doors of the lift-well. “Do you see these doors? Do you see them?” he snapped. “Yes, yes,” said the policeman, glaring at them. “They’re the doors of a lift,” said Lupin. “In that lift are Dieusy and Lupin. You know Dieusy?” “Yes, yes,” said the policeman. “There are only Dieusy and Lupin in the lift. They are struggling together. You can hear them,” shouted Lupin in the policeman’s ear. “Lupin is disguised. You understand—Dieusy and a disguised man are in the lift. The disguised man is Lupin. Directly the lift descends and the doors open, throw yourself on him! Hold him! Shout for assistance!” He almost bellowed the last words into the policeman’s ear. “Yes, yes,” said the policeman. And he braced himself before the doors of the lift-well, gazing at them with harried eyes, as if he expected them to bite him. “Be brave! Be ready to die in the discharge of your duty!” bellowed Lupin; and he walked out of the room, shut the door, and turned the key. The policeman stood listening to the noise of the struggle in the lift, himself strung up to fighting point; he was panting. Lupin’s instructions were whirling and dancing in his head. Lupin went quietly down the stairs. Victoire and Sonia saw him coming. Victoire rose; and as he came to the bottom of the stairs Sonia stepped forward and said in an anxious, pleading voice: “Oh, M. Guerchard, where is he?” “He’s here,” said Lupin, in his natural voice. Sonia sprang to him with outstretched arms. “It’s you! It IS you!” she cried. “Just look how like him I am!” said Lupin, laughing triumphantly. “But do I look quite ruffian enough?” “Oh, NO! You couldn’t!” cried Sonia. “Isn’t he a wonder?” said Victoire. “This time the Duke of Charmerace is dead, for good and all,” said Lupin. “No; it’s Lupin that’s dead,” said Sonia softly. “Lupin?” he said, surprised. “Yes,” said Sonia firmly. “It would be a terrible loss, you know—a loss for France,” said Lupin gravely. “Never mind,” said Sonia. “Oh, I must be in love with you!” said Lupin, in a wondering tone; and he put his arm round her and kissed her violently. “And you won’t steal any more?” said Sonia, holding him back with both hands on his shoulders, looking into his eyes. “I shouldn’t dream of such a thing,” said Lupin. “You are here. Guerchard is in the lift. What more could I possibly desire?” His voice softened and grew infinitely caressing as he went on: “Yet when you are at my side I shall always have the soul of a lover and the soul of a thief. I long to steal your kisses, your thoughts, the whole of your heart. Ah, Sonia, if you want me to steal nothing else, you have only to stay by my side.” Their lips met in a long kiss. Sonia drew herself out of his arms and cried, “But we’re wasting time! We must make haste! We must fly!” “Fly?” said Lupin sharply. “No, thank you; never again. I did flying enough last night to last me a lifetime. For the rest of my life I’m going to crawl—crawl like a snail. But come along, you two, I must take you to the police-station.” He opened the front door, and they came out on the steps. The policeman in charge of the car saluted. Lupin paused and said softly: “Hark! I hear the sound of wedding bells.” They went down the steps. Even as they were getting into the car some chance blow of Guerchard or Dieusy struck a hidden spring and released the lift. It sank to the level of Lupin’s smoking-room and stopped. The doors flew open, Dieusy and Guerchard sprang out of it; and on the instant the brown-faced, nervous policeman sprang actively on Guerchard and pinned him. Taken by surprise, Guerchard yelled loudly, “You stupid idiot!” somehow entangled his legs in those of his captor, and they rolled on the floor. Dieusy surveyed them for a moment with blank astonishment. Then, with swift intelligence, grasped the fact that the policeman was Lupin in disguise. He sprang upon them, tore them asunder, fell heavily on the policeman, and pinned him to the floor with a strangling hand on his throat. Guerchard dashed to the door, tried it, and found it locked, dashed for the window, threw it open, and thrust out his head. Forty yards down the street a motor-car was rolling smoothly away—rolling to a honeymoon. “Oh, hang it!” he screamed. “He’s doing a bunk in my motor-car!” *** END OF THE PROJECT GUTENBERG EBOOK ARSÈNE LUPIN *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- Arsène Lupin, super-sleuth#64955
- Hartie ECK- SE-3 ( smart)#284042
- VE300.009 Fenster Holz#287896
- VE300.009 Fenster Holz#287895
- De atra bile#496300
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive