ConceptioArchiveProject Gutenberg
Project Gutenbergpublic full text

The Prince and the Pauper, Part 6.

Twain, Mark, 1835-1910 · Project Gutenberg
Project Gutenberg · Books · License: Public Domain
Open Source ↗
boyshistorical-fictionsocial-classes
Historical fiction, London (England) -- Fiction, Impostors and imposture -- Fiction, Boys -- Fiction, Social classes -- Fiction, Princes -- Fiction, Edward VI, King of England, 1537-1553 -- Fiction, Poor children -- Fiction, Lookalikes -- Fiction

THE FULL PROJECT GUTENBERG™ LICENSE The boy made a hearty and satisfying meal, and was greatly refreshed and gladdened by it.  It was a meal which was distinguished by this curious feature, that rank was waived on both sides; yet neither recipient of the favour was aware that it had been extended.  The goodwife had intended to feed this young tramp with broken victuals in a corner, like any other tramp or like a dog; but she was so remorseful for the scolding she had given him, that she did what she could to atone for it by allowing him to sit at the family table and eat with his betters, on ostensible terms of equality with them; and the King, on his side, was so remorseful for having broken his trust, after the family had been so kind to him, that he forced himself to atone for it by humbling himself to the family level, instead of requiring the woman and her children to stand and wait upon him, while he occupied their table in the solitary state due to his birth and dignity.  It does us all good to unbend sometimes.  This good woman was made happy all the day long by the applauses which she got out of herself for her magnanimous condescension to a tramp; and the King was just as self-complacent over his gracious humility toward a humble peasant woman. When breakfast was over, the housewife told the King to wash up the dishes.  This command was a staggerer, for a moment, and the King came near rebelling; but then he said to himself, "Alfred the Great watched the cakes; doubtless he would have washed the dishes too—therefore will I essay it." He made a sufficiently poor job of it; and to his surprise too, for the cleaning of wooden spoons and trenchers had seemed an easy thing to do. It was a tedious and troublesome piece of work, but he finished it at last.  He was becoming impatient to get away on his journey now; however, he was not to lose this thrifty dame's society so easily.  She furnished him some little odds and ends of employment, which he got through with after a fair fashion and with some credit.  Then she set him and the little girls to paring some winter apples; but he was so awkward at this service that she retired him from it and gave him a butcher knife to grind. Afterwards she kept him carding wool until he began to think he had laid the good King Alfred about far enough in the shade for the present in the matter of showy menial heroisms that would read picturesquely in story-books and histories, and so he was half-minded to resign.  And when, just after the noonday dinner, the goodwife gave him a basket of kittens to drown, he did resign.  At least he was just going to resign—for he felt that he must draw the line somewhere, and it seemed to him that to draw it at kitten-drowning was about the right thing—when there was an interruption.  The interruption was John Canty—with a peddler's pack on his back—and Hugo. The King discovered these rascals approaching the front gate before they had had a chance to see him; so he said nothing about drawing the line, but took up his basket of kittens and stepped quietly out the back way, without a word.  He left the creatures in an out-house, and hurried on, into a narrow lane at the rear. Chapter XX. The Prince and the hermit. The high hedge hid him from the house, now; and so, under the impulse of a deadly fright, he let out all his forces and sped toward a wood in the distance.  He never looked back until he had almost gained the shelter of the forest; then he turned and descried two figures in the distance. That was sufficient; he did not wait to scan them critically, but hurried on, and never abated his pace till he was far within the twilight depths of the wood. Then he stopped; being persuaded that he was now tolerably safe. He listened intently, but the stillness was profound and solemn—awful, even, and depressing to the spirits.  At wide intervals his straining ear did detect sounds, but they were so remote, and hollow, and mysterious, that they seemed not to be real sounds, but only the moaning and complaining ghosts of departed ones.  So the sounds were yet more dreary than the silence which they interrupted. It was his purpose, in the beginning, to stay where he was the rest of the day; but a chill soon invaded his perspiring body, and he was at last obliged to resume movement in order to get warm. He struck straight through the forest, hoping to pierce to a road presently, but he was disappointed in this.  He travelled on and on; but the farther he went, the denser the wood became, apparently.  The gloom began to thicken, by-and-by, and the King realised that the night was coming on.  It made him shudder to think of spending it in such an uncanny place; so he tried to hurry faster, but he only made the less speed, for he could not now see well enough to choose his steps judiciously; consequently he kept tripping over roots and tangling himself in vines and briers. And how glad he was when at last he caught the glimmer of a light! He approached it warily, stopping often to look about him and listen.  It came from an unglazed window-opening in a shabby little hut.  He heard a voice, now, and felt a disposition to run and hide; but he changed his mind at once, for this voice was praying, evidently.  He glided to the one window of the hut, raised himself on tiptoe, and stole a glance within.  The room was small; its floor was the natural earth, beaten hard by use; in a corner was a bed of rushes and a ragged blanket or two; near it was a pail, a cup, a basin, and two or three pots and pans; there was a short bench and a three-legged stool; on the hearth the remains of a faggot fire were smouldering; before a shrine, which was lighted by a single candle, knelt an aged man, and on an old wooden box at his side lay an open book and a human skull.  The man was of large, bony frame; his hair and whiskers were very long and snowy white; he was clothed in a robe of sheepskins which reached from his neck to his heels. "A holy hermit!" said the King to himself; "now am I indeed fortunate." The hermit rose from his knees; the King knocked.  A deep voice responded— "Enter!—but leave sin behind, for the ground whereon thou shalt stand is holy!" The King entered, and paused.  The hermit turned a pair of gleaming, unrestful eyes upon him, and said— "Who art thou?" "I am the King," came the answer, with placid simplicity. "Welcome, King!" cried the hermit, with enthusiasm.  Then, bustling about with feverish activity, and constantly saying, "Welcome, welcome," he arranged his bench, seated the King on it, by the hearth, threw some faggots on the fire, and finally fell to pacing the floor with a nervous stride. "Welcome!  Many have sought sanctuary here, but they were not worthy, and were turned away.  But a King who casts his crown away, and despises the vain splendours of his office, and clothes his body in rags, to devote his life to holiness and the mortification of the flesh—he is worthy, he is welcome!—here shall he abide all his days till death come."  The King hastened to interrupt and explain, but the hermit paid no attention to him—did not even hear him, apparently, but went right on with his talk, with a raised voice and a growing energy.  "And thou shalt be at peace here.  None shall find out thy refuge to disquiet thee with supplications to return to that empty and foolish life which God hath moved thee to abandon.  Thou shalt pray here; thou shalt study the Book; thou shalt meditate upon the follies and delusions of this world, and upon the sublimities of the world to come; thou shalt feed upon crusts and herbs, and scourge thy body with whips, daily, to the purifying of thy soul. Thou shalt wear a hair shirt next thy skin; thou shalt drink water only; and thou shalt be at peace; yes, wholly at peace; for whoso comes to seek thee shall go his way again, baffled; he shall not find thee, he shall not molest thee." The old man, still pacing back and forth, ceased to speak aloud, and began to mutter.  The King seized this opportunity to state his case; and he did it with an eloquence inspired by uneasiness and apprehension.  But the hermit went on muttering, and gave no heed.  And still muttering, he approached the King and said impressively— "'Sh!  I will tell you a secret!"  He bent down to impart it, but checked himself, and assumed a listening attitude.  After a moment or two he went on tiptoe to the window-opening, put his head out, and peered around in the gloaming, then came tiptoeing back again, put his face close down to the King's, and whispered— "I am an archangel!" The King started violently, and said to himself, "Would God I were with the outlaws again; for lo, now am I the prisoner of a madman!"  His apprehensions were heightened, and they showed plainly in his face.  In a low excited voice the hermit continued— "I see you feel my atmosphere!  There's awe in your face!  None may be in this atmosphere and not be thus affected; for it is the very atmosphere of heaven.  I go thither and return, in the twinkling of an eye.  I was made an archangel on this very spot, it is five years ago, by angels sent from heaven to confer that awful dignity.  Their presence filled this place with an intolerable brightness.  And they knelt to me, King! yes, they knelt to me! for I was greater than they.  I have walked in the courts of heaven, and held speech with the patriarchs.  Touch my hand—be not afraid—touch it.  There—now thou hast touched a hand which has been clasped by Abraham and Isaac and Jacob!  For I have walked in the golden courts; I have seen the Deity face to face!"  He paused, to give this speech effect; then his face suddenly changed, and he started to his feet again saying, with angry energy, "Yes, I am an archangel; A MERE ARCHANGEL!—I that might have been pope!  It is verily true.  I was told it from heaven in a dream, twenty years ago; ah, yes, I was to be pope!—and I SHOULD have been pope, for Heaven had said it—but the King dissolved my religious house, and I, poor obscure unfriended monk, was cast homeless upon the world, robbed of my mighty destiny!" Here he began to mumble again, and beat his forehead in futile rage, with his fist; now and then articulating a venomous curse, and now and then a pathetic "Wherefore I am nought but an archangel—I that should have been pope!" So he went on, for an hour, whilst the poor little King sat and suffered. Then all at once the old man's frenzy departed, and he became all gentleness.  His voice softened, he came down out of his clouds, and fell to prattling along so simply and so humanly, that he soon won the King's heart completely.  The old devotee moved the boy nearer to the fire and made him comfortable; doctored his small bruises and abrasions with a deft and tender hand; and then set about preparing and cooking a supper—chatting pleasantly all the time, and occasionally stroking the lad's cheek or patting his head, in such a gently caressing way that in a little while all the fear and repulsion inspired by the archangel were changed to reverence and affection for the man. This happy state of things continued while the two ate the supper; then, after a prayer before the shrine, the hermit put the boy to bed, in a small adjoining room, tucking him in as snugly and lovingly as a mother might; and so, with a parting caress, left him and sat down by the fire, and began to poke the brands about in an absent and aimless way. Presently he paused; then tapped his forehead several times with his fingers, as if trying to recall some thought which had escaped from his mind.  Apparently he was unsuccessful.  Now he started quickly up, and entered his guest's room, and said— "Thou art King?" "Yes," was the response, drowsily uttered. "What King?" "Of England." "Of England?  Then Henry is gone!" "Alack, it is so.  I am his son." A black frown settled down upon the hermit's face, and he clenched his bony hands with a vindictive energy.  He stood a few moments, breathing fast and swallowing repeatedly, then said in a husky voice— "Dost know it was he that turned us out into the world houseless and homeless?" There was no response.  The old man bent down and scanned the boy's reposeful face and listened to his placid breathing.  "He sleeps—sleeps soundly;" and the frown vanished away and gave place to an expression of evil satisfaction.  A smile flitted across the dreaming boy's features. The hermit muttered, "So—his heart is happy;" and he turned away.  He went stealthily about the place, seeking here and there for something; now and then halting to listen, now and then jerking his head around and casting a quick glance toward the bed; and always muttering, always mumbling to himself.  At last he found what he seemed to want—a rusty old butcher knife and a whetstone.  Then he crept to his place by the fire, sat himself down, and began to whet the knife softly on the stone, still muttering, mumbling, ejaculating.  The winds sighed around the lonely place, the mysterious voices of the night floated by out of the distances.  The shining eyes of venturesome mice and rats peered out at the old man from cracks and coverts, but he went on with his work, rapt, absorbed, and noted none of these things. At long intervals he drew his thumb along the edge of his knife, and nodded his head with satisfaction.  "It grows sharper," he said; "yes, it grows sharper." He took no note of the flight of time, but worked tranquilly on, entertaining himself with his thoughts, which broke out occasionally in articulate speech— "His father wrought us evil, he destroyed us—and is gone down into the eternal fires!  Yes, down into the eternal fires!  He escaped us—but it was God's will, yes it was God's will, we must not repine.  But he hath not escaped the fires!  No, he hath not escaped the fires, the consuming, unpitying, remorseless fires—and THEY are everlasting!" And so he wrought, and still wrought—mumbling, chuckling a low rasping chuckle at times—and at times breaking again into words— "It was his father that did it all.  I am but an archangel; but for him I should be pope!" The King stirred.  The hermit sprang noiselessly to the bedside, and went down upon his knees, bending over the prostrate form with his knife uplifted.  The boy stirred again; his eyes came open for an instant, but there was no speculation in them, they saw nothing; the next moment his tranquil breathing showed that his sleep was sound once more. The hermit watched and listened, for a time, keeping his position and scarcely breathing; then he slowly lowered his arms, and presently crept away, saying,— "It is long past midnight; it is not best that he should cry out, lest by accident someone be passing." He glided about his hovel, gathering a rag here, a thong there, and another one yonder; then he returned, and by careful and gentle handling he managed to tie the King's ankles together without waking him.  Next he essayed to tie the wrists; he made several attempts to cross them, but the boy always drew one hand or the other away, just as the cord was ready to be applied; but at last, when the archangel was almost ready to despair, the boy crossed his hands himself, and the next moment they were bound. Now a bandage was passed under the sleeper's chin and brought up over his head and tied fast—and so softly, so gradually, and so deftly were the knots drawn together and compacted, that the boy slept peacefully through it all without stirring. Chapter XXI. Hendon to the rescue. The old man glided away, stooping, stealthy, cat-like, and brought the low bench.  He seated himself upon it, half his body in the dim and flickering light, and the other half in shadow; and so, with his craving eyes bent upon the slumbering boy, he kept his patient vigil there, heedless of the drift of time, and softly whetted his knife, and mumbled and chuckled; and in aspect and attitude he resembled nothing so much as a grizzly, monstrous spider, gloating over some hapless insect that lay bound and helpless in his web. After a long while, the old man, who was still gazing,—yet not seeing, his mind having settled into a dreamy abstraction,—observed, on a sudden, that the boy's eyes were open! wide open and staring!—staring up in frozen horror at the knife.  The smile of a gratified devil crept over the old man's face, and he said, without changing his attitude or his occupation— "Son of Henry the Eighth, hast thou prayed?" The boy struggled helplessly in his bonds, and at the same time forced a smothered sound through his closed jaws, which the hermit chose to interpret as an affirmative answer to his question. "Then pray again.  Pray the prayer for the dying!" A shudder shook the boy's frame, and his face blenched.  Then he struggled again to free himself—turning and twisting himself this way and that; tugging frantically, fiercely, desperately—but uselessly—to burst his fetters; and all the while the old ogre smiled down upon him, and nodded his head, and placidly whetted his knife; mumbling, from time to time, "The moments are precious, they are few and precious—pray the prayer for the dying!" The boy uttered a despairing groan, and ceased from his struggles, panting.  The tears came, then, and trickled, one after the other, down his face; but this piteous sight wrought no softening effect upon the savage old man. The dawn was coming now; the hermit observed it, and spoke up sharply, with a touch of nervous apprehension in his voice— "I may not indulge this ecstasy longer!  The night is already gone.  It seems but a moment—only a moment; would it had endured a year!  Seed of the Church's spoiler, close thy perishing eyes, an' thou fearest to look upon—" The rest was lost in inarticulate mutterings.  The old man sank upon his knees, his knife in his hand, and bent himself over the moaning boy. Hark!  There was a sound of voices near the cabin—the knife dropped from the hermit's hand; he cast a sheepskin over the boy and started up, trembling.  The sounds increased, and presently the voices became rough and angry; then came blows, and cries for help; then a clatter of swift footsteps, retreating.  Immediately came a succession of thundering knocks upon the cabin door, followed by— "Hullo-o-o!  Open!  And despatch, in the name of all the devils!" Oh, this was the blessedest sound that had ever made music in the King's ears; for it was Miles Hendon's voice! The hermit, grinding his teeth in impotent rage, moved swiftly out of the bedchamber, closing the door behind him; and straightway the King heard a talk, to this effect, proceeding from the 'chapel':— "Homage and greeting, reverend sir!  Where is the boy—MY boy?" "What boy, friend?" "What boy!  Lie me no lies, sir priest, play me no deceptions!—I am not in the humour for it.  Near to this place I caught the scoundrels who I judged did steal him from me, and I made them confess; they said he was at large again, and they had tracked him to your door.  They showed me his very footprints.  Now palter no more; for look you, holy sir, an' thou produce him not—Where is the boy?" "O good sir, peradventure you mean the ragged regal vagrant that tarried here the night.  If such as you take an interest in such as he, know, then, that I have sent him of an errand.  He will be back anon." "How soon?  How soon?  Come, waste not the time—cannot I overtake him? How soon will he be back?" "Thou need'st not stir; he will return quickly." "So be it, then.  I will try to wait.  But stop!—YOU sent him of an errand?—you!  Verily this is a lie—he would not go.  He would pull thy old beard, an' thou didst offer him such an insolence. Thou hast lied, friend; thou hast surely lied!  He would not go for thee, nor for any man." "For any MAN—no; haply not.  But I am not a man." "WHAT!  Now o' God's name what art thou, then?" "It is a secret—mark thou reveal it not.  I am an archangel!" There was a tremendous ejaculation from Miles Hendon—not altogether unprofane—followed by— "This doth well and truly account for his complaisance!  Right well I knew he would budge nor hand nor foot in the menial service of any mortal; but, lord, even a king must obey when an archangel gives the word o' command!  Let me—'sh!  What noise was that?" All this while the little King had been yonder, alternately quaking with terror and trembling with hope; and all the while, too, he had thrown all the strength he could into his anguished moanings, constantly expecting them to reach Hendon's ear, but always realising, with bitterness, that they failed, or at least made no impression.  So this last remark of his servant came as comes a reviving breath from fresh fields to the dying; and he exerted himself once more, and with all his energy, just as the hermit was saying— "Noise?  I heard only the wind." "Mayhap it was.  Yes, doubtless that was it.  I have been hearing it faintly all the—there it is again!  It is not the wind!  What an odd sound!  Come, we will hunt it out!" Now the King's joy was nearly insupportable.  His tired lungs did their utmost—and hopefully, too—but the sealed jaws and the muffling sheepskin sadly crippled the effort.  Then the poor fellow's heart sank, to hear the hermit say— "Ah, it came from without—I think from the copse yonder.  Come, I will lead the way." The King heard the two pass out, talking; heard their footsteps die quickly away—then he was alone with a boding, brooding, awful silence. It seemed an age till he heard the steps and voices approaching again—and this time he heard an added sound,—the trampling of hoofs, apparently.  Then he heard Hendon say— "I will not wait longer.  I CANNOT wait longer.  He has lost his way in this thick wood.  Which direction took he?  Quick—point it out to me." "He—but wait; I will go with thee." "Good—good!  Why, truly thou art better than thy looks.  Marry I do not think there's not another archangel with so right a heart as thine.  Wilt ride?  Wilt take the wee donkey that's for my boy, or wilt thou fork thy holy legs over this ill-conditioned slave of a mule that I have provided for myself?—and had been cheated in too, had he cost but the indifferent sum of a month's usury on a brass farthing let to a tinker out of work." "No—ride thy mule, and lead thine ass; I am surer on mine own feet, and will walk." "Then prithee mind the little beast for me while I take my life in my hands and make what success I may toward mounting the big one." Then followed a confusion of kicks, cuffs, tramplings and plungings, accompanied by a thunderous intermingling of volleyed curses, and finally a bitter apostrophe to the mule, which must have broken its spirit, for hostilities seemed to cease from that moment. With unutterable misery the fettered little King heard the voices and footsteps fade away and die out.  All hope forsook him, now, for the moment, and a dull despair settled down upon his heart. "My only friend is deceived and got rid of," he said; "the hermit will return and—"  He finished with a gasp; and at once fell to struggling so frantically with his bonds again, that he shook off the smothering sheepskin. And now he heard the door open!  The sound chilled him to the marrow—already he seemed to feel the knife at his throat.  Horror made him close his eyes; horror made him open them again—and before him stood John Canty and Hugo! He would have said "Thank God!" if his jaws had been free. A moment or two later his limbs were at liberty, and his captors, each gripping him by an arm, were hurrying him with all speed through the forest. *** END OF THE PROJECT GUTENBERG EBOOK THE PRINCE AND THE PAUPER, PART 6. *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Record · ID 34425 · SHA-256 efc8b83d97ac317c
Retrieved via Conceptio — every document is proof-bundled with source, license, and retrieval metadata.