What Will He Do with It? — Volume 02

BOOK II. The Project Gutenberg eBook of What Will He Do with It? — Volume 02 This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title : What Will He Do with It? — Volume 02 Author : Baron Edward Bulwer Lytton Lytton Release date : March 1, 2005 [eBook #7660] Most recently updated: December 30, 2020 Language : English Other information and formats : www.gutenberg.org/ebooks/7660 Credits : This eBook was produced by David Widger *** START OF THE PROJECT GUTENBERG EBOOK WHAT WILL HE DO WITH IT? — VOLUME 02 *** This eBook was produced by David Widger BOOK II. CHAPTER I. Primitive character of the country in certain districts of Great Britain.—Connection between the features of surrounding scenery and the mental and moral inclinations of man, after the fashion of all sound ethnological historians.—A charioteer, to whom an experience of British laws suggests an ingenious mode of arresting the progress of Roman Papacy, carries Lionel Haughton and his fortunes to a place which allows of description and invites repose. In safety, but with naught else rare enough, in a railway train, to deserve commemoration, Lionel reached the station to which he was bound. He there inquired the distance to Fawley Manor House; it was five miles. He ordered a fly, and was soon wheeled briskly along a rough parish road, through a country strongly contrasting the gay river scenery he had so lately quitted,—quite as English, but rather the England of a former race than that which spreads round our own generation like one vast suburb of garden-ground and villas. Here, nor village nor spire, nor porter's lodge came in sight. Rare even were the cornfields; wide spaces of unenclosed common opened, solitary and primitive, on the road, bordered by large woods, chiefly of beech, closing the horizon with ridges of undulating green. In such an England, Knights Templars might have wended their way to scattered monasteries, or fugitive partisans in the bloody Wars of the Roses have found shelter under leafy coverts. The scene had its romance, its beauty-half savage, half gentle-leading perforce the mind of any cultivated and imaginative gazer far back from the present day, waking up long-forgotten passages from old poets. The stillness of such wastes of sward, such deeps of woodland, induced the nurture of revery, gravely soft and lulling. There, Ambition might give rest to the wheel of Ixion, Avarice to the sieve of the Danaids; there, disappointed Love might muse on the brevity of all human passions, and count over the tortured hearts that have found peace in holy meditation, or are now stilled under grassy knolls. See where, at the crossing of three roads upon the waste, the landscape suddenly unfolds, an upland in the distance, and on the upland a building, the first sign of social man. What is the building? only a silenced windmill, the sails dark and sharp against the dull leaden sky. Lionel touched the driver,—"Are we yet on Mr. Darrell's property?" Of the extent of that property he had involuntarily conceived a vast idea. "Lord, sir, no; we be two miles from Squire Darrell's. He han't much property to speak of hereabouts. But he bought a good bit o' land, too, some years ago, ten or twelve mile t' other side o' the county. First time you are going to Fawley, sir?" "Yes." "Ah! I don't mind seeing you afore; and I should have known you if I had, for it is seldom indeed I have a fare to Fawley old Manor House. It must be, I take it, four or five years ago sin' I wor there with a gent, and he went away while I wor feeding the horse; did me out o' my back fare. What bisness had he to walk when he came in my fly? Shabby." "Mr. Darrell lives very retired, then? sees few persons?" "S'pose so. I never seed him as I knows on; see'd two o' his hosses though,—rare good uns;" and the driver whipped on his own horse, took to whistling, and Lionel asked no more. At length the chaise stopped at a carriage gate, receding from the road, and deeply shadowed by venerable trees,—no lodge. The driver, dismounting, opened the gate. "Is this the place?" The driver nodded assent, remounted, and drove on rapidly through what night by courtesy he called a park. The enclosure was indeed little beyond that of a good-sized paddock; its boundaries were visible on every side: but swelling uplands covered with massy foliage sloped down to its wild, irregular turf soil,—soil poor for pasturage, but pleasant to the eye; with dell and dingle, bosks of fantastic pollards; dotted oaks of vast growth; here and there a weird hollow thorn-tree; patches of fern and gorse. Hoarse and loud cawed the rooks; and deep, deep as from the innermost core of the lovely woodlands came the mellow note of the cuckoo. A few moments more a wind of the road brought the house in sight. At its rear lay a piece of water, scarcely large enough to be styled a lake; too winding in its shaggy banks, its ends too concealed by tree and islet, to be called by the dull name of pond. Such as it was it arrested the eye before the gaze turned towards the house: it had an air of tranquillity so sequestered, so solemn. A lively man of the world would have been seized with spleen at the first glimpse of it; but he who had known some great grief, some anxious care, would have drunk the calm into his weary soul like an anodyne. The house,—small, low, ancient, about the date of Edward VI., before the statelier architecture of Elizabeth. Few houses in England so old, indeed, as Fawley Manor House. A vast weight of roof, with high gables; windows on the upper story projecting far over the lower part; a covered porch with a coat of half- obliterated arms deep panelled over the oak door. Nothing grand, yet all how venerable! But what is this? Close beside the old, quiet, unassuming Manor House rises the skeleton of a superb and costly pile, —a palace uncompleted, and the work evidently suspended,—perhaps long since, perhaps now forever. No busy workmen nor animated scaffolding. The perforated battlements roofed over with visible haste,—here with slate, there with tile; the Elizabethan mullion casements unglazed; some roughly boarded across,—some with staring forlorn apertures, that showed floorless chambers, for winds to whistle through and rats to tenant. Weeds and long grass were growing over blocks of stone that lay at hand. A wallflower had forced itself into root on the sill of a giant oriel. The effect was startling. A fabric which he who conceived it must have founded for posterity,—so solid its masonry, so thick its walls,—and thus abruptly left to moulder; a palace constructed for the reception of crowding guests, the pomp of stately revels, abandoned to owl and bat. And the homely old house beside it, which that lordly hall was doubtless designed to replace, looking so safe and tranquil at the baffled presumption of its spectral neighbour. The driver had rung the bell, and now turning back to the chaise met Lionel's inquiring eye, and said, "Yes; Squire Darrell began to build that—many years ago—when I was a boy. I heerd say it was to be the show-house of the whole county. Been stopped these ten or a dozen years." "Why?—do you know?" "No one knows. Squire was a laryer, I b'leve: perhaps he put it into Chancery. My wife's grandfather was put into Chancery jist as he was growing up, and never grew afterwards: never got out o' it; nout ever does. There's our churchwarden comes to me with a petition to sign agin the Pope. Says I, 'That old Pope is always in trouble: what's he bin doin' now?' Says he, 'Spreading! He's a-got into Parlyment, and he's now got a colledge, and we pays for it. I does n't know how to stop him.' Says I, 'Put the Pope into Chancery, along with wife's grandfather, and he'll never spread agin.'" The driver had thus just disposed of the Papacy, when an elderly servant out of livery opened the door. Lionel sprang from the chaise, and paused in some confusion: for then, for the first time, there darted across him the idea that he had never written to announce his acceptance of Mr. Darrell's invitation; that he ought to have done so; that he might not be expected. Meanwhile the servant surveyed him with some surprise. "Mr. Darrell?" hesitated Lionel, inquiringly. "Not at home, sir," replied the man, as if Lionel's business was over, and he had only to re-enter his chaise. The boy was naturally rather bold than shy, and he said, with a certain assured air, "My name is Haughton. I come here on Mr. Darrell's invitation." The servant's face changed in a moment; he bowed respectfully. "I beg pardon, sir. I will look for my master; he is somewhere on the grounds." The servant then approached the fly, took out the knapsack, and, observing Lionel had his purse in his hand, said, "Allow me to save you that trouble, sir. Driver, round to the stable-yard." Stepping back into the house, the servant threw open a door to the left, on entrance, and advanced a chair. "If you will wait here a moment, sir, I will seek for my master." CHAPTER II. Guy Darrell—and Stilled Life. The room in which Lionel now found himself was singularly quaint. An antiquarian or architect would have discovered at a glance that at some period it had formed part of the entrance-hall; and when, in Elizabeth's or James the First's day, the refinement in manners began to penetrate from baronial mansions to the homes of the gentry, and the entrance-hall ceased to be the common refectory of the owner and his dependants, this apartment had been screened off by perforated panels, which for the sake of warmth and comfort had been filled up into solid wainscot by a succeeding generation. Thus one side of the room was richly carved with geometrical designs and arabesque pilasters, while the other three sides were in small simple panels, with a deep fantastic frieze in plaster, depicting a deer-chase in relief and running be tween woodwork and ceiling. The ceiling itself was relieved by long pendants without any apparent meaning, and by the crest of the Darrells,—a heron, wreathed round with the family motto, "Ardua petit Ardea." It was a dining-room, as was shown by the character of the furniture. But there was no attempt on the part of the present owner, and there had clearly been none on the part of his predecessor, to suit the furniture to the room. The furniture, indeed, was of the heavy, graceless taste of George the First,—cumbrous chairs in walnut-tree, with a worm-eaten mosaic of the heron on their homely backs, and a faded blue worsted on their seats; a marvellously ugly sideboard to match, and on it a couple of black shagreen cases, the lids of which were flung open, and discovered the pistol-shaped handles of silver knives. The mantelpiece reached to the ceiling, in panelled compartments, with heraldic shields, and supported by rude stone Caryatides. On the walls were several pictures,—family portraits, for the names were inscribed on the frames. They varied in date from the reign of Elizabeth to that of George I. A strong family likeness pervaded them all,—high features, dark hair, grave aspects,— save indeed one, a Sir Ralph Haughton Darrell, in a dress that spoke him of the holiday date of Charles II.,—all knots, lace, and ribbons; evidently the beau of the race; and he had blue eyes, a blonde peruke, a careless profligate smile, and looked altogether as devil-me-care, rakehelly, handsome, good-for-nought, as ever swore at a drawer, beat a watchman, charmed a lady, terrified a husband, and hummed a song as he pinked his man. Lionel was still gazing upon the effigies of this airy cavalier when the door behind him opened very noiselessly, and a man of imposing presence stood on the threshold,—stood so still, and the carved mouldings of the doorway so shadowed, and as it were cased round his figure, that Lionel, on turning quickly, might have mistaken him for a portrait brought into bold relief from its frame by a sudden fall of light. We hear it, indeed, familiarly said that such a one is like an old picture. Never could it be more appositely said than of the face on which the young visitor gazed, much startled and somewhat awed. Not such as inferior limners had painted in the portraits there, though it had something in common with those family lineaments, but such as might have looked tranquil power out of the canvas of Titian. The man stepped forward, and the illusion passed. "I thank you," he said, holding out his hand, "for taking me at my word, and answering me thus in person." He paused a moment, surveying Lionel's countenance with a keen but not unkindly eye, and added softly, "Very like your father." At these words Lionel involuntarily pressed the hand which he had taken. That hand did not return the pressure. It lay an instant in Lionel's warm clasp—not repelling, not responding—and was then very gently withdrawn. "Did you come from London?" "No, sir; I found your letter yesterday at Hampton Court. I had been staying some days in that neighbourhood. I came on this morning: I was afraid too unceremoniously; your kind welcome reassures me there." The words were well chosen and frankly said. Probably they pleased the host, for the expression of his countenance was, on the whole, propitious; but he merely inclined his head with a kind of lofty indifference, then, glancing at his watch, he rang the bell. The servant entered promptly. "Let dinner be served within an hour." "Pray, sir," said Lionel, "do not change your hours on my account." Mr. Darrell's brow slightly contracted. Lionel's tact was in fault there; but the great man answered quietly, "All hours are the same to me; and it were strange if a host could be deranged by consideration to his guest,—on the first day too. Are you tired? Would you like to go to your room, or look out for half an hour? The sky is clearing." "I should so like to look out, sir." "This way then." Mr. Darrell, crossing the hall, threw open a door opposite to that by which Lionel entered, and the lake (we will so call it) lay before them, —separated from the house only by a shelving gradual declivity, on which were a few beds of flowers,—not the most in vogue nowadays, and disposed in rambling old-fashioned parterres. At one angle, a quaint and dilapidated sun-dial; at the other, a long bowling-alley, terminated by one of those summer-houses which the Dutch taste, following the Revolution of 1688, brought into fashion. Mr. Darrell passed down this alley (no bowls there now), and observing that Lionel looked curiously towards the summer-house, of which the doors stood open, entered it. A lofty room with coved ceiling, painted with Roman trophies of helms and fasces, alternated with crossed fifes and fiddles, painted also. "Amsterdam manners," said Mr. Darrell, slightly shrugging his shoulders. "Here a former race heard music, sang glees, and smoked from clay pipes. That age soon passed, unsuited to English energies, which are not to be united with Holland phlegm! But the view from the window-look out there. I wonder whether men in wigs and women in hoops enjoyed that. It is a mercy they did not clip those banks into a straight canal!" The view was indeed lovely,—the water looked so blue and so large and so limpid, woods and curving banks reflected deep on its peaceful bosom. "How Vance would enjoy this!" cried Lionel. "It would come into a picture even better than the Thames." "Vance? who is Vance?" "The artist,—a great friend of mine. Surely, sir, you have heard of him or seen his pictures!" "Himself and his pictures are since my time. Days tread down days for the recluse, and be forgets that celebrities rise with their suns, to wane with their moons, "'Truditur dies die, Novaeque pergunt interire lunae'" "All suns do not set; all moons do not wane!" cried Lionel, with blunt enthusiasm. "When Horace speaks elsewhere of the Julian star, he compares it to a moon—'inter ignes minores'—and surely Fame is not among the orbs which 'pergunt interire,'—hasten on to perish!" "I am glad to see that you retain your recollections of Horace," said Mr. Darrell, frigidly, and without continuing the allusion to celebrities; "the most charming of all poets to a man of my years, and" (he very dryly added) "the most useful for popular quotation to men at any age." Then sauntering forth carelessly, he descended the sloping turf, came to the water-side, and threw himself at length on the grass: the wild thyme which he crushed sent up its bruised fragrance. There, resting his face on his hand, Darrell gazed along the water in abstracted silence. Lionel felt that he was forgotten; but he was not hurt. By this time a strong and admiring interest for his cousin had sprung up within his breast: he would have found it difficult to explain why. But whosoever at that moment could have seen Guy Darrell's musing countenance, or whosoever, a few minutes before, could have heard the very sound of his voice, sweetly, clearly full; each slow enunciation unaffectedly, mellowly distinct,—making musical the homeliest; roughest word, would have understood and shared the interest which Lionel could not explain. There are living human faces, which, independently of mere physical beauty, charm and enthrall us more than the most perfect lineaments which Greek sculptor ever lent to a marble face; there are key-notes in the thrilling human voice, simply uttered, which can haunt the heart, rouse the passions, lull rampant multitudes, shake into dust the thrones of guarded kings, and effect more wonders than ever yet have been wrought by the most artful chorus or the deftest quill. In a few minutes the swans from the farther end of the water came sailing swiftly towards the bank on which Darrell reclined. He had evidently made friends with them, and they rested their white breasts close on the margin, seeking to claim his notice with a low hissing salutation, which, it is to be hoped, they changed for something less sibilant in that famous song with which they depart this life. Darrell looked up. "They come to be fed," said he, "smooth emblems of the great social union. Affection is the offspring of utility. I am useful to them: they love me." He rose, uncovered, and bowed to the birds in mock courtesy: "Friends, I have no bread to give you." LIONEL.—"Let me run in for some. I would be useful too." MR. DARRELL.—"Rival!—useful to my swans?" LIONEL (tenderly).—"Or to you, sir." He felt as if he had said too much, and without waiting for permission, ran indoors to find some one whom he could ask for the bread. "Sonless, childless, hopeless, objectless!" said Darrell, murmuringly to himself, and sank again into revery. By the time Lionel returned with the bread, another petted friend had joined the master. A tame doe had caught sight of him from her covert far away, came in light bounds to his side, and was pushing her delicate nostril into his drooping hand. At the sound of Lionel's hurried step, she took flight, trotted off a few paces, then turned, looking. "I did not know you had deer here." "Deer!—in this little paddock!—of course not; only that doe. Fairthorn introduced her here. By the by," continued Darrell, who was now throwing the bread to the swans, and had resumed his careless, unmeditative manner, "you were not aware that I have a brother hermit,—a companion be sides the swans and the doe. Dick Fairthorn is a year or two younger than myself, the son of my father's bailiff. He was the cleverest boy at his grammar-school. Unluckily he took to the flute, and unfitted himself for the present century. He condescends, however, to act as my secretary,—a fair classical scholar, plays chess, is useful to me,—I am useful to him. We have an affection for each other. I never forgive any one who laughs at him. The half-hour bell, and you will meet him at dinner. Shall we come in and dress?" They entered the house; the same man-servant was in attendance in the hall. "Show Mr. Haughton to his room." Darrell inclined his head—I use that phrase, for the gesture was neither bow nor nod—turned down a narrow passage and disappeared. Led up an uneven staircase of oak, black as ebony, with huge balustrades, and newel-posts supporting clumsy balls, Lionel was conducted to a small chamber, modernized a century ago by a faded Chinese paper, and a mahogany bedstead, which took up three-fourths of the space, and was crested with dingy plumes, that gave it the cheerful look of a hearse; and there the attendant said, "Have you the key of your knapsack, sir? shall I put out your things to dress?" Dress! Then for the first time the boy remembered that he had brought with him no evening dress,—nay, evening dress, properly so called, he possessed not at all in any corner of the world. It had never yet entered into his modes of existence. Call to mind when you were a boy of seventeen, "betwixt two ages hovering like a star," and imagine Lionel's sensations. He felt his cheek burn as if he had been detected in a crime. "I have no dress things," he said piteously; "only a change of linen, and this," glancing at the summer jacket. The servant was evidently a most gentleman-like man: his native sphere that of groom of the chambers. "I will mention it to Mr. Darrell; and if you will favour me with your address in London, I will send to telegraph for what you want against to-morrow." "Many thanks," answered Lionel, recovering his presence of mind; "I will speak to Mr. Darrell myself." "There is the hot water, sir; that is the bell. I have the honour to be placed at your commands." The door closed, and Lionel unlocked his knapsack; other trousers, other waistcoat had he,—those worn at the fair, and once white. Alas! they had not since then passed to the care of the laundress. Other shoes,—double-soled for walking. There was no help for it but to appear at dinner, attired as he had been before, in his light pedestrian jacket, morning waistcoat flowered with sprigs, and a fawn-coloured nether man. Could it signify much,—only two men? Could the grave Mr. Darrell regard such trifles?—Yes, if they intimated want of due respect. "Durum! sed fit levius Patientia Quicquid corrigere est nefas." On descending the stairs, the same high-bred domestic was in waiting to show him into the library. Mr. Darrell was there already, in the simple but punctilious costume of a gentleman who retains in seclusion the habits customary in the world. At the first glance Lionel thought he saw a slight cloud of displeasure on his host's brow. He went up to Mr. Darrell ingenuously, and apologized for the deficiencies of his itinerant wardrobe. "Say the truth," said his host; "you thought you were coming to an old churl, with whom ceremony was misplaced." "Indeed no!" exclaimed Lionel. "But—but I have so lately left school." "Your mother might have thought for you." "I did not stay to consult her, indeed, sir; I hope you are not offended." "No, but let me not offend you if I take advantage of my years and our relationship to remark that a young man should be careful not to let himself down below the standard of his own rank. If a king could bear to hear that he was only a ceremonial, a private gentleman may remember that there is but a ceremonial between himself and—his hatter!" Lionel felt the colour mount his brow; but Darrell pressing the distasteful theme no further, and seemingly forgetting its purport, turned his remarks carelessly towards the weather. "It will be fair to-morrow: there is no mist on the hill yonder. Since you have a painter for a friend, perhaps you yourself are a draughtsman. There are some landscape effects here which Fairthorn shall point out to you." "I fear, Mr. Darrell," said Lionel, looking down, "that to-morrow I must leave you." "So soon? Well, I suppose the place must be very dull." "Not that—not that; but I have offended you, and I would not repeat the offence. I have not the 'ceremonial' necessary to mark me as a gentleman,—either here or at home." "So! Bold frankness and ready wit command ceremonials," returned Darrell, and for the first time his lip wore a smile. "Let me present to you Mr. Fairthorn," as the door, opening, showed a shambling awkward figure, with loose black knee-breeches and buckled shoes. The figure made a strange sidelong bow; and hurrying in a lateral course, like a crab suddenly alarmed, towards a dim recess protected by a long table, sank behind a curtain fold, and seemed to vanish as a crab does amidst the shingles. "Three minutes yet to dinner, and two before the lettercarrier goes," said the host, glancing at his watch. "Mr. Fairthorn, will you write a note for me?" There was a mutter from behind the curtain. Darrell walked to the place, and whispered a few words, returned to the hearth, rang the bell. "Another letter for the post, Mills: Mr. Fairthorn is sealing it. You are looking at my book-shelves, Lionel. As I understand that your master spoke highly of you, I presume that you are fond of reading." "I think so, but I am not sure," answered Lionel, whom his cousin's conciliatory words had restored to ease and good-humour. "You mean, perhaps, that you like reading, if you may choose your own books." "Or rather, if I may choose my own time to read them, and that would not be on bright summer days." "Without sacrificing bright summer days, one finds one has made little progress when the long winter nights come." "Yes, sir. But must the sacrifice be paid in books? I fancy I learned as much in the play-ground as I did n the schoolroom, and for the last few months, in much my own master, reading hard in the forenoon, it is true, for many hours at a stretch, and yet again for a few hours at evening, but rambling also through the streets, or listening to a few friends whom I have contrived to make,—I think, if I can boast of any progress at all, the books have the smaller share in it." "You would, then, prefer an active life to a studious one?" "Oh, yes—yes." "Dinner is served," said the decorous Mr. Mills, throwing open the door. CHAPTER III. In our happy country every man's house is his castle. But however stoutly he fortify it, Care enters, as surely as she did in Horace's time, through the porticos of a Roman's villa. Nor, whether ceilings be fretted with gold and ivory, or whether only coloured with whitewash, does it matter to Care any more than it does to a house-fly. But every tree, be it cedar or blackthorn, can harbour its singing-bird; and few are the homes in which, from nooks least suspected, there starts not a music. Is it quite true that, "non avium citharaeque cantus somnum reducent"? Would not even Damocles himself have forgotten the sword, if the lute-player had chanced on the notes that lull? The dinner was simple enough, but well dressed and well served. One footman, in plain livery, assisted Mr. Mills. Darrell ate sparingly, and drank only water, which was placed by his side iced, with a single glass of wine at the close of the repast, which he drank on bending his head to Lionel, with a certain knightly grace, and the prefatory words of "Welcome here to a Haughton." Mr. Fairthorn was less abstemious; tasted of every dish, after examining it long through a pair of tortoise-shell spectacles, and drank leisurely through a bottle of port, holding up every glass to the light. Darrell talked with his usual cold but not uncourteous indifference. A remark of Lionel on the portraits in the room turned the conversation chiefly upon pictures, and the host showed himself thoroughly accomplished in the attributes of the various schools and masters. Lionel, who was very fond of the art, and indeed painted well for a youthful amateur, listened with great delight. "Surely, sir," said he, struck much with a very subtile observation upon the causes why the Italian masters admit of copyists with greater facility than the Flemish,—"surely, sir, you yourself must have practised the art of painting?" "Not I; but I instructed myself as a judge of pictures, because at one time I was a collector." Fairthorn, speaking for the first time: "The rarest collection,—such Albert Durers! such Holbeins! and that head by Leonardo da Vinci!" He stopped; looked extremely frightened; helped himself to the port, turning his back upon his host, to hold, as usual, the glass to the light. "Are they here, sir?" asked Lionel. Darrell's face darkened, and he made no answer; but his head sank on his breast, and he seemed suddenly absorbed in gloomy thought. Lionel felt that he had touched a wrong chord, and glanced timidly towards Fairthorn; but that gentleman cautiously held up his finger, and then rapidly put it to his lip, and as rapidly drew it away. After that signal the boy did not dare to break the silence, which now lasted uninterruptedly till Darrell rose, and with the formal and superfluous question, "Any more wine?" led the way back to the library. There he ensconced himself in an easy-chair, and saying, "Will you find a book for yourself, Lionel?" took a volume at random from the nearest shelf, and soon seemed absorbed in its contents. The room, made irregular by baywindows, and shelves that projected as in public libraries, abounded with nook and recess. To one of these Fairthorn sidled himself, and became invisible. Lionel looked round the shelves. No belles lettres of our immediate generation were found there; none of those authors most in request in circulating libraries and literary institutes. The shelves disclosed no poets, no essayists, no novelists, more recent than the Johnsonian age. Neither in the lawyer's library were to be found any law books; no, nor the pamphlets and parliamentary volumes that should have spoken of the once eager politician. But there were superb copies of the ancient classics. French and Italian authors were not wanting, nor such of the English as have withstood the test of time. The larger portions of the shelves seemed, however, devoted to philosophical works. Here alone was novelty admitted, the newest essays on science, or the best editions of old works thereon. Lionel at length made his choice,—a volume of the "Faerie Queene." Coffee was served; at a later hour tea. The clock struck ten. Darrell laid down his book. "Mr. Fairthorn, the flute!" From the recess a mutter; and presently—the musician remaining still hidden—there came forth the sweetest note,—so dulcet, so plaintive! Lionel's ear was ravished. The music suited well with the enchanted page through which his fancy had been wandering dreamlike,—the flute with the "Faerie Queene." As the air flowed liquid on, Lionel's eyes filled with tears. He did not observe that Darrell was intently watching him. When the music stopped, he turned aside to wipe the tears from his eyes. Somehow or other, what with the poem, what with the flute, his thoughts had wandered far, far hence to the green banks and blue waves of the Thames,—to Sophy's charming face, to her parting childish gift! And where was she now? Whither passing away, after so brief a holiday, into the shadows of forlorn life? Darrell's bell-like voice smote his ear. "Spenser; you love him! Do you write poetry?" "No, sir: I only feel it!" "Do neither!" said the host, abruptly. Then, turning away, he lighted his candle, murmured a quick good-night, and disappeared through a side- door which led to his own rooms. Lionel looked round for Fairthorn, who now emerged /ab anqulo/ from his nook. "Oh, Mr. Fairthorn, how you have enchanted me! I never believed the flute could have been capable of such effects!" Mr. Fairthorn's grotesque face lighted up. He took off his spectacles, as if the better to contemplate the face of his eulogist. "So you were pleased! really?" he said, chuckling a strange, grim chuckle, deep in his inmost self. "Pleased! it is a cold word! Who would not be more than pleased?" "You should hear me in the open air." "Let me do so-to-morrow." "My dear young sir, with all my heart. Hist!"—gazing round as if haunted,—"I like you. I wish him to like you. Answer all his questions as if you did not care how he turned you inside out. Never ask him a question, as if you sought to know what he did not himself confide. So there is some thing, you think, in a flute, after all? There are people who prefer the fiddle." "Then they never heard your flute, Mr. Fairthorn." The musician again emitted his discordant chuckle, and, nodding his head nervously and cordially, shambled away without lighting a candle, and was engulfed in the shadows of some mysterious corner. CHAPTER IV. The old world and the new. It was long before Lionel could sleep. What with the strange house and the strange master, what with the magic flute and the musician's admonitory caution, what with tender and regretful reminiscences of Sophy, his brain had enough to work on. When he slept at last, his slumber was deep and heavy, and he did not wake till gently shaken by the well-bred arm of Mr. Mills. "I humbly beg pardon: nine o'clock, sir, and the breakfast-bell going to ring." Lionel's toilet was soon hurried over; Mr. Darrell and Fairthorn were talking together as he entered the breakfast-room,—the same room as that in which they had dined. "Good morning, Lionel," said the host. "No leave-taking to-day, as you threatened. I find you have made an appointment with Mr. Fairthorn, and I shall place you under his care. You may like to look over the old house, and make yourself"—Darrell paused "at home," jerked out Mr. Fairthorn, filling up the hiatus. Darrell turned his eye towards the speaker, who evidently became much frightened, and, after looking in vain for a corner, sidled away to the window and poked himself behind the curtain. "Mr. Fairthorn, in the capacity of my secretary, has learned to find me thoughts, and put them in his own words," said Darrell, with a coldness almost icy. He then seated himself at the breakfast-table; Lionel followed his example, and Mr. Fairthorn, courageously emerging, also took a chair and a roll. "You are a true diviner, Mr. Darrell," said Lionel; "it is a glorious day." "But there will be showers later. The fish are at play on the surface of the lake," Darrell added, with a softened glance towards Fairthorn, who was looking the picture of misery. "After twelve, it will be just the weather for trout to rise; and if you fish, Mr. Fairthorn will lend you a rod. He is a worthy successor of Izaak Walton, and loves a companion as Izaak did, but more rarely gets one." "Are there trout in your lake, sir?" "The lake! You must not dream of invading that sacred water. The inhabitants of rivulets and brooks not within my boundary are beyond the pale of Fawley civilization, to be snared and slaughtered like Caifres, red men, or any other savages, for whom we bait with a missionary and whom we impale on a bayonet. But I regard my lake as a politic community, under the protection of the law, and leave its denizens to devour each other, as Europeans, fishes, and other cold-blooded creatures wisely do, in order to check the overgrowth of population. To fatten one pike it takes a great many minnows. Naturally I support the vested rights of pike. I have been a lawyer." It would be in vain to describe the manner in which Mr. Darrell vented this or similar remarks of mocking irony or sarcastic spleen. It was not bitter nor sneering, but in his usual mellifluous level tone and passionless tranquillity. The breakfast was just over as a groom passed in front of the windows with a led horse. "I am going to leave you, Lionel," said the host, "to make—friends with Mr. Fairthorn, and I thus complete, according to my own original intention, the sentence which he diverted astray." He passed across the hall to the open house-door, and stood by the horse, stroking its neck and giving some directions to the groom. Lionel and Fairthorn followed to the threshold, and the beauty of the horse provoked the boy's admiration: it was a dark muzzled brown, of that fine old- fashioned breed of English roadster which is now so seldom seen,—showy, bownecked, long-tailed, stumbling, reedy hybrids, born of bad barbs, ill- mated, having mainly supplied their place. This was, indeed, a horse of great power, immense girth of loin, high shoulder, broad hoof; and such a head! the ear, the frontal, the nostril! you seldom see a human physiognomy half so intelligent, half so expressive of that high spirit and sweet generous temper, which, when united, constitute the ideal of thorough-breeding, whether in horse or man. The English rider was in harmony with the English steed. Darrell at this moment was resting his arm lightly on the animal's shoulder, and his head still uncovered. It has been said before that he was, of imposing presence; the striking attribute of his person, indeed, was that of unconscious grandeur; yet, though above the ordinary height, he was not very tall-five feet eleven at the utmost-and far from being very erect. On the contrary, there was that habitual bend in his proud neck which men who meditate much and live alone almost invariably contract. But there was, to use an expression common with our older writers, that "great air" about him which filled the eye, and gave him the dignity of elevated stature, the commanding aspect that accompanies the upright carriage. His figure was inclined to be slender, though broad of shoulder and deep of chest; it was the figure of a young man and probably little changed from what it might have been at five-and-twenty. A certain youthfulness still lingered even on the countenance,—strange, for sorrow is supposed to expedite the work of age; and Darrell had known sorrow of a kind most adapted to harrow his peculiar nature, as great in its degree as ever left man's heart in ruins. No gray was visible in the dark brown hair, that, worn short behind, still retained in front the large Jove-like curl. No wrinkle, save at the corner of the eyes, marred the pale bronze of the firm cheek; the forehead was smooth as marble, and as massive. It was that forehead which chiefly contributed to the superb expression of his whole aspect. It was high to a fault; the perceptive organs, over a dark, strongly- marked, arched eyebrow, powerfully developed, as they are with most eminent lawyers; it did not want for breadth at the temples; yet, on the whole, it bespoke more of intellectual vigour and dauntless will than of serene philosophy or all-embracing benevolence. It was the forehead of a man formed to command and awe the passions and intellect of others by the strength of passions in himself, rather concentred than chastised, and by an intellect forceful from the weight of its mass rather than the niceness of its balance. The other features harmonized with that brow; they were of the noblest order of aquiline, at once high and delicate. The lip had a rare combination of exquisite refinement and inflexible resolve. The eye, in repose, was cold, bright, unrevealing, with a certain absent, musing, self-absorbed expression, that often made the man's words appear as if spoken mechanically, and assisted towards that seeming of listless indifference to those whom he addressed, by which he wounded vanity without, perhaps, any malice prepense. But it was an eye in which the pupil could suddenly expand, the hue change from gray to dark, and the cold still brightness flash into vivid fire. It could not have occurred to any one, even to the most commonplace woman, to have described Darrell's as a handsome face; the expression would have seemed trivial and derogatory; the words that would have occurred to all, would have been somewhat to this effect: "What a magnificent countenance! What a noble head!" Yet an experienced physiognomist might have noted that the same lineaments which bespoke a virtue bespoke also its neighbouring vice; that with so much will there went stubborn obstinacy; that with that power of grasp there would be the tenacity in adherence which narrows, in astringing, the intellect; that a prejudice once conceived, a passion once cherished, would resist all rational argument for relinquishment. When men of this mould do relinquish prejudice or passion, it is by their own impulse, their own sure conviction that what they hold is worthless: then they do not yield it graciously; they fling it from them in scorn, but not a scorn that consoles. That which they thus wrench away had "grown a living part of themselves;" their own flesh bleeds; the wound seldom or never heals. Such men rarely fail in the achievement of what they covet, if the gods are neutral; but, adamant against the world, they are vulnerable through their affections. Their love is intense, but undemonstrative; their hatred implacable, but unrevengeful,—too proud to revenge, too galled to pardon. There stood Guy Darrell, to whom the bar had destined its highest honours, to whom the senate had accorded its most rapturous cheers; and the more you gazed on him as he there stood, the more perplexed became the enigma,—how with a career sought with such energy, advanced with such success, the man had abruptly subsided into a listless recluse, and the career had been voluntarily resigned for a home without neighbours, a hearth without children. "I had no idea," said Lionel, as Darrell rode slowly away, soon lost from sight amidst the thick foliage of summer trees,—"I had no idea that my cousin was so young!" "Oh, yes," said Mr. Fairthorn; "he is only a year older than I am!" "Older than you!" exclaimed Lionel, staring in blunt amaze at the elderly-looking personage beside him; "yet true, he told me so himself." "And I am fifty-one last birthday." "Mr. Darrell fifty-two! Incredible!" "I don't know why we should ever grow old, the life we lead," observed Mr. Fairthorn, readjusting his spectacles. "Time stands so still! Fishing, too, is very conducive to longevity. If you will follow me, we will get the rods; and the flute,—you are quite sure you would like the flute? Yes! thank you, my dear young sir. And yet there are folks who prefer the fiddle!" "Is not the sun a little too bright for the fly at present; and will you not, in the meanwhile, show me over the house?" "Very well; not that this house has much worth seeing. The other indeed would have had a music-room! But, after all, nothing like the open air for the flute. This way." I spare thee, gentle reader, the minute inventory of Fawley Manor House. It had nothing but its antiquity to recommend it. It had a great many rooms, all, except those used as the dining-room and library, very small, and very low,—innumerable closets, nooks,—unexpected cavities, as if made on purpose for the venerable game of hide-and-seek. Save a stately old kitchen, the offices were sadly defective even for Mr. Darrell's domestic establishment, which consisted but of two men and four maids (the stablemen not lodging in the house). Drawing-room properly speaking that primitive mansion had none. At some remote period a sort of gallery under the gable roofs (above the first floor), stretching from end to end of the house, might have served for the reception of guests on grand occasions; for fragments of mouldering tapestry still here and there clung to the walls; and a high chimney-piece, whereon, in plaster relief, was commemorated the memorable fishing party of Antony and Cleopatra, retained patches of colour and gilding, which must when fresh have made the Egyptian queen still more appallingly hideous, and the fish at the end of Antony's hook still less resembling any creature known to ichthyologists. The library had been arranged into shelves from floor to roof by Mr. Darrell's father, and subsequently, for the mere purpose of holding as many volumes as possible, brought out into projecting wings (college- like) by Darrell himself, without any pretension to mediaeval character. With this room communicated a small reading-closet, which the host reserved to himself; and this, by a circular stair cut into the massive wall, ascended first into Mr. Darrell's sleeping-chamber, and thence into a gable recess that adjoined the gallery, and which the host had fitted up for the purpose of scientific experiments in chemistry or other branches of practical philosophy. These more private rooms Lionel was not permitted to enter. Altogether the house was one of those cruel tenements which it would be a sin to pull down, or even materially to alter, but which it would be an hourly inconvenience for a modern family to inhabit. It was out of all character with Mr. Darrell's former position in life, or with the fortune which Lionel vaguely supposed him to possess, and considerably underrated. Like Sir Nicholas Bacon, the man had grown too large for his habitation. "I don't wonder," said Lionel, as, their wanderings over, he and Fairthorn found themselves in the library, "that Mr. Darrell began to build a new house. But it would have been a great pity to pull down this for it." "Pull down this! Don't hint at such an idea to Mr. Darrell. He would as soon have pulled down the British Monarchy! Nay, I suspect, sooner." "But the new building must surely have swallowed up the old one?" "Oh, no; Mr. Darrell had a plan by which he would have enclosed this separately in a kind of court, with an open screen-work or cloister; and it was his intention to appropriate it entirely to mediaeval antiquities, of which he has a wonderful collection. He had a notion of illustrating every earlier reign in which his ancestors flourished,—different apartments in correspondence with different dates. It would have been a chronicle of national manners." "But, if it be not an impertinent question, where is this collection? In London?" "Hush! hush! I will give you a peep of some of the treasures, only don't betray me." Fairthorn here, with singular rapidity, considering that he never moved in a straightforward direction, undulated into the open air in front of the house, described a rhomboid towards a side-buttress in the new building, near to which was a postern-door; unlocked that door from a key in his pocket, and, motioning Lionel to follow him, entered within the ribs of the stony skeleton. Lionel followed in a sort of supernatural awe, and beheld, with more substantial alarm, Mr. Fairthorn winding up an inclined plank which lie embraced with both arms, and by which he ultimately ascended to a timber joist in what should have been an upper floor, only flooring there was none. Perched there, Fairthorn glared down on Lionel through his spectacles. "Dangerous," he said whisperingly; "but one gets used to everything! If you feel afraid, don't venture!" Lionel, animated by that doubt of his courage, sprang up the plank, balancing himself schoolboy fashion, with outstretched arms, and gained the side of his guide. "Don't touch me!" exclaimed Mr. Fairthorn, shrinking, "or we shall both be over. Now observe and imitate." Dropping himself, then, carefully and gradually, till he dropped on the timber joist as if it were a velocipede, his long legs dangling down, he with thigh and hand impelled himself onward till he gained the ridge of a wall, on which he delivered his person, and wiped his spectacles. Lionel was not long before he stood in the same place. "Here we are," said Fairthorn. "I don't see the collection," answered Lionel, first peering down athwart the joists upon the rugged ground overspread with stones and rubbish, then glancing up through similar interstices above to the gaunt rafters. "Here are some,—most precious," answered Fairthorn, tapping behind him. "Walled up, except where these boards, cased in iron, are nailed across, with a little door just big enough to creep through; but that is locked, —Chubb's lock, and Mr. Darrell keeps the key!—treasures for a palace! No, you can't peep through here—not a chink; but come on a little further,—mind your footing." Skirting the wall, and still on the perilous ridge, Fairthorn crept on, formed an angle, and stopping short, clapped his eye to the crevice of some planks nailed rudely across a yawning aperture. Lionel found another crevice for himself, and saw, piled up in admired disorder, pictures, with their backs turned to a desolate wall, rare cabinets, and articles of curious furniture, chests, boxes, crates,—heaped pell-mell. This receptacle had been roughly floored in deal, in order to support its miscellaneous contents, and was lighted from a large window (not visible in front of the house), glazed in dull rough glass, with ventilators. "These are the heavy things, and least costly things, that no one could well rob. The pictures here are merely curious as early specimens, intended for the old house, all spoiling and rotting; Mr. Darrell wishes them to do so, I believe! What he wishes must be done! my dear young sir: a prodigious mind; it is of granite!" "I cannot understand it," said Lionel, aghast. "The last man I should have thought capriciously whimsical." "Whimsical! Bless my soul! don't say such a word, don't, pray! or the roof will fall down upon us! Come away. You have seen all you can see. You must go first now; mind that loose stone there!" Nothing further was said till they were out of the building; and Lionel felt like a knight of old who had been led into sepulchral halls by a wizard. CHAPTER V. The annals of empire are briefly chronicled in family records brought down to the present day, showing that the race of men is indeed "like leaves on trees, now green in youth, now withering on the ground." Yet to the branch the most bare will green leaves return, so long as the sap can remount to the branch from the root; but the branch which has ceased to take life from the root—hang it high, hang it low—is a prey to the wind and the woodman. It was mid-day. The boy and his new friend were standing apart, as becomes silent anglers, on the banks of a narrow brawling rivulet, running through green pastures, half a mile from the house. The sky was overcast, as Darrell had predicted, but the rain did not yet fall. The two anglers were not long before they had filled a basket with small trout. Then Lionel, who was by no means fond of fishing, laid his rod on the bank, and strolled across the long grass to his companion. "It will rain soon," said he. "Let us take advantage of the present time, and hear the flute, while we can yet enjoy the open air. No, not by the margin, or you will be always looking after the trout. On the rising ground, see that old thorn tree; let us go and sit under it. The new building looks well from it. What a pile it would have been! I may not ask you, I suppose, why it is left uncompleted. Perhaps it would have cost too much, or would have been disproportionate to the estate." "To the present estate it would have been disproportioned, but not to the estate Mr. Darrell intended to add to it. As to cost, you don't know him. He would never have undertaken what he could not afford to complete; and what he once undertook, no thoughts of the cost would have scared him from finishing. Prodigious mind,—granite! And so rich!" added Fairthorn, with an air of great pride. "I ought to know; I write all his letters on money matters. How much do you think he has, without counting land?" "I cannot guess." "Nearly half a million; in two years it will be more than half a million. And he had not three hundred a year when he began life; for Fawley was sadly mortgaged." "Is it possible! Could any lawyer make half a million at the bar?" "If any man could, Mr. Darrell would. When he sets his mind on a thing, the thing is done; no help for it. But his fortune was not all made at the bar, though a great part of it was. An old East Indian bachelor of the same name, but who had never been heard of hereabouts till he wrote from Calcutta to Mr. Darrell (inquiring if they were any relation, and Mr. Darrell referred him to the College-at-Arms, which proved that they came from the same stock ages ago), left him all his money. Mr. Darrell was not dependent on his profession when he stood up in Parliament. And since we have been here, such savings! Not that Mr. Darrell is avaricious, but how can he spend money in this place? You should have seen the establishment we kept in Carlton Gardens. Such a cook too, —a French gentleman, looked like a marquis. Those were happy days, and proud ones! It is true that I order the dinner here, but it can't be the same thing. Do you like fillet of veal?—we have one to-day." "We used to have fillet of veal at school on Sundays. I thought it good then." "It makes a nice mince," said Mr. Fairthorn, with a sensual movement of his lips. "One must think of dinner when one lives in the country: so little else to think of! Not that Mr. Darrell does, but then he is granite!" "Still," said Lionel, smiling, "I do not get my answer. Why was the house uncompleted? and why did Mr. Darrell retire from public life?" "He took both into his head; and when a thing once gets there, it is no use asking why. But," added Fairthorn, and his innocent ugly face changed into an expression of earnest sadness,—"but no doubt he had his reasons. He has reasons for all he does, only they lie far, far away from what appears on the surface,—far as that rivulet lies from its source! My dear young sir, Mr. Darrell has known griefs on which it does not become you and me to talk. He never talks of them. The least I can do for my benefactor is not to pry into his secrets, nor babble them out. And he is so kind, so good, never gets into a passion; but it is so awful to wound him,—it gives him such pain; that's why he frightens me,— frightens me horribly; and so he will you when you come to know him. Prodigious mind!—granite,—overgrown with sensitive plants. Yes, a little music will do us both good." Mr. Fairthorn screwed his flute, an exceedingly handsome one. He pointed out its beauties to Lionel—a present from Mr. Darrell last Christmas— and then he began. Strange thing, Art! especially music. Out of an art, a man may be so trivial you would mistake him for an imbecile,—at best a grown infant. Put him into his art, and how high he soars above you! How quietly he enters into a heaven of which he has become a denizen, and unlocking the gates with his golden key, admits you to follow, a humble reverent visitor. In his art, Fairthorn was certainly a master, and the air he now played was exquisitely soft and plaintive; it accorded with the clouded yet quiet sky, with the lone but summer landscape, with Lionel's melancholic but not afflicted train of thought. The boy could only murmur "Beautiful!" when the musician ceased. "It is an old air," said Fairthorn; "I don't think it is known. I found its scale scrawled down in a copy of the 'Eikon Basilike,' with the name of 'Joannes Darrell, Esq., Aurat,' written under it. That, by the date, was Sir John Darrell, the cavalier who fought for Charles I., father of the graceless Sir Ralph, who flourished under Charles II. Both their portraits are in the dining-room." "Tell me something of the family; I know so little about it,—not even how the Haughtons and Darrells seem to have been so long connected. I see by the portraits that the Haughton name was borne by former Darrells, then apparently dropped, now it is borne again by my cousin." "He bears it only as a Christian name. Your grandfather was his sponsor. But he is nevertheless the head of your family." "So he says. How?" Fairthorn gathered himself up, his knees to his chin, and began in the tone of a guide who has got his lesson by heart; though it was not long before he warmed into his subject. "The Darrells are supposed to have got their name from a knight in the reign of Edward III., who held the lists in a joust victoriously against all comers, and was called, or called himself, John the Dare-all; or, in old spelling, the Der-all. They were amongst the most powerful families in the country; their alliances were with the highest houses,— Montfichets, Nevilles, Mowbrays; they descended through such marriages from the blood of Plantagenet kings. You'll find their names in chronicles in the early French wars. Unluckily they attached themselves to the fortunes of Earl Warwick, the king-maker, to whose blood they were allied; their representative was killed in the fatal field of Barnet; their estates were of course confiscated; the sole son and heir of that ill-fated politician passed into the Low Countries, where he served as a soldier. His son and grandson followed the same calling under foreign banners. But they must have kept up the love of the old land; for in the latter part of the reign of Henry VIII., the last male Darrell returned to England with some broad gold pieces saved by himself or his exiled fathers, bought some land in this county, in which the ancestral possessions had once been large, and built the present house, of a size suited to the altered fortunes of a race that in a former age had manned castles with retainers. The baptismal name of the soldier who thus partially refounded the old line in England was that now borne by your cousin, Guy,—a name always favoured by Fortune in the family annals; for in Elizabeth's time, from the rank of small gentry, to which their fortune alone lifted them since their return to their native land, the Darrells rose once more into wealth and eminence under a handsome young Sir Guy,—we have his picture in black flowered velvet,—who married the heiress of the Haughtons, a family that had grown rich under the Tudors, and was in high favour with the Maiden-Queen. This Sir Guy was befriended by Essex and knighted by Elizabeth herself. Their old house was then abandoned for the larger mansion of the Haughtons, which had also the advantage of being nearer to the Court, The renewed prosperity of the Darrells was of short duration. The Civil Wars came on, and Sir John Darrell took the losing side. He escaped to France with his only son. He is said to have been an accomplished, melancholy man; and my belief is, that he composed that air which you justly admire for its mournful sweetness. He turned Roman Catholic and died in a convent. But the son, Ralph, was brought up in France with Charles II, and other gay roisterers. On the return of the Stuart, Ralph ran off with the daughter of the Roundhead to whom his estates had been given, and, after getting them back, left his wife in the country, and made love to other men's wives in town. Shocking profligate! no fruit could thrive upon such a branch. He squandered all he could squander, and would have left his children beggars, but that he was providentially slain in a tavern brawl for boasting of a lady's favours to her husband's face. The husband suddenly stabbed him,—no fair duello, for Sir Ralph was invincible with the small sword. Still the family fortune was much dilapidated, yet still the Darrells lived in the fine house of the Haughtons, and left Fawley to the owls. But Sir Ralph's son, in his old age, married a second time, a young lady of high rank, an earl's daughter. He must have been very much in love with her, despite his age, for to win her consent or her father's he agreed to settle all the Haughton estates on her and the children she might bear to him. The smaller Darrell property had already been entailed on his son by his first marriage. This is how the family came to split. Old Darrell had children by his second wife; the eldest of those children took the Haughton name and inherited the Haughton property. The son by the first marriage had nothing but Fawley and the scanty domain round it. You descend from the second marriage, Mr. Darrell from the first. You understand now, my dear young sir?" "Yes, a little; but I should very much like to know where those fine Haughton estates are now?" "Where they are now? I can't say. They were once in Middlesex. Probably much of the land, as it was sold piecemeal, fell into small allotments, constantly changing hands. But the last relics of the property were, I know, bought on speculation by Cox the distiller; for, when we were in London, by Mr. Darrell's desire I went to look after them, and inquire if they could be repurchased. And I found that so rapid in a few years has been the prosperity of this great commercial country, that if one did buy them back, one would buy twelve villas, several streets, two squares, and a paragon! But as that symptom of national advancement, though a proud thought in itself, may not have any pleasing interest for you, I return to the Darrells. From the time in which the Haughton estate had parted from them, they settled back in their old house of Fawley. But they could never again hold up their heads with the noblemen and great squires in the county. As much as they could do to live at all upon the little patrimony; still the reminiscence of what they had been made them maintain it jealously and entail it rigidly. The eldest son would never have thought of any profession or business; the younger sons generally became soldiers, and being always a venturesome race, and having nothing particular to make them value their existence, were no less generally killed off betimes. The family became thoroughly obscure, slipped out of place in the county, seldom rose to be even justices of the peace, never contrived to marry heiresses again, but only the daughters of some neighbouring parson or squire as poor as themselves, but always of gentle blood. Oh, they were as proud as Spaniards in that respect! So from father to son, each generation grew obscurer and poorer; for, entail the estate as they might, still some settlements on it were necessary, and no settlements were ever brought into it; and thus entails were cut off to admit some new mortgage, till the rent-roll was somewhat less than L300 a year when Mr. Darrell's father came into possession. Yet somehow or other he got to college, where no Darrell had been since the time of the Glorious Revolution, and was a learned man and an antiquary,—A GREAT ANTIQUARY! You may have read his works. I know there is one copy of them in the British Museum, and there is another here, but that copy Mr. Darrell keeps under lock and key." "I am ashamed to say I don't even know the titles of those works." "There were 'Popular Ballads on the Wars of the Roses;' 'Darrelliana,' consisting of traditional and other memorials of the Darrell family; 'Inquiry into the Origin of Legends Connected with Dragons;' 'Hours amongst Monumental Brasses,' and other ingenious lucubrations above the taste of the vulgar; some of them were even read at the Royal Society of Antiquaries. They cost much to print and publish. But I have heard my father, who was his bailiff, say that he was a pleasant man, and was fond of reciting old scraps of poetry, which he did with great energy; indeed, Mr. Darrell declares that it was the noticing, in his father's animated and felicitous elocution, the effects that voice, look, and delivery can give to words, which made Mr. Darrell himself the fine speaker he is. But I can only recollect the antiquary as a very majestic gentleman, with a long pigtail—awful, rather, not so much so as his son, but still awful —and so sad-looking; you would not have recovered your spirits for a week if you had seen him, especially when the old house wanted repairs, and he was thinking how he could pay for them!" "Was Mr. Darrell, the present one, an only child?" "Yes, and much with his father, whom he loved most dearly, and to this day he sighs if he has to mention his father's name! He has old Mr. Darrell's portrait over the chimney-piece in his own reading-room; and he had it in his own library in Carlton Gardens. Our Mr. Darrell's mother was very pretty, even as I remember her: she died when he was about ten years old. And she too was a relation of yours,—a Haughton by blood,— but perhaps you will be ashamed of her, when I say she was a governess in a rich mercantile family. She had been left an orphan. I believe old Mr. Darrell (not that he was old then) married her because the Haughtons could or would do nothing for her, and because she was much snubbed and put upon, as I am told governesses usually are,—married her because, poor as he was, he was still the head of both families, and bound to do what he could for decayed scions. The first governess a Darrell, ever married; but no true Darrell would have called that a mesalliance since she was still a Haughton and 'Fors non mutat genus,'—Chance does not change race." "But how comes it that the Haughtons, my grandfather Haughton, I suppose, would do nothing for his own kinswoman?" "It was not your grandfather Robert Haughton, who was a generous man,— he was then a mere youngster, hiding himself for debt,—but your great— grandfather, who was a hard man and on the turf. He never had money to give,—only money for betting. He left the Haughton estates sadly clipped. But when Robert succeeded, he came forward, was godfather to our Mr. Darrell, insisted on sharing the expense of sending him to Eton, where he became greatly distinguished; thence to Oxford, where he increased his reputation; and would probably have done more for him, only Mr. Darrell, once his foot on the ladder, wanted no help to climb to the top." "Then my grandfather, Robert, still had the Haughton estates? Their last relics had not been yet transmuted by Mr. Cox into squares and a paragon?" "No; the grand old mansion, though much dilapidated, with its park, though stripped of salable timber, was still left with a rental from farms that still appertained to the residence, which would have sufficed a prudent man for the luxuries of life, and allowed a reserve fund to clear off the mortgages gradually. Abstinence and self-denial for one or two generations would have made a property, daily rising in value as the metropolis advanced to its outskirts, a princely estate for a third. But Robert Haughton, though not on the turf, had a grand way of living; and while Guy Darrell went into the law to make a small patrimony a large fortune, your father, my dear young sir, was put into the Guards to reduce a large patrimony—into Mr. Cox's distillery." Lionel coloured, but remained silent. Fairthorn, who was as unconscious in his zest of narrator that he was giving pain as an entomologist in his zest for collecting when he pins a live moth in his cabinet, resumed: "Your father and Guy Darrell were warm friends as boys and youths. Guy was the elder of the two, and Charlie Haughton (I beg your pardon, he was always called Charlie) looked up to him as to an elder brother. Many's the scrape Guy got him out of; and many a pound, I believe, when Guy had some funds of his own, did Guy lend to Charlie." "I am very sorry to hear that," said Lionel, sharply. Fairthorn looked frightened. "I 'm afraid I have made a blunder. Don't tell Mr. Darrell." "Certainly not; I promise. But how came my father to need this aid, and how came they at last to quarrel?" Your father Charlie became a gay young man about town, and very much the fashion. He was like you in person, only his forehead was lower, and his eye not so steady. Mr. Darrell studied the law in chambers. When Robert Haughton died, what with his debts, what with his father's, and what with Charlie's post-obits and I O U's, there seemed small chance indeed of saving the estate to the Haughtons. But then Mr. Darrell looked close into matters, and with such skill did he settle them that he removed the fear of foreclosure; and what with increasing the rental here and there, and replacing old mortgages by new at less interest, he contrived to extract from the property an income of nine hundred pounds a year to Charlie (three times the income Darrell had inherited himself), where before it had seemed that the debts were more than the assets. Foreseeing how much the land would rise in value, he then earnestly implored Charlie (who unluckily had the estate in fee-simple, as Mr. Darrell has this, to sell if he pleased) to live on his income, and in a few years a part of the property might be sold for building purposes, on terms that would save all the rest, with the old house in which Darrells and Haughtons both had once reared generations. Charlie promised, I know, and I've no doubt, my dear young sir, quite sincerely; but all men are not granite! He took to gambling, incurred debts of honour, sold the farms one by one, resorted to usurers, and one night, after playing six hours at piquet, nothing was left for him but to sell all that remained to Mr. Cox the distiller, unknown to Mr. Darrell, who was then married himself, working hard, and living quite out of news of the fashionable world. Then Charlie Haughton sold out of the Guards, spent what he got for his commission, went into the Line; and finally, in a country town, in which I don't think he was quartered, but having gone there on some sporting speculation, was unwillingly detained, married—" "My mother!" said Lionel, haughtily; "and the best of women she is. What then?" "Nothing, my dear young sir,—nothing, except that Mr. Darrell never forgave it. He has his prejudices: this marriage shocked one of them." "Prejudice against my poor mother! I always supposed so! I wonder why? The most simple-hearted, inoffensive, affectionate woman." "I have not a doubt of it; but it is beginning to rain. Let us go home. I should like some luncheon: it breaks the day." "Tell me first why Mr. Darrell has a prejudice against my mother. I don't think that he has even seen her. Unaccountable caprice! Shocked him, too,—what a word! Tell me—I beg—I insist."

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