Mary Jane—Her Visit
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
BURR HOUSES BURR HOUSES The week after the strawberry sociable was the busiest one of Mary Jane's visit thus far. Frances came to see her twice and they became better friends each time. The Westlands lived two miles farther from the village than the Hodges did and Frances's father could easily leave her at the Hodges's home when he went into the village and get her again on his return trip. Mary Jane showed her all the interesting things she had found—the pet mice, who were getting tamer and tamer all the time; the ducks, which were losing their pretty babyness by now and were getting almost big enough to look after themselves; the lamb and the pigs and Brindle Bess. Of course Frances was used to country sights, so she wasn't as much surprised at what she saw as Mary Jane had been when she came from the city. But she was interested and she told Mary Jane many things about the farm creatures and the fun she had had with her own pets. Then one day Grandfather took Mary Jane to see Frances and Mary Jane had fun every minute of the two hours she was there. The Westlands kept many cows and Mary Jane saw twenty little calves—such gentle, soft-eyed little creatures that were so tame the girls could pet them and feed them all they wanted to. And chickens! Mary Jane had thought her grandmother had a good many but the Westlands had more! "May we feed them all?" asked Mary Jane eagerly as she saw them. "I guess Frances would be glad to have you," laughed Mrs. Westland kindly; "she has to do it so much that I'm sure she'll be glad for help at the job." So the girls went to the bins and gathered great handfuls of corn and oats for the feast. Frances gave a peculiar call which the chickens seemed to know and immediately they came a-running, hundreds of them, so fast that Mary Jane dropped the corn she held and tried to run away. "They won't hurt you," laughed Frances, "see? I can let them eat right out of my hand!" Mary Jane looked and thought that if Frances was safe she would be too. So she took some of the grain Frances handed over to her and bent down for them to eat out of her hand too. It wasn't more than a minute before she had lost every trace of fear and could let the biggest rooster gobble up his grain right out of her hand. The girls tried dropping kernels of corn on their shoes and then holding up one foot for the chickens to reach for the grain. And they tossed occasional kernels way to the outside of the feeding group and then giggled to see how quickly the greedy ones whirled around to get all they could. Then, before it was time to go, Mrs. Westland called them in and gave them each a big glass of rich milk and a plate of fat sugar cookies to eat on the porch. Altogether Mary Jane thought she had the most fun during that visit of any visit she had ever made! And before the little girls separated, Frances had promised to come over to Mary Jane's house very soon. The day after the call at the Westlands the postman brought a letter from Mrs. Merrill which said that Alice could come to her grandfather's in two days if that would be convenient. Grandfather was very fond of Alice; she had visited there before and he was hoping she would have a nice long stay there this summer. So, as soon as he read the letter he got out his car, took Mary Jane with him and went into the village to telegraph that Alice should come at once. The next morning Mary Jane helped her grandmother clean the room that Alice was to have—it was just across the hall from Mary Jane's and was so quaint and cozy with its old-fashioned furniture and ruffled white curtains. Then the next day Grandmother made a great jar full of cookies; Mary Jane loved that because Grandmother let her cut out some. They made stars and crescents and squares and some just plain round ones; and Mary Jane put the sugar and nuts over the top, too. Then they made apple pies and berry pies and a tart of each kind for Mary Jane's dinner and supper that day. Mary Jane decided then and there that she was going to be a good cook when she grew up because cooking was about the most fun of anything she had ever tried. On the morning Alice was to come, Mary Jane got up early; dressed herself as quickly as possible and ran down the stairs. Just in the nick of time she was too, for Grandfather was ready to start to the station. "Take me, please take me along!" she called as she heard him crank up his car. "Hello, Pussy; you up?" he answered; "to be sure you may go along. Get your grandmother to give you a big piece of coffee cake to eat on the way and we'll be off." Grandmother heard what he said and had the coffee cake ready as Mary Jane ran into the kitchen. A wonderful big piece, she cut, all full of sugary, buttery "wells" that Mary Jane liked so much. She wrapped it in a napkin so it wouldn't get Mary Jane's dress sticky with its sweetness, threw a woolen scarf around the little girl's shoulders for the early morning air was cool and waved a good-by as they rode out of the yard. They reached the station just as the great train pulled in and saw the conductor and porter help Alice down the steps of the car. Mary Jane thought she had never seen any one look so nice in all her life! Grandfather set her out of the auto and she ran as fast as ever she could and threw her arms around her sister. Alice held her tight a minute and then turned to kiss her grandfather. "So you're here all right, Blunderbuss," said Grandfather heartily, using the nickname he had given her long ago, "and you haven't lost a bit of your hair!" Alice laughed as he looked admiringly at her long golden braids. "I haven't," she replied teasingly, "but I can't say as much for you!" And she laughed at her grandfather's bald head. "Such a girl! Such a girl!" exclaimed Grandfather proudly; "now I suppose I'll have to get your trunk and take you home and stand your teasing the rest of the summer!" And in mock dismay he went for the trunk the baggage man had tossed off the train. That was the beginning of more fun for Mary Jane. First there was the house and farm which must be shown to Alice just as carefully as though she had never seen it before. Then there were all the jolly things that Alice thought of to do—Alice was always thinking up something to do, it seemed. She fixed up a saddle for the lamb and taught Mary Jane to ride. She tied tiny bells on the rabbits so they could be more easily found. She helped Mary Jane take the ducks down to the creek at the end of the pasture and turn them into the water. Mary Jane thought it perfectly wonderful that they should know how to swim—"just as though they had taken regular lessons, Grandfather," she said as she told him about it afterwards. And Alice learned how to make bread—with Mary Jane helping to turn the crank of the bread mixer so she wouldn't feel left out. On the third day of Alice's visit Frances Westland came over to play and the three little girls went out into the front yard and wondered what they would do. "I wish we had doll houses here like we have at home," said Mary Jane. "I know Frances would like to play with doll houses." "But you haven't any here," said Frances practically. "Maybe we can get some," said Alice thoughtfully; "we ought to be able to find something to make a doll house out of. Let's hunt." "Where'll we hunt?" asked Mary Jane. "Let me see," said Alice. She looked around the yard but saw nothing that interested her. She looked across the road to Grandmother's lot and saw all the grasses and brush that flourished there. "We ought to be able to find something over there," she said; "let's hunt." So the three little girls scrambled over the fence and roamed through the lot. The lamb was used to a good deal of petting and he supposed, of course, that was what they had come for. So he poked himself into their way at every step. "No, sir," said Alice, laughing; "we didn't come to play with you to-day! You run along, sir!" She rubbed her hand over his back to push him away and something rough and pricky scratched her. She pulled at his wool and a small brown burr came off in her hand. "Look! Girls!" she cried suddenly. "If he got this, there must be more in the lot!" "Of course!" said Frances, looking scornfully at the burr Alice held up for her to see; "there's a million over there—see? They're an awful nuisance, burrs are, even this early in the season." "They may be a nuisance," laughed Alice, "but I'll venture to say they'll make good doll houses for all that. Here! I'll show you what I think we can do." She ran over to where Frances had pointed out a lot of burrs, pulled off a handful and began sticking them together. "Yes, it works," she said in a satisfied tone, "but let's not stop to make the houses here. Let's gather a lot of burrs and take them over to Grandmother's front yard. Then we can make a whole village!" Frances and Mary Jane didn't quite see how a village was to come out of a lot of burrs, but Alice was so sure of what she was going to do that they thought she must be right. So they gathered up their skirts and filled them with burrs and then helped each other back over the fence. Under the big pine tree, where the ground was the levelest of any place in the yard, Alice had them spread out all their burrs. "Now," she said when the burrs were ready, "you make them stick together—so. Make eight rows of six burrs each. That will be the floor of the house. Then start up the sides for walls." Frances and Mary Jane got the idea in a minute and they set to work in a jiffy. Such fun as it was! The houses and barns and churches grew so rapidly that none of the girls gave a minute's thought to pricked fingers—there wasn't time! When the stock of burrs was entirely used up, Alice set the houses along in a straight line as though they were on a street. Frances put the barns back of the houses where they belonged and Mary Jane ran to her garden for nasturtiums to lay by the houses for gardens. "But we haven't any dolls to live in the houses!" exclaimed Frances suddenly. "That's easy," said Alice; "I've made dolls before. Grandmother showed me how years ago. Come on and we'll get some." She led the girls back to the orchard, where by now tiny green apples were lying on the ground, scattered there by the summer winds. "You girls get all the apples you can while I get the toothpicks." And she ran to the house. "What does she mean?" asked Frances, who wasn't used to this sort of play. "I don't know, but let's do what she says and then we'll find out," answered Mary Jane, who had great confidence in this big sister of hers. They filled their skirts with apples of all sizes and hurried back to the front yard where Alice, carrying a box of toothpicks, met them. "Now we'll all make dolls," said Alice as she spread out the picks. "Use the biggest apples for the body; stick in two toothpicks for arms and two for legs. And a middle-sized apple makes the head. Then take another toothpick and mark out eyes and nose and mouth—so!" And she set up the finished doll for the girls to see. Frances and Mary Jane picked up apples and went to work too, and first thing they knew there was a doll standing in front of each house. They were just starting on animals, pigs and horses and cows which Alice showed them how to make, when Grandmother came out with a pitcher of lemonade and a basket of cookies. So the burr making turned into a party which lasted till Mr. Westland came tooting along the road and Frances had to go home. EARNING MONEY "Now if I only had a camera," said Alice as she and Mary Jane and her grandmother were sitting out on the back porch one morning, shelling peas for dinner, "I'd take a picture of you both. Wouldn't it make a good one?" Grandmother looked at Mary Jane. The sunshine splattered through the cracks between the vine-covered lattice and shone on her bobbed brown hair, on her pink play dress and on the bright green pea pods in her lap. Mary Jane looked at her grandmother and saw the snow white hair, the kindly face that smiled above the big work apron and the busy hands. "Wouldn't it, though!" they both exclaimed at exactly the same minute. And then they all three had a good laugh. "All the same I wish I had a camera," insisted Alice. "Does your mother think you're old enough to know how to use one?" asked Grandmother. "Old enough, Grandmother!" exclaimed Mary Jane. "Alice's twelve!" And the way she said twelve showed that she thought twelve was very, very old indeed. Grandmother smiled and Alice added, "She's willing I should have one, Grandmother, only I must buy it myself. And saving money out of my allowance is slow work. I've a dollar now but I need seventy-five cents more." "Seems to me you should be able to earn that much," said Grandmother. "Earn it?" asked Alice. "How?" "Oh, by some sort of work," answered Grandmother. "Oh, could I really?" exclaimed Alice delightedly. "What could I do?" "Could I earn some too?" asked Mary Jane eagerly. "What do you want money for?" laughed Alice, as though a little girl wouldn't have use for such a thing as money! "You always want to do everything, Mary Jane!" "Of course she does," said Grandmother comfortably, "and you do too. The thing I'm thinking about is more fun if done by two anyway. But what do you want your money for, dear?" she asked the little girl. "I want it to get a present for my dear mother," said Mary Jane, "a present that she don't know anything about and that Daddah don't know anything about and that nobody gives me the money for. Can I really truly earn some money?" "Surely," replied Grandmother. "See those woods, girls?" She pointed across the garden and across the cornfield to the woods about a quarter of a mile away. "In those woods are blackberry bushes, lots of them. And this is about the beginning of the blackberry season. Now if you girls really want to earn some money you may take your little baskets and go berrying. I'll buy all you can pick at ten cents a quart. You ought to easily get your seventy-five cents that way, Alice, for the bushes ate usually loaded with berries." "But the berries are yours to begin with," objected Alice, who liked to be fair; "we can't sell you something that already belongs to you." "Of course you can't," replied Grandmother, much pleased with Alice's honesty. "I shouldn't have said 'buy the berries'; I should have said 'pay you for the picking' at ten cents a quart. If I 'bought' the berries of any one I would have to pay fifteen or twenty cents a quart. And if I hired some one to pick them for me as I have some years, I would have to pay ten cents a quart, just as I offered you. So, you see, I promised you no more than you will fairly earn." "How do you pick berries?" asked Alice. "There's only one way," laughed Grandmother, much amused at the question. "You touch them and off they come! Just pick them off the bushes and drop them in your basket and the thing is done." "Let's go now," said Mary Jane eagerly. "Not now," answered Grandmother, "because it's too near dinner time. Wait till you have your dinner and a little rest of half an hour. Then you can start and pick all afternoon." By two o'clock the girls had hunted up the berry baskets Grandmother told them to find in the attic (cunning little baskets with long, curving handles they were, too) and, tying on their biggest sun hats, they started out through the garden path. They crossed the field, climbed the fence into the woods and turned down the wagon road as Grandmother had directed them. And sure enough, there were the berry bushes just as she had said. Bushes that were fairly loaded with shining blackberries that glistened in the afternoon sunshine. [Illustration: "There were the berry bushes—fairly loaded with shining blackberries."] The girls set to work most enthusiastically and by the time Grandfather came to see how they liked their job (for, of course, he had heard all about it at dinner time) they had their baskets nearly full. He walked home with them and helped them measure out their berries with Grandmother's quart measure. Alice had a quart and a half and Mary Jane a full, even quart and Grandmother paid immediately—fifteen cents for Alice and ten cents, a bright new dime, for Mary Jane. "My, but I do be rich!" exclaimed Mary Jane delightedly. "I can get my dear mother the nicest thing!" "Of course you can, Pussy," said Grandfather, "and Alice will have her camera in no time. I get the best of all, though," he added with a mysterious nod of his head. "How do you?" asked both girls at once. "I get to eat the jam!" replied Grandfather in a comical attempt at a whisper. "They do too, bless their hearts!" exclaimed Grandmother. They shall eat all they want. I'll make it first thing in the morning." "And first thing in the morning I mean to get more berries," said Alice. "Let me see—fifteen into seventy-five:—in four more days I'll have enough money to get my camera!" And she danced around gayly, she was so delighted. "Not quite," laughed Grandfather; "don't be in too big a hurry, Blunderbuss; you have to give the berries a chance to ripen. Better plan to go every other day. You'll get more at a time that way." "And I'm going, too," put in Mary Jane, "so I can get more money for Mother's present." "I was thinking about that present while you girls were gone," said Grandmother. "You'd better get that present in the city where the stores are good. Why don't you save it for her Christmas gift? That would be nice." "But I wanted to give her something when she comes to take me home!" objected Mary Jane, who had set her heart on making her mother a gift, "something that I did." "That's all right," Grandmother assured her; "give her something then, too. Something you made yourself and save the money you earn till Christmas. How would you like to make her some blackberry jam? She likes blackberry jam and you could make that." "Could I really?" exclaimed Mary Jane, and she sidled over to where her grandmother was standing. "How silly!" cried Alice. "You know she can't make jam, Grandmother; she's only five years old. Why, even I don't know how to make jam and I'm twelve!" "Is that so?" laughed Grandmother, and she slipped her arm around Mary Jane. "Well, what you can do and what Mary Jane can do has no connection. You don't know what she can do. She's going to be a good cook; she's begun already. And if she wants to make a glass of jam for her mother, all by herself, she shall do it, so there! And you can make some, too, if you want to, dear," she added kindly to Alice. "Thank you, Grandmother," said Alice, "and I'm sorry I spoke so about you, dear," she added to Mary Jane; "go ahead and make your jam, pet, and I'll make Mother something else. I know it would be more fun for you to make it without me. May I make her a cake, Grandmother? Make it the day before she comes?" Grandmother assured her that she could and they all went in to get supper. The next morning Mary Jane put on her cooking cap and apron and she and Grandmother went at the jam while Alice and Grandfather rode to the village on an errand. "Measure out a good big cup full of berries," said Grandmother; "pile it full as it will hold and wash them and put them in this pan." Mary Jane picked out nice big, juicy berries; that wasn't hard to do because most of the berries were very fine; the girls hadn't picked any other kind. Then she washed them carefully and put them in the pan Grandmother had given her. "Now measure an even cupful of sugar," said Grandmother, "and pour it over your berries." And Mary Jane went to the sugar bin and did as she was told. "Now," continued Grandmother, "shake the berries till the sugar's well mixed in and then set the pan on the stove." While the berries were cooking Grandmother had her hunt out a nice jelly glass, one that the top fitted on firmly; wash and dry it ready for the jelly. Then Mary Jane took a big spoon and Grandmother took a big spoon and they stood by the stove and watched the jam boil. When the bubbles got big, oh, very big, and looked as shining as big glass beads, Grandmother said it was about done and must be tested. She put her spoon in and then, holding it over the pan of jam, let the hot jam drop off. "Almost done," said Grandmother, with a satisfied nod; "now you try it, Mary Jane." So Mary Jane dipped her spoon in just as her grandmother had done and again the jam dropped off, this time a little slower and with longer drops. Grandmother told her to put the glass on a chair, on a paper, and by the time she had done that the jam was ready to pour into the glass. When Alice and Grandfather came home from their errand the glass of jam was all done and was on the table near the window, covered neatly with its tin cover ready to give to Mrs. Merrill when she should come. "And that won't be so many days now either," said Grandmother. "I declare, how this summer has gone!" THE PICNIC AT FLATROCK On the very day that Alice counted out her money and found she had the seventy-five cents she needed for her much wanted camera and that Mary Jane had fifty cents, there came a telegram from Mrs. Merrill saying that she and Mr. Merrill would arrive the next morning for a stay of ten days. "Now this is something like old times," said Grandmother happily as she and the two girls bustled around making ready for the guests. "Lots of cooking to do and two nice girls to help me do it. Seems like the days when our own girls were here! Mary Jane, you've done plenty of dusting for today; you go and get your grandfather to pick out two nice fat chickens for frys while I teach Alice about making her cake. She's going to have a beauty to show her mother, that's what she is!" Mary Jane liked doing things with her jolly grandfather, so she skipped out happily and found him in the barn. "Pick out some frys, should we?" he said. "All right, that suits me, only we'll fool her, Mary Jane; we'll get three ! I believe in having enough, I do." "What we going to do to-morrow, Pussy?" he asked when that job was done. "Why, we're going to get Mother and Father at the train and then we're coming home." "Oh, yes, I know that," said Grandfather, "but let's do more than that. Let's have a picnic to celebrate their coming." "Oh, Grandfather!" exclaimed Mary Jane, "could we?" "We certainly could," said Grandfather, "and I think it would be a fine thing to do. There's a full moon and we could go about four and come home by moonlight. Let's see what your grandmother and Alice think about it." Grandmother and Alice were enthusiastic. "I can take my cake!" exclaimed Alice eagerly. "It's a beautiful cake, Grandfather, see?" she said proudly. "It's all done but the frosting and I'm going to put that on as soon as it's cool enough." "Looks good enough to eat," said Grandfather admiringly, "and I'm sure it will be fine to-morrow." "And I can take my frys," said Grandmother, planning; "your father loves cold fried chicken, girls," she added, "and maybe your mother will make a bowl of her fine salad to-morrow while I make a custard—yes, Father, that's just what we'll do. We'll have a picnic. Where'll we go?" "To Flatrock," replied Grandfather, who had decided that point long ago, "and you needn't plan too much fixyness because Mary Jane and I have a surprise." "Oh, goody!" cried Mary Jane. "What is it?" Everybody laughed at that and Grandfather took the little girl out to the garden to show her what the secret was. But they didn't tell anybody else what it was—I should say not! It was lucky there was plenty to do that day, and many interesting things to plan for the picnic; for, even so, Mary Jane thought the day would never end—never. She hadn't realized she was so anxious to see her mother till she knew the long separation was so nearly over. "To-morrow I'll see my mother! To-morrow I'll see my mother! To-morrow I'll see my mother!" she whispered over and over to herself as she went to sleep, and she thought it was the best news she ever told herself. She was awake and up the first of any one in the house the next morning, and long before Grandfather was ready to start she was out sitting in the automobile. "Look who thinks she's going to the station!" exclaimed Grandfather. "'Fraid you can't go this time, Pussy; there won't be room." "Oh, Grandfather !" exclaimed Mary Jane over the big lump that suddenly came into her throat, "I must go to see my mother !" And then she looked at her grandfather and saw the twinkle in his eye. "You're just teasing, aren't you, Grandfather?" she added anxiously. "Yes, I am, and I ought to be shot for it, so there!" said Grandfather, who, when he saw how eager she was, regretted his hasty teasing. "Surely you can go—we'll start in two minutes." It wasn't more than a second after her father and mother got off the great train before Mary Jane was held tight in her mother's arms and oh, how good it did feel to be there! "I didn't know how much I did want you," cried Mary Jane, "till you're here!" Mother replied with a satisfying whisper and another pair of kisses, one on each rosy cheek, and then Father had to have his hug and they started gayly home. After breakfast Mary Jane showed them all the creatures she had learned to love—from the lamb in the pasture lot to the ducks that now lived down by the creek. Then they went back into the house and Mary Jane gave her mother the glass of jam made all by herself (and you can just guess how proud and happy Mrs. Merrill was over such a gift!) and Alice showed her cake. "Look's good enough to eat right now," said Mr. Merrill, smacking his lips; "let's have a piece." "I should say not!" exclaimed Alice; "that's to take to the picnic!" So then they told all about the plan for the picnic, and Father and Mother were pleased just as everybody had known they would be. And every one set to work at the pleasant preparations. Mrs. Merrill, Grandmother and Alice stayed in the kitchen, while Mr. Merrill joined Mary Jane and Grandfather in making preparations for the secret. They didn't let any one see a thing of what they were doing and they carefully covered up the big basket that they stowed away in the back of the car. At three o'clock they were off and with such good company and over fine roads the twenty-five mile ride to Flatrock seemed all too short. "Now you folks who think you have the eats," said Grandfather as they all got out of the car, "can just fool around any way you like. Mary Jane and I are going to build a fire for the coffee her father and I will be sure to want." "That's no surprise," laughed Alice; "Grandmother has the coffee in her basket and she told me I could help you make the fire!" "Isn't that amazing!" teased Grandfather, and Alice knew from the way he talked that she hadn't guessed the secret after all. Flatrock was a rough, wooded spot, most unusual for that region; and right through the middle of the woods a pretty little creek ran tumbling over some broad, flat rocks. It was by the side of one of these rocks, close by the little stream, that Grandfather started his fire. He pulled two logs together till they formed a big V; then he and Mr. Merrill and the girls gathered wood, twigs and branches and leaves, till they had a big pile between the logs. They set fire to these and soon they had a heap of glowing coals. "Now," said Grandfather, "I think it's about time for our surprise. Shall we get it, Mary Jane?" She nodded "yes" and he went to the car, bringing back with him the mysteriously covered basket. "You shall take the cover off, Pussy," he said. Mary Jane pulled back the cover cloth and there, inside, was a basket full to the brim of—yes, it was—roasting ears! The very first of the season! "We keep watch of our corn patch, we do," said Grandfather, and he nodded solemnly at Mary Jane, "and now we're going to have something good." They piled the roasting ears in on the hot coals, then they built another fire over the top of them, and by the time that had burned down the corn was ready to eat. Grandmother and Mother and Alice unpacked the baskets and they all sat around and enjoyed the feast. Grandmother's fried chicken and crullers and rolls and Alice's fine cake, which was given the place of honor on a rock by itself where it could be seen all the time till they were ready to eat it, were pronounced the best ever. The moon rose so clear and big and beautiful that it was hard to tell just when day ended and night began. So it was a surprise when Grandfather announced that it was eight o'clock and high time they were starting home. The few scraps, and there weren't very many, were packed neatly into one basket and the party regretfully left the rocks and started for the car. "Nobody ever comes along this road at this time of night," said Grandfather. "I'll just get the car out into the middle of the road where you can get in easier." So he pulled it away from the fence where he had left it, and ran it out into the middle of the road. "Here, Pussy," he added, "run around on the other side of the car and hand me that basket." Mary Jane did as she was told and after he had taken the basket from her she waited in the middle of the road, by the car, till he should be ready to help her in. No one ever knew quite how it happened—it was all so sudden. Perhaps the other driver, too, thought that no one was ever on that road at that time of the evening. Out of the shadows and the moonshine, around the curve of the road, came a roadster moving so fast that before its driver could realize that some one stood in the center of the road, he had hit Mary Jane squarely and had tossed her over the fence on the opposite side of the road. Grandfather jumped over the fence after her as quickly as he could out of the car, but, quick as he was, Mary Jane's father was quicker. He picked up the little girl, carried her back to her mother and together they ran their hands over her—no bones seemed to be broken; her heart was beating and she was breathing. But just breathing, that was all. She lay in her mother's arms as still and quiet—so still and so quiet that she didn't seem like Mary Jane—the Mary Jane who was always running and talking and lively.
Without more than a half-dozen necessary words Grandfather and Grandmother, Father, Mother and Alice got into the car and Grandfather put on all speed. The one thought in every one's mind was to get to Dr. Smith as quickly as ever they could. Grandfather was thankful for the moonlight that made the way so plain and he drove home the fastest he had ever driven. And so they came back from the picnic at Flatrock. HOME AGAIN "Would you speak to her, doctor?" asked Mrs. Merrill anxiously. It was eight o'clock the next morning. They had reached home about an hour after they left Flatrock and fortunately had found Dr. Smith at home. He came at once in answer to their telephone call and was there even before they had Mary Jane undressed and put to bed. He examined her carefully and could find no broken bones and no injury, but still Mary Jane slept on, breathing, but so quietly and unnaturally that she didn't seem like herself. Her mother and father had stayed by her all the night long; Grandmother, Grandfather and Alice had with difficulty been sent to bed after midnight and Dr. Smith had stayed most of the time. But when she still didn't stir the next morning Mrs. Merrill grew more and more anxious. "I don't know," said the doctor doubtfully; "we might try. You speak to her; your voice would be the best." Mrs. Merrill bent low over her little girl and whispered, "Mary Jane! Mary Jane! Mother's here!" No answer, but Mrs. Merrill thought she saw a quiver on the little girl's face, so she tried again. "Mary Jane! Mary Jane! Mother's here!" she repeated. "I know," whispered the little girl; "you com'd to-day," and she opened her big blue eyes and looked at her mother. Mrs. Merrill kissed her rapturously and held her close, and Mary Jane raised her arm enough to pat her mother's shoulder. Then she looked around the room in surprise. "Where's the moon?" she asked. "The moon?" said Mrs. Merrill, and the laugh she tried to give with her answer sounded very near tears. "The moon went to sleep a long time ago." "And where's the picnic?" continued Mary Jane wonderingly. "The picnic was over before you were hurt," said Mrs. Merrill. Mary Jane stared at her wide eyed for two or three long minutes. "Don't talk to her," whispered Dr. Smith very softly; "let her think it out herself." So Mrs. Merrill just held her little girl close and waited. "Oh, I know!" exclaimed Mary Jane as suddenly she remembered it all, "it came around the corner so fast—something big did, and then I'm here!" "And lucky you are to be here, young lady," said Dr. Smith, coming around to where she could see him. "How do you feel?" "Hungry," said Mary Jane briefly. Dr. Smith and Mother laughed so that the others heard them downstairs and came running to hear what the good news could be. "Is he going to stay for breakfast?" asked Mary Jane as she sat up in bed and pointed to Dr. Smith. "It is breakfast time, isn't it, Grandmother?" "Bless the child!" exclaimed Grandmother from the doorway, "of course it is! She shall have anything she wants!" They could hardly believe their eyes—those five who had seen the accident, but it was true. Mary Jane had not been hurt a bit—not more than a half-dozen scratches—only stunned by her fall. She got up in a few minutes, and with her mother's help (and how good it did seem to have her mother there to help) they soon came downstairs to breakfast. Grandmother was so happy and excited that if it hadn't been for the help of Alice, who could always be counted on to be "steady" when there was excitement a-foot, there's no telling what would have happened to that breakfast. Alice got out the honey and set the extra place for Dr. Smith and cut the melons and brought the eggs to her grandmother. And Grandmother made some of her wonderful griddle cakes and they had a merry feast. "Aren't you glad that big thing hit me?" asked Mary Jane of Dr. Smith as she passed up her plate for a third (or was it the fourth) helping of cakes, "'cause if it hadn't, you wouldn't have had any of Grandmother's griddle cakes this morning, you wouldn't." Dr. Smith had to admit that some good comes of everything and that he certainly was glad to get those griddle cakes. "The whole trouble," he added, "was because you didn't take me to the picnic—of course that's not a hint!" They all laughed at that and promised that he should go to the very next picnic they had—the very next. How the days did fly after that. Mary Jane would never have supposed that ten days could go so swiftly. They took long rides in the car; had several fine picnics—with Dr. Smith along whenever he could go; went fishing in the river miles away and spent a day on a farm where threshers were working—a wonderful day the girls thought for it was all new to them. And finally it came time to pack the trunks and start for home. Mary Jane had hard work deciding what to put in, just as she had had when she packed to come. She wanted to take all the burr houses and green apple dolls they had made; and the ducks and a lot of corn and apples for Doris. She finally agreed that she would leave out all the other things if she could take one house of burrs and one green apple doll just to show how they were made and then a nice box of red cheeked eating apples to give to her little friend. It was decided to go home by the day trip. The journey was shorter that way and Alice begged to go at a time when they might eat in the diner. So they took the train at nine in the morning and would reach home in time for dinner that night. Mary Jane found it very hard to say good-by to Grandmother and Grandfather. She had learned to love them dearly and they had been so good and kind and thoughtful to her she would never, as long as she lived, forget the happy days she had spent with them. But, nice as it was to go away to visit, it was nicer still to be going home. Home to her own dolls and toys and friends and duties—everything that Mary Jane loved—that is, most everything, for it was hard to leave the lamb and the duck now grown so big and interesting and the baby mice—the new baby mice that had come to the barn loft family. She waved good-by to her Grandmother and Grandfather as long as she could see them—which wasn't very long for the train pulled away so quickly from the little station where the Merrills got on; and then she turned to her mother and said, "now let's talk about something quick." "Very well," said Mrs. Merrill, "I was just wanting to do that. Let's talk about what you are going to do this winter." "Do this winter?" exclaimed Mary Jane in surprise, "I'm going to do just like I always do. I'm going to play with my dolls and play with Doris and sometimes with Junior and help you and everything like I do, Mother." "Think so, dear?" asked Mrs. Merrill, "how old are you?" "I'm five," answered Mary Jane in surprise. "Five and a little more than a quarter," corrected Mrs. Merrill, "and seems to me that's big enough to be going to kindergarten. What do you think?" "Oh, is it, Mother?" exclaimed Mary Jane happily, "am I really big enough?" "I'm afraid my little girl is growing up," said Mrs. Merrill with half a sigh, "and that she ought to go to school. What do you think, Father?" "I think she'll like it and that she ought to go," said Mr. Merrill promptly; "suppose we start her the first of October?" So it was settled that Mary Jane was to go to kindergarten. They made plans and talked till the porter came through the car and called, "First call for luncheon! First call for luncheon! Diner in the rear of the train!" And then they all went through the train to the diner and Mary Jane ate her first meal on the train. And if you want to know about what Mary Jane did after she got home from her summer trip; and about all the fun and good times she had after she started to kindergarten, you must read— MARY JANE IN KINDERGARTEN *** END OF THE PROJECT GUTENBERG EBOOK MARY JANE—HER VISIT *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- Jane Austen, Her Life and Letters: A Family Record#41509
- Bertha Honoré Palmer Correspondence Collection#808397
- The Life and Letters of Mary Wollstonecraft Shelley, Volume 2 (of 2)#49014
- Once Aboard the Lugger-- The History of George and his Mary#33989
- The Life and Letters of Mary Wollstonecraft Shelley, Volume 1 (of 2)#49013
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive