Sketches New and Old, Part 1.

THE STORY OF THE GOOD LITTLE BOY This Jim bore a charmed life—that must have been the way of it. Nothing could hurt him. He even gave the elephant in the menagerie a plug of tobacco, and the elephant didn't knock the top of his head off with his trunk. He browsed around the cupboard after essence-of peppermint, and didn't make a mistake and drink aqua fortis. He stole his father's gun and went hunting on the Sabbath, and didn't shoot three or four of his fingers off. He struck his little sister on the temple with his fist when he was angry, and she didn't linger in pain through long summer days, and die with sweet words of forgiveness upon her lips that redoubled the anguish of his breaking heart. No; she got over it. He ran off and went to sea at last, and didn't come back and find himself sad and alone in the world, his loved ones sleeping in the quiet churchyard, and the vine-embowered home of his boyhood tumbled down and gone to decay. Ah, no; he came home as drunk as a piper, and got into the station-house the first thing. And he grew up and married, and raised a large family, and brained them all with an ax one night, and got wealthy by all manner of cheating and rascality; and now he is the infernalest wickedest scoundrel in his native village, and is universally respected, and belongs to the legislature. So you see there never was a bad James in the Sunday-school books that had such a streak of luck as this sinful Jim with the charmed life. THE STORY OF THE GOOD LITTLE BOY [Written about 1865] Once there was a good little boy by the name of Jacob Blivens. He always obeyed his parents, no matter how absurd and unreasonable their demands were; and he always learned his book, and never was late at Sabbath-school. He would not play hookey, even when his sober judgment told him it was the most profitable thing he could do. None of the other boys could ever make that boy out, he acted so strangely. He wouldn't lie, no matter how convenient it was. He just said it was wrong to lie, and that was sufficient for him. And he was so honest that he was simply ridiculous. The curious ways that that Jacob had, surpassed everything. He wouldn't play marbles on Sunday, he wouldn't rob birds' nests, he wouldn't give hot pennies to organ-grinders' monkeys; he didn't seem to take any interest in any kind of rational amusement. So the other boys used to try to reason it out and come to an understanding of him, but they couldn't arrive at any satisfactory conclusion. As I said before, they could only figure out a sort of vague idea that he was "afflicted," and so they took him under their protection, and never allowed any harm to come to him. This good little boy read all the Sunday-school books; they were his greatest delight. This was the whole secret of it. He believed in the good little boys they put in the Sunday-school book; he had every confidence in them. He longed to come across one of them alive once; but he never did. They all died before his time, maybe. Whenever he read about a particularly good one he turned over quickly to the end to see what became of him, because he wanted to travel thousands of miles and gaze on him; but it wasn't any use; that good little boy always died in the last chapter, and there was a picture of the funeral, with all his relations and the Sunday-school children standing around the grave in pantaloons that were too short, and bonnets that were too large, and everybody crying into handkerchiefs that had as much as a yard and a half of stuff in them. He was always headed off in this way. He never could see one of those good little boys on account of his always dying in the last chapter. Jacob had a noble ambition to be put in a Sunday school book. He wanted to be put in, with pictures representing him gloriously declining to lie to his mother, and her weeping for joy about it; and pictures representing him standing on the doorstep giving a penny to a poor beggar-woman with six children, and telling her to spend it freely, but not to be extravagant, because extravagance is a sin; and pictures of him magnanimously refusing to tell on the bad boy who always lay in wait for him around the corner as he came from school, and welted him so over the head with a lath, and then chased him home, saying, "Hi! hi!" as he proceeded. That was the ambition of young Jacob Blivens. He wished to be put in a Sunday-school book. It made him feel a lithe uncomfortable sometimes when he reflected that the good little boys always died. He loved to live, you know, and this was the most unpleasant feature about being a Sunday-school-boo boy. He knew it was not healthy to be good. He knew it was more fatal than consumption to be so supernaturally good as the boys in the books were he knew that none of them had ever been able to stand it long, and it pained him to think that if they put him in a book he wouldn't ever see it, or even if they did get the book out before he died it wouldn't be popular without any picture of his funeral in the back part of it. It couldn't be much of a Sunday-school book that couldn't tell about the advice he gave to the community when he was dying. So at last, of course, he had to make up his mind to do the best he could under the circumstances—to live right, and hang on as long as he could and have his dying speech all ready when his time came. But somehow nothing ever went right with the good little boy; nothing ever turned out with him the way it turned out with the good little boys in the books. They always had a good time, and the bad boys had the broken legs; but in his case there was a screw loose somewhere, and it all happened just the other way. When he found Jim Blake stealing apples, and went under the tree to read to him about the bad little boy who fell out of a neighbor's apple tree and broke his arm, Jim fell out of the tree, too, but he fell on him and broke his arm, and Jim wasn't hurt at all. Jacob couldn't understand that. There wasn't anything in the books like it. And once, when some bad boys pushed a blind man over in the mud, and Jacob ran to help him up and receive his blessing, the blind man did not give him any blessing at all, but whacked him over the head with his stick and said he would like to catch him shoving him again, and then pretending to help him up. This was not in accordance with any of the books. Jacob looked them all over to see. One thing that Jacob wanted to do was to find a lame dog that hadn't any place to stay, and was hungry and persecuted, and bring him home and pet him and have that dog's imperishable gratitude. And at last he found one and was happy; and he brought him home and fed him, but when he was going to pet him the dog flew at him and tore all the clothes off him except those that were in front, and made a spectacle of him that was astonishing. He examined authorities, but he could not understand the matter. It was of the same breed of dogs that was in the books, but it acted very differently. Whatever this boy did he got into trouble. The very things the boys in the books got rewarded for turned out to be about the most unprofitable things he could invest in. Once, when he was on his way to Sunday-school, he saw some bad boys starting off pleasuring in a sailboat. He was filled with consternation, because he knew from his reading that boys who went sailing on Sunday invariably got drowned. So he ran out on a raft to warn them, but a log turned with him and slid him into the river. A man got him out pretty soon, and the doctor pumped the water out of him, and gave him a fresh start with his bellows, but he caught cold and lay sick abed nine weeks. But the most unaccountable thing about it was that the bad boys in the boat had a good time all day, and then reached home alive and well in the most surprising manner. Jacob Blivens said there was nothing like these things in the books. He was perfectly dumfounded. When he got well he was a little discouraged, but he resolved to keep on trying anyhow. He knew that so far his experiences wouldn't do to go in a book, but he hadn't yet reached the allotted term of life for good little boys, and he hoped to be able to make a record yet if he could hold on till his time was fully up. If everything else failed he had his dying speech to fall back on. He examined his authorities, and found that it was now time for him to go to sea as a cabin-boy. He called on a ship-captain and made his application, and when the captain asked for his recommendations he proudly drew out a tract and pointed to the word, "To Jacob Blivens, from his affectionate teacher." But the captain was a coarse, vulgar man, and he said, "Oh, that be blowed! that wasn't any proof that he knew how to wash dishes or handle a slush-bucket, and he guessed he didn't want him." This was altogether the most extraordinary thing that ever happened to Jacob in all his life. A compliment from a teacher, on a tract, had never failed to move the tenderest emotions of ship-captains, and open the way to all offices of honor and profit in their gift it never had in any book that ever he had read. He could hardly believe his senses. This boy always had a hard time of it. Nothing ever came out according to the authorities with him. At last, one day, when he was around hunting up bad little boys to admonish, he found a lot of them in the old iron-foundry fixing up a little joke on fourteen or fifteen dogs, which they had tied together in long procession, and were going to ornament with empty nitroglycerin cans made fast to their tails. Jacob's heart was touched. He sat down on one of those cans (for he never minded grease when duty was before him), and he took hold of the foremost dog by the collar, and turned his reproving eye upon wicked Tom Jones. But just at that moment Alderman McWelter, full of wrath, stepped in. All the bad boys ran away, but Jacob Blivens rose in conscious innocence and began one of those stately little Sunday-school-book speeches which always commence with "Oh, sir!" in dead opposition to the fact that no boy, good or bad, ever starts a remark with "Oh, sir." But the alderman never waited to hear the rest. He took Jacob Blivens by the ear and turned him around, and hit him a whack in the rear with the flat of his hand; and in an instant that good little boy shot out through the roof and soared away toward the sun with the fragments of those fifteen dogs stringing after him like the tail of a kite. And there wasn't a sign of that alderman or that old iron-foundry left on the face of the earth; and, as for young Jacob Blivens, he never got a chance to make his last dying speech after all his trouble fixing it up, unless he made it to the birds; because, although the bulk of him came down all right in a tree-top in an adjoining county, the rest of him was apportioned around among four townships, and so they had to hold five inquests on him to find out whether he was dead or not, and how it occurred. You never saw a boy scattered so.—[This glycerin catastrophe is borrowed from a floating newspaper item, whose author's name I would give if I knew it.—M. T.] Thus perished the good little boy who did the best he could, but didn't come out according to the books. Every boy who ever did as he did prospered except him. His case is truly remarkable. It will probably never be accounted for. A COUPLE OF POEMS BY TWAIN AND MOORE [written about 1865] THOSE EVENING BELLS BY THOMAS MOORE Those evening bells! those evening bells! How many a tale their music tells Of youth, and home, and that sweet time When last I heard their soothing chime. Those joyous hours are passed away; And many a heart that then was gay, Within the tomb now darkly dwells, And hears no more those evening bells. And so 'twill be when I am gone That tuneful peal will still ring on; While other bards shall walk these dells, And sing your praise, sweet evening bells. THOSE ANNUAL BILLS BY MARK TWAIN These annual bills! these annual bills! How many a song their discord trills Of "truck" consumed, enjoyed, forgot, Since I was skinned by last year's lot! Those joyous beans are passed away; Those onions blithe, O where are they? Once loved, lost, mourned—now vexing ILLS Your shades troop back in annual bills! And so 'twill be when I'm aground These yearly duns will still go round, While other bards, with frantic quills, Shall damn and damn these annual bills! NIAGARA [written about 1871] Niagara Falls is a most enjoyable place of resort. The hotels are excellent, and the prices not at all exorbitant. The opportunities for fishing are not surpassed in the country; in fact, they are not even equaled elsewhere. Because, in other localities, certain places in the streams are much better than others; but at Niagara one place is just as good as another, for the reason that the fish do not bite anywhere, and so there is no use in your walking five miles to fish, when you can depend on being just as unsuccessful nearer home. The advantages of this state of things have never heretofore been properly placed before the public. The weather is cool in summer, and the walks and drives are all pleasant and none of them fatiguing. When you start out to "do" the Falls you first drive down about a mile, and pay a small sum for the privilege of looking down from a precipice into the narrowest part of the Niagara River. A railway "cut" through a hill would be as comely if it had the angry river tumbling and foaming through its bottom. You can descend a staircase here a hundred and fifty feet down, and stand at the edge of the water. After you have done it, you will wonder why you did it; but you will then be too late. The guide will explain to you, in his blood-curdling way, how he saw the little steamer, Maid of the Mist, descend the fearful rapids—how first one paddle-box was out of sight behind the raging billows and then the other, and at what point it was that her smokestack toppled overboard, and where her planking began to break and part asunder—and how she did finally live through the trip, after accomplishing the incredible feat of traveling seventeen miles in six minutes, or six miles in seventeen minutes, I have really forgotten which. But it was very extraordinary, anyhow. It is worth the price of admission to hear the guide tell the story nine times in succession to different parties, and never miss a word or alter a sentence or a gesture. Then you drive over to Suspension Bridge, and divide your misery between the chances of smashing down two hundred feet into the river below, and the chances of having the railway-train overhead smashing down onto you. Either possibility is discomforting taken by itself, but, mixed together, they amount in the aggregate to positive unhappiness. On the Canada side you drive along the chasm between long ranks of photographers standing guard behind their cameras, ready to make an ostentatious frontispiece of you and your decaying ambulance, and your solemn crate with a hide on it, which you are expected to regard in the light of a horse, and a diminished and unimportant background of sublime Niagara; and a great many people have the incredible effrontery or the native depravity to aid and abet this sort of crime. Any day, in the hands of these photographers, you may see stately pictures of papa and mamma, Johnny and Bub and Sis or a couple of country cousins, all smiling vacantly, and all disposed in studied and uncomfortable attitudes in their carriage, and all looming up in their awe-inspiring imbecility before the snubbed and diminished presentment of that majestic presence whose ministering spirits are the rainbows, whose voice is the thunder, whose awful front is veiled in clouds, who was monarch here dead and forgotten ages before this sackful of small reptiles was deemed temporarily necessary to fill a crack in the world's unnoted myriads, and will still be monarch here ages and decades of ages after they shall have gathered themselves to their blood-relations, the other worms, and been mingled with the unremembering dust. There is no actual harm in making Niagara a background whereon to display one's marvelous insignificance in a good strong light, but it requires a sort of superhuman self-complacency to enable one to do it. When you have examined the stupendous Horseshoe Fall till you are satisfied you cannot improve on it, you return to America by the new Suspension Bridge, and follow up the bank to where they exhibit the Cave of the Winds. Here I followed instructions, and divested myself of all my clothing, and put on a waterproof jacket and overalls. This costume is picturesque, but not beautiful. A guide, similarly dressed, led the way down a flight of winding stairs, which wound and wound, and still kept on winding long after the thing ceased to be a novelty, and then terminated long before it had begun to be a pleasure. We were then well down under the precipice, but still considerably above the level of the river. We now began to creep along flimsy bridges of a single plank, our persons shielded from destruction by a crazy wooden railing, to which I clung with both hands—not because I was afraid, but because I wanted to. Presently the descent became steeper and the bridge flimsier, and sprays from the American Fall began to rain down on us in fast increasing sheets that soon became blinding, and after that our progress was mostly in the nature of groping. Nova a furious wind began to rush out from behind the waterfall, which seemed determined to sweep us from the bridge, and scatter us on the rocks and among the torrents below. I remarked that I wanted to go home; but it was too late. We were almost under the monstrous wall of water thundering down from above, and speech was in vain in the midst of such a pitiless crash of sound. In another moment the guide disappeared behind the deluge, and bewildered by the thunder, driven helplessly by the wind, and smitten by the arrowy tempest of rain, I followed. All was darkness. Such a mad storming, roaring, and bellowing of warring wind and water never crazed my ears before. I bent my head, and seemed to receive the Atlantic on my back. The world seemed going to destruction. I could not see anything, the flood poured down savagely. I raised my head, with open mouth, and the most of the American cataract went down my throat. If I had sprung a leak now I had been lost. And at this moment I discovered that the bridge had ceased, and we must trust for a foothold to the slippery and precipitous rocks. I never was so scared before and survived it. But we got through at last, and emerged into the open day, where we could stand in front of the laced and frothy and seething world of descending water, and look at it. When I saw how much of it there was, and how fearfully in earnest it was, I was sorry I had gone behind it. The noble Red Man has always been a friend and darling of mine. I love to read about him in tales and legends and romances. I love to read of his inspired sagacity, and his love of the wild free life of mountain and forest, and his general nobility of character, and his stately metaphorical manner of speech, and his chivalrous love for the dusky maiden, and the picturesque pomp of his dress and accoutrements. Especially the picturesque pomp of his dress and accoutrements. When I found the shops at Niagara Falls full of dainty Indian beadwork, and stunning moccasins, and equally stunning toy figures representing human beings who carried their weapons in holes bored through their arms and bodies, and had feet shaped like a pie, I was filled with emotion. I knew that now, at last, I was going to come face to face with the noble Red Man. A lady clerk in a shop told me, indeed, that all her grand array of curiosities were made by the Indians, and that they were plenty about the Falls, and that they were friendly, and it would not be dangerous to speak to them. And sure enough, as I approached the bridge leading over to Luna Island, I came upon a noble Son of the Forest sitting under a tree, diligently at work on a bead reticule. He wore a slouch hat and brogans, and had a short black pipe in his mouth. Thus does the baneful contact with our effeminate civilization dilute the picturesque pomp which is so natural to the Indian when far removed from us in his native haunts. I addressed the relic as follows: "Is the Wawhoo-Wang-Wang of the Whack-a-Whack happy? Does the great Speckled Thunder sigh for the war-path, or is his heart contented with dreaming of the dusky maiden, the Pride of the Forest? Does the mighty Sachem yearn to drink the blood of his enemies, or is he satisfied to make bead reticules for the pappooses of the paleface? Speak, sublime relic of bygone grandeur—venerable ruin, speak!" The relic said: "An' is it mesilf, Dennis Hooligan, that ye'd be takon' for a dirty Injin, ye drawlin', lantern-jawed, spider-legged divil! By the piper that played before Moses, I'll ate ye!" I went away from there. By and by, in the neighborhood of the Terrapin Tower, I came upon a gentle daughter of the aborigines in fringed and beaded buckskin moccasins and leggins, seated on a bench with her pretty wares about her. She had just carved out a wooden chief that had a strong family resemblance to a clothes-pin, and was now boring a hole through his abdomen to put his bow through. I hesitated a moment, and then addressed her: "Is the heart of the forest maiden heavy? Is the Laughing Tadpole lonely? Does she mourn over the extinguished council-fires of her race, and the vanished glory of her ancestors? Or does her sad spirit wander afar toward the hunting-grounds whither her brave Gobbler-of-the-Lightnings is gone? Why is my daughter silent? Has she ought against the paleface stranger?" The maiden said: "Faix, an' is it Biddy Malone ye dare to be callin' names? Lave this, or I'll shy your lean carcass over the cataract, ye sniveling blaggard!" I adjourned from there also. "Confound these Indians!" I said. "They told me they were tame; but, if appearances go for anything, I should say they were all on the warpath." I made one more attempt to fraternize with them, and only one. I came upon a camp of them gathered in the shade of a great tree, making wampum and moccasins, and addressed them in the language of friendship: "Noble Red Men, Braves, Grand Sachems, War Chiefs, Squaws, and High Muck-a-Mucks, the paleface from the land of the setting sun greets you! You, Beneficent Polecat—you, Devourer of Mountains—you, Roaring Thundergust—you, Bully Boy with a Glass eye—the paleface from beyond the great waters greets you all! War and pestilence have thinned your ranks and destroyed your once proud nation. Poker and seven-up, and a vain modern expense for soap, unknown to your glorious ancestors, have depleted your purses. Appropriating, in your simplicity, the property of others has gotten you into trouble. Misrepresenting facts, in your simple innocence, has damaged your reputation with the soulless usurper. Trading for forty-rod whisky, to enable you to get drunk and happy and tomahawk your families, has played the everlasting mischief with the picturesque pomp of your dress, and here you are, in the broad light of the nineteenth century, gotten up like the ragtag and bobtail of the purlieus of New York. For shame! Remember your ancestors! Recall their mighty deeds! Remember Uncas!—and Red jacket! and Hole in the Day!—and Whoopdedoodledo! Emulate their achievements! Unfurl yourselves under my banner, noble savages, illustrious guttersnipes—" "Down wid him!" "Scoop the blaggard!" "Burn him!" "Bang him!" "Dhround him!" It was the quickest operation that ever was. I simply saw a sudden flash in the air of clubs, brickbats, fists, bead-baskets, and moccasins—a single flash, and they all appeared to hit me at once, and no two of them in the same place. In the next instant the entire tribe was upon me. They tore half the clothes off me; they broke my arms and legs; they gave me a thump that dented the top of my head till it would hold coffee like a saucer; and, to crown their disgraceful proceedings and add insult to injury, they threw me over the Niagara Falls, and I got wet. About ninety or a hundred feet from the top, the remains of my vest caught on a projecting rock, and I was almost drowned before I could get loose. I finally fell, and brought up in a world of white foam at the foot of the Fall, whose celled and bubbly masses towered up several inches above my head. Of course I got into the eddy. I sailed round and round in it forty-four times—chasing a chip and gaining on it—each round trip a half-mile—reaching for the same bush on the bank forty-four times, and just exactly missing it by a hair's-breadth every time. At last a man walked down and sat down close to that bush, and put a pipe in his mouth, and lit a match, and followed me with one eye and kept the other on the match, while he sheltered it in his hands from the wind. Presently a puff of wind blew it out. The next time I swept around he said: "Got a match?" "Yes; in my other vest. Help me out, please." "Not for Joe." When I came round again, I said: "Excuse the seemingly impertinent curiosity of a drowning man, but will you explain this singular conduct of yours?" "With pleasure. I am the coroner. Don't hurry on my account. I can wait for you. But I wish I had a match." I said: "Take my place, and I'll go and get you one." He declined. This lack of confidence on his part created a coldness between us, and from that time forward I avoided him. It was my idea, in case anything happened to me, to so time the occurrence as to throw my custom into the hands of the opposition coroner on the American side. At last a policeman came along, and arrested me for disturbing the peace by yelling at people on shore for help. The judge fined me, but had the advantage of him. My money was with my pantaloons, and my pantaloons were with the Indians. Thus I escaped. I am now lying in a very critical condition. At least I am lying anyway—-critical or not critical. I am hurt all over, but I cannot tell the full extent yet, because the doctor is not done taking inventory. He will make out my manifest this evening. However, thus far he thinks only sixteen of my wounds are fatal. I don't mind the others. Upon regaining my right mind, I said: "It is an awful savage tribe of Indians that do the beadwork and moccasins for Niagara Falls, doctor. Where are they from?" "Limerick, my son." *** END OF THE PROJECT GUTENBERG EBOOK SKETCHES NEW AND OLD, PART 1. *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. 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