The Ghost of Guir House
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
9 9 “In the early settlement of this State, an Englishman by the name of Guir pre-empted a large body of land, near the center of which he erected this house. Although his intention in coming from the old country was to make his permanent home in the colony, his reasons for doing so were quite different from those which usually induce immigration. Guir was an artist, and a man of some means; and his object in colonizing was not so much to cultivate the soil, or to trade with the Indians, or engage in any business enterprise, as to gratify a craving for nature and surround himself with such scenery as he loved to paint. It would be folly to pretend that Guir was a man of ordinary tastes and disposition; for had he been such, he would never have undertaken a journey, with a family of girls, into such a wilderness as Virginia was at that time. No; from the very circumstances of his birth and education, he was unfitted to live with his countrymen; hence his early adoption of the colony as a home for himself, wife, and daughters. This happened a hundred and fifty years ago.” “He was an ancestor of yours, I presume,” said Paul, hoping to gain some clew to the man's identity. “No,” answered Ah Ben, “he was not.” “Pardon the interruption,” added Paul, fearing he had annoyed the speaker. “Naturally, in a country without roads, or even wagon trails,” continued the old man, without noticing the apology, “it was years before a house of this size could be completed, as every brick and nearly every stick of timber was brought from England. These, of course, were conveyed by water as far as the rivers permitted, the rest of the journey being performed upon sleds drawn by oxen. But it was Guir's hobby, and in the course of a dozen or fifteen years the job was completed, and the house stood as you see it now. Then the owner set himself to work with brush, canvas, and chisel to decorate his home, and make it, according to his ideas, as beautiful and suggestive of his early youth as imaginable. With his own hands, Mr. Henley, he painted most of these pictures, although his three daughters, inheriting his tastes, assisted him. And thus, as the years rolled by, Guir House became more and more a museum of artistic efforts, embracing many unusual subjects, and in every degree of perfection. The broad acres of the estate produced much that was necessary toward the maintenance of life, and what they lacked was supplied once a year from a distant settlement near the coast. As you can readily understand, there were no neighbors, and but occasional visits from the red man, who looked distrustfully upon the pale-face. This feeling became mutual, and trifling acts of hostility on the part of the natives grew both in frequency and magnitude. Depredations upon Guir's fields and cattle were at first ignored, in the effort to maintain peace, but in time it became necessary to resist them. Upon one occasion, a raid upon a distant field was successfully repulsed, with the aid of his wife and three daughters, attired in men's clothing and mounted upon fast horses. The Indians were so completely surprised by the ruse, being apparently attacked by five men, where they had believed there was only one, that they fled, completely routed, nor did they return for several years. Meanwhile, fearing another and closer attack, Guir converted one of the lower rooms of his house into an impenetrable and unassailable place of refuge. The windows were walled up, to correspond with the stonework of the house, leaving no suspicion of there having been once an opening. Likewise the doors were treated, and then carefully plastered both within and without, with the exception of one, which he made anew, to communicate with a private stairway leading from one of the upper bedrooms. This was the only entrance to the dark retreat, and a heavy bolt was placed upon the inside, to be used by the family in case of attack. There was no reason to suppose that a marauding party would ever find the way to this secret chamber, as the entrance was carefully covered by a scuttle in the floor of a dark closet; and the place being thoroughly fire-proof, the family felt unusually secure in the possession of their new retreat.” “I think I have seen the stairway you speak of,” said Paul. “Yes,” answered the old man, “it communicates with the closet of your room. “One day Guir had left his home. He had ridden alone into the distant hills to dispute the range for some cattle with his natural enemy, the red man. The pow-wow had been long and trying, and it was only with the setting sun that he had come to a proper understanding, as he supposed, with the ugly chief who dominated the region about. “It was midnight when he reached his home. He pounded sharply on the door; but his good wife, who never retired without him, failed to answer the summons. So, after repeated knocks, Guir forced the door and entered. All was dark. An unearthly stillness pervaded the air, and a horrid suspicion forced itself upon him while groping his way forward to secure a light. Finding the chimney, he raked together a few coals, which he blew into a flame, and then, with trembling hands, lighted the candle upon the shelf above. Looking about him, Guir's heart sank. His house had been wrecked. His pictures, the work of years, were scattered in fragments about the floor. The windows were smashed, and the hall starred with broken glass. Not an ornament, not a treasure remained intact. But this he knew was as nothing to the horrible sight which he expected momentarily to greet his eyes. He called aloud to each member of his family, in the failing hope that some one would answer; but no sound broke the awful stillness. Suddenly he bethought him of the secret chamber, and with a wild prayer that his loved ones had been able to reach it in safety, and were still in hiding there, he started down the narrow stairs in search. Reaching the bottom, he found that the door had been wrenched from its hinges and thrown to the ground; and then Guir's heart sank, never to rise again. Stepping across the threshold of the room, candle in hand, a vision of blood swam before his eyes, and the dimly-burning light revealed the horror-stricken faces of his murdered family. Not one was left to tell the tale, but the story pictured before him was unmistakable in every detail. The treacherous natives had first tortured and then butchered them. For a time he stood transfixed with horror, unable to remove his eyes from the awful scene, or his feet from the spot where he had first beheld it; then, with the cry of sudden madness, he threw himself beside the bleeding corpses and lost all consciousness. How long he remained there was problematical, but on awaking Guir was still in the dark, and where he had fallen. At that moment a strange and overpowering desire seized him. He must paint the portraits of his murdered family before it became too late. Had he been sane, such a ghastly thought would never have possessed him; but Guir was crazed, and for days and nights following he worked in that dismal vault, by the light of a smoking lamp, at the task he had set himself, his fired imagination even intensifying the horrors of the grewsome tableau. “Upon each canvas he depicted the awful countenance which fact and fancy had imprinted upon his brain. Guir painted not only what he saw, but what he imagined he saw—dreadful faces, loaded with torture and despair. When completed, he hung them upon the walls of the room, and then with his own hands bricked up the entrance from within, having first carefully replaced and bolted the door. When Guir had thus entombed himself, he lay down again upon the floor, and then, still a madman, opened a vein in his wrist. The letting of blood may have sobered him or restored his mental equilibrium; for suddenly, with a wild change in his feelings, he bounded to his feet and repented. Again he was in darkness, and could not guess how much time had elapsed since his fatal act. Staggering to the closed doorway, he endeavored to tear away the bricks he had so recently placed there, but the mortar was hardening fast, and he was unable to find his trowel. Groping frantically along the floor, he searched in vain for some tool to open the vault in which he was buried, and then, with the anguish of despair, dropped again upon the ground to await his fate. Thus Guir died, in an agony of remorse, and with the intensest desire to live.” Ah Ben stopped suddenly, and fixed his eyes upon Henley, as if trying to read his thoughts. “There is one thing in that story that strikes me as very peculiar,” observed Paul, returning his host's look with interest. “And what is that?” answered the old man, his eyes still fixed on Henley's face. “The fact that you are able to repeat with such circumstantial detail the feelings and actions of a man who died under such peculiar conditions, and quite alone.” “It might indeed appear strange to you, Mr. Henley, but my familiarity with the case enables me to speak with knowledge and accuracy.” “And would you mind telling me how that is possible?” inquired Paul. “ Because I am the man Guir himself; and I have lived on through such ages of agony that I have no longer the will or desire to appear other than as the ancient wreck before you .” Paul started. “Do you mean to tell me then that I am talking to a ghost?” he cried in dismay. “As you please, Mr. Henley; but ghosts are not so different from ordinary people—that is, when they have become materialized. I have just now shown you the real condition of this old house, or rather the way in which the majority of men see it. I do not hesitate, therefore, to show you the ghost that haunts it; nor do I object to explaining the dreadful cause of the haunting, or a little of the philosophy of hauntings in general.” Paul looked aghast. Easy enough was it now to comprehend how the man had talked so familiarly of death and the next life after having actually crossed the threshold and passed into the realm of experience. But there was something too real, too natural about this personality to accept the remark as literal. Familiarity with Ah Ben had shown him to be a man. Paul felt sure of it. And yet here were revealed mysteries never dreamed of; one of which was even now producing an occult spell. Henley drew a deep breath in agony of spirit. After a moment's pause, the old man continued: “Ghosts, Mr. Henley, are as real as you; and when a spirit returns to earth in visible form, it is the result of some disquieting influence immediately before the death of the body, or, as I might say, previous to the new life. At the hour of physical birth, such influences cause idiocy or such imperfection of the bodily functions that death ensues, and the spirit returns to seek another entrance into the world of matter. When a man dies dominated by some intense earthly desire, his mind is barred against the higher powers and greater possibilities of spirit; his whole nature is closed against their reception, so that he perceives and hopes for nothing save the continuance of that life which has so completely filled his nature. His old environment overpowers the new by the very force of his will; and if this continues, he becomes not only a haunting spirit, but a materialized one, visible to certain people under certain conditions, and compelled to live out his life amid the scenes which had so attracted him. This, Mr. Henley, has been my case. I shall live upon earth, and be visible to the spiritually susceptible, until the strong impression made at the hour of death shall have worn away.” “And the young lady, is she your daughter?” inquired Paul. “She is my daughter,” answered the old man solemnly. “How comes it, then, that she addresses you by so singular a name?” “It is the one she first learned to use in infancy. As I partially explained to you, my mother was a Hindoo, while my father was English. The name Ah Ben belongs to the maternal side of my family.” “Another question—more vital than any I have yet asked, because it concerns my own well-being and happiness,” continued Paul; “how is it possible that Dorothy can live in a place like this with a being who is only semi-material? “Because her nature is double, as is mine,” answered the old man. “Dorothy, like her sisters and mother, passed out of this life more than a hundred and fifty years ago.” “And did the same causes operate to bring her back to earth?” Ah Ben became more serious than ever as he answered: “You have touched upon the sorest point of all, and one which requires further elucidation. Sudden and unnatural death has a retarding tendency upon the spirit's progress; but where one has caused his own destruction, the evil resulting is incalculable. I was a suicide; and ten thousand times over had I better have borne all the ills that earth could heap upon me, than have stooped to such folly. For in what has it resulted? A prolonged mental agony, such as you can never conceive; for I have no home in heaven nor earth, but am forced to wander amid the shadows of each world, unrecognized by those either above or below me. Here I am shunned upon every hand, and, as you saw for yourself, I was equally avoided in Levachan. But that is not all; in the ignorance and selfishness of my grief, I yearned for my lost ones with a solicitude, a consuming fierceness and power of will which insanity only can equal. By nature I was intense; and even had I not committed the fatal act, my vitality would have burned itself away with the awful concentration of feeling. But it must be remembered that I was not the only sufferer from this pitiful lack of self-control. The stronger desires and emotions of the living influence the dead—I use the words in their common acceptation for the sake of convenience—and here is where I caused such incalculable injury to my own child; for Dorothy, having entered the spirit world with inferior powers of resistance, fell under the spell I had wrought, and joined me in the haunting of this old house. Here, Mr. Henley, am I, a suicide, justly deserving the punishment I receive; but there is my child, as innocent as the air of heaven, forced to suffer with me, and it is no small part of my chastisement to realize this fact. People fly from us as they would from pestilence, both in this world and the other, although many of the dwellers in the higher state, from their greater knowledge and loftier development, simply avoid us. And we can not criticise their action in either world, for we are not adapted to either state. We are outcasts.” Ah Ben paused for a moment, and then became deeply impressive, as he added: “Mr. Henley, let the experience of one who has suffered, and who will continue to suffer more than you can possibly understand—let his experience, I say, warn you against the unreasonable yearning for the return of those who have passed on to their spiritual state! Here our eyes are blinded to the blessedness to come, and it is well it is so; for, were it otherwise, the discipline of earth life would be lost, as too monstrous to be endured. No man could submit to the restraints of matter, with the power and freedom of spirit in sight. If once I could have realized the dreadful results entailed upon what I had lost, by my effort to recover it, I would have known that the blackest curse would have been trifling by contrast. Let the dead rest! and let one who knows persuade you that their entrance into spirit life is a time rather for rejoicing than regret!” “And is Dorothy to suffer as you have suffered, for what was no fault of hers?” demanded Paul. “Yes,” said Ah Ben; “the law of Karma is the law of nature and the law of God; and while ordinarily she would have passed safely on in the possession of her new-born powers, the pitfall which I blindly laid beset her unwary feet, and she fell. There is but one course open; but one way in which Dorothy can reach either heaven or earth, by a shorter road than that which I am compelled to travel. It is simple, and yet one which, under the circumstances, is almost impossible to achieve; and this from the fact that it requires the cooperation of a human being.” “I should imagine that any one with the ordinary feelings of humanity would gladly do what he could to assist such an unhappy fellow-creature!” exclaimed Paul. “But she is not a fellow-creature,” urged the old man. “True, but I understood you to say that she might become one with the cooperation of a human being.” “I did,” Ah Ben replied; “but where is that to be found?” “Not knowing the nature of the task, it would be difficult to say,” answered Paul, “but I will adhere to my first proposition, that one with the ordinary feelings of humanity would gladly do what he could.” “Mr. Henley, have you the ordinary feelings of humanity?” “I hope so,” answered Paul. “Would you be willing to marry a ghost, and be haunted for the rest of your life; for the ghost would be sure to outlive you?” Paul started. “I have put the case too strongly,” continued Ah Ben; “Dorothy is not a ghost in the ordinary sense. She is a materialized spirit, and that, my dear friend, is exactly what you are, with this difference: you have practically no control over your body; while she, having returned from the summer land abnormally, can, like myself, become invisible at will; but, upon the other hand, she is not always visible, even to those whom she would like to have see her. In short, as I have told you before, we belong to neither one world nor the other. But through union with a human creature, Dorothy can once more assume the functions of mortality, and after another period of earth life, become fitted again for the land of spirits.” “I understand you entirely,” answered Paul, “and can say, without hesitation or reservation, that I love your daughter, and, be she whom or what she may, will gladly marry her, if she can say as much for me.” “I thought I could not be mistaken in my man,” answered Ah Ben. “I have believed in your frankness, honor, and courage from the beginning; and although you came to this house with the intention of deceit, I feel sure that in the more serious situations of life you are to be relied upon. You have spoken to Dorothy, Mr. Henley, and I am confident she shares my trust in you.” “I hope so,” answered Paul. “I know it,” the old man replied; “and let me tell you further that this match is not one subservient to the ends of utility or profit; for, were such the motive, the very end would be defeated. Dorothy must love the man she marries, with all her heart and soul; and you can readily understand, ostracized as we are, how difficult it has been to find such a one. For more than a century we have sought in vain, and I have pressed every opportunity and strained every power to bring about such a meeting and such a result as I trust will shortly follow; but the world has given us no chance, and those few who have been able to see us have only fled in terror!” “Am I at liberty, then, to prove my devotion to your daughter by asking her to marry me?” “You have already done so,” replied Ah Ben, “and I have already given my consent; but I warn you, Mr. Henley, that in your intercourse with my daughter you should remember that you are dealing with a nature far more intense, and with far greater capacity to love, than any you have ever known. While the most fervid desire of Dorothy's life has doubtless been to meet some creature with whom she might affiliate, I believe she would forego even that happiness if convinced that it would prove disastrous to the object of her affection.” Paul extended his hands to Ah Ben, who took them with fervor. “Dear old man!” he said, “although I am speaking to a ghost, I am not afraid of you; and knowing how much you have suffered, it shall be my aim to help and comfort you; for have you not shown me how close is the other world, and so in a measure removed the dread of death? How truly do I feel that those who have left us may be close around us, although we can not see them.” And then, with a new light on all that surrounded him, Paul bade Ah Ben good-night, and went to his room. 10 The following morning, Mr. Henley was puzzled, in thinking over the conversation of the previous night, to remember that he had not been alarmed at the revelations which Ah Ben had made. The things he had seen and the words he had heard were amazing, but they had not terrified him; and when he recalled the easy and natural manner in which he had talked, he attributed the fact to the same mental change whereby he had perceived the visions. The breakfast room was deserted, neither Dorothy nor Ah Ben being present; and so Paul partook of the meal alone, which he found prepared as usual. He lingered over his second cup of tea in the hope that the young lady would join him; but after loitering quite beyond the usual hour, he sauntered out into the garden, trusting to find her there. But Dorothy was nowhere to be seen, and Henley sank dejectedly into the old rustic bench to await her coming. An hour passed, but no token of a human being was in evidence; not even the voice nor the footstep of a servant had been heard, and Paul sat consuming cigarettes at a rate that showed clearly his impatience. At last he returned to the house, and going to his room took pen and paper and wrote, in a large hand: Will Miss Guir kindly let me know at what hour I may see her? I shall await her answer in the garden. PAUL HENLEY. Not being able to find a servant, he took this downstairs and suspended it from the hanging lamp by a thread, and then returned to the garden to tramp up and down the neglected paths, between the boxwood bushes, and to burn more cigarettes. He had not the slightest hope of finding Ah Ben, as that individual never put in an appearance until the day was far spent—in fact, not generally until after the shadows of evening were well advanced; and the only servant he had seen was the dumb boy alluded to, and even he had only appeared occasionally. Clearly there was nothing to do but wait. But waiting brought neither Dorothy nor Ah Ben, and Paul began to wonder seriously where his hosts could have taken themselves. The time wore on, and the shadow of a tall fir showed that the hour of noon had passed. Had he been left in sole possession of this old mansion, whose history was so amazing, and yet whose very existence appeared mythical? He wandered back into the house, and passing through the hall, stopped suddenly. His note was gone. Surely it had been taken, for it could not have fallen. Examining the lamp, Henley saw that a short end of the thread was hanging, indicating that it had been broken and the note carried away. Some one had passed through the building since he had left it. Could it have been the girl? and if so, why had she avoided him? One thing appeared certain; she would know where to expect his letters, and he would now write another. In twenty minutes he had prepared the following, which, having sealed, he again suspended from the lamp in the hall: DEAREST GIRL—I have waited all the morning to see you, and am growing fearfully impatient. Is it business or pleasure that keeps you away? Why not tell me frankly just what it is, as I can not bear to think that I am avoided from indifference, or because you are getting tired of me. Have I outstayed my welcome at Guir House? I entreat you to give me an answer and an interview, as I am so lonely without you; just how lonely I will tell you when we meet. PAUL. Having left this dangling from the same thread, he went out for a walk; and thinking it possible that he might meet Ah Ben in the forest, went in that direction. The leaves were now falling rapidly, and the clear sky was visible through the bare limbs above; and the open spaces were beginning to give the woods quite a wintry aspect. Guir House was visible from a greater distance than he had ever seen it, and Paul sat down upon a fallen log to take in the picture of the quaint old mansion, buried in the depths of a trackless, almost impenetrable forest. He sang a verse of a familiar song in a loud voice, with the hope of attracting attention, but the distant echo of the last words was the only response that he got. Then he threw himself upon the ground and whistled and smoked alternately, his anxiety constantly growing; but the gentle sighing of the wind in the tree tops, and the uncertain rustling of the leaves, were but poor comfort. Was this to be the end of his strange visit? Was he to start back upon his homeward journey without an opportunity to bid his phenomenal hosts good-bye? He could not bear the thought. Dorothy at all events must be found. He would search the grounds and ransack the house. Surely she must be somewhere within reach of his voice. But then she was so strange, so different from any woman he had ever known. How could he tell, perhaps she had left the old place forever! Henley had not realized until now what a deep and overpowering dependence had suddenly developed in him toward these people. They seemed to hold the key to another world in a more practical and tangible way than he had ever deemed it possible for any mortal-appearing man to do. Even to be shut out from the wonderful city of Levachan would be an overwhelming loss, and how could he ever hope to see it again without their aid? To be deprived forever of the spiritual influence of these eccentric, half-earthly acquaintances was a thought he could not tolerate. Even the horrors through which they had passed appeared trivial as compared with the glimpses they had afforded him of happiness. But to see these things—to feel the mystery of their power and beauty just beginning to descend and take possession of him—and then to be snatched back to earth, with the inability to return, was too horrible, and like the ecstatic visions of a drowning man cut short by rescue. While he had Ah Ben and Dorothy within his reach, he felt the possibility of return; but suddenly they had gone, and for the first time he realized what they had been to him. Then it began to dawn upon him what these people must have suffered in a century and a half, and what they must continue to endure for untold time to come, in their inability to return in full to that world they had left, or even to take part in the affairs of this. Surely their case was far worse than his, for after a few years he would be freed from the bondage of matter, and would grapple with the mysteries which had become so fascinating; but with them it was different. Unfitted for either world, without a friend and alone, they must drag out their weary existence until the law of Karma was satisfied. But he would not give them up; he could not; for were they not the new life, the new atmosphere, the very essence of his newly discovered self? He had felt, and seen, how possible it was for a man to tread on air—to walk the upper regions of the sky, and he could never again be contented to crawl upon the surface of the ground like a worm. But without Ah Ben he must crawl. With him, Paul felt that all things were possible, which powers he felt that Dorothy also possessed; though, alas, through the crime, and earth-bound cravings of his host, these powers had been sadly curtailed. Nerveless and dispirited he returned to the garden gate. Some one had been there since he had passed, for there were fresh foot-prints along the walk, of a small, feminine type, and directed toward the forest. The steps had passed outward, and their track was lost in the leaves beyond. Surely Dorothy had left the house and gone for a ramble in the woods without having seen him. How could he have missed her, and could it have been intentional, were thoughts which came unpleasantly to Paul at that moment. He stood gazing long and earnestly in the direction taken by the departing footsteps, and doing so, his attention was attracted by the flight of a bird which came swooping towards him from the depths of the woodland glade. Nearer and nearer it came, uttering a strange, shrill cry, as if to attract his attention; and then, after circling in the air above his head, came fluttering down, and lighted upon the gate-post at his elbow. It was Dorothy's parrot. But what did it mean by this unusual freak of familiarity? Paul spoke to the bird, which pleased it; and when he put out his hand to smooth its feathers, the parrot lifted its wings, and with a loud cackle exhibited a note which had been carefully tied beneath one of them. Henley relieved the animal of its burden, and discovered that the note was addressed to himself. When he looked around again, the parrot had flown away. This is what the note contained: GUIR HOUSE. MY OWN DEAR COMRADE—I call you my own because you are all that I ever had, but even now the memory of our few brief interviews is all that is left to me, for I must go without you. So happy was I when we first met, that I don't mind telling you, since we shall not meet again, how, in anticipation, I rested in your dear arms and felt your loving caresses; for you were all the world to me then—the only world I had ever known—and the break of day seemed close at hand. But soon the thought of drawing you down into that awful abyss 'twixt heaven and earth, which has whirled its black shadows about me for more than a century, seized me, and I could not willingly make a thrall of the one I loved; and so I leave you to those for whom you are fitted, while I shall continue my solitary life as before. You say that you are lonely without me! But what is your loneliness to mine? I, who never had a comrade; who never felt the joy of friendship; and who was dazed with the sudden flush of love, of hunger satisfied, of companionship! Have you ever felt the want of these, dear Paul? Have you ever known what it is to be alone—to live in an empty world—and that, not for a time, but for ages? Yes, you will say, you understand it, and that you pity me, and yet you do not know its meaning; for you at least can live out the life for which God and nature have fitted you, while I am fit for nothing. You know not what it is to be shunned; to be avoided; to be feared! You go your way, and smile and nod to those you meet, and they are pleased to see you. You are welcome among your friends, as they to you. Live on in that precious state, and feel blessed and happy, for there are worse conditions, although you know it not. And now I am going to tell you a strange thing. It is this: I have shadowed your life from the hour of your birth. I have watched your career, and where able have guided and helped you, knowing that you were one whom I could love. I have helped to make you what you are, and therefore my right of possession is doubly founded, even though my love be too great to lead you astray. Gradually I led you up to the hour when all was ripe, and then mentally impressed you with the letter which you thought you received, and which I knew would affect you through your strongest characteristics—love of adventure, and—curiosity—as well as from the fact that you were susceptible to mental influence. You came, and I was happy—more happy than you will ever know—until my unsated Karma thwarted my plan, and showed that while seeking my own peace, I might possibly endanger yours. That ended all. I could go no further. But even now, as before, I shall come to you in spirit, during the still hours of night; for my love is more intense and strangely different from that which waking men are wont to feel. It is that which sometimes comes in dreams. Do you not know what I mean? You will feel bewildered on reading this, and at a loss to understand many things, but remember that your inward or spiritual sight has been opened through the power of hypnotism, and you must not judge things as in your normal state. When you reached our little station of Guir, you were expecting to find me there, and expectation is the proper frame of mind in which to produce a strong impression; and therefore, although you did not know what I was like, Ah Ben and I together easily made you see me as I was, together with the cart and horse; and although you actually got into the stage which was waiting, you thought you were in the cart with me. The incident of the broken spring was merely suggested as a fitting means to bring you back physically from the coach to the cart, where for the first time, in the moonlight, you saw me in semi-material form, visible as a shadow to some men, but wholly so to you. Had I appeared thus at the station, I should have alarmed all who saw me, and so I came to you only. The two worlds are so closely intermingled that men often live in one while their bodies are in another, and to those who are susceptible, the immaterial can be made more real than the other. I know these things, because, while at home in neither, I have been in both. And now, dear comrade, think sometimes of her who loves you, and to whom you have been the only joy; and she will be with you always, although you may not know it, except in your dreams. One more word. Think happily of the dead, for they are happy, and in a way you can not understand. If you love them truly, rejoice that they have gone, for what you call their death is but their birth, with powers transcending those of their former state, as light transcends the darkness. Disturb them not with idle yearnings, lest your thought unsettle the serenity of their lives. Let the ignorance which has ruined me be a warning. Some day I shall complete my term of loneliness, and begin life anew. We will know each other then, dear Paul, as here. Remember, I shall always be your spirit guide. DOROTHY. Henley folded the letter and looked about him in bewilderment, and with a sense of loneliness he had never known before. He thought he could realize the emptiness of life, the dissociation with all things, of which Dorothy had spoken. He was adrift, without anchor in either world. Heart-broken and crushed, he determined to find the girl at all hazards, and bounded down the garden path in search of Ah Ben, who alone could help him. At the last of the boxwood trees he stopped, and then, in an agony of horror, beheld the roofless ruin of the old house as Ah Ben had shown it to him . The crumbling walls and broken belfry, half hidden amid the encroaching trees, were all that was left of Guir House and its spacious grounds. Heaps of stone and piles of rubbish beset his path, and the open portals, choked with wild grass and bushes, showed glimpses of the sky beyond. In a panic of terror lest his reason had gone, Paul flew madly on in the direction from which Dorothy had first brought him. But not an indication of what once were ornamental grounds remained. Beyond, an unbroken forest was upon every side, and the growth was wild and dense. On he rushed, with both hands pressed tightly against his head, neither knowing nor caring whither he went. But at last two shadowy forms emerged from a dense thicket of calmia upon his left, and Paul felt that their influence was kindly, and that they had come to guide him back into the world he had left behind. *** END OF THE PROJECT GUTENBERG EBOOK THE GHOST OF GUIR HOUSE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- The house of the dead#48826
- The house of evil#65552
- The Haunted Bookshop#128
- Uncle Tom's Cabin#18099
- Uncle Tom's Cabin#138
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive