Conceptio › Archive › Project Gutenberg
Project Gutenberg public full text Public Domain

A Strange Story — Volume 03

Lytton, Edward Bulwer Lytton, Baron, 1803-1873 · Project Gutenberg
Project Gutenberg · Books · License: Public Domain
Open Source ↗
Conceptio Open Archive

Analyze & explore related research in Conceptio

Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.

CHAPTER XXV. The Project Gutenberg eBook of A Strange Story — Volume 03 This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title : A Strange Story — Volume 03 Author : Baron Edward Bulwer Lytton Lytton Release date : March 1, 2005 [eBook #7694] Most recently updated: December 30, 2020 Language : English Other information and formats : www.gutenberg.org/ebooks/7694 Credits : This eBook was produced by Andrew Heath and David Widger *** START OF THE PROJECT GUTENBERG EBOOK A STRANGE STORY — VOLUME 03 *** This eBook was produced by Andrew Heath and David Widger CHAPTER XXV. My intercourse with Margrave grew habitual and familiar. He came to my house every morning before sunrise; in the evenings we were again brought together: sometimes in the houses to which we were both invited, sometimes at his hotel, sometimes in my own home. Nothing more perplexed me than his aspect of extreme youthfulness, contrasted with the extent of the travels, which, if he were to be believed, had left little of the known world unexplored. One day I asked him bluntly how old he was. "How old do I look? How old should you suppose me to be?" "I should have guessed you to be about twenty, till you spoke of having come of age some years ago." "Is it a sign of longevity when a man looks much younger than he is?" "Conjoined with other signs, certainly!" "Have I the other signs?" "Yes, a magnificent, perhaps a matchless, constitutional organization. But you have evaded my question as to your age; was it an impertinence to put it?" "No. I came of age—let me see—three years ago." "So long since? Is it possible? I wish I had your secret!" "Secret! What secret?" "The secret of preserving so much of boyish freshness in the wear and tear of man-like passions and man-like thoughts." "You are still young yourself,—under forty?" "Oh, yes! some years under forty." "And Nature gave you a grander frame and a finer symmetry of feature than she bestowed on me." "Pooh! pooh! You have the beauty that must charm the eyes of woman, and that beauty in its sunny forenoon of youth. Happy man! if you love and wish to be sure that you are loved again." "What you call love—the unhealthy sentiment, the feverish folly—left behind me, I think forever, when—" "Ay, indeed,—when?" "I came of age!" "Hoary cynic! and you despise love! So did I once. Your time may come." "I think not. Does any animal, except man, love its fellow she-animal as man loves woman?" "As man loves woman? No, I suppose not." "And why should the subject animals be wiser than their king? But to return: you would like to have my youth and my careless enjoyment of youth?" "Can you ask,—who would not?" Margrave looked at me for a moment with unusual seriousness, and then, in the abrupt changes common to his capricious temperament, began to sing softly one of his barbaric chants,—a chant different from any I had heard him sing before, made, either by the modulation of his voice or the nature of the tune, so sweet that, little as music generally affected me, this thrilled to my very heart's core. I drew closer and closer to him, and murmured when he paused,— "Is not that a love-song?" "No;" said he, "it is the song by which the serpent-charmer charms the serpent." CHAPTER XXVI. Increased intimacy with my new acquaintance did not diminish the charm of his society, though it brought to light some startling defects, both in his mental and moral organization. I have before said that his knowledge, though it had swept over a wide circuit and dipped into curious, unfrequented recesses, was desultory and erratic. It certainly was not that knowledge, sustained and aspiring, which the poet assures us is "the wing on which we mount to heaven." So, in his faculties themselves there were singular inequalities, or contradictions. His power of memory in some things seemed prodigious, but when examined it was seldom accurate; it could apprehend, but did not hold together with a binding grasp what metaphysicians call "complex ideas." He thus seemed unable to put it to any steadfast purpose in the sciences of which it retained, vaguely and loosely, many recondite principles. For the sublime and beautiful in literature lie had no taste whatever. A passionate lover of nature, his imagination had no response to the arts by which nature is expressed or idealized; wholly unaffected by poetry or painting. Of the fine arts, music alone attracted and pleased him. His conversation was often eminently suggestive, touching on much, whether in books or mankind, that set one thinking; but I never remember him to have uttered any of those lofty or tender sentiments which form the connecting links between youth and genius; for if poets sing to the young, and the young hail their own interpreters in poets, it is because the tendency of both is to idealize the realities of life,—finding everywhere in the real a something that is noble or fair, and making the fair yet fairer, and the noble nobler still. In Margrave's character there seemed no special vices, no special virtues; but a wonderful vivacity, joyousness, animal good-humour. He was singularly temperate, having a dislike to wine, perhaps from that purity of taste which belongs to health absolutely perfect. No healthful child likes alcohol; no animal, except man, prefers wine to water. But his main moral defect seemed to me in a want of sympathy, even where he professed attachment. He who could feel so acutely for himself, be unmanned by the bite of a squirrel, and sob at the thought that he should one day die, was as callous to the sufferings of another as a deer who deserts and butts from him a wounded comrade. I give an instance of this hardness of heart where I should have least expected to find it in him. He had met and joined me as I was walking to visit a patient on the outskirts of the town, when we fell in with a group of children, just let loose for an hour or two from their day-school. Some of these children joyously recognized him as having played with them at their homes; they ran up to him, and he seemed as glad as themselves at the meeting. He suffered them to drag him along with them, and became as merry and sportive as the youngest of the troop. "Well," said I, laughing, "if you are going to play at leap-frog, pray don't let it be on the high road, or you will be run over by carts and draymen; see that meadow just in front to the left,—off with you there!" "With all my heart," cried Margrave, "while you pay your visit. Come along, boys." A little urchin, not above six years old, but who was lame, began to cry; he could not run,—he should be left behind. Margrave stooped. "Climb on my shoulder, little one, and I'll be your horse." The child dried its tears, and delightedly obeyed. "Certainly," said I to myself, "Margrave, after all, must have a nature as gentle as it is simple. What other young man, so courted by all the allurements that steal innocence from pleasure, would stop in the thoroughfares to play with children?" The thought had scarcely passed through my mind when I heard a scream of agony. Margrave had leaped the railing that divided the meadow from the road, and, in so doing, the poor child, perched on his shoulder, had, perhaps from surprise or fright, loosened its hold and fallen heavily; its cries were piteous. Margrave clapped his hands to his ears, uttered an exclamation of anger, and not even stopping to lift up the boy, or examine what the hurt was, called to the other children to come on, and was soon rolling with them on the grass, and pelting them with daisies. When I came up, only one child remained by the sufferer,-his little brother, a year older than himself. The child had fallen on his arm, which was not broken, but violently contused. The pain must have been intense. I carried the child to his home, and had to remain there some time. I did not see Margrave till the next morning. When he then called, I felt so indignant that I could scarcely speak to him. When at last I rebuked him for his inhumanity, he seemed surprised; with difficulty remembered the circumstance, and then merely said, as if it were the most natural confession in the world, "Oh, nothing so discordant as a child's wail. I hate discords. I am pleased with the company of children; but they must be children who laugh and play. Well, why do you look at me so sternly? What have I said to shock you?" "Shock me! you shock manhood itself! Go; I cannot talk to you now. I am busy." But he did not go; and his voice was so sweet, and his ways so winning, that disgust insensibly melted into that sort of forgiveness one accords (let me repeat the illustration) to the deer that forsakes its comrade. The poor thing knows no better. And what a graceful beautiful thing this was! The fascination—I can give it no other name—which Margrave exercised, was not confined to me; it was universal,—old, young, high, low, man, woman, child, all felt it. Never in Low Town had stranger, even the most distinguished by fame, met with a reception so cordial, so flattering. His frank confession that he was a natural son, far from being to his injury, served to interest people more in him, and to prevent all those inquiries in regard to his connections and antecedents which would otherwise have been afloat. To be sure, he was evidently rich,—at least he had plenty of money. He lived in the best rooms in the principal hotel; was very hospitable; entertained the families with whom he had grown intimate; made them bring their children,—music and dancing after dinner. Among the houses in which he had established familiar acquaintance was that of the mayor of the town, who had bought Dr. Lloyd's collection of subjects in natural history. To that collection the mayor had added largely by a very recent purchase. He had arranged these various specimens, which his last acquisitions had enriched by the interesting carcasses of an elephant and a hippopotamus, in a large wooden building contiguous to his dwelling, which had been constructed by a former proprietor (a retired fox-hunter) as a riding-house; and being a man who much affected the diffusion of knowledge, he proposed to open this museum to the admiration of the general public, and, at his death, to bequeath it to the Athenaeum or Literary Institute of his native town. Margrave, seconded by the influence of the mayor's daughters, had scarcely been three days at L—— before he had persuaded this excellent and public-spirited functionary to inaugurate the opening of his museum by the popular ceremony of a ball. A temporary corridor should unite the drawing-rooms, which were on the ground floor, with the building that contained the collection; and thus the fete would be elevated above the frivolous character of a fashionable amusement, and consecrated to the solemnization of an intellectual institute. Dazzled by the brilliancy of this idea, the mayor announced his intention to give a ball that should include the surrounding neighbourhood, and be worthy, in all expensive respects, of the dignity of himself and the occasion. A night had been fixed for the ball,—a night that became memorable indeed to me! The entertainment was anticipated with a lively interest, in which even the Hill condescended to share. The Hill did not much patronize mayors in general; but when a Mayor gave a ball for a purpose so patriotic, and on a scale so splendid, the Hill liberally acknowledged that Commerce was, on the whole, a thing which the Eminence might, now and then, condescend to acknowledge without absolutely derogating from the rank which Providence had assigned to it amongst the High Places of earth. Accordingly, the Hill was permitted by its Queen to honour the first magistrate of Low Town by a promise to attend his ball. Now, as this festivity had originated in the suggestion of Margrave, so, by a natural association of ideas, every one, in talking of the ball, talked also of Margrave. The Hill had at first affected to ignore a stranger whose debut had been made in the mercantile circle of Low Town. But the Queen of the Hill now said, sententiously, "This new man in a few days has become a Celebrity. It is the policy of the Hill to adopt Celebrities, if the Celebrities pay respect to the Proprieties. Dr. Fenwick is requested to procure Mr. Margrave the advantage of being known to the Hill." I found it somewhat difficult to persuade Margrave to accept the Hill's condescending overture. He seemed to have a dislike to all societies pretending to aristocratic distinction,—a dislike expressed with a fierceness so unwonted, that it made one suppose he had, at some time or other, been subjected to mortification by the supercilious airs that blow upon heights so elevated. However, he yielded to my instances, and accompanied me one evening to Mrs. Poyntz's house. The Hill was encamped there for the occasion. Mrs. Poyntz was exceedingly civil to him, and after a few commonplace speeches, hearing that he was fond of music, consigned him to the caressing care of Miss Brabazon, who was at the head of the musical department in the Queen of the Hill's administration. Mrs. Poyntz retired to her favourite seat near the window, inviting me to sit beside her; and while she knitted in silence, in silence my eye glanced towards Margrave, in the midst of the group assembled round the piano. Whether he was in more than usually high spirits, or whether he was actuated by a malign and impish desire to upset the established laws of decorum by which the gayeties of the Hill were habitually subdued into a serene and somewhat pensive pleasantness, I know not; but it was not many minutes before the orderly aspect of the place was grotesquely changed. Miss Brabazon having come to the close of a complicated and dreary sonata, I heard Margrave abruptly ask her if she could play the Tarantella, that famous Neapolitan air which is founded on the legendary belief that the bite of the tarantula excites an irresistible desire to dance. On that highbred spinster's confession that she was ignorant of the air, and had not even heard of the legend, Margrave said, "Let me play it to you, with variations of my own." Miss Brabazon graciously yielded her place at the instrument. Margrave seated himself,—there was great curiosity to hear his performance. Margrave's fingers rushed over the keys, and there was a general start, the prelude was so unlike any known combination of harmonious sounds. Then he began a chant—song I can scarcely call it—words certainly not in Italian, perhaps in some uncivilized tongue, perhaps in impromptu gibberish. And the torture of the instrument now commenced in good earnest: it shrieked, it groaned, wilder and noisier. Beethoven's Storm, roused by the fell touch of a German pianist, were mild in comparison; and the mighty voice, dominating the anguish of the cracking keys, had the full diapason of a chorus. Certainly I am no judge of music, but to my ear the discord was terrific,—to the ears of better informed amateurs it seemed ravishing. All were spellbound; even Mrs. Poyntz paused from her knitting, as the Fates paused from their web at the lyre of Orpheus. To this breathless delight, however, soon succeeded a general desire for movement. To my amazement, I beheld these formal matrons and sober fathers of families forming themselves into a dance, turbulent as a children's ball at Christmas; and when, suddenly desisting from his music, Margrave started up, caught the skeleton hand of lean Miss Brabazon, and whirled her into the centre of the dance, I could have fancied myself at a witch's sabbat. My eye turned in scandalized alarm towards Mrs. Poyntz. That great creature seemed as much astounded as myself. Her eyes were fixed on the scene in a stare of positive stupor. For the first time, no doubt, in her life, she was overcome, deposed, dethroned. The awe of her presence was literally whirled away. The dance ceased as suddenly as it had begun. Darting from the galvanized mummy whom he had selected as his partner, Margrave shot to Mrs. Poyntz's side, and said, "Ten thousand pardons for quitting you so soon, but the clock warns me that I have an engagement elsewhere." In another moment he was gone. The dance halted, people seemed slowly returning to their senses, looking at each other bashfully and ashamed. "I could not help it, dear," sighed Miss Brabazon at last, sinking into a chair, and casting her deprecating, fainting eyes upon the hostess. "It is witchcraft," said fat Mrs. Bruce, wiping her forehead. "Witchcraft!" echoed Mrs. Poyntz; "it does indeed look like it. An amazing and portentous exhibition of animal spirits, and not to be endured by the Proprieties. Where on earth can that young savage have come from?" "From savage lands," said I,—"so he says." "Do not bring him here again," said Mrs. Poyntz. "He would soon turn the Hill topsy-turvy. But how charming! I should like to see more of him," she added, in an under voice, "if he would call on me some morning, and not in the presence of those for whose Proprieties I am responsible. Jane must be out in her ride with the colonel." Margrave never again attended the patrician festivities of the Hill. Invitations were poured upon him, especially by Miss Brabazon and the other old maids, but in vain. "Those people," said he, "are too tamed and civilized for me; and so few young persons among them. Even that girl Jane is only young on the surface; inside, as old as the World or her mother. I like youth, real youth,—I am young, I am young!" And, indeed, I observed he would attach himself to some young person, often to some child, as if with cordial and special favour, yet for not more than an hour or so, never distinguishing them by the same preference when he next met them. I made that remark to him, in rebuke of his fickleness, one evening when he had found me at work on my Ambitious Book, reducing to rule and measure the Laws of Nature. "It is not fickleness," said he,—"it is necessity." "Necessity! Explain yourself." "I seek to find what I have not found," said he; it is my necessity to seek it, and among the young; and disappointed in one, I turn to the other. Necessity again. But find it at last I must." "I suppose you mean what the young usually seek in the young; and if, as you said the other day, you have left love behind you, you now wander back to re-find it." "Tush! If I may judge by the talk of young fools, love may be found every day by him who looks out for it. What I seek is among the rarest of all discoveries. You might aid me to find it, and in so doing aid yourself to a knowledge far beyond all that your formal experiments can bestow." "Prove your words, and command my services," said I, smiling somewhat disdainfully. "You told me that you had examined into the alleged phenomena of animal magnetism, and proved some persons who pretend to the gift which the Scotch call second sight to be bungling impostors. You were right. I have seen the clairvoyants who drive their trade in this town; a common gipsy could beat them in their own calling. But your experience must have shown you that there are certain temperaments in which the gift of the Pythoness is stored, unknown to the possessor, undetected by the common observer; but the signs of which should be as apparent to the modern physiologist, as they were to the ancient priest." "I at least, as a physiologist, am ignorant of the signs: what are they?" "I should despair of making you comprehend them by mere verbal description. I could guide your observation to distinguish them unerringly were living subjects before us. But not one in a million has the gift to an extent available for the purposes to which the wise would apply it. Many have imperfect glimpses; few, few indeed, the unveiled, lucent sight. They who have but the imperfect glimpses mislead and dupe the minds that consult them, because, being sometimes marvellously right, they excite a credulous belief in their general accuracy; and as they are but translators of dreams in their own brain, their assurances are no more to be trusted than are the dreams of commonplace sleepers. But where the gift exists to perfection, he who knows how to direct and to profit by it should be able to discover all that he desires to know for the guidance and preservation of his own life. He will be forewarned of every danger, forearmed in the means by which danger is avoided. For the eye of the true Pythoness matter has no obstruction, space no confines, time no measurement." "My dear Margrave, you may well say that creatures so gifted are rare; and, for my part, I would as soon search for a unicorn, as, to use your affected expression, for a Pythoness." "Nevertheless, whenever there come across the course of your practice some young creature to whom all the evil of the world is as yet unknown, to whom the ordinary cares and duties of the world are strange and unwelcome; who from the earliest dawn of reason has loved to sit apart and to muse; before whose eyes visions pass unsolicited; who converses with those who are not dwellers on the earth, and beholds in the space landscapes which the earth does not reflect—" "Margrave, Margrave! of whom do you speak?" "Whose frame, though exquisitely sensitive, has still a health and a soundness in which you recognize no disease; whose mind has a truthfulness that you know cannot deceive you, and a simple intelligence too clear to deceive itself; who is moved to a mysterious degree by all the varying aspects of external nature,—innocently joyous, or unaccountably sad,—when, I say, such a being comes across your experience, inform me; and the chances are that the true Pythoness is found." I had listened with vague terror, and with more than one exclamation of amazement, to descriptions which brought Lilian Ashleigh before me; and I now sat mute, bewildered, breathless, gazing upon Margrave, and rejoicing that, at least, Lilian he had never seen. He returned my own gaze steadily, searchingly, and then, breaking into a slight laugh, resumed:— "You call my word 'Pythoness' affected. I know of no better. My recollections of classic anecdote and history are confused and dim; but somewhere I have read or heard that the priests of Delphi were accustomed to travel chiefly into Thrace or Thessaly, in search of the virgins who might fitly administer their oracles, and that the oracles gradually ceased in repute as the priests became unable to discover the organization requisite in the priestesses, and supplied by craft and imposture, or by such imperfect fragmentary developments as belong now to professional clairvoyants, the gifts which Nature failed to afford. Indeed, the demand was one that mast have rapidly exhausted so limited a supply. The constant strain upon faculties so wearying to the vital functions in their relentless exercise, under the artful stimulants by which the priests heightened their power, was mortal, and no Pythoness ever retained her life more than three years from the time that her gift was elaborately trained and developed." "Pooh! I know of no classical authority for the details you so confidently cite. Perhaps some such legends may be found in the Alexandrian Platonists, but those mystics are no authority on such a subject. "After all;" I added, recovering from my first surprise, or awe, "the Delphic oracles were proverbially ambiguous, and their responses might be read either way,—a proof that the priests dictated the verses, though their arts on the unhappy priestess might throw her into real convulsions, and the real convulsions, not the false gift, might shorten her life. Enough of such idle subjects! Yet no! one question more. If you found your Pythoness, what then?" "What then? Why, through her aid I might discover the process of an experiment which your practical science would assist me to complete." "Tell me of what kind is your experiment; and precisely because such little science as I possess is exclusively practical, I may assist you without the help of the Pythoness." Margrave was silent for some minutes, passing his hand several times across his forehead, which was a frequent gesture of his, and then rising, he answered, in listless accents,— "I cannot say more now, my brain is fatigued; and you are not yet in the right mood to hear me. By the way, how close and reserved you are with me!" "How so?" "You never told me that you were engaged to be married. You leave me, who thought to have won your friendship, to hear what concerns you so intimately from a comparative stranger." "Who told you?" "That woman with eyes that pry and lips that scheme, to whose house you took me." "Mrs. Poyntz! is it possible? When?" "This afternoon. I met her in the street; she stopped me, and, after some unmeaning talk, asked if I had seen you lately; if I did not find you very absent and distracted: no wonder;—you were in love. The young lady was away on a visit, and wooed by a dangerous rival." "Wooed by a dangerous rival!" "Very rich, good-looking, young. Do you fear him? You turn pale." "I do not fear, except so far as he who loves truly, loves humbly, and fears not that another may be preferred, but that another may be worthier of preference than himself. But that Mrs. Poyntz should tell you all this does amaze me. Did she mention the name of the young lady?" "Yes; Lilian Ashleigh. Henceforth be more frank with me. Who knows? I may help you. Adieu!" CHAPTER XXVII. When Margrave had gone, I glanced at the clock,—not yet nine. I resolved to go at once to Mrs. Poyntz. It was not an evening on which she received, but doubtless she would see me. She owed me an explanation. How thus carelessly divulge a secret she had been enjoined to keep; and this rival, of whom I was ignorant? It was no longer a matter of wonder that Hargrave should have described Lilian's peculiar idiosyncrasies in his sketch of his fabulous Pythoness. Doubtless Mrs. Poyntz had, with unpardonable levity of indiscretion, revealed all of which she disapproved in my choice. But for what object? Was this her boasted friendship for me? Was it consistent with the regard she professed for Mrs. Ashleigh and Lilian? Occupied by these perplexed and indignant thoughts, I arrived at Mrs. Poyntz's house, and was admitted to her presence. She was fortunately alone; her daughter and the colonel had gone to some party on the Hill. I would not take the hand she held out to me on entrance; seated myself in stern displeasure, and proceeded at once to inquire if she had really betrayed to Mr. Margrave the secret of my engagement to Lilian. "Yes, Allen Fenwick; I have this day told, not only Mr. Margrave, but every person I met who is likely to tell it to some one else, the secret of your engagement to Lilian Ashleigh. I never promised to conceal it; on the contrary, I wrote word to Anne Ashleigh that I would therein act as my own judgment counselled me. I think my words to you were that 'public gossip was sometimes the best security for the completion of private engagements.'" "Do you mean that Mrs. or Miss Ashleigh recoils from the engagement with me, and that I should meanly compel them both to fulfil it by calling in the public to censure them—if—if—Oh, madam, this is worldly artifice indeed!" "Be good enough to listen to me quietly. I have never yet showed you the letter to Mrs. Ashleigh, written by Lady Haughton, and delivered by Mr. Vigors. That letter I will now show to you; but before doing so I must enter into a preliminary explanation. Lady Haughton is one of those women who love power, and cannot obtain it except through wealth and station,—by her own intellect never obtain it. When her husband died she was reduced from an income of twelve thousand a year to a jointure of twelve hundred, but with the exclusive guardianship of a young son, a minor, and adequate allowances for the charge; she continued, therefore, to preside as mistress over the establishments in town and country; still had the administration of her son's wealth and rank. She stinted his education, in order to maintain her ascendancy over him. He became a brainless prodigal, spendthrift alike of health and fortune. Alarmed, she saw that, probably, he would die young and a beggar; his only hope of reform was in marriage. She reluctantly resolved to marry him to a penniless, well-born, soft-minded young lady whom she knew she could control; just before this marriage was to take place he was killed by a fall from his horse. The Haughton estate passed to his cousin, the luckiest young man alive,—the same Ashleigh Sumner who had already succeeded, in default of male issue, to poor Gilbert Ashleigh's landed possessions. Over this young man Lady Haughton could expect no influence. She would be a stranger in his house. But she had a niece! Mr. Vigors assured her the niece was beautiful. And if the niece could become Mrs. Ashleigh Sumner, then Lady Haughton would be a less unimportant Nobody in the world, because she would still have her nearest relation in a Somebody at Haughton Park. Mr. Vigors has his own pompous reasons for approving an alliance which he might help to accomplish. The first step towards that alliance was obviously to bring into reciprocal attraction the natural charms of the young lady and the acquired merits of the young gentleman. Mr. Vigors could easily induce his ward to pay a visit to Lady Haughton, and Lady Haughton had only to extend her invitations to her niece; hence the letter to Mrs. Ashleigh, of which Mr. Vigors was the bearer, and hence my advice to you, of which you can now understand the motive. Since you thought Lilian Ashleigh the only woman you could love, and since I thought there were other women in the world who might do as well for Ashleigh Sumner, it seemed to me fair for all parties that Lilian should not go to Lady Haughton's in ignorance of the sentiments with which she had inspired you. A girl can seldom be sure that she loves until she is sure that she is loved. And now," added Mrs. Poyntz, rising and walking across the room to her bureau,—"now I will show you Lady Haughton's invitation to Mrs. Ashleigh. Here it is!" I ran my eye over the letter, which she thrust into my hand, resuming her knitting-work while I read. The letter was short, couched in conventional terms of hollow affection. The writer blamed herself for having so long neglected her brother's widow and child; her heart had been wrapped up too much in the son she had lost; that loss had made her turn to the ties of blood still left to her; she had heard much of Lilian from their common friend, Mr. Vigors; she longed to embrace so charming a niece. Then followed the invitation and the postscript. The postscript ran thus, so far as I can remember:— "Whatever my own grief at my irreparable bereavement, I am no egotist; I keep my sorrow to myself. You will find some pleasant guests at my house, among others our joint connection, young Ashleigh Sumner." "Woman's postscripts are proverbial for their significance," said Mrs. Poyntz, when I had concluded the letter and laid it on the table; "and if I did not at once show you this hypocritical effusion, it was simply because at the name Ashleigh Sumner its object became transparent, not perhaps to poor Anne Ashleigh nor to innocent Lilian, but to my knowledge of the parties concerned, as it ought to be to that shrewd intelligence which you derive partly from nature, partly from the insight into life which a true physician cannot fail to acquire. And if I know anything of you, you would have romantically said, had you seen the letter at first, and understood its covert intention, 'Let me not shackle the choice of the woman I love, and to whom an alliance so coveted in the eyes of the world might, if she were left free, be proffered.'" "I should not have gathered from the postscript all that you see in it; but had its purport been so suggested to me, you are right, I should have so said. Well, and as Mr. Margrave tells me that you informed him that I have a rival, I am now to conclude that the rival is Mr. Ashleigh Sumner?" "Has not Mrs. Ashleigh or Lilian mentioned him in writing to you?" "Yes, both; Lilian very slightly, Mrs. Ashleigh with some praise, as a young man of high character, and very courteous to her." "Yet, though I asked you to come and tell me who were the guests at Lady Haughton's, you never did so." "Pardon me; but of the guests I thought nothing, and letters addressed to my heart seemed to me too sacred to talk about. And Ashleigh Sumner then courts Lilian! How do you know?" "I know everything that concerns me; and here, the explanation is simple. My aunt, Lady Delafield, is staying with Lady Haughton. Lady Delafield is one of the women of fashion who shine by their own light; Lady Haughton shines by borrowed light, and borrows every ray she can find." "And Lady Delafield writes you word—" "That Ashleigh Sumner is caught by Lilian's beauty." "And Lilian herself—" "Women like Lady Delafield do not readily believe that any girl could refuse Ashleigh Sumner; considered in himself, he is steady and good- looking; considered as owner of Kirby Hall and Haughton Park, he has, in the eyes of any sensible mother, the virtues of Cato and the beauty of Antinous." I pressed my hand to my heart; close to my heart lay a letter from Lilian, and there was no word in that letter which showed that her heart was gone from mine. I shook my head gently, and smiled in confiding triumph. Mrs. Poyntz surveyed me with a bent brow and a compressed lip. "I understand your smile," she said ironically. "Very likely Lilian may be quite untouched by this young man's admiration, but Anne Ashleigh may be dazzled by so brilliant a prospect for her daughter; and, in short, I thought it desirable to let your engagement be publicly known throughout the town to-day. That information will travel; it will reach Ashleigh Sumner through Mr. Vigors, or others in this neighbourhood, with whom I know that he corresponds. It will bring affairs to a crisis, and before it may be too late. I think it well that Ashleigh Sumner should leave that house; if he leave it for good, so much the better. And, perhaps, the sooner Lilian returns to L—— the lighter your own heart will be." "And for these reasons you have published the secret of—" "Your engagement? Yes. Prepare to be congratulated wherever you go. And now if you hear either from mother or daughter that Ashleigh Sumner has proposed, and been, let us say, refused, I do not doubt that, in the pride of your heart, you will come and tell me." "Rely upon it, I will; but before I take leave, allow me to ask why you described to a young man like Mr. Margrave—, whose wild and strange humours you have witnessed and not approved—any of those traits of character in Miss Ashleigh which distinguish her from other girls of her age?" "I? You mistake. I said nothing to him of her character. I mentioned her name, and said she was beautiful, that was all." "Nay, you said that she was fond of musing, of solitude; that in her fancies she believed in the reality of visions which might flit before her eyes as they flit before the eyes of all imaginative dreamers." "Not a word did I say to Mr. Margrave of such peculiarities in Lilian; not a word more than what I have told you, on my honour!" Still incredulous, but disguising my incredulity with that convenient smile by which we accomplish so much of the polite dissimulation indispensable to the decencies of civilized life, I took my departure, returned home, and wrote to Lilian. CHAPTER XXVIII. The conversation with Mrs. Poyntz left my mind restless and disquieted. I had no doubt, indeed, of Lilian's truth; but could I be sure that the attentions of a young man, with advantages of fortune so brilliant, would not force on her thoughts the contrast of the humbler lot and the duller walk of life in which she had accepted as companion a man removed from her romantic youth less by disparity of years than by gravity of pursuits? And would my suit now be as welcomed as it had been by a mother even so unworldly as Mrs. Ashleigh? Why, too, should both mother and daughter have left me so unprepared to hear that I had a rival; why not have implied some consoling assurance that such rivalry need not cause me alarm? Lilian's letters, it is true, touched but little on any of the persons round her; they were filled with the outpourings of an ingenuous heart, coloured by the glow of a golden fancy. They were written as if in the wide world we two stood apart alone, consecrated from the crowd by the love that, in linking us together, had hallowed each to the other. Mrs. Ashleigh's letters were more general and diffusive,—detailed the habits of the household, sketched the guests, intimated her continued fear of Lady Haughton, but had said nothing more of Mr. Ashleigh Sumner than I had repeated to Mrs. Poyntz. However, in my letter to Lilian I related the intelligence that had reached me, and impatiently I awaited her reply. Three days after the interview with Mrs. Poyntz, and two days before the long-anticipated event of the mayor's ball, I was summoned to attend a nobleman who had lately been added to my list of patients, and whose residence was about twelve miles from L——. The nearest way was through Sir Philip Derval's park. I went on horseback, and proposed to stop on the way to inquire after the steward, whom I had seen but once since his fit, and that was two days after it, when he called himself at my house to thank me for my attendance, and to declare that he was quite recovered. As I rode somewhat fast through the park, I came, however, upon the steward, just in front of the house. I reined in my horse and accosted him. He looked very cheerful. "Sir," said he, in a whisper, "I have heard from Sir Philip; his letter is dated since—since-my good woman told you what I saw,—well, since then. So that it must have been all a delusion of mine, as you told her. And yet, well—well—we will not talk of it, doctor; but I hope you have kept the secret. Sir Philip would not like to hear of it, if he comes back." "Your secret is quite safe with me. But is Sir Philip likely to come back?" "I hope so, doctor. His letter is dated Paris, and that's nearer home than he has been for many years; and—but bless me! some one is coming out of the house,—a young gentleman! Who can it be?" I looked, and to my surprise I saw Margrave descending the stately stairs that led from the front door. The steward turned towards him, and I mechanically followed, for I was curious to know what had brought Margrave to the house of the long-absent traveller. It was easily explained. Mr. Margrave had heard at L—— much of the pictures and internal decorations of the mansion. He had, by dint of coaxing (he said, with his enchanting laugh), persuaded the old housekeeper to show him the rooms. "It is against Sir Philip's positive orders to show the house to any stranger, sir; and the housekeeper has done very wrong," said the steward. "Pray don't scold her. I dare say Sir Philip would not have refused me a permission he might not give to every idle sightseer. Fellow-travellers have a freemasonry with each other; and I have been much in the same far countries as himself. I heard of him there, and could tell you more about him, I dare say, than you know yourself." "You, sir! pray do then." "The next time I come," said Margrave, gayly; and, with a nod to me, he glided off through the trees of the neighbouring grove, along the winding footpath that led to the lodge. "A very cool gentleman," muttered the steward; "but what pleasant ways he has! You seem to know him, sir. Who is he, may I ask?" "Mr. Margrave,—a visitor at L——, and he has been a great traveller, as he says; perhaps he met Sir Philip abroad." "I must go and hear what he said to Mrs. Gates; excuse me, sir, but I am so anxious about Sir Philip." "If it be not too great a favour, may I be allowed the same privilege granted to Mr. Margrave? To judge by the outside of the house, the inside must be worth seeing; still, if it be against Sir Philip's positive orders—" "His orders were, not to let the Court become a show-house,—to admit none without my consent; but I should be ungrateful indeed, doctor, if I refused that consent to you." I tied my horse to the rusty gate of the terrace-walk, and followed the steward up the broad stairs of the terrace. The great doors were unlocked. We entered a lofty hall with a domed ceiling; at the back of the hall the grand staircase ascended by a double flight. The design was undoubtedly Vanbrugh's,—an architect who, beyond all others, sought the effect of grandeur less in space than in proportion; but Vanbrugh's designs need the relief of costume and movement, and the forms of a more pompous generation, in the bravery of velvets and laces, glancing amid those gilded columns, or descending with stately tread those broad palatial stairs. His halls and chambers are so made for festival and throng, that they become like deserted theatres, inexpressibly desolate, as we miss the glitter of the lamps and the movement of the actors. The housekeeper had now appeared,—a quiet, timid old woman. She excused herself for admitting Margrave—not very intelligibly. It was plain to see that she had, in truth, been unable to resist what the steward termed his "pleasant ways." As if to escape from a scolding, she talked volubly all the time, bustling nervously through the rooms, along which I followed her guidance with a hushed footstep. The principal apartments were on the ground-floor, or rather, a floor raised some ten or fifteen feet above the ground; they had not been modernized since the date in which they were built. Hangings of faded silk; tables of rare marble, and mouldered gilding; comfortless chairs at drill against the walls; pictures, of which connoisseurs alone could estimate the value, darkened by dust or blistered by sun and damp, made a general character of discomfort. On not one room, on not one nook, still lingered some old smile of home. Meanwhile, I gathered from the housekeeper's rambling answers to questions put to her by the steward, as I moved on, glancing at the pictures, that Margrave's visit that day was not his first. He had been to the house twice before,—his ostensible excuse that he was an amateur in pictures (though, as I had before observed, for that department of art he had no taste); but each time he had talked much of Sir Philip. He said that though not personally known to him, he had resided in the same towns abroad, and had friends equally intimate with Sir Philip; but when the steward inquired if the visitor had given any information as to the absentee, it became very clear that Margrave had been rather asking questions than volunteering intelligence. We had now come to the end of the state apartments, the last of which was a library. "And," said the old woman, "I don't wonder the gentleman knew Sir Philip, for he seemed a scholar, and looked very hard over the books, especially those old ones by the fireplace, which Sir Philip, Heaven bless him, was always poring into." Mechanically I turned to the shelves by the fireplace, and examined the volumes ranged in that department. I found they contained the works of those writers whom we may class together under the title of mystics,—Iamblichus and Plotinus; Swedenborg and Behmen; Sandivogius, Van Helmont, Paracelsus, Cardan. Works, too, were there, by writers less renowned, on astrology, geomancy, chiromancy, etc. I began to understand among what class of authors Margrave had picked up the strange notions with which he was apt to interpolate the doctrines of practical philosophy. "I suppose this library was Sir Philip's usual sitting-room?" said I. "No, sir; he seldom sat here. This was his study; "and the old woman opened a small door, masked by false book backs. I followed her into a room of moderate size, and evidently of much earlier date than the rest of the house. "It is the only room left of an older mansion," said the steward in answer to my remark. "I have heard it was spared on account of the chimneypiece. But there is a Latin inscription which will tell you all about it. I don't know Latin myself." The chimneypiece reached to the ceiling. The frieze of the lower part rested on rude stone caryatides; the upper part was formed of oak panels very curiously carved in the geometrical designs favoured by the taste prevalent in the reigns of Elizabeth and James, but different from any I had ever seen in the drawings of old houses,—and I was not quite unlearned in such matters, for my poor father was a passionate antiquary in all that relates to mediaeval art. The design in the oak panels was composed of triangles interlaced with varied ingenuity, and enclosed in circular bands inscribed with the signs of the Zodiac. On the stone frieze supported by the caryatides, immediately under the woodwork, was inserted a metal plate, on which was written, in Latin, a few lines to the effect that "in this room, Simon Forman, the seeker of hidden truth, taking refuge from unjust persecution, made those discoveries in nature which he committed, for the benefit of a wiser age, to the charge of his protector and patron, the worshipful Sir Miles Derval, knight." Forman! The name was not quite unfamiliar to me; but it was not without an effort that my memory enabled me to assign it to one of the most notorious of those astrologers or soothsayers whom the superstition of an earlier age alternately persecuted and honoured. The general character of the room was more cheerful than the statelier chambers I had hitherto passed through, for it had still the look of habitation,—the armchair by the fireplace; the kneehole writing-table beside it; the sofa near the recess of a large bay-window, with book-prop and candlestick screwed to its back; maps, coiled in their cylinders, ranged under the cornice; low strong safes, skirting two sides of the room, and apparently intended to hold papers and title-deeds, seals carefully affixed to their jealous locks. Placed on the top of these old-fashioned receptacles were articles familiar to modern use,—a fowling-piece here, fishing-rods there, two or three simple flower-vases, a pile of music books, a box of crayons. All in this room seemed to speak of residence and ownership,—of the idiosyncrasies of a lone single man, it is true, but of a man of one's own time,—a country gentleman of plain habits but not uncultivated tastes. I moved to the window; it opened by a sash upon a large balcony, from which a wooden stair wound to a little garden, not visible in front of the house, surrounded by a thick grove of evergreens, through which one broad vista was cut, and that vista was closed by a view of the mausoleum. I stepped out into the garden,—a patch of sward with a fountain in the centre, and parterres, now more filled with weeds than flowers. At the left corner was a tall wooden summer-house or pavilion,—its door wide open. "Oh, that's where Sir Philip used to study many a long summer's night," said the steward. "What! in that damp pavilion?" "It was a pretty place enough then, sir; but it is very old,—they say as old as the room you have just left." "Indeed, I must look at it, then." The walls of this summer-house had once been painted in the arabesques of the Renaissance period; but the figures were now scarcely traceable. The woodwork had started in some places, and the sunbeams stole through the chinks and played on the floor, which was formed from old tiles quaintly tessellated and in triangular patterns; similar to those I had observed in the chimneypiece. The room in the pavilion was large, furnished with old worm-eaten tables and settles. "It was not only here that Sir Philip studied, but sometimes in the room above," said the steward. "How do you get to the room above? Oh, I see; a stair case in the angle." I ascended the stairs with some caution, for they were crooked and decayed; and, on entering the room above, comprehended at once why Sir Philip had favoured it. The cornice of the ceiling rested on pilasters, within which the compartments were formed into open unglazed arches, surrounded by a railed balcony. Through these arches, on three sides of the room, the eye commanded a magnificent extent of prospect. On the fourth side the view was bounded by the mausoleum. In this room was a large telescope; and on stepping into the balcony, I saw that a winding stair mounted thence to a platform on the top of the pavilion,—perhaps once used as an observatory by Forman himself. "The gentleman who was here to-day was very much pleased with this look-out, sir," said the housekeeper. "Who would not be? I suppose Sir Philip has a taste for astronomy." "I dare say, sir," said the steward, looking grave; "he likes most out-of-the-way things." The position of the sun now warned me that my time pressed, and that I should have to ride fast to reach my new patient at the hour appointed. I therefore hastened back to my horse, and spurred on, wondering whether, in the chain of association which so subtly links our pursuits in manhood to our impressions in childhood, it was the Latin inscription on the chimneypiece that had originally biassed Sir Philip Derval's literary taste towards the mystic jargon of the books at which I had contemptuously glanced. CHAPTER XXIX. I did not see Margrave the following day, but the next morning, a little after sunrise, he walked into my study, according to his ordinary habit. "So you know something about Sir Philip Derval?" said I. "What sort of a man is he?" "Hateful!" cried Margrave; and then checking himself, burst out into his merry laugh. "Just like my exaggerations! I am not acquainted with anything to his prejudice. I came across his track once or twice in the East. Travellers are always apt to be jealous of each other." "You are a strange compound of cynicism and credulity; but I should have fancied that you and Sir Philip would have been congenial spirits, when I found, among his favourite books, Van Helmont and Paracelsus. Perhaps you, too, study Swedenborg, or, worse still, Ptolemy and Lilly?" "Astrologers? No! They deal with the future! I live for the day; only I wish the day never had a morrow!" "Have you not, then that vague desire for the something beyond,—that not unhappy, but grand discontent with the limits of the immediate Present, from which man takes his passion for improvement and progress, and from which some sentimental philosophers have deduced an argument in favour of his destined immortality?" "Eh!" said Margrave, with as vacant a stare as that of a peasant whom one has addressed in Hebrew. "What farrago of words is this? I do not comprehend you." "With your natural abilities," I asked with interest, "do you never feel a desire for fame?" "Fame? Certainly not. I cannot even understand it!" "Well, then, would you have no pleasure in the thought that you had rendered a service to humanity?" Margrave looked bewildered; after a moment's pause, he took from the table a piece of bread that chanced to be there, opened the window, and threw the crumbs into the lane. The sparrows gathered round the crumbs. "Now," said Margrave, "the sparrows come to that dull pavement for the bread that recruits their lives in this world; do you believe that one sparrow would be silly enough to fly to a house-top for the sake of some benefit to other sparrows, or to be chirruped about after he was dead? I care for science as the sparrow cares for bread,—it may help me to something good for my own life; and as for fame and humanity, I care for them as the sparrow cares for the general interest and posthumous approbation of sparrows!" "Margrave, there is one thing in you that perplexes me more than all else—human puzzle as you are—in your many eccentricities and self-contradictions." "What is that one thing in me most perplexing?" "This: that in your enjoyment of Nature you have all the freshness of a child, but when you speak of Man and his objects in the world, you talk in the vein of some worn-out and hoary cynic. At such times, were I to close my eyes, I should say to myself, 'What weary old man is thus venting his spleen against the ambition which has failed, and the love which has forsaken him?' Outwardly the very personation of youth, and revelling like a butterfly in the warmth of the sun and the tints of the herbage, why have you none of the golden passions of the young,—their bright dreams of some impossible love, their sublime enthusiasm for some unattainable glory? The sentiment you have just clothed in the illustration by which you place yourself on a level with the sparrows is too mean and too gloomy to be genuine at your age. Misanthropy is among the dismal fallacies of gray beards. No man, till man's energies leave him, can divorce himself from the bonds of our social kind." "Our kind! Your kind, possibly; but I—" He swept his hand over his brow, and resumed, in strange, absent, and wistful accents: "I wonder what it is that is wanting here, and of which at moments I have a dim reminiscence." Again he paused, and gazing on me, said with more appearance of friendly interest than I had ever before remarked in his countenance, "You are not looking well. Despite your great physical strength, you suffer like your own sickly patients." "True! I suffer at this moment, but not from bodily pain." "You have some cause of mental disquietude?" "Who in this world has not?" "I never have." "Because you own you have never loved. Certainly, you never seem to care for any one but yourself; and in yourself you find an unbroken sunny holiday,—high spirits, youth, health, beauty, wealth. Happy boy!" At that moment my heart was heavy within me. Margrave resumed,— "Among the secrets which your knowledge places at the command of your art, what would you give for one which would enable you to defy and to deride a rival where you place your affections, which could lock to yourself, and imperiously control, the will of the being whom you desire to fascinate, by an influence paramount, transcendent?" "Love has that secret," said I,—"and love alone." "A power stronger than love can suspend, can change love itself. But if love be the object or dream of your life, love is the rosy associate of youth and beauty. Beauty soon fades, youth soon departs. What if in nature there were means by which beauty and youth can be fixed into blooming duration,—means that could arrest the course, nay, repair the effects, of time on the elements that make up the human frame?" "Silly boy! Have the Rosicrucians bequeathed to you a prescription for the elixir of life?" "If I had the prescription I should not ask your aid to discover its ingredients." "And is it in the hope of that notable discovery you have studied chemistry, electricity, and magnetism? Again I say, Silly boy!" Margrave did not heed my reply. His face was overcast, gloomy, troubled. "That the vital principle is a gas," said he, abruptly, "I am fully convinced. Can that gas be the one which combines caloric with oxygen?" "Phosoxygen? Sir Humphrey Davy demonstrates that gas not to be, as Lavoisier supposed, caloric, but light, combined with oxygen; and he suggests, not indeed that it is the vital principle itself, but the pabulum of life to organic beings." [1] "Does he?" said Margrave, his, face clearing up. "Possibly, possibly, then, here we approach the great secret of secrets. Look you, Allen Fenwick: I promise to secure to you unfailing security from all the jealous fears that now torture your heart; if you care for that fame which to me is not worth the scent of a flower, the balm of a breeze, I will impart to you a knowledge which, in the hands of ambition, would dwarf into commonplace the boasted wonders of recognized science. I will do all this, if, in return, but for one month you will give yourself up to my guidance in whatever experiments I ask, no matter how wild they may seem to you." "My dear Margrave, I reject your bribes as I would reject the moon and the stars which a child might offer to me in exchange for a toy; but I may give the child its toy for nothing, and I may test your experiments for nothing some day when I have leisure." I did not hear Margrave's answer, for at that moment my servant entered with letters. Lilian's hand! Tremblingly, breathlessly, I broke the seal. Such a loving, bright, happy letter; so sweet in its gentle chiding of my wrongful fears! It was implied rather than said that Ashleigh Sumner had proposed and been refused. He had now left the house. Lilian and her mother were coming back; in a few days we should meet. In this letter were inclosed a few lines from Mrs. Ashleigh. She was more explicit about my rival than Lilian had been. If no allusion to his attentions had been made to me before, it was from a delicate consideration for myself. Mrs. Ashleigh said that "the young man had heard from L—— of our engagement, and—disbelieved it;" but, as Mrs. Poyntz had so shrewdly predicted, hurried at once to the avowal of his own attachment, and the offer of his own hand. On Lilian's refusal his pride had been deeply mortified. He had gone away manifestly in more anger than sorrow. "Lady Delafield, dear Margaret Poyntz's aunt, had been most kind in trying to soothe Lady Haughton's disappointment, which was rudely expressed,—so rudely," added Mrs. Ashleigh, "that it gives us an excuse to leave sooner than had been proposed,—which I am very glad of. Lady Delafield feels much for Mr. Sumner; has invited him to visit her at a place she has near Worthing. She leaves to-morrow in order to receive him; promises to reconcile him to our rejection, which, as he was my poor Gilbert's heir, and was very friendly at first, would be a great relief to my mind. Lilian is well, and so happy at the thoughts of coining back." When I lifted my eyes from these letters I was as a new man, and the earth seemed a new earth. I felt as if I had realized Margrave's idle dreams,—as if youth could never fade, love could never grow cold. "You care for no secrets of mine at this moment," said Margrave, abruptly. "Secrets!" I murmured; "none now are worth knowing. I am loved! I am loved!" "I bide my time," said Margrave; and as my eyes met his, I saw there a look I had never seen in those eyes before, sinister, wrathful, menacing. He turned away, went out through the sash-door of the study; and as he passed towards the fields under the luxuriant chestnut-trees, I heard his musical, barbaric chant,—the song by which the serpent-charmer charms the serpent,—sweet, so sweet, the very birds on the boughs hushed their carol as if to listen. [1] See Sir Humphrey Davy on Heat, Light, and the Combinations of Light

Related documents

Record · ID 34727 · SHA-256 8d10396b079df53d
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive