The Borough
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THE FULL PROJECT GUTENBERG™ LICENSE MAN AS HE IS, to place in all men’s view, Yet none with rancour, none with scorn pursue: Nor be it ever of my Portraits told - “Here the strong lines of malice we behold.” --------------------- This let me hope, that when in public view I bring my Pictures, men may feel them true: “This is a likeness,” may they all declare, “And I have seen him, but I know not where:” For I should mourn the mischief I had done, If as the likeness all would fix on one. --------------------- Man’s Vice and Crime I combat as I can, But to his GOD and conscience leave the Man; I search (a Quixote!) all the land about, To find its Giants and Enchanters out, - (The Giant-Folly, the Enchanter-Vice, Whom doubtless I shall vanquish in a trice;) - But is there man whom I would injure? - No! I am to him a fellow, not a foe, - A fellow-sinner, who must rather dread The bolt, than hurl it at another’s head. No! let the guiltless, if there such be found, Launch forth the spear, and deal the deadly wound. How can I so the cause of Virtue aid, Who am myself attainted and afraid? Yet as I can, I point the powers of rhyme, And, sparing criminals, attack the crime. Footnotes: {1} Note: Indentation and punctuation as original. {2} The wants and mortifications of a poor clergyman are the subjects of one portion of this Letter; and he being represented as a stranger in the Borough, it may be necessary to make some apology for his appearance in the Poem. Previous to a late meeting of a literary society, whose benevolent purpose is well known to the public, I was induced by a friend to compose a few verses, in which, with the general commendation of the design, should be introduced a hint that the bounty might be farther extended; these verses, a gentleman did me the honour to recite at the meeting, and they were printed as an extract from the Poem, to which, in fact, they may be called an appendage. {3} The account of Coddrington occurs in “The Mirrour for Magistrates.” He suffered in the reign of Richard III. {4} If I have in this letter praised the good-humour of a man confessedly too inattentive to business, and if, in another (AMUSEMENTS), I have written somewhat sarcastically of “the brick-floored parlour which the butcher lets,” be credit given to me, that, in the one case, I had no intention to apologise for idleness, nor any design in the other to treat with contempt the resources of the poor. The good-humour is considered as the consolation of disappointment; and the room is so mentioned because the lodger is vain. Most of my readers will perceive this: but I shall be sorry if by any I am supposed to make pleas for the vices of men, or treat their wants or infirmities with derision or with disdain. {5} The Letter on Itinerant Players will to some appear too harshly written, their profligacy exaggerated, and their distresses magnified; but though the respectability of a part of these people may give us a more favourable view of the whole body; though some actors be sober, and some managers prudent; still there is vice and misery left more than sufficient to justify my description. But, if I could find only one woman who (passing forty years on many stages and sustaining many principal characters) laments in her unrespected old age, that there was no workhouse to which she could legally sue for admission; if I could produce only one female, seduced upon the boards, and starved in her lodging, compelled by her poverty to sing, and by her sufferings to weep, without any prospect but misery, or any consolation but death; if I could exhibit only one youth who sought refuge from parental authority in the licentious freedom of a wandering company; yet, with three such examples, I should feel myself justified in the account I have given: - but such characters and sufferings are common, and there are few of these societies which could not show members of this description. To some, indeed, the life has its satisfactions: they never expected to be free from labour, and their present kind they think is light: they have no delicate ideas of shame, and therefore duns and hisses give them no other pain than what arises from the fear of not being trusted, joined with the apprehension that they may have nothing to subsist upon except their credit. {6} For the Alms-house itself, its Governors, and Inhabitants, I have not much to offer in favour of the subject or of the character. One of these, Sir Denys Brand, may be considered as too highly placed for an author, who seldom ventures above middle life, to delineate; and, indeed, I had some idea of reserving him for another occasion, where he might have appeared with those in his own rank: but then it is most uncertain whether he would ever appear, and he has been so many years prepared for the public, whenever opportunity might offer that I have at length given him place, and though with his inferiors, yet as a ruler over them. {7} Benbow may be thought too low and despicable to be admitted here; but he is a borough-character, and however disgusting in some respects a picture may be, it will please some, and be tolerated by many, if it can boast that one merit of being a faithful likeness. {8} The characters of the Hospital Directors were written many years since and, so far as I was capable of judging, are drawn with fidelity. I mention this circumstance that, if any reader should find a difference in the versification or expression, he will be thus enabled to account for it. {9} The Poor are here almost of necessity introduced, for they must be considered, in every place, as a large and interesting portion of its inhabitants. I am aware of the great difficulty of acquiring just notions on the maintenance and management of this class of our fellow subjects, and I forbear to express any opinion of the various modes which have been discussed or adopted: of one method only I venture to give my sentiments, - that of collecting the poor of a hundred into one building. This admission of a vast number of persons, of all ages and both sexes, of very different inclinations, habits, and capacities, into a society, must, at a first view I conceive, be looked upon as a cause of both vice and misery; nor does anything which I have heard or read invalidate the opinion: happily, the method is not a prevailing one, as these houses are, I believe, still confined to that part of the kingdom where they originated. {10} John Bunyan, in one of the many productions of his zeal, has ventured to make public this extraordinary sentiment, which the frigid piety of our Clerk so readily adopted. {11} The Life of Ellen Orford, though sufficiently burdened with error and misfortune, has in it little besides which resembles those of the unhappy men in the preceding Letters, and is still more unlike that of Grimes, in a subsequent one. There is in this character cheerfulness and resignation, a more uniform piety, and an immovable trust in the aid of religion. This, with the light texture of the introductory part, will, I hope, take off from that idea of sameness which the repetition of crimes and distresses is likely to create. {12} It has been a subject of greater vexation to me than such trifle ought to be, that I could not, without destroying all appearance of arrangement, separate these melancholy narratives, and place the fallen Clerk in Office at a greater distance from the Clerk of the Parish, especially as they resembled each other in several particulars; both being tempted, seduced, and wretched. Yet there are, I conceive, considerable marks of distinction: their guilt is of different kind; nor would either have committed the offence of the other. The Clerk of the Parish could break the commandment, but he could not have been induced to have disowned an article of that creed for which he had so bravely contended, and on which he fully relied; and the upright mind of the Clerk in Office would have secured him from being guilty of wrong and robbery, though his weak and vacillating intellect could not preserve him from infidelity and profaneness. Their melancholy is nearly alike, but not its consequences. Jachin retained hia belief, and though he hated life, he could never be induced to quit it voluntarily; but Abel was driven to terminate his misery in a way which the unfixedness of his religious opinions rather accelerated than retarded. I am, therefore, not without hope, that the more observant of my readers will perceive many marks of discrimination in these characters. {13} The character of Grimes, his obduracy and apparent want of feeling, his gloomy kind of misanthropy, the progress of his madness, and the horrors of his imagination, I must leave to the judgment and observation of my readers. The mind here exhibited is one untouched by pity, unstung by remorse, and uncorrected by shame; yet is this hardihood of temper and spirit broken by want, disease, solitude, and disappointment: and he becomes the victim of a distempered and horror-stricken fancy. It is evident, therefore, that no feeble vision, no half-visible ghost, not the momentary glance of an unbodied being, nor the half-audible voice of an invisible one, would be created by the continual workings of distress on a mind so depraved and flinty. The ruffian of Mr Scott (Marmion) has a mind of this nature; he has no shame or remorse, but the corrosion of hopeless want, the wasting of unabating disease, and the gloom of unvaried solitude, will have their effect on every nature and the harder that nature is, and the longer time required to work upon it, so much the more strong and indelible is the impression. This is all the reason I am able to give, why a man of feeling so dull should yet become insane, and why the visions of his distempered brain should be of so horrible a nature. {14} That a Letter on Prisons should follow the narratives of such characters as Keene and Grimes is unfortunate, but not to be easily avoided. I confess it is not pleasant to be detained so long by subiects so repulsive to the feelings of many as the sufferings of mankind; but, though I assuredly would have altered this arrangement, had I been able to have done it by substituting a better, yet am I not of opinion that my verses, or, indeed, the verses of any other person, can so represent the evils and distresses of life as to make any material impression on the mind, and much less any of injurious nature. Alas! sufferings real, evident, continually before us, have not effects very serious or lasting, even in the minds of the more reflecting and compassionate; nor, indeed, does it seem right that the pain caused by sympathy should serve for more than a stimulus to benevolence. If then the strength and solidity of truth placed before our eyes have effect so feeble and transitory, I need not be very apprehensive that my representations of Poor-houses and Prisons, of wants and sufferings, however faithfully taken, will excite any feelings which can be seriously lamented. It has always been held as a salutary exercise of the mind to contemplate the evils and miseries of our nature: I am not therefore without hope that even this gloomy subject of Imprisonment, and more especially the Dream of the Condemned Highwayman, will excite in some minds that mingled pity and abhorrence which, while it is not unpleasant to the feelings, is useful in its operation. It ties and binds us to all mankind by sensations common to us all, and in some degree connects us, without degradation, even to the most miserable and guilty of our fellow-men. {15} Our concluding subject is Education; and some attempt is made to describe its various seminaries, from that of the poor widow who pronounces the alphabet for infants, to seats whence the light of learning is shed abroad on the world. If, in this Letter, I describe the lives of literary men as embittered by much evil; if they be often disappointed, and sometimes unfitted for the world they improve; let it be considered that they are described as men who possess that great pleasure, the exercise of their own talents, and the delight which flows from their own exertions: they have joy in their pursuits, and glory in their acquirements of knowledge. Their victory over difficulties affords the most rational cause of triumph, and the attainment of new ideas leads to incalculable riches, such as gratify the glorious avarice of aspiring and comprehensive minds. Here, then, I place the reward of Learning. Our Universities produce men of the first scholastic attainments, who are heirs to large possessions, or descendants from noble families. Now, to those so favoured, talents and acquirements are unquestionably means of arriving at the most elevated and important situations; but these must be the lot of a few: in general, the diligence, acuteness, and perseverance of a youth at the University, have no other reward than some college honours and emoluments, which they desire to exchange, many of them, for very moderate incomes in the obscurity of some distant village; so that, in stating the reward of an ardent and powerful mind to consist principally (I might have said entirely) in its own views, efforts, and excursions, I place it upon a sure foundation, though not one so elevated as the more ambitious aspire to. It is surely some encouragement to a studious man to reflect that, if he be disappointed, he cannot be without gratification; and that, if he gets but a very humble portion of what the world can give, he has a continual fruition of unwearying enjoyment, of which it has not power to deprive him. *** END OF THE PROJECT GUTENBERG EBOOK THE BOROUGH *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. 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