The Youth's Coronal

The Dying Storm Resigning life high up in air, E'en at the gibbet's height! For many a year their bodies hung Along the river side; As beacons, showing old and young How they had lived and died. The wealth they hid was never found. Though often sought of men. 'Tis where they placed it in the ground, Till they should come again! The earth has seemed by Heaven constrained. The treasures to withhold That price of blood has none obtained, Or used the pirate's gold! The Dying Storm I am feeble, pale and weary, And my wings are nearly furled. I have caused a scene so dreary, I am glad to quit the world. While with bitterness I'm thinking On the evil I have done, To my caverns deep I'm sinking From the coming of the sun. Oh! the heart of man will sicken In that pure and holy light, When he feels the hopes I've stricken With an everlasting blight! For, so wildly in my madness Have I poured abroad my wrath, I've been changing joy to sadness; And with ruins strewed my path. Earth has shuddered at my motion:— She my power in silence owns; While the troubled, roaring ocean O'er my deeds of horror moans. I have sunk the dearest treasure— I've destroyed the fairest form: Sadly have I filled my measure; And I'm now a dying Storm! Yet, to man among the living, With my final gasp and sigh, I, a solemn caution giving, Fain would serve him while I die. Not like me, shall he, descending Swift to death, from being cease. He's a spirit!--fleetly tending To eternal pain or peace! The Little Traveller I am the tiniest child of earth! But still, I would like to be known to fame; Though next to nothing I had my birth, And lowest of all in my lowly name. Yet, if so humble my native place, This I can say, in family pride— That I'm of the world's most numerous race, And made by the Maker of all beside. Although I'm so poor, I naught to lose; Still I'm so little I can't be lost! I journey about, wherever I choose, And those who carry me bear the cost. The most forgiving of earthly things, I often cling to my deadly foe; And, spite of the cruellest flirts and flings, Arise by the force that has cast me low. When beauty has trodden me under foot, I've quietly risen, her face to seek,— Embraced her forehead, and calmly put Myself to rest in her dimpled cheek. I've ridden to war on the soldier's plume; But startled and sprung, at the wild affray,— The sights of horror—of fire and fume; And fled on the wings of the wind away. I've visited courts, and been ushered in By the proudest guest of the stately scene; I've touched his majesty's bosom-pin, And the nuptial ring of his lofty queen. At the royal board, in the grand parade, I've oft been one familiar and free: The fairest lady has smiled, and laid Her delicate, gloveless hand on me. Philosopher, poet, the learned, the sage, Never declines a call from me; And all, of every rank and age. Admit me into their coteri . I visit the lions of every where, If human, or brute, and can testify To what they do, to what they wear, To wonders none ever beheld but I! And now, reviewing the things I've done, Forgetting my name, my rank and birth, I begin to think I am number ONE, Of the great and manifold things of earth. I've still much more, I yet might tell, Which modesty bids me here withhold; For fear with my travels I seem to swell, Or grow, for an ATOM OF DUST, too bold! THE END BY SUSAN PINDAR. Now ready, a New Edition . FIRESIDE FAIRIES; OR, CHRISTMAS AT AUNT ELSIE'S. Beautifully illustrated, with Original Designs. 1 vol. 12mo. 75 cts., gilt ed. $1. Contents . The Two Voices, or the Shadow and the Shadowless. The Minute Fairies. I Have and O Had I. The Hump and Long Nose. The Lily Fairy and the Silver Beam. The Wonderful Watch. The Red and White Rose Trees. The Diamond Fountain. The Magical Key. Though this is a small book, it is, mechanically, exceedingly beautiful, being illustrated with spirited woodcuts from Original Designs. But that is its least merit. It is one of the most entertaining, and decidedly one of the best juveniles that have issued from the prolific press of this city. We speak advisedly. It is long since we found time to read through a juvenile book, so near Christmas, when the name of this class of volumes is legion; but this charmed us so much that we were unwilling to lay it down after once commencing it. The first story,—"The Two Voices, or the Shadow and the Shadowless,"—is a sweet thing, as is also the one entitled, "The Diamond Fountain." Indeed, the whole number, and there are ten, will be read with avidity. Their moral is as pure as their style is enchanting.— Com. Adv . D. Appleton & Co. have just ready , A NEW UNIFORM SERIES FOR BOYS AND GIRLS . BY AMEREL. COMPRISING I. CHRISTMAS STORIES, for Good Children. Illustrated. 16mo. II. WINTER HOLIDAYS. A Story for Children. Illustrated. 16mo. III. THE SUMMER HOLIDAYS. A Story for Children. Illus. 16mo. IV. GEORGE'S ADVENTURES IN THE COUNTRY. Illus. 16mo. V. THE CHILD'S STORY BOOK. A Holiday Gift. Illus. 16mo. VI. THE LITTLE GIFT-BOOK. For Good Boys and Girls. Illus. 16mo. NEW ILLUSTRATED JUVENILES. AUNT FANNY'S STORY BOOK. Illustrated. 16mo. $ 50 THE CHILD'S PRESENT. Illustrated. 16mo. HOWITT'S PICTURE AND VERSE BOOK. Illustrated with 100 plates. 75 cts.; gilt 1 00 HOME FOR THE HOLIDAYS. Illustrated. 4to., 25 cts.; cloth 50 STORY OF JOAN OF ARC. By R.M. Evans. With 23 illustrations. 16mo. 75 ROBINSON CRUSOE. Pictorial Edition. 300 plates. 8vo. 1 50 THE CARAVAN; A COLLECTION OF TALES AND STORIES FROM THE GERMAN. Translated by G.P. Quackenboss. Illustrated by Orr. 16mo. INNOCENCE OF CHILDHOOD. By Mrs. Colman. Illustrated 50 HOME RECREATIONS, comprising Travels and Adventures, &c. Colored Illustrations. 16mo. 87 FIRESIDE FAIRIES. A New Story Book. My Miss Susan Pindar. Finely Illustrated. 16mo. STORY OF LITTLE JOHN. Trans, from the French. Illus. 62 LIVES AND ANECDOTES OF ILLUSTRIOUS MEN. 16mo. 75 UNCLE JOHN'S PANORAMIC PICTURE BOOKS. Six kinds, 25 cts. each; half-cloth 50 HOLIDAY HOUSE. Tales, by Catherine Sinclair. Illustrated 75 PUSS IN BOOTS. Finely illus. by O. Speckter. 50c.; ex. glt. 75 TALES AND STORIES for Boys and Girls. By Mary Howitt 75 AMERICAN HISTORICAL TALES for Youth. 16mo. 75 LIBRARY FOR MY YOUNG COUNTRYMEN. ADVENTURES of Captain John Smith. By the Author of Uncle Philip 38 ADVENTURES of Daniel Boon. By do. 38 DAWNINGS of Genius. By Anne Pratt. 38 LIFE and Adventures of Henry Hudson. By the Author of Uncle Philip. 38 LIFE and Adventures of Herman Cortez. By do. 38 PHILIP RANDOLPH. A Tale of Virginia. By Mary Gertrude. 38 ROWAN'S History of the French Revolution. 2 vols. 75 SOUTHEY'S Life of Cromwell. 38 TALES FOR THE PEOPLE AND THEIR CHILDREN . ALICE FRANKLIN. By Mary Howitt. 38 LOVE AND MONEY. By do. 38 HOPE ON, HOPE EVER! Do. 38 LITTLE COIN, MUCH CARE. By do. 38 MY OWN STORY. By do. 38 MY UNCLE, THE CLOCKMAKER. By do. 38 NO SENSE LIKE COMMON SENSE. By do. 38 SOWING AND REAPING. Do. 38 STRIVE AND THRIVE. By do. 38 THE TWO APPRENTICES. By do. 38 WHICH IS THE WISER? Do. 38 WHO SHALL BE GREATEST? By do. 38 WORK AND WAGES. By do. 38 CROFTON BOYS, The. By Harriet Martineau. 38 DANGERS OF DINING OUT By Mrs. Ellis. 38 FIRST IMPRESSIONS. By do. 38 MINISTER'S FAMILY. By do. 38 SOMMERVILLE HALL. By do. 38 DOMESTIC TALES. By Hannah More. 2 vols.... 75 EARLY FRIENDSHIP. By Mrs. Copley. 38 FARMER'S DAUGHTER, The By Mrs. Cameron. 38 LOOKING-GLASS FOR THE MIND. Many plates. 45 MASTERMAN READY. By Capt. Marryat. 3 vols. 2 PEASANT AND THE PRINCE. By H. Martineau. 38 POPLAR GROVE. By Mrs. Copley. 38 SETTLERS IN CANADA. By Capt. Marryatt. 2 vols. 75 TIRED OF HOUSEKEEPING. By T.S. Arthur. 38 TWIN SISTERS, The. By Mrs. Sandham. 38 YOUNG STUDENT. By Madame Guizot. 3 vols. 1 12 SECOND SERIES. CHANCES AND CHANGES. By Charles Burdett. 38 NEVER TOO LATE. By do. 38 GOLDMAKERS VILLAGE. By R. Zschokke. 38 OCEAN WORK, ANCIENT AND MODERN. By J.H. Wright. 38 THE MISSION; or, Scenes in Africa By Capt. Marryatt. 2 vols. 75 STORY OF A GENIUS TEXT BOOKS FOR LEARNING THE FRENCH, GERMAN ITALIAN AND SPANISH LANGUAGES. I. FRENCH. COLLOT'S Dramatic French Reader. 12mo. $1. DE FIVA'S Elementary French Reader. 12mo. 50 cts. DE FIVA'S Classic French Reader for Advanced Students. 12mo. $1. OLLENDORFF'S Elementary French Grammar. By Greene. 16mo. 38 cts. with Key, 50 cts. OLLENDORFF'S New Method of Learning French. Edited by J.L. Jewett 12mo. $1. KEY to ditto. 75 cts. ROWAN'S Modern French Reader. 12mo. 75 cts. SURRENNE'S French Pronouncing Dictionary. 12mo. $1 50. VALUE'S New and Easy System of Learning French. 12mo. ( In Press. ) NEW and COMPLETE FRENCH and ENGLISH DICTIONARY. 1 vol. 8vo To match Adler's German Lexicon. ( In Press .) II. GERMAN. ADLER'S Progressive German Reader. 12mo. $1. GERMAN and English, and English and German Dictionary, compiled from the best authorities. 1 vol. large 8vo. $5. EICHORN'S New Practical German Grammar. 12mo. $1. OLLENDORFF'S New Method of Learning German. Edited by G.J. Adler 12mo. $1 50. III. ITALIAN. FORESTT'S Italian Reader. 12mo. $1. OLLENDORFF'S New Method of Learning Italian. Edited by F. Forestt 12mo. $1 50. KEY to ditto 75 cts. IV. SPANISH. OLLENDORFF'S New Method of Learning Spanish. By M. Velasquez and T Simonne 12mo. $1 50. KEY to ditto, 75 cts. PALENZUELA'S new Grammar on the Ollendorff System, for Spaniards to Learn English. ( In Press .) VELASQUEZ'S New Spanish Reader. With Lexicon. 12mo. $1 25. VELASQUEZ'S New Spanish Phrase Book; or Conversations in English and Spanish. 18mo. 38 cts. VELASQUEZ'S and SLOANE'S New Spanish and English, and English and Spanish Dictionary. Large 8vo. To match "Adler's German Lexicon." ( In Press .) COLLEGE AND SCHOOL TEXT-BOOKS. I. GREEK AND LATIN. ARNOLD'S First and Second Latin Book and Practical Grammar. 12mo.... 8.75 ARNOLD'S Latin Prose Composition. 12mo.... 1.00 ARNOLD'S Cornelius Nepos. With Notes. 12mo.... 1.00 ARNOLD'S First Greek Book....62 ARNOLD'S Greek Prose Composition. 12mo.....75 ARNOLD'S Greek Reading Book. Edited by Spencer. 12mo.... 1.50 BEZA'S Latin Testament. 12mo.....63 BOISE'S Exercises in Greek Prose Composition. 12mo.....75 CAESAR'S Commentaries. Notes by Spencer. 12mo.... 1.00 CICERO'S Select Orations. Notes by Johnson. 12mo. CICERO De Senectute and De Amicitia. Notes by Johnson. 12mo. ( In Press .) CICERO De Officius. Notes by Thatcher. 12mo. HORACE, with Notes by Lincoln. 12mo. ( In Press .) LIVY, with Notes by Lincoln. 12mo ... 1.00 SALLUST, with Notes by Butler. 12mo. ( In Press .) TACITUS'S Histories. Notes by Tyler. 12mo.... 1.25 ---- Germania and Agricola. Notes by Tyler. 12mo.....62 II. HEBREW. WESENIUS'S Hebrew Grammar. Edited by Rodiger. Translated from the best German edition, by Conant. 8vo.... 2.00 III. ENGLISH. ARNOLD'S Lectures on Modern History. 12mo.... 1.25 BOJESON and Arnold's Manual of Greek and Roman Antiquities. 12mo ... 1.00 CROSBY'S First Lessons in Geometry. 12mo.....38 CHARE'S Treatise on Algebra. 12mo.... 1.00 EVERETT'S System of English Versification. 12mo. GRAHAM'S English Synonymes. Edited by Professor Reed, of Pa. University. 12mo.... GUIZOT'S History of Civilization. Notes by Professor Henry, of N.Y. University. 12mo.... 1.00 HOWS' Shaksper. Reader. 12mo.... 1.25 JAGER'S Class Book of Zoology. 18mo.....42 KEIGHTLEY'S Mythology Greece and Rome. 18mo. MAGNALL'S Histor. Questions. With American additions. 12mo. 1.00 MARKHAM'S School History of England. Edited by Eliza Robins, author of "Popular Lessons." 12mo.....75 MANDEVILLE'S Series of School Readers: ---- Part I.....10 ---- Part II.... 16 ---- Part III.....28 ---- Part IV.....38 ---- Course of Reading for Common Schools and Lower Academies. 12mo.....75 ---- Elements of Reading and Oratory. 8vo.... 1 00 PUTZ and ARNOLD'S Manual of Ancient Geography and History. 12mo.... 1.00 REID'S Dictionary of the English Language, with Derivations, &c. 12mo.... 1.00 SEWELL'S First History of Rome. 16mo.....60 TAYLOR'S Manual of Modern and Ancient History. Edited by Professor Henry. 8vo., cloth or sheep.... 1.60 TAYLOR'S Ancient History. Separate. ....26 TAYLOR'S Modern ditto.... WRIGHT'S Primary Lessons; or Child's First Book....12 In Press. GREEN'S (Professor) Manual of the Geography and History of the Middle Ages. 12mo. BURNHAM'S New Mental and Written Arithmetic. *** END OF THE PROJECT GUTENBERG EBOOK THE YOUTH'S CORONAL *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Related documents

• The Children of Cupa#56787
• The boys of the "Puffin"#65227
• The Christmas Makers' Club#62906
• Feasibility of Implementing Community Partnerships to Provide Diabetes Prevention Services to Youth.#165767
• Little Men: Life at Plumfield with Jo's Boys#55509