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It Never Can Happen Again

De Morgan, William, 1839-1917 · Project Gutenberg
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CHAPTER XII "Oh fie—fie for shame! Everybody knows your name." But it certainly had acquired its full force from an expression made use of by her Aunt Stingy, who had spoken of a young person as having "lost her good name." What the young person was called by her friends, afterwards, was a problem Lizarann had given a good deal of thought to. And she was now unable to dissociate the young person's position altogether from her own. If her name had not been lost as a necessary implement of social intercourse with the world at large, it at least had been surrendered with no per contra , in the case of an immoral and worthless member of it. But she felt that, could she become possessed of his name, as a set-off, the balance of righteousness would be adjusted. And she was much more anxious about this than about the chestnuts. "What's your nime?" said she, after self-commune which suggested no less trenchant way of approaching the subject. The boy paused in the clog-dance. "Moses," said he. And then went on as before. "Nuffint elst no more than Moses?" "That's tellin's." The boy said this absently, and did some more steps. Then he simulated a graceful subsidence of the dance, ending in an attitude that seemed to acknowledge the applause of a delighted throng. But a commercial possibility had presented itself. "What'll you stand," said he, "for to be told my name, and no lies?" This seemed mercenary; but then, had not Lizarann herself surrendered hers for a deal? Why condemn him? No!—Lizarann lived in a glass house, and wouldn't throw stones. But she would make conditions. "Real nime all froo," she said. "Moses is lyin' stories!" For, you see, this was a crafty boy, and might consider the concession of a true surname alone would discharge his obligations under the contract. "Then on'y Moses," said he; and began an encore—presumably, as it was the same dance. But he was not too preoccupied by it to take off the shell of his fourth chestnut, and when he had done so he smelt it, with disappointment. For it was mouldy. An idea struck him, and he acted on it. "Marcy me, no!" said Mother Groves of the chestnuts when requested by him to 'and over a good un, fair and no cheating. "The riskis lies with the buyers. Where 'ud I be, in half the time, at that rate?" "Then I'll 'ave the law of yer. Just see if I don't." He danced again, and this time his dance seemed to express confidence in his solicitor. But presently he stopped, and offered a composition: "You lookee here, Missis Groves," he said. "I'll 'and you back the mouldy one, onbit-into and closin' over the busted shell, acrost a clean new un, and I'll take another highp'orth off you, and pay square. If that ain't fair, nothin' ain't! But you got to look sharp, or the chance'll be gone." Mother Groves rejected the chance. "It ain't consideration enough to go again' the rules on, and me to take my 'ands out in the perishing cold. Make it a penn'orth and pick yourself, all exceptin' the three top." "Hin't got no penny! Feel in my porket and see. It's open to yer to feel. There hin't no horbstickle. Here's a highp'ny and the bloomin' nut, shell and all. Mike your mind up!" But Mrs. Groves's mind was made up, apparently. The boy then suggested that his motives had been the prosperity of trade, throughout; he was, in fact, or said he was, full up till dinner-time. So he must have been dining late, recently. At this point Lizarann made a proposal. She, too, had a halfpenny, and was ready to pool this halfpenny with the boy's, and give him sole enjoyment of the extra chestnut, but only on one condition. He must tell his name, and no lies. Mrs. Groves brought her hands out in the perishing cold—pathetic old hands, a young girl's once—and made two even groups of four nuts each. Then, leave being giv', the boy chose the compensation nut; only he took his time like a young 'Eathen as he was. Then Mrs. Groves, as assessor and umpire, required his name as a preliminary to final liquidation. "'Orkins. Frederick. Frederick 'Orkins. Could have told yer it wasn't Moses any day of the week! 'And over!" And thereon he and Lizarann each had four bloomin' nuts, so 'ot you couldn't 'ardly 'andle 'em. "I shall keep mine for my daddy, and keep 'em 'ot too," said Lizarann. She placed them nearest her heart, and felt that it was good to do so. They was a'most too 'ot, in the manner of speaking; but then a small undergarment protected her, when discreetly scroozled up fluffy. "You best 'ide 'em well up," said Frederick Hawkins. "Here's a coarper comin' along. Don't you let 'em make no show, or he'll get his 'and on 'em." But he only said this to perplex and annoy, and create unnecessary panic; and Lizarann knew that, every bit as well as we do. So she merely said: "Jimmy 'Acker can foight you ," and enjoyed the warmth fearlessly. Her daddy's stick was not audible yet, coming along by the wall. He was late to-day. Lizarann's orders were to wait at the corner till she heard it, and then call "Pilot," that he might know she was waiting for him, and be happy. For he always had pangs of doubt that he might not meet her this time. Think of that little thing—for he knew how small she was still, by the feel, though there was no one to tell him what she was like to look at—think of her coming along that crowded street alone, to meet her daddy! She for her part had no misgivings about his coming. "Never you fear for me, lassie," he had said. And he knew, Law bless you! "I'll Jimmy 'Acker 'im !" said Frederick Hawkins boastfully. "I could 'tend on two like 'im at wunst. How old do you make him?" Which showed the vaingloriousness of his character, for clearly he knew nothing about Jimmy Hacker. Lizarann couldn't commit herself to the age of the latter. But she could to his bulk and prowess. "He's thicker than you," she said, and added, with recollection of a combatant defeated by Jimmy Hacker: "He can foight a boy twelve next birthday." "Then he ain't any so much to count on. I don't go by ages. Weights is what I go by. Any number o' stun I can foight, up to eight stun seven. You tell 'im to keep indoors, or I'll fetch him somethin' for to rek'lect me by. You see!" But Mother Groves interposed to rebuke and check this inflated and defiant spirit. "Don't you pay no attention to that boy, my dear," said she to Lizarann. "He's that full of lip there's no placin' no reliance on a word he says. If I was his mother I should know just where he wanted a good canin'. Ah!—and he'd get it too, night or mornin'. A young cock-sparrer I call him, and if he don't come by a bad end it'll be a moral. Ah!—wait till I find out where your mother lives, and see." Mrs. Groves worked rising indignation into her speech, after the manner of her class. Even so the Choctaw or Cherokee stimulates himself to battle-point. But Frederick Hawkins remained unmoved. He knew the old woman couldn't ketch holt upon him. He became most offensive, assuming a nasal drone with an approach to a chant. "I got a widdered mother. She keeps a fish-shop. And I ain't a-goin', neither, for to tell you where." He threw a reminiscence of his previous dance into this. Now Lizarann knew perfectly well that the fish-shop was next door to where her daddy bought his shaving-soap. But she wasn't going to tell. No nice little boy or girl ever tells. The particulars kept back on principle may relate to young cock-sparrows on whom no reliance can be placed, or to mere heathens—as in the present instance—but as for acquaintin' their parents, guardians, or other responsible grown-up persons, what they done, or anything likely to lead to conviction—who ever heard of such a thing? Even the London servant class retains this one trace of an honourable usage. It won't tell. Mother Groves merely referred to the ease of discovering fish-shops; especially when localized, as this one practically was, by the constant presence round her corner of a heathen residing there. She then gave all her attention to the conservation of vital heat; and it was needed, for her poor old clothes were thin on her poor old body. It wasn't 'ardly a reg'lar bad day, not to call it so, but it was a frost that was going to give a lift to the plumbin' trade, and do a rare lot of good that way. For the only good that can come now to this world is evidently through the destruction of something it has worked at the making of in years past, in order that people who have little may have to pay people who have less to do a bit of repairs to it, so that it won't want no lookin' to again, not yet awhile. Can we wonder?—we who have read, for instance, of the revived prosperity of ship-building, shown by the putting down on the stocks of several new ... destroyers? But never mind this!—pardon it and get back to the story and the degrees of frost at Vatted Rum Corner. It wasn't so bad then, not when once you was out in it; it had been a tidy sight worse two days ago, afore it froze so hard underfoot; why—the busses couldn't keep goin', and a 'orse fell down so soon as ever you got him on his feet! And as for cabs, they wouldn't set foot outside of the yard, because where was the use? You couldn't stiddy yourself on your feet, not unless there was cenders on the track, or thored with boiling water. Lizarann bore it bravely, in spite of chilblains and a blue complexion. Frederick Hawkins was blue; but either his heathenism or some other attribute enabled him to bear the cold defiantly. "It ain't freezin' here," said he, denying the obvious. "Hicey cold it was Bart'sey Park Sunday. The hice makes it cold 'acos of the skatin'." And Lizarann accepted this view of cause and effect. She might have disputed it had she not been beginning to feel uneasy about her daddy. "Why, child, don't ye go along to'ards meetin' him? He'll be comin', I lay." Thus Mother Groves. And the boy added: "Why don't yer 'ook it along down to the Rilewye, to see for yourself? You 'ook it! 'Ook it orf! I'm tellin' of yer." But Lizarann only stood on her two feet alternately, and hugged the dying heat of the chestnuts. They wouldn't be no good for daddy. Alas! "I was tolded not to do it," said she. "Yass!" Mrs. Groves approved. "Quite right, my dear, not to disobey your parents. But your daddy he'll come, you'll see." But Frederick Hawkins had another code of morals. "I'd disobey my parents if I had any to speak on. If I'd a dozen on 'em, I'd disobey the bilin'." Mrs. Groves pointed out that by doing this Frederick would be brought into collision with his Creator, and dwelt on the impolicy of such an action. But he continued obdurate. "I'd disobey the kit on 'em. You'd see, if you kep' your eye open." Then, addressing Lizarann, he added: "You give me a chestnut, and I'll disobey your parents for yer. You jist try! See if I don't!" Then, when Lizarann timidly produced the chestnut, in great doubt of whether her action was justifiable, he added: "See if I ain't back again afore yer know where y' are," and, after a slight preliminary quick-step or double-shuffle, fled away into the growing dusk. "You keep your sperrits up, child," said Mother Groves. And, as is usual when one hears that one's spirits want keeping up, Lizarann's went down. But she felt the old lady's goodwill, and went and stood close up to her, taking care to choose the side away from the roasting-box, lest she should seem simply seeking warmth. However, she was soon invited round to the other side. The warmth made her communicative. "My daddy he's been to sea," she said. "Only in real ships, and come home again. The Flying Dutchman she never come home." This did not explain itself to Mrs. Groves. She drew a false inference. "She went to the bottom, I lay. And all aboard of her belike. Lord be good to us!" Lizarann shook her head. "Not the Dutchman. She's afloat, every spar on her,"—she religiously gave Jim's exact words, with a sense of saying a lesson—"and to stop afloat till the Lord comes to judge sinners from repentance." She got a little confused here, but it sounded good, and her hearer was impressed. "Now only 'ark at that!" said she. "I'd 'a said you was a God-fearin' child. And you may never need doubt but it's all true, my dear!" Mrs. Groves, perhaps, was prepared to ascribe truth to any narrative that had a religious phrase or two in it; still, she was probably impressed with the little person's manner, for she referred to Frederick Hawkins, in contrast. "Now, that young Turk, he's no respect, and won't come to no good end, I lay." But Lizarann didn't want the conversation coaxed away from the Flying Dutchman. "Daddy seen her, himself," she said fervently; and then, resuming the lesson-manner: "Every stitch o' sail on her set in a three-quarter gale freshenin' from the south. And the look-out forward, he seen her too. And Job Collins, he seen her. And Marmaduke Flyn, he seen her. And Peter Cortright, he seen her." All these were essential items of the often-told tale. Mother Groves's hearing was none of the best; so when she condemned the time-honoured legend as outlandish and French, it may be she had really supposed that some of the expressions were in a foreign tongue, any variety of which she would naturally consider French, failing instruction to the contrary. But Lizarann's reference to the Lord, to sinners, and to repentance, was strong enough in itself to keep suspicions of Voltaire and Tom Paine in abeyance. Mrs. Groves therefore allowed the story to continue, and felt fortified against the heresies abounding on the Continent by the approved religious bias of the narrator. "Peter Cortright and Marmaduke Flyn they was both on the mainyard reefin', alongside o' my daddy, and Job Collins he was aft by the binnacle. Then Peter Cortright he sings out to my daddy to look; and my daddy he looked and seen her, carryin' all sail afore the wind. And then, no more time than what you says budget in, she was agone away, out o' sight." A pause came here, for dramatic impressiveness. Then followed, for reinforcement of testimony: "But Job Collins, he seen her, too, plain!" Mrs. Groves only said, "My sakes, now!—to think of that." But rather as a courtesy to the narrator. She would no doubt have followed her meaning better if thawed indoors before a nice warm fire. She certainly could not, or did not, admit to her mind a comparison that surely hung on the outskirts of the tale—a parallel between that moment on the great sea, and now ! To think of it all! Of the three reefers out on the yard, struggling with the mighty wind; of the rising seas whose crested foam it blew to spray; of its voice as it whistled through the drenched cordage, and made a whisper of the sailor's shout to his mate, that spoke of the ship he saw out yonder—the ship that, whatever she really was, was to become the Flying Dutchman in the memories of all the three! And then to think of what that child—that almost baby girl—told about her as she nestled, welcome enough, to the side of the old soul that had spent her last decade selling, in the London Streets, the chestnuts that had ripened in the southern sun, above the slopes the vines grew on. To think of the sordid and darkened lives, closed round in the intolerable hive of their own contriving, so stunted and suborned to a spurious contentment as never to long for an escape; so strange to the meaning of the word "rejoicing" as to find a version of it in the filth-house at the corner; whose swing-door, to say the truth, the little maid looks rather enviously at as it opens and closes, letting out the vapid bawlings from the human fools within into the silence of the streets, and suggesting jolly bad ale and new to the cold and empty passer-by! To think of the millions near at hand, all sunless beneath the great black pall that has for weeks past shrouded their visible world, but has left them unchoked as yet and confident, and even a little boastful—Heaven knows why!—of some strange indefinite advantages carbon and sulphur confer on those who can breathe them and live. No two items of the parallels could be more unlike, surely, than the reefers out on the yard in the great sea wind, and such chance wayfarers as are to be seen now—few enough, for all who can keep indoors prefer to do so—making the best of their slippery way home, let us hope, to the native joint and vegetables and rice-pudding. Certainly—so one would have said—none more unlike than those of this approaching crowd, close on the heels of three policemen in charge of a wheeled ambulance, hand-driven, working slowly along the least slippery part of the road. And most unlike of all, surely, the human burden, sot or reprobate perhaps, that the closed curtain of the ambulance hides from us. But he would have been wrong who said so. For it was Jim himself that was inside that ambulance, and he ought by rights to have come along that road on his feet. "You lie still, my good feller. The doctor he'll see to you." The policeman who says this to the interior of the ambulance says it as one to whom any form of poll-parrotting—that is to say, human speech—is distasteful. He slaps his gloves for warmth, as he walks beside the ambulance. He is a reserve man, who has come out in charge of it. But a moment after he listens again; there may be exceptions, after all, to a rule of universal glum silence! What is this ambulance case saying? "It ain't for myself, master. It's for my little lass. She comes for to fetch me home to the Green Man ... house at the corner ... very nigh to us now, as I take it...." Jim's voice is bad, and he is speaking against pain, gallantly. A subordinate constable says, "That's so, too!" and this confirmation reinforces Jim, who goes on, recognizing the voice: "Your mate, he knows her. You'll tell her, master. I'll trust ye for a good man ... there's only a little bit of harm done ... say I've had worse happen many a time afore...." But Jim is at the end of his tether. His voice goes faint. His instruction was clear, though. "See for the child, Clancy," says the first officer. "And tell 'em at the bar to send out a small brandy." Clancy goes on ahead. He is a person incapable of feeling surprise, so when he meets a potboy approaching with a glass of brandy, he makes no useless inquiries, but merely points backward towards the approaching ambulance. The potboy carries the brandy on, and the officer gets it down Jim's throat somehow. "Very smart of you, Thomas," says he, inventing a name for the potboy, a complete stranger to him. "Nothin' like being beforehand!" But Thomas disclaims any credit for himself. His action was, he affirms, due to instructions transmitted to him by a young customer. His report is: "He cuts in and he says, says he, p'leece accident, he says. Pickford's waggon gone over a bloke, he says. You cut along out with a nip o' brandy for a stimilant, he says. That's what the orficer says, he says. And off he goes!" As the brandy is consumed, it clearly will be a good contribution to taciturnity to say nothing about it. Moreover, the potboy, miscalled Thomas, conveys that his governor, at the Man, is not a blooming screw; and that the brandy ain't worth going to law about. The officer suggests, however, that a second nip would not be unwelcome to himself, and would bring the total up to the point of being chargeable to the Force. There is time for all this, as a case of this sort must be carried gently, apart from the fact that the slippery road makes caution necessary. And by the time the ambulance reaches the corner Lizarann is sticking to loyally, mindful to the last of her promise never to go beyond where it was wrote up "Old Vatted Rum," her first tendency to break into panic-stricken sobs, on hearing that her daddy has had an accident, is already well under control; the policeman Clancy, whom she knows by sight, and has even spoken with, and who therefore is trustworthy, having told her that her daddy will soon come round, and never be a penny the worse. "Now you're going to be a good little girl, ain't you, and not make a shine?" Thus the policeman, on vernacular lines, supposed to be soothing to the excitable. And Mother Groves, partly in deference to a uniform, adds: "You do like the gentleman tells you, my dear, and go along where he says!" This suggests to Clancy, who had at first intended to limit himself to negative injunctions, to say: "Yes, you run along home, little miss, and tell 'em your daddy's being took proper care of." But the terrified scrap, blue with the cold, half-choked with the hysterical gasps she is fighting against so bravely, as bidden, sees a deadlier possibility still before her in her arrival at home without her daddy. It was the dread of having to tell, more than the fear of being accounted the responsible culprit, that kept her glued to the spot. She was docility itself towards constituted authorities of all sorts, but now her feet simply would not move. Oh, what a huge relief it was when the other policeman, him along of the hospital-barrer, said: "Ketch that kid, some of you, and bring her along this way! Can't wait here all day!" He slammed his hands one across the other very hard, not only to procure circulation, but to express promptitude. The kid didn't want any bringing. She was across the road and beside the ambulance before the instruction to catch her could be obeyed. "You'll do your daddy more harm than good, that way!" said the hand-slapper, stopping short. Lizarann's first instinct, to scramble up the hospital-barrer—to get at her daddy on any terms—had to be combated on his behalf. "Peck the child up, and 'old her acrost the edge," suggests the potboy from "The Man." The constable remarks, "Some o' the public'll be feeling dry by now, and nobody to serve 'em! You best carry that empty glass back, Thomas." But he accepts Thomas's suggestion, and Lizarann is grateful to the strong hands that pick her up to kiss her daddy's face. Was it really his?—she thinks to herself, as they put her down again out of her father's sight, below the couch-rim of the ambulance. She can't speak; he can. "Ye never cried 'Pi- lot ' little lass." How hard he tried to make his voice cheerful, and how well he succeeded, too!—mere mass of breathless pain that he was. The least word a man can speak over whom a waggon has passed, crushing both legs, will show the constitution of a giant behind it, even if it is followed perforce by a groan; and Jim suppressed even that. Were not those his little lass's lips that had just touched his cheek? She, poor child, could only say "Daddy!" or mix it with a sob. Which of the two Jim heard, who can say? But just at that moment the nip of brandy began to tell, and Jim was able to make a great effort. "Never you fret, little lass," he said. "The ship's doctor, he'll make a square job of my leg. You run away home and say I'm took proper care of." What Lizarann's daddy said was to be done was the thing to do, past doubt, and nothing else could be right. Lizarann started straight for home. Poor Jim!—he knew what he was and where he was well enough. But he couldn't find his words right. So he talked of the ship's doctor, knowing all the while that the surgeon of the Z division was going to attend to his leg. As to the extent of his hurt and how it came about, he knew almost as little as the story does, so far. All he was sure of was that he lost his bearings after leaving his precious board at the barber's shop, was shouted at to stand clear, didn't stand clear, and was overwhelmed by what he should have stood clear of, and knocked silly. Beyond that, the little that had reached him, since he recovered consciousness, related so much to the prophetic certainty of its speakers that what had happened had been sure to happen, and they could have foreseen it any day, that it made him little the wiser. And what the crash had left of his faculties was too actively employed about his child to feel curious about the details of the accident. Lizarann's first information about it, as she completed the legend of the Flying Dutchman to Mother Groves, was from the boy Hawkins, who came running to report the disaster, just as she was standing cross-examination on her first deposition. Instead of coming straight, he just in at one door of the ale 'us, and out at the other, like you might have said, only half a minute between! He then come crassin' over—this was Mrs. Groves's experience—and queer he looked, causing Lizarann to ask, "Ain't my daddy there?" in alarm. To which his reply was alarming and ambiguous: "Oh ah!—he's there all right enough—wot there is of him." He did not improve this by beginning, in a throat-clearing, gasping way, like a boy whose speech has lost its orientation, "I say, Missis...." Whereat Lizarann, in growing terror, broke into hysterical sobs, and would have started in her despair along the forbidden way, if the sad procession with the ambulance had not appeared, and chilled her to the marrow. She could hear the boy, greatly relieved by the appearance of direct evidence of what had happened, saying that there was nothing to make a hollerin' about; it was only a haccident, and wot could you expect, a day like this? His anxiety to minimize the evil did credit to a human heart that seemed, in spite of appearances to the contrary, to underlie his Asiatic nature. He was even attempting further exhortation towards fortitude when the policeman came up, and he vanished. In a very few minutes all were gone but Mother Groves and the chestnut stove, in the yellow gloom of the growing fog, waiting for the grandson of the former to come and see to the gettin' of 'em both home. As the old woman looked back on the event, it presented itself to her as an accident, and the accident had been took to the Hospital. That was all. On'y, that poor little thing! But Mrs. Groves soon forgot her, and was back on a great problem of her life—would the stove last out her time, with a bit of patching now and again? It had been that patched already, and was near falling to pieces. And when her grandson come, late, she'd a'most forgotten the accident. There now, she declared if she hadn't! Lizarann pattered on as hard as she could go, so many steps to a sob, until she got to Dartley Street, and then she heard, behind her, the boy Frederick Hawkins, out of breath. "You ain't any call for to watercart, young un," said he. His manner was superior and offensive, but Lizarann felt that benevolent intention combined in it with masculine dignity. Still, protest was called for. "I hin't a-cryin'!" she said. "On'y my d-daddy—he's t-took to the Hospital!" It was too dreadful, put into words, and Lizarann broke down over it. "Who do yer call the worse by that? He ain't, not he!" This boy means well. His better nature is roused, but he has no mode of speech that is not truculent or threatening. He softens a little, though, as he becomes communicative: "Why, I had two uncles and a aunt, flat they was, under a street-roller! And they just off with 'em to the Horspital, and, my eyes and witals!—you should a' seen 'em no better than a fortnit after! Singin' they wos!" Lizarann disbelieved this story, but not because of the main incident. It was the singing that stuck in the gizzard of her credulity. Uncles and aunts never sang. They might be raised from the dead; may not Lazarus have had a niece? But singing !—no! She merely summarized her views, not arguing the point: "They never sang nuffint." A proud spirit brooks no contradiction. "Ain't I tellin' of yer?" said the Turk indignantly. He adduced corroborative evidence. "Why!—warn't a boy-makes-his-livin'-by-daily-journals-I-knows's father's corpse h'isted up out of a shore and took to the Horspital stone-dead with the un'olesome atmosphere and fetched to? And dined off of nourishin' food the same evening, and rezoomed work on the Monday?" Meeting no expression of doubt of this case, he adduced another, more calmly. "Likewise Tom Scott, as 'arf killed Parker for five pounds a side, he picked up six of his teeth he'd knocked out, he did; and he run after him to the Horspital, he did; and they stuck 'em in again for Mr. Parker, they did, as good as new. They can do most anythin' ." So it appeared. And the cases gained greatly in credibility by the Turk's obviously true recitation of maturer ideas than his own in the language of seniors. It was like Lizarann's own tale of the Flying Dutchman; and she felt it so, and found solace accordingly. She hoped the Turk would go all the way with her, to give moral support, and repeat his experience. You see, this Turk was, to her vision, big, authoritative, and mature. He did not present himself to her as an impident young sprat, in want of local smacking. Which no doubt would have been Mrs. Steptoe's view of him had he come all the way. But he forsook Lizarann at the top of Tallack Street, leaving her grateful to him, all the more for his narration of how he heard the blooming copper say a nip o' brandy wouldn't be amiss as a stimilant, and he told 'em at the Green Man. He added that he expected to be proarsecuted for telling of 'em—recalling a little the saying of the third Napoleon, that the Human Race always crucifies its Messiahs. So there stands Lizarann trembling on the doorstep, after jumping up to the knocker to strike it back and leave it to execute a single knock by itself, and watching the great white flakes of snow that are beginning to fall at their leisure—no hurry—plenty of time yet for three inches deep of them and their mates before the milk comes in the morning! CHAPTER XII HOW UNCLE BOB HAD THE HORRORS. HOW LIZARANN ATE COLD CHESTNUTS IN BED. DELIRIUM TREMENS. HOW JIM COULD SEE AT NIGHT, AND WAS UNDER THE BED. POLICE! Lizarann could not shut her eyes to the difference between Aunt Stingy, as she anticipated her on the doorstep, and the Police Force, according to her last impression of it. Her aunt's was not a bosom she could fly to for solace in her trouble—well! no more was that of the Force, if you insist on literalness up to the hilt; but metaphorically she would far sooner have had recourse to the latter than the former. She did not, however, expect penalties this time if she could get in her explanation; but she had doubts whether the shortness of her aunt's temper would allow of its development at sufficient length to be understood. She tried to think of some quick thing to say that would at once reveal her daddy's mishap and the cause of her return without him. But she should have done it before that sepulchral single knock had shown the executive power of the knocker, and brought out by contrast the footless, hoofless, wheelless silence of Tallack Street. Now that its summons to open had been delivered, the poor little shivering author of it could think of nothing at all. She might have done so, though, as far as time went, for she had to repeat her knock after a pause her terror made to seem short; while to her eagerness for any human voice—even Uncle Bob's—it seemed awfully long. But, as it turned out, the best she could have thought of would have been of little use. The second knock brought about a shuffling in the house that fluctuated a moment, threatened to subside as it had begun, then seemed to decide on action, and approached the door—but heavily, being palpably Uncle Bob, whose mission seemed to be considered complete by the household when he had stood the door on the jar, and left it, without waiting to see who had knocked. Of course, it could only have been Jim and the child. So it looked as if Mr. Steptoe had decided that his duty was discharged by removing obstacles to their entry, and leaving them to close the door their own way. He'd stood the candle down and just left it to gutter in the passage, when Lizarann got inside of the house. There was something gone wrong there, too, evidently. As her uncle was in the habit of using the adjectives popular in his class rather freely, Lizarann was not surprised when, supposing himself to be addressing her father, and asking him to "shet to that door and keep the cold out of the house," he prefixed one open to many objections to each of his three substantives. But she was surprised at the tone of his voice, which chattered in gusts, as though control over it went and came, and at the way he was crouching over the fire. He had spoken to her father as Jim, and evidently was taking him for granted—had grasped no facts. "Please, where's Aunt Stingy?" The child could think of no better thing to say. Something was altogether too wrong with her uncle. She could see he was shaking. All things were all wrong clearly, and the world a nightmare! "In her bed, mayhap!—shamming ill, I take it." Then he raised his voice, but never looked round: "Jim!—why can't you shut up that da-da-damned d-d-door and come inside?" He had a fair convulsion over those words, more like the chattering fit that sometimes comes before a bad attack of sea-sickness than the effects of ordinary cold. Many may not know this sort. "Father ain't here," was all Lizarann could say. "Then shet to the damned door till he comes." He could say this and never look round, or notice the sob-broken voice, all a-strain with its terrors, of the little speaker. If he had only cursed her for crying, it would have sounded sane by comparison. Lizarann wished herself back in the street, with the Turk. And how happy those few minutes seemed now, when she did not know about daddy, and was telling Mother Groves about the Flying Dutchman! She could only stand speechless and utterly terrified at the oddity of her uncle's manner—she well knew his ordinary one, of being in the liquor he was never out of—and was just on the point of mere mad screaming or starting to run God knows where, when the voice of Aunt Stingy came from her bedroom above, also with alarm in it. "Jim, can't you hear, you fool? Leave him to himself, I tell you. He's had the horrors." Aunt Stingy seemed to imply that the horrors, whatever they were, would subside of themselves. Ill has a fixed point in the minds of young children—a simple maximum it reaches and never goes beyond. Lucky for them that it is so! For a step further would kill. Lizarann's mind could be dragged no farther along the road of terrors that leads maturer lives to self-slaughter or the madhouse. Or it may be some pitying angel wrapped her small soul in a merciful stupefaction, that it might live. For when her aunt's voice came again, peevish and impatient, but without sense of any very abnormal conditions, she was able to answer, "Yass, Aunt Stingy," but not very audibly. "Why can't you answer when I speak? I tell you, let him bide. He's best to himself, and he's had all what liquor there was.... Can't you answer?... Fetchin' me down!..." The child understood her aunt's context, for all its elisions. To propitiate, she ran upstairs. A descent in wrath, portended by an exaggerated foot-tramp, was averted by her words: "D-daddy ain't come b-back—he ain't!" "Why couldn't you speak?—little hussy! You're a child to have in a house. When's he coming?" "He ain't coming ! Yass—he ain't ! He's took to the doctor on a barrer. Yass—he is !" And Lizarann, whose small hands, cold and blue, are all tremor and visible unrest from panic, would like to run, but dares not. She has worded her awful message, though. That is something, however much Aunt Stingy may doubt its truth. "Who's to know you ain't lying? Who's to know he ain't in at the Robin Hood? Now, if you're story-tellin'...!" A bony warning finger should have been enough without any further details of the penalties of falsehood. A reference to a flagellum that had once been inherent in a discarded pair of the speaker's stays—an incredible wooden lathe—ought to have been quite superfluous. But Mrs. Steptoe had had great trials, to excuse her short temper. However, nothing can alter the facts; and Lizarann can only repeat her statement. Daddy had been took away on the p'leece barrer, with curtings; and his leg was hurt. But the doctor was at the Horspital. This was felt, and offered, as a palliative. Surely it deserved better recognition than, "And why couldn't the child tell me all this before? Keeping me standin' here!" very wrathfully fired off at poor Lizarann. She had told it, and at the earliest possible moment. What could she do more? Aunt Stingy's reception of the story, which was less émotionné than Lizarann had expected, had its good side. Perhaps the presumptuous boy's description of the powers of Hospitals was not all fanciful, and her aunt's wider experience knew that in a short time daddy would be back home again; not only well and sound, but even better and sounder. Lizarann extracted consolation from her aunt's half callous hearing of her news, without closely analyzing it. Probably Mrs. Steptoe would have been more sympathetic if her own cup of bitterness, like her small niece's, had not been full to the brim already. But sympathy would have intensified Lizarann's solicitude about her father; the fact that the news could be apathetically received by anyone, even Aunt Stingy, fortified her. It may even be that she was braced by her own keen feeling of the injustice her aunt did her in apparently ascribing her father's disaster to her, when really she was only the innocent and most unwilling bearer of the news of it. That, however, was Mrs. Steptoe's attitude. "There's a many'd 'a said you didn't deserve no supper," said she, and claimed a weak good-nature as a quality of her own. She hustled Lizarann into her father's bedroom, with needless collateral pushes in wrong directions, and the admonition, "Don't let me catch you in the parlour, or you'll know of it. Starin' round!" Her truculence, no doubt, had something of a safety-valve character, and she may have thought that the youth of its object would remain ignorant of its full stress, while she herself had the whole advantage of the relief it gave. But really the child understood more than she ascribed to her, and felt its injustice, tempered by the broad consideration that it was only Aunt Stingy. Mere ferocity towards children is bad enough, but it is hardest to bear when it is illogical. Aunt Stingy was inconsecutive in her grounds of indictment against Lizarann, and this added to the sting of her injustice. No child would have been readier than she to see to her own supper, and hot up half a bloater on the bit of fire that had looked so cheerful in the front room—though she couldn't above half see it for Uncle Bob gettin' in the way—or to stoast a slice of bread afore the bars with a fair allowance of butter on; or to do what she dared not ask her aunt to do, and lie the four chestnuts, which she still treasured mechanically inside her frock, on the top bar where it was flat, to get the heat back in 'em a bit, before cracking off the shell. So it was inconsistent and absurd in her aunt, after telling her to keep where she was or she would let her know, to return presently with all the supper she would get to-night, comin' in so late, and to add: " I wasn't waited on when I was a little girl. Standin' round, expectin' your elders to fetch and carry!" quite ignoring the fact that she herself had paralyzed her niece's activity by instructions not to go outside of that room until she was told to it. And equally so when, without any evidence that the child was going to say a word, she added: "Now, don't you answer me, for that I can not abide; but just you eat your supper and go to bed, or we shall have you ill next." Of course, it was only when Jim was out of the way that Mrs. Steptoe allowed the shortness of her temper to get the better of her so completely, and on this occasion everything was against elasticity. Things were all so nightmare-like that nothing could well make them worse, or Lizarann might have been additionally terrified and oppressed when her aunt, before consigning her supper finally to her for consumption, looked it all over closely and said, more to herself than the public: " I don't see any things a-crawling." As it was, in the Valley of Shadows Life was passing through to-night, Lizarann merely said: "There ain't nuffint on the stoast," and began her supper off it sadly. Her daddy's great effort to speak against his pain, and his reassuring words about the doctor, had made that cheerless evening meal a possibility to his little lass. Full knowledge, and a year or so more of life, would have meant inability to eat. But Lizarann was very young, and, moreover, could not credit a possibility of mistake to her daddy. Had he not spoken confidently of the "ship's doctor" making a square job of his leg? She had certainly a slight misgiving that this pointed to his leg assuming a different shape after the operation. All sorts of contingencies hung about Hospitals. You never could tell what grown people wouldn't be at next. But whatever the outcome was, daddy would be there . And this black cloud would roll away. Aunt Stingy retired, and left Lizarann to herself and her supper with a final imputation of rebelliousness and disobedience that was quite groundless—so its object thought. " You do like I tell you, and go straight to bed when you've e't your supper. Burnin' the candle-ends for nothing!" She then did violence to the understanding, by adding: "The light won't last you out, except you look sharp; and then you'll be in the dark." If a rigid economy was compulsory, how could extravagance be possible? But menace without method was Aunt Stingy's attitude to-night. Lizarann, left alone, looked all round the tray and under the milk-jug, but could see nothing crawling. She was not so much concerned with the avoiding such things as articles of diet as a County Family would have been, or even the Upper Middle Class; her object was to throw light on her aunt's soliloquy, which she had not ventured to ask the meaning of. Getting no light, she ate the scrop o' bloater, and the stoast and butter, and drank the milk, and did very well, for her aunt was not christened Stingy from any tendency to cut down rations unduly. Only she would have done better still, had she been able to sob less, and if the resources of a pocket-handkerchief ten inches square had not required supplementing by sleeves, which can only be crudely engineered against tear-drops, or their reincarnations. But she got through her supper before ever the candle set alight to the paper, and flared. Then she got to bed before the flare became convulsive; not to be left in the dark with—who knows?—a nightgowned sleeve inside out and no finding where. Because we all feel that spectres are not to be trusted, unless you have something on. Indeed, timid persons are not happy till the whole thickness of the bedclothes is between them and possibly convincing phenomena. The candle died hard. But Lizarann knew that the longer it took, the less it would taint the atmosphere after its last convulsion, and left it to smoke in peace. So she watched it from her bed that stood in what was little more than a cupboard off the room her father slept in, and cried to think that his was empty. She watched, and wondered which would come first, the last flicker, or her last mouthful of chestnut. For she ate those chestnuts cold, and shoved the shells well under the bolster so Aunt Stingy shouldn't see. She was a very human little girl, was Lizarann, for all she was so devoted to her daddy. The candle outlived the last chestnut. Then consideration had to be given to the problem how to get to sleep afore the nasty smell come along the ceiling and down. Once asleep, you can ignore smells, even when sut. Sut is the worst, but candlegutter has a nasty flaviour with it. So Lizarann did wisely to go to sleep vigorously. She was succeeding, and beginning to dream a nice dream, though she wasn't getting warm yet, when her aunt made a tempersome re-entry on the scene. Lizarann woke with a start, and, remembering all the dreadful reality, broke out crying—she couldn't help it! Shaken by one arm, and told to wake up and have done with that petering noise, she recovered self-possession, except for a lagging sob at intervals, and sat up. Directed, inconsecutively, to lie down and go to sleep again, and no more nonsense, she was preparing to comply when her aunt gave a first beginning of a screech and stopped it short. "Whatever is it?... O Lard!..." "It's a ch-chestnut sell. I eated it." Confession proved good policy in this case, averting inquiry which would have revealed the hidden store under the bolster. "O Lard, what a turn it gave me!... he's made me as bad as himself...." The woman had a frantic look about her; her husband's horrors evidently had a sort of infection for her; though of course the child had little insight into this. "You bad child, you! You little good-for-nothing slut, lyin' in bed eating chestnuts, and your father in the Hospital!" This wounded Lizarann to the quick, and righteous indignation overcame both grief and fear. "I ain't ," she shouted, and for the moment quite forgot that she was , or at least had been , the moment before. "Don't you tell me that, you ontruthful child, and your leavings staring you in the face! Now just you tell no more stories, but say where they've took your father, and what he's done to himself." This retrospective use of a conviction for untruth—and a morally unjust one—to suggest a course of antecedent misrepresentation on her part, seemed to Lizarann quite the worst piece of mendacity within her experience. But it got the conversation still further away from that nutshell deposit; and that was good, so far. "Father said he'd be took proper care on, and I w-wasn't to c-cry, and I shan't!" " Can't you tell me where they've took your father to , instead of vexin' me? Is he gone to the Station, or the Hospital?" "The Spoleece, they carried him off to the Sospital. Yass!" Then, sitting up in bed, a small monument of woe, for the moment tearless, Lizarann considered whether she had grounds for deciding which Hospital. She knew of three, the Smallporks, Guys's, and Bartholomew's, but she was very uncertain about the two last. She decided on denying the Smallporks, if asked. However, her aunt accepted the Hospital as sufficient. Let it go at that! "What did your daddy say he'd done to his leg? Now, no makin' up! Say the truth, like he told you." This would have been a signal to many children to strain hard to invent the truth out of their own heads. Goaded by stupid, unsympathetic people, they do this in self-defence. But Lizarann was honourable and clear-headed. "He only saided his leg—didn't say nuffint about it. Only the sip's doctor would make a square job of it. Yass!" "And what good's your schoolin' done you? Couldn't you have the sense to ask and find? What ever do you suppose God gave you your tongue for?—to set with your mouth wide open? Little plagues can talk fast enough when they ain't wanted to it!" She then suggested, most unfairly, that Lizarann was detaining her by holding out false hopes of information. " I should like to know how long you expect me to stand here askin' questions. This time o' night! And me wanted to look after your uncle! Get down into your bed and ha' done with it! I can't waste my time talkin' to you." After which she departed and locked the door; Lizarann could not imagine why. But there was something very queer with Uncle Bob, who had been audible all the time in fitful outbreaks, conveying a sense of his adjective applied as a stigma to many things, and as a refreshing emphasis to parts of speech. Lizarann's last impression—a hazy one, before deep sleep came, and total oblivion—was that her aunt went out from the house, leaving the street door on the jar, and that then she heard the voice of their neighbour Mrs. Hacker, saying, "He'll be all right by morning." Now this little maiden attached only two ideas to this husband of her aunt: one, that he was a painful concomitant of all their lives, who had to be put up with, and where was the use of complainin'?—the other that he was the victim of a liver-disorder known as "the boil." His absorption of gin was part of himself; a practice as much identified with him as any inherent quality or fixed condition; perhaps the celibacy of a priesthood presents a sort of parallel case. So all new and strange developments in Uncle Bob were credited to this disorder, and when Mrs. Hacker from over the way said the patient would be all right by morning, the only suggestion to Lizarann's drowsy mind was that there was a bottle of doctor's stuff never been took, and that it had just come in handy. For—but perhaps you know this?—the masses, par excellence , account all drugs good for all diseases, if took reg'lar. The classes, prone to affectation, get prescriptions made up each time. So the child was soon sound asleep and happy. But the cobbler's disorder was the first beginning of the end of a long devotion to gin, and, to speak scientifically—always do so when you can!—he was in a very advanced condition of Alcoholism. But he was very unlike the priest, who, in the most advanced conditions of celibacy, passes his life—poor fellow!—in secret longing for the remedy. For Mr. Steptoe hugged his Alcoholism, caressed it, and fed it constantly with new supplies of raw gin. His affection for the cause of his disease was self-supporting, and he longed for small goes of it as keenly as the priest longs for the proper antidotes of his—for Home and Love. When Aunt Stingy took such pains to lock her niece into the bedroom she might just as well have locked her husband into the front parlour. But she was deceived by appearances. For it was just—only just—untrue that he had had all the liquor there was. There was a short half-glass in the bottom of an unnoticed bottle, put by to be took back, and a penny on it. On this Steptoe greedily pounced, during his wife's first interview with the child in the next room. It produced that momentary flash that is so misleading in these cases, when actual improvement seems to follow a new stimulus. Often the trembling hand and idiot brain resume skill and coherency, for the moment, only to fall still lower at the next reaction. The woman felt secure in her husband's assurance that he was a blooming sight better, and that he couldn't tell what the described Hell had been the described matter with him. He promised to come to bed as soon as the fire giv' out; and she left him, free from the horrors for the time being, standing with his back agin' the mantelshelf, collecting the last heat with a view to sitting on it—the heat, not the mantleshelf—while he finished through his pipe. She ought not to have done it. Or she ought to have took the key out of the outside of the bedroom door, or hid it anywheres handy—where he would never have looked for it, Law bless you! Instead, she went to bed herself, and probably fell asleep as soon as a sense of her husband moving, downstairs, seemed to warrant a belief that he was going to keep his word. She slept sound, and it may have been two hours past midnight when she was waked by a movement below, and found that her husband had never come to bed; was still smoking, probably. But this was not her first thought as, having lighted her candle, she sat up in bed, noting the sounds that followed. Her spoken reflection was: "If that's Lizarann prancing about, I'll let her know to-morrow." Then she remembered the key, and couldn't understand the position. And then took advantage of a silence to decide that it wasn't anything. When an "anything" may involve our having to get out of bed in the cold, we are apt to decide on its non-existence. She blew out the candle and lay down again. This is not a medical work, and it is no part of its business to locate exactly the case of Robert Steptoe in medical records. The discrimination of the symptoms of delirium tremens proper, and their points of difference from those of ordinary delirium—nervous or feverish—are matters of great interest, especially in their relation to treatment, but they belong elsewhere. Our function is limited to recording the symptoms of the case as they have been brought to our knowledge; and we must hope that our medical readers will allow a certain latitude to the description of the only instance of the malady that has come within its writer's experience. Some of it is necessarily conjectural, but nothing would be gained by a laborious effort to separate these portions from the certainties. For instance, the patient's hours in the room alone, after his wife left him, must be matter of surmise. But surmise to the following effect appears well grounded. So long as the effect continued of the small dose of stimulant he had discovered, he remained sane and free from immediate delusion, and had no other intentions than to smoke through his pipe and follow his wife to bed, as promised. But after he had finished it, and knocked the ashes out—they were found on the hob, and the pipe stuck in the looking-glass frame, when the ground was gone over afterwards—his attention was arrested by something crawling over the table. He had seen one before (as appears by our narrative), in fact, he had seen several, causing a sympathetic horror in Aunt Stingy. He tried to destroy this one, but nothing came of the attempt. Putting a volume on it and crushing it down only caused it to come through the book and crawl over it. He tried this frequently, wondering at the result, but not specially alarmed—more amused perhaps in a kind of vacuous way—until he saw another, and then another. The place was all over them, and he called them names—some very inappropriate—and qualified them all with his favourite adjective. In themselves they really did not matter. But most unfortunately the fact that they were all going in the same direction showed him that they were emanations from a man of the name of Preedy, a leather-seller, of whom he used to purchase ready-closed uppers and cuttings. It was shrewd of him, he thought, to identify Preedy as their original source by the steady way in which they all kept going in one direction. And still shrewder to infer that it was all part of a scheme to oust him from the sort of little kennel or box in which he carried on his trade in a street half a mile off. It was left locked at night; but, seen by the light of these vermin, and a buzzing noise that accompanied them, what was to prevent Preedy getting possession of it and bribing the police on duty to support him in his usurpation? He sat down for a minute or two longer to think this out. The room was always well lighted, because the street gas-lamp, just outside, always showed through the clear space above the shutter. Reflection did not even suggest that it might be a mistake about Mr. Preedy. If it had, his condition would not have been delirious. On the contrary, it all became clearer to him than ever. If it were not true, how came he to have read half-an-hour since full particulars of it under the heading "Late Entries" in the sporting journal that was still lying on the table? He could find it again in a minute, only it was so dark. He had a match and lit it, to read by; but his hand shook so—always along of that (described) Preedy—that he couldn't master the (described) small type. And his wife had got the candle away. Just like her!—she done it a-purpose. But he knew there was a candle in Jim's bedroom, next door. The noise he made fumbling at the door, which was of course locked, waked Lizarann, who, having fallen asleep on the fact that her aunt had locked her in, knew that fact and no other as her senses returned. She called drowsily, "You locked the key that side," conceiving the disturber to be her aunt. Contrary to what might have been expected, her uncle understood clearly, and opened the door. But the reason he felt no surprise at the key having been turned outside was one of the indescribables of delirium. It was, somehow, because Lizarann answered instead of Jim. Of course—so it seemed to him—if Jim had answered, it would have been inside. You think that too strange? Try delirium, and see! His wife had had nothing to gain by telling him of Jim's accident, and his faculties had not been at observation-point. Or, perhaps, he might be said to have forgotten that he had never known that Jim didn't come in to supper. Anyway, he accepted Jim as having gone to bed, and made a sort of apology for disturbing him. "Ashkpardon mashcandlestick," said he, in two husky words, consisting of matter thrown loosely together, and added, as a single thought that might help, "Looshfermash." He had no idea about time—thought his wife had left him a few minutes since. Lizarann was not frightened. She did not understand that Uncle Bob imagined her daddy was in his bed as usual; and there was nothing unusual in his coming to look for a lucifer-match. She called out to him without moving: "On the mankleshelf, Uncle Bob." But she was only half awake. She dimly heard him feeling about the room for the candlestick, and muttering to himself. Sporadic examples of his favourite adjective made outcrops in his monologue, becoming more and more frequent as he failed to discover the object of his search. Still, Lizarann thought herself at liberty to remain half-asleep, if she chose. Not being sure how far she had done so—she might, indeed, have been wholly asleep without knowing it—she could not have said how long this continued. She was roused in the end by the delirious man suddenly exclaiming, in a voice of terror that filled her, too, with terror: "My Goard, then, he has only one!" He then broke out in incoherent fear: "You keep him off of me, master—you keep him off. Or I tell yer, I'll brind him—I will !" At which Lizarann's heart stopped. Not from anything in the words, which were of the sort that she would have told Bridgetticks were "only Uncle Bob." Uncle Bob occurred too frequently in daily life for her to fret much about his language. The cold shiver had run down her back, this time, because she knew there was no one in the room with him. But, may she not have known falsely? Surely there was someone else there, that he was speaking to. Listen! "Good job you come in, master! You're a good chap, you are. You're Bonyparty, I take it, in the picter-book. You larn him to keep his distance, and I'm your friend. Won't you take nothing? Just a drain?..." He wandered on, with a thickness of speech that, if spelt ever so successfully, would only encumber the text. Uncle Bob had gone mad, clearly, and would get himself took to the Asylum, where Bridgetticks's Aunt Tabither was. Bridget was very proud of this aunt. And though there might, as in her case, be advantages in the end, the present had to be faced. And poor Lizarann was the only soul that knew anything about it, and was stiff with terror in bed, in the dark, with a speechless tongue, but a calm interior spot somewhere, that was wondering when she would begin to cry out in her agony of fear, yet knew that daddy wasn't there to cry to. In a few moments she was aware that the breath of the delirious man was catching again, as in terror, and his voice followed: "He ain't gone—he ain't gone! Don't you pay no attention to 'em, master! I can see his eye under the bed, spinning round like a wheel. If there'd a been two of 'em now...." Then in a sudden extremity of terror his voice was worse than if it had been a scream; he forced it from his lungs in a strained whisper. "My Goard!—he's a-coming. He's a-coming on. He'll get me afore he's done, he will.... Leave hold of me! Leave hold, you...." We have to stop short. Lizarann's impression was that he then struck out to protect himself against his imaginary aggressor. He certainly fell, and was stunned. The child grasped this, and the fact that he was now harmless for the moment. But she was so dumbstricken that it was perhaps the whole of three or four minutes before she could find her voice, and then only for inarticulate hysterical screams. The fall of Steptoe on the floor was the sound that waked his wife in the room above. The silence that followed was almost long enough to convince her of the safety of going to sleep again. But Lizarann's cries of heartfelt terror and entire panic came to stop that. The woman jumped up and lit her candle, whose wick had smouldered to the grease the last time it was blown out; it had to be coaxed, and a libation of melted paraffin had to be poured off it before it would flare up steady-like, so you could carry it and not spill. It taxed Mrs. Steptoe's nerves to negotiate all this, with that tryin' child making that noise downstairs. But it was either that or go down in the dark. We borrow her own phraseology. Besides, Lizarann had had nightmare and woke everybody, that time Jim gave Bob such a remindin', three months ago. So her aunt made her light secure before going below. Her expectation was to find her husband in a stupid drunken sleep in the front parlour, and the door of the back room closed as she had left it. She saw the open door and quickened her pace. "What's that child been after outside of the room? I'll soon know about that...." She soon knew all that could be known at the moment—that her husband, whom she nearly tumbled over, was insensible on the ground—or half-insensible, muttering—and that Lizarann was vociferous with terror in bed, and quite incapable, so far, of telling anything. Her first instinct was faultfinding, as against the child for screaming. " Stop your noise or I'll make you.... Lizarann!... do you hear ?... Will you stop?" And then in a voice of vengeful resolution: " I'll be in after you directly." Whereupon Lizarann choked her screams back and waited. Her aunt was examining Uncle Bob for bruises, so she thought; and he appeared to be resenting the inquiry. Suddenly he recovered his articulation in a wonderful way, and became quite unreasonably angry. "You'll keep your hands off me, or I'll smack your chops for you." He gathered himself up and got on his legs, but swayed a little as he stood. "What's that you're a-sayin'? Why the (described) Hell can't you speak up? Your tongue's fast enough when nobody's asked you for it. Look you here, Pry-scilla Coupland, I ain't going to be minced about no more, for nobody." Lizarann knew from his calling his wife by her maiden name that her uncle's state was a dangerous one. He did it whenever he became savage with drink. What followed was no improvement. "Ah!—you may go and tell Jim if you like. He's in it, like the rest on 'em. I know all about their planning and scheming. I'll make my affidavit afore a lawyer. First thing to-morrow morning, and make an end of it all. I will !" His manner had such serious conviction in it that the child thought him sane for a moment. It was something grown-up that she didn't know about. Her aunt's reply, with an uneasy half-laugh in it, was an attempt to soothe and conciliate. "Whatever are you fancyin', Robert?" she said nervously. "Who's planning or scheming? Just you come up to bed, and be done with your talk-talk-talk. Affidavits and lawyers! Where shall we be next?" "Don't you think to take me in!" His reply was in manner perfectly sane and coherent—that of a shrewd man of business, who sees through a clever imposture, being himself cleverer still. "Don't you think to take me in! I wasn't born last Sunday mornin'. Now look 'ee here, Pry-scilla Coupland! Shall I tell yer something I know? Shall I tell yer a little thing I know? A little—little thing?" This was said as a question of superhuman slyness, as he pointed an intuitive finger to emphasize it and waited. Then, quite suddenly, he became ferocious. "What the Hell, do you think I don't know ? Do you think I don't know that it's you that's in behind it all? Ah!—you and Jim. One as like as t'other. It's a bloody conspiracy, I tell yer. And I'll make yer pay for it. I'll make yer pay." Still, Lizarann was impressed that he was speaking of something real, as there is nothing per se insane in an idea of a conspiracy, however groundless. But when he next spoke, she saw that he was really mad. For her aunt, perceiving that her attempt at a soothing tone had only made matters worse, tried a little intimidation. "You wouldn't kerry on like that, Robert, exceptin' you knew Jim wasn't here. But he's a-coming, and I tell it you, for you to know. So just you bear it in mind—there!" "Jim's over there. I seen him." He pointed to the bed. "Talking silly, you are! His bed's empty, anyhow! But he's a-coming—that I tell you, plain. Now you come along upstairs." "Aha!—right you are, Mrs. Hess." This was the initial of Steptoe. He went on with a sly triumphant wrinkling of his face, that mixed oddly with the tremor of eye and lip that is part of this disease. "No, he ain't in that bed. But I can tell yer where he is—he's under it! That's where Jim is. I seen his eye, plain to see!..." "Jim's eye, ye silly! Come to bed, and sleep your drink off. Ye born fool! Jim's eye!" "Ah!—Jim's eye. The one he opens at night. He's under-'anded and sly—sees a rare lot more than he'll put a name to! Why, I seen it, God damn you!"—with a sudden revival of ferocity—"I seen it, I tell you, there under that there bed." Then Lizarann knew that he was mad. Of course, she knew nothing of delirium tremens , but she knew quite well the state often described as "mad drunk," and that her uncle when so affected always became violent; although since that occurrence three months since, fear of Jim had been a wholesome check. Oh, if Daddy were only here!—so thought Lizarann, as she stood in the doorway with her teeth chattering, and literally sick with terror. "I tell you I seen it, and I'll tell you some more. Only just you stand still. I'm a going for to cut it out, by Goard! Only you wait till I get my * * * knife.... It's round the * * * corner against the window...." These were the last articulate words Lizarann heard, as her aunt followed their speaker into the front room. Then the voices of both in confusion—his raving, hers concealing apprehension badly under an attempt at command. This for a while; then a rapid crescendo of terror ending in a shriek, and an appeal to Heaven-knows-who to get the Police. And Lizarann—not seven yet!—had to make up her mind what to do.

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