ConceptioArchiveProject Gutenberg
Project Gutenbergpublic full text

The Scarlet Pimpernel

Orczy, Emmuska Orczy, Baroness, 1865-1947 · Project Gutenberg
Project Gutenberg · Books · License: Public Domain
Open Source ↗
adventurestoriesbritishfrancehistoricalfictionhistorynobilityrevolution
Historical fiction, France -- History -- Revolution, 1789-1799 -- Fiction, Adventure stories, British -- France -- Fiction, Nobility -- Fiction, Blakeney, Percy, Sir (Fictitious character) -- Fiction

CHAPTER XXXI. THE ESCAPE Marguerite listened—half-dazed as she was—to the fast-retreating, firm footsteps of the four men. All nature was so still that she, lying with her ear close to the ground, could distinctly trace the sound of their tread, as they ultimately turned into the road, and presently the faint echo of the old cart-wheels, the halting gait of the lean nag, told her that her enemy was a quarter of a league away. How long she lay there she knew not. She had lost count of time; dreamily she looked up at the moonlit sky, and listened to the monotonous roll of the waves. The invigorating scent of the sea was nectar to her wearied body, the immensity of the lonely cliffs was silent and dreamlike. Her brain only remained conscious of its ceaseless, its intolerable torture of uncertainty. She did not know!— She did not know whether Percy was even now, at this moment, in the hands of the soldiers of the Republic, enduring—as she had done herself—the gibes and jeers of his malicious enemy. She did not know, on the other hand, whether Armand’s lifeless body did not lie there, in the hut, whilst Percy had escaped, only to hear that his wife’s hands had guided the human bloodhounds to the murder of Armand and his friends. The physical pain of utter weariness was so great, that she hoped confidently her tired body could rest here for ever, after all the turmoil, the passion, and the intrigues of the last few days—here, beneath that clear sky, within sound of the sea, and with this balmy autumn breeze whispering to her a last lullaby. All was so solitary, so silent, like unto dreamland. Even the last faint echo of the distant cart had long ago died away, afar. Suddenly . . . a sound . . . the strangest, undoubtedly, that these lonely cliffs of France had ever heard, broke the silent solemnity of the shore. So strange a sound was it that the gentle breeze ceased to murmur, the tiny pebbles to roll down the steep incline! So strange, that Marguerite, wearied, overwrought as she was, thought that the beneficial unconsciousness of the approach of death was playing her half-sleeping senses a weird and elusive trick. It was the sound of a good, solid, absolutely British “Damn!” The sea-gulls in their nests awoke and looked round in astonishment; a distant and solitary owl set up a midnight hoot, the tall cliffs frowned down majestically at the strange, unheard-of sacrilege. Marguerite did not trust her ears. Half-raising herself on her hands, she strained every sense to see or hear, to know the meaning of this very earthly sound. All was still again for the space of a few seconds; the same silence once more fell upon the great and lonely vastness. Then Marguerite, who had listened as in a trance, who felt she must be dreaming with that cool, magnetic moonlight overhead, heard again; and this time her heart stood still, her eyes large and dilated, looked round her, not daring to trust to her other sense. “Odd’s life! but I wish those demmed fellows had not hit quite so hard!” This time it was quite unmistakable, only one particular pair of essentially British lips could have uttered those words, in sleepy, drawly, affected tones. “Damn!” repeated those same British lips, emphatically. “Zounds! but I’m as weak as a rat!” In a moment Marguerite was on her feet. Was she dreaming? Were those great, stony cliffs the gates of paradise? Was the fragrant breath of the breeze suddenly caused by the flutter of angels’ wings, bringing tidings of unearthly joys to her, after all her suffering, or—faint and ill—was she the prey of delirium? She listened again, and once again she heard the same very earthly sounds of good, honest British language, not the least akin to whisperings from paradise or flutter of angels’ wings. She looked round her eagerly at the tall cliffs, the lonely hut, the great stretch of rocky beach. Somewhere there, above or below her, behind a boulder or inside a crevice, but still hidden from her longing, feverish eyes, must be the owner of that voice, which once used to irritate her, but which now would make her the happiest woman in Europe, if only she could locate it. “Percy! Percy!” she shrieked hysterically, tortured between doubt and hope, “I am here! Come to me! Where are you? Percy! Percy! . . .” “It’s all very well calling me, m’dear!” said the same sleepy, drawly voice, “but odd’s my life, I cannot come to you: those demmed frog-eaters have trussed me like a goose on a spit, and I am as weak as a mouse . . . I cannot get away.” And still Marguerite did not understand. She did not realise for at least another ten seconds whence came that voice, so drawly, so dear, but alas! with a strange accent of weakness and of suffering. There was no one within sight . . . except by that rock . . . Great God! . . . the Jew! . . . Was she mad or dreaming? . . . His back was against the pale moonlight, he was half-crouching, trying vainly to raise himself with his arms tightly pinioned. Marguerite ran up to him, took his head in both her hands . . . and looked straight into a pair of blue eyes, good-natured, even a trifle amused—shining out of the weird and distorted mask of the Jew. “Percy! . . . Percy! . . . my husband!” she gasped, faint with the fulness of her joy. “Thank God! Thank God!” “La! m’dear,” he rejoined good-humouredly, “we will both do that anon, an you think you can loosen these demmed ropes, and release me from my inelegant attitude.” She had no knife, her fingers were numb and weak, but she worked away with her teeth, while great welcome tears poured from her eyes, onto those poor, pinioned hands. “Odd’s life!” he said, when at last, after frantic efforts on her part, the ropes seemed at last to be giving way, “but I marvel whether it has ever happened before, that an English gentleman allowed himself to be licked by a demmed foreigner, and made no attempt to give as good as he got.” It was very obvious that he was exhausted from sheer physical pain, and when at last the rope gave way, he fell in a heap against the rock. Marguerite looked helplessly round her. “Oh! for a drop of water on this awful beach!” she cried in agony, seeing that he was ready to faint again. “Nay, m’dear,” he murmured with his good-humoured smile, “personally I should prefer a drop of good French brandy! an you’ll dive in the pocket of this dirty old garment, you’ll find my flask. . . . I am demmed if I can move.” When he had drunk some brandy, he forced Marguerite to do likewise. “La! that’s better now! Eh! little woman?” he said, with a sigh of satisfaction. “Heigh-ho! but this is a queer rig-up for Sir Percy Blakeney, Bart., to be found in by his lady, and no mistake. Begad!” he added, passing his hand over his chin, “I haven’t been shaved for nearly twenty hours: I must look a disgusting object. As for these curls . . .” And laughingly he took off the disfiguring wig and curls, and stretched out his long limbs, which were cramped from many hours’ stooping. Then he bent forward and looked long and searchingly into his wife’s blue eyes. “Percy,” she whispered, while a deep blush suffused her delicate cheeks and neck, “if you only knew . . .” “I do know, dear . . . everything,” he said with infinite gentleness. “And can you ever forgive?” “I have naught to forgive, sweetheart; your heroism, your devotion, which I, alas! so little deserved, have more than atoned for that unfortunate episode at the ball.” “Then you knew? . . .” she whispered, “all the time . . .” “Yes!” he replied tenderly, “I knew . . . all the time. . . . But, begad! had I but known what a noble heart yours was, my Margot, I should have trusted you, as you deserved to be trusted, and you would not have had to undergo the terrible sufferings of the past few hours, in order to run after a husband, who has done so much that needs forgiveness.” They were sitting side by side, leaning up against a rock, and he had rested his aching head on her shoulder. She certainly now deserved the name of “the happiest woman in Europe.” “It is a case of the blind leading the lame, sweetheart, is it not?” he said with his good-natured smile of old. “Odd’s life! but I do not know which are the more sore, my shoulders or your little feet.” He bent forward to kiss them, for they peeped out through her torn stockings, and bore pathetic witness to her endurance and devotion. “But Armand . . .” she said, with sudden terror and remorse, as in the midst of her happiness the image of the beloved brother, for whose sake she had so deeply sinned, rose now before her mind. “Oh! have no fear for Armand, sweetheart,” he said tenderly, “did I not pledge you my word that he should be safe? He with de Tournay and the others are even now on board the Day Dream .” “But how?” she gasped, “I do not understand.” “Yet, ’tis simple enough, m’dear,” he said with that funny, half-shy, half-inane laugh of his, “you see! when I found that that brute Chauvelin meant to stick to me like a leech, I thought the best thing I could do, as I could not shake him off, was to take him along with me. I had to get to Armand and the others somehow, and all the roads were patrolled, and everyone on the look-out for your humble servant. I knew that when I slipped through Chauvelin’s fingers at the ‘Chat Gris,’ that he would lie in wait for me here, whichever way I took. I wanted to keep an eye on him and his doings, and a British head is as good as a French one any day.” Indeed it had proved to be infinitely better, and Marguerite’s heart was filled with joy and marvel, as he continued to recount to her the daring manner in which he had snatched the fugitives away, right from under Chauvelin’s very nose. “Dressed as the dirty old Jew,” he said gaily, “I knew I should not be recognised. I had met Reuben Goldstein in Calais earlier in the evening. For a few gold pieces he supplied me with this rig-out, and undertook to bury himself out of sight of everybody, whilst he lent me his cart and nag.” “But if Chauvelin had discovered you,” she gasped excitedly, “your disguise was good . . . but he is so sharp.” “Odd’s fish!” he rejoined quietly, “then certainly the game would have been up. I could but take the risk. I know human nature pretty well by now,” he added, with a note of sadness in his cheery, young voice, “and I know these Frenchmen out and out. They so loathe a Jew, that they never come nearer than a couple of yards of him, and begad! I fancy that I contrived to make myself look about as loathsome an object as it is possible to conceive.” “Yes!—and then?” she asked eagerly. “Zooks!—then I carried out my little plan: that is to say, at first I only determined to leave everything to chance, but when I heard Chauvelin giving his orders to the soldiers, I thought that Fate and I were going to work together after all. I reckoned on the blind obedience of the soldiers. Chauvelin had ordered them on pain of death not to stir until the tall Englishman came. Desgas had thrown me down in a heap quite close to the hut; the soldiers took no notice of the Jew, who had driven Citoyen Chauvelin to this spot. I managed to free my hands from the ropes, with which the brute had trussed me; I always carry pencil and paper with me wherever I go, and I hastily scrawled a few important instructions on a scrap of paper; then I looked about me. I crawled up to the hut, under the very noses of the soldiers, who lay under cover without stirring, just as Chauvelin had ordered them to do, then I dropped my little note into the hut, through a chink in the wall, and waited. In this note I told the fugitives to walk noiselessly out of the hut, creep down the cliffs, keep to the left until they came to the first creek, to give a certain signal, when the boat of the Day Dream , which lay in wait not far out to sea, would pick them up. They obeyed implicitly, fortunately for them and for me. The soldiers who saw them were equally obedient to Chauvelin’s orders. They did not stir! I waited for nearly half an hour; when I knew that the fugitives were safe I gave the signal, which caused so much stir.” And that was the whole story. It seemed so simple! and Marguerite could but marvel at the wonderful ingenuity, the boundless pluck and audacity which had evolved and helped to carry out this daring plan. “But those brutes struck you!” she gasped in horror, at the bare recollection of the fearful indignity. “Well! that could not be helped,” he said gently, “whilst my little wife’s fate was so uncertain, I had to remain here by her side. Odd’s life!” he added merrily, “never fear! Chauvelin will lose nothing by waiting, I warrant! Wait till I get him back to England!—La! he shall pay for the thrashing he gave me with compound interest, I promise you.” Marguerite laughed. It was so good to be beside him, to hear his cheery voice, to watch that good-humoured twinkle in his blue eyes, as he stretched out his strong arms, in longing for that foe, and anticipation of his well-deserved punishment. Suddenly, however, she started: the happy blush left her cheek, the light of joy died out of her eyes: she had heard a stealthy footfall overhead, and a stone had rolled down from the top of the cliffs right down to the beach below. “What’s that?” she whispered in horror and alarm. “Oh! nothing, m’dear,” he muttered with a pleasant laugh, “only a trifle you happened to have forgotten . . . my friend, Ffoulkes . . .” “Sir Andrew!” she gasped. Indeed, she had wholly forgotten the devoted friend and companion, who had trusted and stood by her during all these hours of anxiety and suffering. She remembered him now, tardily and with a pang of remorse. “Aye! you had forgotten him, hadn’t you, m’dear?” said Sir Percy, merrily. “Fortunately, I met him, not far from the ‘Chat Gris,’ before I had that interesting supper party, with my friend Chauvelin. . . . Odd’s life! but I have a score to settle with that young reprobate!—but in the meanwhile, I told him of a very long, very roundabout road, that would bring him here by a very circuitous road which Chauvelin’s men would never suspect, just about the time when we are ready for him, eh, little woman?” “And he obeyed?” asked Marguerite, in utter astonishment. “Without word or question. See, here he comes. He was not in the way when I did not want him, and now he arrives in the nick of time. Ah! he will make pretty little Suzanne a most admirable and methodical husband.” In the meanwhile Sir Andrew Ffoulkes had cautiously worked his way down the cliffs: he stopped once or twice, pausing to listen for the whispered words, which would guide him to Blakeney’s hiding-place. “Blakeney!” he ventured to say at last cautiously, “Blakeney! are you there?” The next moment he rounded the rock against which Sir Percy and Marguerite were leaning, and seeing the weird figure still clad in the long Jew’s gaberdine, he paused in sudden, complete bewilderment. But already Blakeney had struggled to his feet. “Here I am, friend,” he said with his funny, inane laugh, “all alive! though I do look a begad scarecrow in these demmed things.” “Zooks!” ejaculated Sir Andrew in boundless astonishment as he recognised his leader, “of all the . . .” The young man had seen Marguerite, and happily checked the forcible language that rose to his lips, at sight of the exquisite Sir Percy in this weird and dirty garb. “Yes!” said Blakeney, calmly, “of all the . . . hem! . . . My friend!—I have not yet had time to ask you what you were doing in France, when I ordered you to remain in London? Insubordination? What? Wait till my shoulders are less sore, and, by Gad, see the punishment you’ll get.” “Odd’s fish! I’ll bear it,” said Sir Andrew, with a merry laugh, “seeing that you are alive to give it. . . . Would you have had me allow Lady Blakeney to do the journey alone? But, in the name of heaven, man, where did you get these extraordinary clothes?” “Lud! they are a bit quaint, ain’t they?” laughed Sir Percy, jovially. “But, odd’s fish!” he added, with sudden earnestness and authority, “now you are here, Ffoulkes, we must lose no more time: that brute Chauvelin may send some one to look after us.” Marguerite was so happy, she could have stayed here for ever, hearing his voice, asking a hundred questions. But at mention of Chauvelin’s name she started in quick alarm, afraid for the dear life she would have died to save. “But how can we get back?” she gasped; “the roads are full of soldiers between here and Calais, and . . .” “We are not going back to Calais, sweetheart,” he said, “but just the other side of Gris Nez, not half a league from here. The boat of the Day Dream will meet us there.” “The boat of the Day Dream ?” “Yes!” he said, with a merry laugh; “another little trick of mine. I should have told you before that when I slipped that note into the hut, I also added another for Armand, which I directed him to leave behind, and which has sent Chauvelin and his men running full tilt back to the ‘Chat Gris’ after me; but the first little note contained my real instructions, including those to old Briggs. He had my orders to go out further to sea, and then towards the west. When well out of sight of Calais, he will send the galley to a little creek he and I know of, just beyond Gris Nez. The men will look out for me—we have a preconcerted signal, and we will all be safely aboard, whilst Chauvelin and his men solemnly sit and watch the creek which is ‘just opposite the “Chat Gris.”’” “The other side of Gris Nez? But I . . . I cannot walk, Percy,” she moaned helplessly as, trying to struggle to her tired feet, she found herself unable even to stand. “I will carry you, dear,” he said simply; “the blind leading the lame, you know.” Sir Andrew was ready, too, to help with the precious burden, but Sir Percy would not entrust his beloved to any arms but his own. “When you and she are both safely on board the Day Dream ,” he said to his young comrade, “and I feel that Mlle. Suzanne’s eyes will not greet me in England with reproachful looks, then it will be my turn to rest.” And his arms, still vigorous in spite of fatigue and suffering, closed round Marguerite’s poor, weary body, and lifted her as gently as if she had been a feather. Then, as Sir Andrew discreetly kept out of earshot, there were many things said—or rather whispered—which even the autumn breeze did not catch, for it had gone to rest. All his fatigue was forgotten; his shoulders must have been very sore, for the soldiers had hit hard, but the man’s muscles seemed made of steel, and his energy was almost supernatural. It was a weary tramp, half a league along the stony side of the cliffs, but never for a moment did his courage give way or his muscles yield to fatigue. On he tramped, with firm footstep, his vigorous arms encircling the precious burden, and . . . no doubt, as she lay, quiet and happy, at times lulled to momentary drowsiness, at others watching, through the slowly gathering morning light, the pleasant face with the lazy, drooping blue eyes, ever cheerful, ever illumined with a good-humoured smile, she whispered many things, which helped to shorten the weary road, and acted as a soothing balsam to his aching sinews. The many-hued light of dawn was breaking in the east, when at last they reached the creek beyond Gris Nez. The galley lay in wait: in answer to a signal from Sir Percy, she drew near, and two sturdy British sailors had the honour of carrying my lady into the boat. Half an hour later, they were on board the Day Dream . The crew, who of necessity were in their master’s secrets, and who were devoted to him heart and soul, were not surprised to see him arriving in so extraordinary a disguise. Armand St. Just and the other fugitives were eagerly awaiting the advent of their brave rescuer; he would not stay to hear the expressions of their gratitude, but found his way to his private cabin as quickly as he could, leaving Marguerite quite happy in the arms of her brother. Everything on board the Day Dream was fitted with that exquisite luxury, so dear to Sir Percy Blakeney’s heart, and by the time they all landed at Dover he had found time to get into some of the sumptuous clothes which he loved, and of which he always kept a supply on board his yacht. The difficulty was to provide Marguerite with a pair of shoes, and great was the little middy’s joy when my lady found that she could put foot on English shore in his best pair. The rest is silence!—silence and joy for those who had endured so much suffering, yet found at last a great and lasting happiness. But it is on record that at the brilliant wedding of Sir Andrew Ffoulkes, Bart., with Mlle. Suzanne de Tournay de Basserive, a function at which H.R.H. the Prince of Wales and all the élite of fashionable society were present, the most beautiful woman there was unquestionably Lady Blakeney, whilst the clothes Sir Percy Blakeney wore were the talk of the jeunesse dorée of London for many days. It is also a fact that M. Chauvelin, the accredited agent of the French Republican Government, was not present at that or any other social function in London, after that memorable evening at Lord Grenville’s ball. *** END OF THE PROJECT GUTENBERG EBOOK THE SCARLET PIMPERNEL *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Related documents

Record · ID 41 · SHA-256 686fd1e060bb1c3f
Conceptio Open Knowledge Archive — every document is proof-bundled with source, license, and retrieval metadata.