Poems of Nature, Poems Subjective and Reminiscent and Religious Poems, Complete Volume II of The Works of John Greenleaf Whittier
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
HYMN OF THE DUNKERS HYMN OF THE DUNKERS KLOSTER KEDAR, EPHRATA, PENNSYLVANIA (1738) SISTER MARIA CHRISTINA sings Wake, sisters, wake! the day-star shines; Above Ephrata's eastern pines The dawn is breaking, cool and calm. Wake, sisters, wake to prayer and psalm! Praised be the Lord for shade and light, For toil by day, for rest by night! Praised be His name who deigns to bless Our Kedar of the wilderness! Our refuge when the spoiler's hand Was heavy on our native land; And freedom, to her children due, The wolf and vulture only knew. We praised Him when to prison led, We owned Him when the stake blazed red; We knew, whatever might befall, His love and power were over all. He heard our prayers; with outstretched arm He led us forth from cruel harm; Still, wheresoe'er our steps were bent, His cloud and fire before us went! The watch of faith and prayer He set, We kept it then, we keep it yet. At midnight, crow of cock, or noon, He cometh sure, He cometh soon. He comes to chasten, not destroy, To purge the earth from sin's alloy. At last, at last shall all confess His mercy as His righteousness. The dead shall live, the sick be whole, The scarlet sin be white as wool; No discord mar below, above, The music of eternal love! Sound, welcome trump, the last alarm! Lord God of hosts, make bare thine arm, Fulfil this day our long desire, Make sweet and clean the world with fire! Sweep, flaming besom, sweep from sight The lies of time; be swift to smite, Sharp sword of God, all idols down, Genevan creed and Roman crown. Quake, earth, through all thy zones, till all The fanes of pride and priesteraft fall; And lift thou up in place of them Thy gates of pearl, Jerusalem! Lo! rising from baptismal flame, Transfigured, glorious, yet the same, Within the heavenly city's bound Our Kloster Kedar shall be found. He cometh soon! at dawn or noon Or set of sun, He cometh soon. Our prayers shall meet Him on His way; Wake, sisters, wake! arise and pray! 1877. GIVING AND TAKING. I have attempted to put in English verse a prose translation of a poem by Tinnevaluva, a Hindoo poet of the third century of our era. Who gives and hides the giving hand, Nor counts on favor, fame, or praise, Shall find his smallest gift outweighs The burden of the sea and land. Who gives to whom hath naught been given, His gift in need, though small indeed As is the grass-blade's wind-blown seed, Is large as earth and rich as heaven. Forget it not, O man, to whom A gift shall fall, while yet on earth; Yea, even to thy seven-fold birth Recall it in the lives to come. Who broods above a wrong in thought Sins much; but greater sin is his Who, fed and clothed with kindnesses, Shall count the holy alms as nought. Who dares to curse the hands that bless Shall know of sin the deadliest cost; The patience of the heavens is lost Beholding man's unthankfulness. For he who breaks all laws may still In Sivam's mercy be forgiven; But none can save, in earth or heaven, The wretch who answers good with ill. 1877. THE VISION OF ECHARD. The Benedictine Echard Sat by the wayside well, Where Marsberg sees the bridal Of the Sarre and the Moselle. Fair with its sloping vineyards And tawny chestnut bloom, The happy vale Ausonius sunk For holy Treves made room. On the shrine Helena builded To keep the Christ coat well, On minster tower and kloster cross, The westering sunshine fell. There, where the rock-hewn circles O'erlooked the Roman's game, The veil of sleep fell on him, And his thought a dream became. He felt the heart of silence Throb with a soundless word, And by the inward ear alone A spirit's voice he heard. And the spoken word seemed written On air and wave and sod, And the bending walls of sapphire Blazed with the thought of God. "What lack I, O my children? All things are in my band; The vast earth and the awful stars I hold as grains of sand. "Need I your alms? The silver And gold are mine alone; The gifts ye bring before me Were evermore my own. "Heed I the noise of viols, Your pomp of masque and show? Have I not dawns and sunsets Have I not winds that blow? "Do I smell your gums of incense? Is my ear with chantings fed? Taste I your wine of worship, Or eat your holy bread? "Of rank and name and honors Am I vain as ye are vain? What can Eternal Fulness From your lip-service gain? "Ye make me not your debtor Who serve yourselves alone; Ye boast to me of homage Whose gain is all your own. "For you I gave the prophets, For you the Psalmist's lay For you the law's stone tables, And holy book and day. "Ye change to weary burdens The helps that should uplift; Ye lose in form the spirit, The Giver in the gift. "Who called ye to self-torment, To fast and penance vain? Dream ye Eternal Goodness Has joy in mortal pain? "For the death in life of Nitria, For your Chartreuse ever dumb, What better is the neighbor, Or happier the home? "Who counts his brother's welfare As sacred as his own, And loves, forgives, and pities, He serveth me alone. "I note each gracious purpose, Each kindly word and deed; Are ye not all my children? Shall not the Father heed? "No prayer for light and guidance Is lost upon mine ear The child's cry in the darkness Shall not the Father hear? "I loathe your wrangling councils, I tread upon your creeds; Who made ye mine avengers, Or told ye of my needs; "I bless men and ye curse them, I love them and ye hate; Ye bite and tear each other, I suffer long and wait. "Ye bow to ghastly symbols, To cross and scourge and thorn; Ye seek his Syrian manger Who in the heart is born. "For the dead Christ, not the living, Ye watch His empty grave, Whose life alone within you Has power to bless and save. "O blind ones, outward groping, The idle quest forego; Who listens to His inward voice Alone of Him shall know. "His love all love exceeding The heart must needs recall, Its self-surrendering freedom, Its loss that gaineth all. "Climb not the holy mountains, Their eagles know not me; Seek not the Blessed Islands, I dwell not in the sea. "Gone is the mount of Meru, The triple gods are gone, And, deaf to all the lama's prayers, The Buddha slumbers on. "No more from rocky Horeb The smitten waters gush; Fallen is Bethel's ladder, Quenched is the burning bush. "The jewels of the Urim And Thurnmim all are dim; The fire has left the altar, The sign the teraphim. "No more in ark or hill grove The Holiest abides; Not in the scroll's dead letter The eternal secret hides. "The eye shall fail that searches For me the hollow sky; The far is even as the near, The low is as the high. "What if the earth is hiding Her old faiths, long outworn? What is it to the changeless truth That yours shall fail in turn? "What if the o'erturned altar Lays bare the ancient lie? What if the dreams and legends Of the world's childhood die? "Have ye not still my witness Within yourselves alway, My hand that on the keys of life For bliss or bale I lay? "Still, in perpetual judgment, I hold assize within, With sure reward of holiness, And dread rebuke of sin. "A light, a guide, a warning, A presence ever near, Through the deep silence of the flesh I reach the inward ear. "My Gerizim and Ebal Are in each human soul, The still, small voice of blessing, And Sinai's thunder-roll. "The stern behest of duty, The doom-book open thrown, The heaven ye seek, the hell ye fear, Are with yourselves alone." . . . . . A gold and purple sunset Flowed down the broad Moselle; On hills of vine and meadow lands The peace of twilight fell. A slow, cool wind of evening Blew over leaf and bloom; And, faint and far, the Angelus Rang from Saint Matthew's tomb. Then up rose Master Echard, And marvelled: "Can it be That here, in dream and vision, The Lord hath talked with me?" He went his way; behind him The shrines of saintly dead, The holy coat and nail of cross, He left unvisited. He sought the vale of Eltzbach His burdened soul to free, Where the foot-hills of the Eifel Are glassed in Laachersee. And, in his Order's kloster, He sat, in night-long parle, With Tauler of the Friends of God, And Nicolas of Basle. And lo! the twain made answer "Yea, brother, even thus The Voice above all voices Hath spoken unto us. "The world will have its idols, And flesh and sense their sign But the blinded eyes shall open, And the gross ear be fine. "What if the vision tarry? God's time is always best; The true Light shall be witnessed, The Christ within confessed. "In mercy or in judgment He shall turn and overturn, Till the heart shall be His temple Where all of Him shall learn." INSCRIPTIONS. ON A SUN-DIAL. FOR DR. HENRY I. BOWDITCH. With warning hand I mark Time's rapid flight From life's glad morning to its solemn night; Yet, through the dear God's love, I also show There's Light above me by the Shade below. 1879. ON A FOUNTAIN. FOR DOROTHEA L. DIX. Stranger and traveller, Drink freely and bestow A kindly thought on her Who bade this fountain flow, Yet hath no other claim Than as the minister Of blessing in God's name. Drink, and in His peace go 1879 THE MINISTER'S DAUGHTER. In the minister's morning sermon He had told of the primal fall, And how thenceforth the wrath of God Rested on each and all. And how of His will and pleasure, All souls, save a chosen few, Were doomed to the quenchless burning, And held in the way thereto. Yet never by faith's unreason A saintlier soul was tried, And never the harsh old lesson A tenderer heart belied. And, after the painful service On that pleasant Sabbath day, He walked with his little daughter Through the apple-bloom of May. Sweet in the fresh green meadows Sparrow and blackbird sung; Above him their tinted petals The blossoming orchards hung. Around on the wonderful glory The minister looked and smiled; "How good is the Lord who gives us These gifts from His hand, my child. "Behold in the bloom of apples And the violets in the sward A hint of the old, lost beauty Of the Garden of the Lord!" Then up spake the little maiden, Treading on snow and pink "O father! these pretty blossoms Are very wicked, I think. "Had there been no Garden of Eden There never had been a fall; And if never a tree had blossomed God would have loved us all." "Hush, child!" the father answered, "By His decree man fell; His ways are in clouds and darkness, But He doeth all things well. "And whether by His ordaining To us cometh good or ill, Joy or pain, or light or shadow, We must fear and love Him still." "Oh, I fear Him!" said the daughter, "And I try to love Him, too; But I wish He was good and gentle, Kind and loving as you." The minister groaned in spirit As the tremulous lips of pain And wide, wet eyes uplifted Questioned his own in vain. Bowing his head he pondered The words of the little one; Had he erred in his life-long teaching? Had he wrong to his Master done? To what grim and dreadful idol Had he lent the holiest name? Did his own heart, loving and human, The God of his worship shame? And lo! from the bloom and greenness, From the tender skies above, And the face of his little daughter, He read a lesson of love. No more as the cloudy terror Of Sinai's mount of law, But as Christ in the Syrian lilies The vision of God he saw. And, as when, in the clefts of Horeb, Of old was His presence known, The dread Ineffable Glory Was Infinite Goodness alone. Thereafter his hearers noted In his prayers a tenderer strain, And never the gospel of hatred Burned on his lips again. And the scoffing tongue was prayerful, And the blinded eyes found sight, And hearts, as flint aforetime, Grew soft in his warmth and light. 1880. BY THEIR WORKS. Call him not heretic whose works attest His faith in goodness by no creed confessed. Whatever in love's name is truly done To free the bound and lift the fallen one Is done to Christ. Whoso in deed and word Is not against Him labors for our Lord. When He, who, sad and weary, longing sore For love's sweet service, sought the sisters' door, One saw the heavenly, one the human guest, But who shall say which loved the Master best? 1881. THE WORD. Voice of the Holy Spirit, making known Man to himself, a witness swift and sure, Warning, approving, true and wise and pure, Counsel and guidance that misleadeth none! By thee the mystery of life is read; The picture-writing of the world's gray seers, The myths and parables of the primal years, Whose letter kills, by thee interpreted Take healthful meanings fitted to our needs, And in the soul's vernacular express The common law of simple righteousness. Hatred of cant and doubt of human creeds May well be felt: the unpardonable sin Is to deny the Word of God within! 1881. THE BOOK. Gallery of sacred pictures manifold, A minster rich in holy effigies, And bearing on entablature and frieze The hieroglyphic oracles of old. Along its transept aureoled martyrs sit; And the low chancel side-lights half acquaint The eye with shrines of prophet, bard, and saint, Their age-dimmed tablets traced in doubtful writ! But only when on form and word obscure Falls from above the white supernal light We read the mystic characters aright, And life informs the silent portraiture, Until we pause at last, awe-held, before The One ineffable Face, love, wonder, and adore. 1881 REQUIREMENT. We live by Faith; but Faith is not the slave Of text and legend. Reason's voice and God's, Nature's and Duty's, never are at odds. What asks our Father of His children, save Justice and mercy and humility, A reasonable service of good deeds, Pure living, tenderness to human needs, Reverence and trust, and prayer for light to see The Master's footprints in our daily ways? No knotted scourge nor sacrificial knife, But the calm beauty of an ordered life Whose very breathing is unworded praise!— A life that stands as all true lives have stood, Firm-rooted in the faith that God is Good. 1881. HELP. Dream not, O Soul, that easy is the task Thus set before thee. If it proves at length, As well it may, beyond thy natural strength, Faint not, despair not. As a child may ask A father, pray the Everlasting Good For light and guidance midst the subtle snares Of sin thick planted in life's thoroughfares, For spiritual strength and moral hardihood; Still listening, through the noise of time and sense, To the still whisper of the Inward Word; Bitter in blame, sweet in approval heard, Itself its own confirming evidence To health of soul a voice to cheer and please, To guilt the wrath of the Eumenides. 1881. UTTERANCE. But what avail inadequate words to reach The innermost of Truth? Who shall essay, Blinded and weak, to point and lead the way, Or solve the mystery in familiar speech? Yet, if it be that something not thy own, Some shadow of the Thought to which our schemes, Creeds, cult, and ritual are at best but dreams, Is even to thy unworthiness made known, Thou mayst not hide what yet thou shouldst not dare To utter lightly, lest on lips of thine The real seem false, the beauty undivine. So, weighing duty in the scale of prayer, Give what seems given thee. It may prove a seed Of goodness dropped in fallow-grounds of need. 1881. ORIENTAL MAXIMS. PARAPHRASE OF SANSCRIT TRANSLATIONS. THE INWARD JUDGE. From Institutes of Manu. The soul itself its awful witness is. Say not in evil doing, "No one sees," And so offend the conscious One within, Whose ear can hear the silences of sin. Ere they find voice, whose eyes unsleeping see The secret motions of iniquity. Nor in thy folly say, "I am alone." For, seated in thy heart, as on a throne, The ancient Judge and Witness liveth still, To note thy act and thought; and as thy ill Or good goes from thee, far beyond thy reach, The solemn Doomsman's seal is set on each. 1878. LAYING UP TREASURE From the Mahabharata. Before the Ender comes, whose charioteer Is swift or slow Disease, lay up each year Thy harvests of well-doing, wealth that kings Nor thieves can take away. When all the things Thou tallest thine, goods, pleasures, honors fall, Thou in thy virtue shalt survive them all. 1881. CONDUCT From the Mahabharata. Heed how thou livest. Do no act by day Which from the night shall drive thy peace away. In months of sun so live that months of rain Shall still be happy. Evermore restrain Evil and cherish good, so shall there be Another and a happier life for thee. 1881. AN EASTER FLOWER GIFT. O dearest bloom the seasons know, Flowers of the Resurrection blow, Our hope and faith restore; And through the bitterness of death And loss and sorrow, breathe a breath Of life forevermore! The thought of Love Immortal blends With fond remembrances of friends; In you, O sacred flowers, By human love made doubly sweet, The heavenly and the earthly meet, The heart of Christ and ours! 1882. THE MYSTIC'S CHRISTMAS. "All hail!" the bells of Christmas rang, "All hail!" the monks at Christmas sang, The merry monks who kept with cheer The gladdest day of all their year. But still apart, unmoved thereat, A pious elder brother sat Silent, in his accustomed place, With God's sweet peace upon his face. "Why sitt'st thou thus?" his brethren cried. "It is the blessed Christmas-tide; The Christmas lights are all aglow, The sacred lilies bud and blow. "Above our heads the joy-bells ring, Without the happy children sing, And all God's creatures hail the morn On which the holy Christ was born! "Rejoice with us; no more rebuke Our gladness with thy quiet look." The gray monk answered: "Keep, I pray, Even as ye list, the Lord's birthday. "Let heathen Yule fires flicker red Where thronged refectory feasts are spread; With mystery-play and masque and mime And wait-songs speed the holy time! "The blindest faith may haply save; The Lord accepts the things we have; And reverence, howsoe'er it strays, May find at last the shining ways. "They needs must grope who cannot see, The blade before the ear must be; As ye are feeling I have felt, And where ye dwell I too have dwelt. "But now, beyond the things of sense, Beyond occasions and events, I know, through God's exceeding grace, Release from form and time and place. "I listen, from no mortal tongue, To hear the song the angels sung; And wait within myself to know The Christmas lilies bud and blow. "The outward symbols disappear From him whose inward sight is clear; And small must be the choice of clays To him who fills them all with praise! "Keep while you need it, brothers mine, With honest zeal your Christmas sign, But judge not him who every morn Feels in his heart the Lord Christ born!" 1882. AT LAST. When on my day of life the night is falling, And, in the winds from unsunned spaces blown, I hear far voices out of darkness calling My feet to paths unknown, Thou who hast made my home of life so pleasant, Leave not its tenant when its walls decay; O Love Divine, O Helper ever present, Be Thou my strength and stay! Be near me when all else is from me drifting Earth, sky, home's pictures, days of shade and shine, And kindly faces to my own uplifting The love which answers mine. I have but Thee, my Father! let Thy spirit Be with me then to comfort and uphold; No gate of pearl, no branch of palm I merit, Nor street of shining gold. Suffice it if—my good and ill unreckoned, And both forgiven through Thy abounding grace— I find myself by hands familiar beckoned Unto my fitting place. Some humble door among Thy many mansions, Some sheltering shade where sin and striving cease, And flows forever through heaven's green expansions The river of Thy peace. There, from the music round about me stealing, I fain would learn the new and holy song, And find at last, beneath Thy trees of healing, The life for which I long. 1882 WHAT THE TRAVELLER SAID AT SUNSET. The shadows grow and deepen round me, I feel the deffall in the air; The muezzin of the darkening thicket, I hear the night-thrush call to prayer. The evening wind is sad with farewells, And loving hands unclasp from mine; Alone I go to meet the darkness Across an awful boundary-line. As from the lighted hearths behind me I pass with slow, reluctant feet, What waits me in the land of strangeness? What face shall smile, what voice shall greet? What space shall awe, what brightness blind me? What thunder-roll of music stun? What vast processions sweep before me Of shapes unknown beneath the sun? I shrink from unaccustomed glory, I dread the myriad-voiced strain; Give me the unforgotten faces, And let my lost ones speak again. He will not chide my mortal yearning Who is our Brother and our Friend; In whose full life, divine and human, The heavenly and the earthly blend. Mine be the joy of soul-communion, The sense of spiritual strength renewed, The reverence for the pure and holy, The dear delight of doing good. No fitting ear is mine to listen An endless anthem's rise and fall; No curious eye is mine to measure The pearl gate and the jasper wall. For love must needs be more than knowledge: What matter if I never know Why Aldebaran's star is ruddy, Or warmer Sirius white as snow! Forgive my human words, O Father! I go Thy larger truth to prove; Thy mercy shall transcend my longing I seek but love, and Thou art Love! I go to find my lost and mourned for Safe in Thy sheltering goodness still, And all that hope and faith foreshadow Made perfect in Thy holy will! 1883. THE "STORY OF IDA." Francesca Alexander, whose pen and pencil have so reverently transcribed the simple faith and life of the Italian peasantry, wrote the narrative published with John Ruskin's introduction under the title, The Story of Ida . Weary of jangling noises never stilled, The skeptic's sneer, the bigot's hate, the din Of clashing texts, the webs of creed men spin Round simple truth, the children grown who build With gilded cards their new Jerusalem, Busy, with sacerdotal tailorings And tinsel gauds, bedizening holy things, I turn, with glad and grateful heart, from them To the sweet story of the Florentine Immortal in her blameless maidenhood, Beautiful as God's angels and as good; Feeling that life, even now, may be divine With love no wrong can ever change to hate, No sin make less than all-compassionate! 1884. THE LIGHT THAT IS FELT. A tender child of summers three, Seeking her little bed at night, Paused on the dark stair timidly. "Oh, mother! Take my hand," said she, "And then the dark will all be light." We older children grope our way From dark behind to dark before; And only when our hands we lay, Dear Lord, in Thine, the night is day, And there is darkness nevermore. Reach downward to the sunless days Wherein our guides are blind as we, And faith is small and hope delays; Take Thou the hands of prayer we raise, And let us feel the light of Thee! 1884. THE TWO LOVES Smoothing soft the nestling head Of a maiden fancy-led, Thus a grave-eyed woman said: "Richest gifts are those we make, Dearer than the love we take That we give for love's own sake. "Well I know the heart's unrest; Mine has been the common quest, To be loved and therefore blest. "Favors undeserved were mine; At my feet as on a shrine Love has laid its gifts divine. "Sweet the offerings seemed, and yet With their sweetness came regret, And a sense of unpaid debt. "Heart of mine unsatisfied, Was it vanity or pride That a deeper joy denied? "Hands that ope but to receive Empty close; they only live Richly who can richly give. "Still," she sighed, with moistening eyes, "Love is sweet in any guise; But its best is sacrifice! "He who, giving, does not crave Likest is to Him who gave Life itself the loved to save. "Love, that self-forgetful gives, Sows surprise of ripened sheaves, Late or soon its own receives." 1884. ADJUSTMENT. The tree of Faith its bare, dry boughs must shed That nearer heaven the living ones may climb; The false must fail, though from our shores of time The old lament be heard, "Great Pan is dead!" That wail is Error's, from his high place hurled; This sharp recoil is Evil undertrod; Our time's unrest, an angel sent of God Troubling with life the waters of the world. Even as they list the winds of the Spirit blow To turn or break our century-rusted vanes; Sands shift and waste; the rock alone remains Where, led of Heaven, the strong tides come and go, And storm-clouds, rent by thunderbolt and wind, Leave, free of mist, the permanent stars behind. Therefore I trust, although to outward sense Both true and false seem shaken; I will hold With newer light my reverence for the old, And calmly wait the births of Providence. No gain is lost; the clear-eyed saints look down Untroubled on the wreck of schemes and creeds; Love yet remains, its rosary of good deeds Counting in task-field and o'erpeopled town; Truth has charmed life; the Inward Word survives, And, day by day, its revelation brings; Faith, hope, and charity, whatsoever things Which cannot be shaken, stand. Still holy lives Reveal the Christ of whom the letter told, And the new gospel verifies the old. 1885. HYMNS OF THE BRAHMO SOMAJ. I have attempted this paraphrase of the Hymns of the Brahmo Somaj of India, as I find them in Mozoomdar's account of the devotional exercises of that remarkable religious development which has attracted far less attention and sympathy from the Christian world than it deserves, as a fresh revelation of the direct action of the Divine Spirit upon the human heart. I. The mercy, O Eternal One! By man unmeasured yet, In joy or grief, in shade or sun, I never will forget. I give the whole, and not a part, Of all Thou gayest me; My goods, my life, my soul and heart, I yield them all to Thee! II. We fast and plead, we weep and pray, From morning until even; We feel to find the holy way, We knock at the gate of heaven And when in silent awe we wait, And word and sign forbear, The hinges of the golden gate Move, soundless, to our prayer! Who hears the eternal harmonies Can heed no outward word; Blind to all else is he who sees The vision of the Lord! III. O soul, be patient, restrain thy tears, Have hope, and not despair; As a tender mother heareth her child God hears the penitent prayer. And not forever shall grief be thine; On the Heavenly Mother's breast, Washed clean and white in the waters of joy Shall His seeking child find rest. Console thyself with His word of grace, And cease thy wail of woe, For His mercy never an equal hath, And His love no bounds can know. Lean close unto Him in faith and hope; How many like thee have found In Him a shelter and home of peace, By His mercy compassed round! There, safe from sin and the sorrow it brings, They sing their grateful psalms, And rest, at noon, by the wells of God, In the shade of His holy palms! 1885. REVELATION. "And I went into the Vale of Beavor, and as I went I preached repentance to the people. And one morning, sitting by the fire, a great cloud came over me, and a temptation beset me. And it was said: All things come by Nature; and the Elements and the Stars came over me. And as I sat still and let it alone, a living hope arose in me, and a true Voice which said: There is a living God who made all things. And immediately the cloud and the temptation vanished, and Life rose over all, and my heart was glad and I praised the Living God."—Journal of George Fox, 1690. Still, as of old, in Beavor's Vale, O man of God! our hope and faith The Elements and Stars assail, And the awed spirit holds its breath, Blown over by a wind of death. Takes Nature thought for such as we, What place her human atom fills, The weed-drift of her careless sea, The mist on her unheeding hills? What reeks she of our helpless wills? Strange god of Force, with fear, not love, Its trembling worshipper! Can prayer Reach the shut ear of Fate, or move Unpitying Energy to spare? What doth the cosmic Vastness care? In vain to this dread Unconcern For the All-Father's love we look; In vain, in quest of it, we turn The storied leaves of Nature's book, The prints her rocky tablets took. I pray for faith, I long to trust; I listen with my heart, and hear A Voice without a sound: "Be just, Be true, be merciful, revere The Word within thee: God is near! "A light to sky and earth unknown Pales all their lights: a mightier force Than theirs the powers of Nature own, And, to its goal as at its source, His Spirit moves the Universe. "Believe and trust. Through stars and suns, Through life and death, through soul and sense, His wise, paternal purpose runs; The darkness of His providence Is star-lit with benign intents." O joy supreme! I know the Voice, Like none beside on earth or sea; Yea, more, O soul of mine, rejoice, By all that He requires of me, I know what God himself must be. No picture to my aid I call, I shape no image in my prayer; I only know in Him is all Of life, light, beauty, everywhere, Eternal Goodness here and there! I know He is, and what He is, Whose one great purpose is the good Of all. I rest my soul on His Immortal Love and Fatherhood; And trust Him, as His children should. I fear no more. The clouded face Of Nature smiles; through all her things Of time and space and sense I trace The moving of the Spirit's wings, And hear the song of hope she sings. 1886 *** END OF THE PROJECT GUTENBERG EBOOK POEMS OF NATURE, POEMS SUBJECTIVE AND REMINISCENT AND RELIGIOUS POEMS, COMPLETE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- Occasional Poems Part 3 from Volume IV of The Works of John Greenleaf Whittier#35614
- Trees, and Other Poems#180
- A Study of Poetry#35048
- An introduction to poetry#386378
- The Nature and Elements of Poetry#18440
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive