THE END And when the bright sun showed its face in the sky The Santa-Claus family were ready to cry! Just then something happened—a way of escape, Though it came in the funniest possible shape— An aeronaut, sorely in need of a meal, Descended for breakfast—it seemed quite ideal! For the end of it was, he invited his host Out to try the balloon, of whose speed he could boast. St. Nick, who was nothing if not a good sport, Was delighted to go, and as quick as a thought Climbed into the car for a flight in the air— "No telephone bells can disturb me up there! And, wife, if it suits me I'll count it no crime To stay up till ready for next Christmas time!" Thus saying—he sailed in the giant balloon, And I fear that he will not return very soon. Now, when you ask "Central" for Santa-Claus land She'll say, "discontinued"—and you'll understand. WHEN THE STARS OF MORNING SANG ANNE P.L. FIELD When the stars of morning sang Long ago, Sweet the air with music rang Through the snow, There beside the mother mild Slept the blessed Christmas child,— Slumber holy, undefiled— Here below. When the wise men traveled far Through the night, Following the guiding star Pure and bright, Lo! it stood above the place Sanctified by Heaven's grace, And upon the Christ-Child's face Shed its light. When the world lay hushed and still Christmas morn, Suddenly were skies athrill— "Christ is born!" Angel voices, high and clear, Chanted tidings of good cheer, "See, the Infant King is here, Christ is born!" A PRAYER AT BETHLEHEM ANNE P.L. FIELD O pulsing earth with heart athrill With infinite creative will! O watchful shepherds in whose eyes Sweet hopes and promises arise! O angel-host whose chanting choir Proclaims fulfillment of desire! O flaming star so purely white Against the black Judean night! O blessed Mary bending low With sense of motherhood aglow! O holy Babe with haloed head Soft pillowed in a manger bed! O Mystery divine and deep Help us Thy prophecies to keep! THE CHRISTMAS FIRES ANNE P.L. FIELD The Christmas fires brightly gleam And dance among the holly boughs, The Christmas pudding's spicy steam With fragrance fills the house, While merry grows each friendly soul Over the foaming wassail bowl. Resplendent stands the glitt'ring tree, Weighted with gifts for old and young, The children's faces shine with glee, And joyous is each tongue, While lads and lassies come and go Under the festive mistletoe. When suddenly the frosty air Is filled with music, voices sweet, Lo! see the Christmas waits are there Snow-crowned and bare of feet, Yet high and clear their voices ring, And glad their Christmas carolling. CAROL O Child of Mary's tender care! O little Child so pure and fair! Cradled within the manger hay On that divine first Christmas day! The hopes of every age and race Are centered in Thy radiant face! O Child whose glory fills the earth! O little Child of lowly birth! The shepherds, guided from afar, Stood worshiping beneath the star, And wise-men fell on bended knee And homage offered unto Thee! O Child of whom the angels sing! O little Child, our Infant King! What balm for every sorrow lies Within those clear, illumined eyes! O precious gift to mortals given To win us heritage in Heaven! THE MOTHER ROBERT HAVEN SCHAUFFLER All day her watch had lasted on the plateau above the town. And now the sun slanted low over the dull, blue sheen of the western sea, playing changingly with the angular mountain which rose abruptly from its surge. The young matron did not heed the magic which was transforming the theater of hills to the north and lingering lovingly at last on the eastern summit. Nor had she any eyes for the changing hue of the ivy-clad cubes of stone that formed the village over which her hungry gaze passed, sweeping the length and breadth of the plain below. She seemed not much above thirty: tall, erect and lithe. Her throat, bared to the breeze, was of the purest modeling; her skin of a whiteness unusual in that warm climate. Her head, a little small for her rounded figure, was crowned with a coil of chestnut hair, and her eyes glowed with a look strange to the common light of every day. It was her soul that was scanning that southward country. From time to time she would fondle a small object hidden beneath the white folds of her robe. Once she threw her arms out in a passionate gesture toward the plain, and tears overflowed the beautiful eyes. Again she fell on her knees, and the throes of inner prayer found relief at her lips: "Father, my Father, grant me to see him ere the dusk!" Once again she sank down, moaning: "He is in Thine everlasting arms. But Thou, who knowest times and seasons, give him to me on this day of days!" Under the curve of a shielding hand her vision strained through the clear, pure air,—strained and found at last two specks far out in the plain, and followed them breathlessly as they crept nearer. One traveler was clad in a dark garment, and stopped presently, leaving his light-robed companion to hasten on alone toward the hungry-eyed woman on the plateau. All at once she gathered her skirt with a joyous cry and ran with lithe, elastic steps down through the village. They met on a low, rounded hill near the plain. "My son, my darling!" she cried, catching him passionately to her bosom. "We have searched, and waited, and agonized," she continued after a pause, smiling at him through her happy tears. "But it matters nothing now. I have thee again." "My mother," said the boy as he caressed her cheek, looking at her dreamily, "I have been with my cousin. Even now he waits below for me. I must bid thee farewell. I must pass from thy face forever." His lip trembled a little, but he smiled bravely. "For it is the will of God, the Father." The mother's face went ashen. She tottered and would have fallen but for his slender arm about her. Her thoughts were whirling in wild confusion, yet she knew that she must decide calmly, wisely, quickly. Her lips moved, but made no sound. "Oh, lay Thy wise and gracious hand upon me!" was what she breathed in silence. Then her voice sounded rich and happy and fresh, as it had always sounded for him. "His will be done. Thou comest to bid farewell to thy brothers and father?" "It may not be," he answered. "My lot henceforth is to flee the touch of the world, the unsympathetic eye, the ribald tongue of those like my brothers—the defilement of common life." The mother pressed him closer. "Say all that is in thine heart," she murmured. "We will bide here." They sank down together on the soft, bright turf, facing the brilliance of the west, she holding her child as of old in the hollow of her arm. He began to speak. "For long and long a voice within me said, 'Go and seek thy cousin.' So I sought and found, and we abode together in the woods and fields, and were friends with our dear brothers the beasts, and the fishes, and the birds. There, day by day, my cousin would tell me of the dream that filled his soul and of the holy men who had put the dream there." The mother's eyes grew larger with a swift terror, but she held her peace. "And at the last, when the beauty, the wind, the sun, the rain, and the voice of God, had purified me in some measure, my cousin brought me to visit these holy men." The clear, boyish voice rose and began to vibrate with enthusiasm. "Ah, mother, they are the chosen ones of God! Sweet and grave and gentle they are, and theirs is the perfect life. They dwell spotless and apart from the world. They own one common purse, and spend their lives working with their hands and pondering and dreaming on purity, goodness, and the commands of the great law." He sprang up in his excitement from her encircling arm and stood erect and wide-eyed before her. "Ah, mother, they are so good that they would do nothing on the Sabbath, even to saving their own lives or the lives of their animals, or their brothers. They bathe very often in sacred water. They have no wives, and mortify the flesh, and—" "What is their aim in this?" the mother interrupted gently. The boy was aflame with his subject. "Ah, that is it—the great goal toward which they all run," he cried. "They are doing my Father's work, and I must help! Hear, hear what is before me: When a young novice comes to them they give him the symbols of purity: a spade, an apron, and a white robe to wear at the holy meals. In a year he receives a closer fellowship and the baths of purification. After that he enters the state of bodily purity. Then little by little he enters into purity of the spirit, meekness, holiness. He becomes a temple of the Holy Spirit, and prophesies. Ah, think, mother, how sweet it would be to lie entranced there for days and weeks in an earthly paradise, with no rough world to break the spell, while the angels sing softly in one's ears! I, even I, have already tasted of that bliss." "Say on," she breathed. "What does the holy man do then?" "Then," the inspired, boyish tones continued—"then he performs miracles, and finally—" he clasped her hand convulsively—"he becomes Elias, the forerunner of the Messiah!" From far out in the wilderness came a melancholy cry. "It is John, my cousin," said the boy, radiant, half turning himself at the sound. "I must go to him." She drew in her breath sharply, and rose to her feet. "Bear a message to John," she said. "Not pourings of water, nor white robes; not times and seasons, nor feasts in darkness and silence, shall hasten the kingdom of heaven; neither formulas, nor phylacteries, nor madness on the Sabbath. Above all, no selfish, proud isolation shall usher in the glorious reign of the Messiah. These holy men,—these Essenes,—are but stricter, sterner, nobler Pharisees. Tell thy cousin to take all the noble and fine, to reject all the selfish and unmeaning, in their lives. Doctrine is not in heaven. Not by fasts and scourgings, not by vigils and scruples about the law; not by selfishly shutting out the world, but by taking all poor, suffering, erring, striving humanity into his heart will he become the true Elias." There was a breathless, thrilling moment of perfect silence as the glowing eyes of the mother looked deep into the astonished, questioning eyes of the son. Then she rested both hands on his shoulders and spoke almost in a whisper. "As for thee, the time is now come. Does my son know what this day means?" He looked at her wonderingly and was silent. The mother spoke: "For many years I have kept these things and pondered them in my heart. Now, now the hour is here when thou must know them." She bent so close that a strand of loosened hair swept his forehead. "In the time before thou wert born came as in a dream a wondrous visitor to me straight from the Father. And that pure, ecstatic messenger announced that the power of the Highest would overshadow me, and that my child was to be the son of the Highest, who should save His people from their sins—the Prince of Peace—the Messiah!" From the wilderness came a long, melancholy cry, but the rapt boy heard not. The mother continued in the soft, tender voice that began to tremble with her in her ecstasy. "This day is thy birthday. Twelve years ago this eventide, when thou camest into the world of men, men came to worship and praise God for thee,—the lowliest and the highest,—as a token that thou wert to be not only Son of God but Son of Man as well. Poor, ignorant shepherds crowded about us in that little stable where we lay, and left the sweet savor of their prayers, and tears, and rejoicings. And great, wise kings from another part of the earth came also." From beneath the folds of her robe she drew forth by a fine-spun chain an intricately chased casket of soft, yellow gold. The boy took it dreamily into his hands, and as his fingers opened it, there floated forth upon the air of the hills of Nazareth the sacred odor of incense mingled with a perfume indescribably delicate and precious. "Read!" whispered the mother. The boy held his breath suddenly. There, on the lower surface of the lid, graven in rude characters, as if on the inspiration of the moment, stood the single word LOVE She flung wide her arms as if to embrace the universe. "Love! Love! Love!" she cried in her rich mother's voice. "It is the greatest thing in the world! It is the message of the Messiah!" The heavens over the sea were of molten gold, and a golden glow seemed to radiate from the boyish face that confronted them. In their trance-like ecstasy the wonderful eyes gazed full into the blinding west—gazed on and on until day had passed into night. One iterant sound alone, as it drew closer, stirred the silence of that evening: it was the voice of one crying in the wilderness. THE END Transcriber's Note 1. There is an editorial error in the original edition of this book: "The Star Song" by Robert Herrick is listed in the Table of Contents but not included in the text. For this edition "The Star Song" was removed from the Table of Contents. 2. In the "Inexhaustibility of the Subject of Christmas" by Leigh Hunt the following sentence: "There are two p's, observe, in plenipotential; and so there are in plum-pudding. We love an exquisite fitness,—a might and wealth of adaptation). is transcribed: (There are two p's, observe, in plenipotential; and so there are in plum-pudding. We love an exquisite fitness,—a might and wealth of adaptation). 3. In "Christmas Holly:" I sing the holly, and who can breathe Aught of that that is not good? Then sing to the holly, the Christmas holly, That hangs over peasant and king; was changed as follows to correct an error and to preserve the symmetrical verse structure [4,8,8,8,4]: I sing the holly, and who can breathe Aught of that that is not good? Then sing to the holly, the Christmas holly, That hangs over peasant and king; 4. In "Sery" by Richard Watson Gilder: At a very queer sight In the dim starlight. As plain as can be A fairy tree was changed to: At a very queer sight In the dim starlight. As plain as can be A fairy tree 5. In Christmas Dreams, the word "stravaigging" was corrected to "stravaiging." 6. "Hang up the Baby's Stocking" was not attributed in the Table of Contents or in the text in the original edition. For clarity this edition attributed both as follows: [Emily Huntington Miller]. Attribution makes the text more readable. Without it one could believe the poem to have been written by Andrew Lang; especially after Haven inserts an extra poem by Southwell, "A Carol" following "The Wassailer's Song," which is unlisted in the contents. 7. Finally, the 1907 edition includes a story called "Golden Cobwebs" at the close of section IV that was not included in the 1968 edition used for this transcription. *** END OF THE PROJECT GUTENBERG EBOOK CHRISTMAS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.