Bobby Blake on a Plantation; Or, Lost in the Great Swamp
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
CHAPTER XXX JIM BOOLUS TRAPPED CHAPTER XXX JIM BOOLUS TRAPPED “Say that again,” cried Mr. Lanfranc, delight and incredulity struggling for the mastery. “Sure as shooting,” affirmed Lee with a happy laugh. “It isn’t more than an hour ago that we came across them. Come here and I’ll show them to you.” The whole party hurried to the precious memorials and examined them closely. The Parish Clerk was skilled in such matters, which came within the duties of his office, and he confirmed the belief of the boys that these were the only things necessary to make Mrs. Cartier’s title to the property absolutely secure. “This has been a great day,” he said, as he rose from his knees after making notes of the inscriptions on the stones, “not only because we have found you boys, but because we’ve been able to put a crimp in the plans of the greatest rascal in this part of the parish. It was a clever thing, by the way, that you boys caught on to the meaning of these boundary stones.” “Oh, as for that,” said Lee generously, “all the praise must go to Bobby here. He was the one that figured it all out.” “Some boy,” said Mr. Lanfranc approvingly, and Bobby flushed to his ears. “It’s a queer coincidence,” continued Mr. Lanfranc, “that we ran across Boolus, accompanied by one of his negroes, in another part of the swamp, no later than yesterday. He said that he was out hunting, but I didn’t see that he had any gun. But here come the other fellows,” he added, as he caught sight of a party of three coming into view, “and as it is pretty near noon, I guess we’ll have our lunch right now and hurry back home. I can imagine how impatient Mrs. Cartier will be to have you with her as soon as possible.” The newcomers were quite as delighted as the first party had been, to learn that the missing ones were found and that their anxious search was ended. They chose a spot on higher ground in a clump of trees, and set to work on the abundant lunch with which they were provided. The boys, with their minds free for the first time in days, thought it was the most delicious repast they had ever tasted. They had not quite finished when Bobby caught sight of two figures at the edge of a fringe of trees some distance away. “Here come two other men,” he announced. “Is that so?” said Mr. Lanfranc with some curiosity. “I wonder who they are. Hunters I suppose.” “No,” cried Lee, who had been studying them closely. “It’s Jim Boolus and that darkey of his.” “So it is,” confirmed Mr. Lanfranc, after another look. “Lie down flat, all of you. I’m curious to see what the old rascal is up to.” They stretched themselves flat on the ground and looked through the bushes at the approaching couple. All unconscious of the scrutiny, they came on, Boolus in the van, his eyes scanning the ground as they advanced. Suddenly he caught sight of one of the boundary stones, which, having been largely uncovered during the investigation of the markings were now in plain sight. With an exclamation of satisfaction, he hurried toward it, and fell on his knees to look at it closely. Then he rose to his feet and rubbed his hands together in glee. He beckoned to the colored youth, talked to him for a minute or two and then both set to work digging about the stone, using some implements that the attendant had brought with him. “What are they after?” asked Fred in a whisper. “I know very well what they are after,” replied Mr. Lanfranc in a low tone that held grimness in it. “He’s hanging himself with his own rope.” The couple worked hard for perhaps a quarter of an hour, and then with great effort dragged the heavy stone out of its hole and laid it on the grass. Then after resting a moment each took one end, and half carrying, half dragging it, moved toward the edge of a bog that lay twenty yards away. “Halt!” shouted Mr. Lanfranc, and at the same moment the whole party rose to their feet and poured out from among the trees. At the sudden command, Boolus and his helper dropped the stone as though they had been shot. In a moment the members of the party were upon them. The negro started to run, but one of the men caught him and dragged him back by the collar. “So, Jim Boolus,” said Mr. Lanfranc, “you robber of widows and orphans, we’ve caught you at last. You’ve kept out of the grip of the law for a long time, but it’s got you now. The evidence is so clear that the jury will convict you without leaving the box. You stole the boat of these boys and left them to starve and die, for all you cared—” “I didn’t,” denied Boolus, “and you can’t prove it.” “This boy has confessed that he did it at your direction,” declared Mr. Lanfranc, indicating the negro. “You don’t suppose a jury would take the word of a negro against that of a white man, do you?” replied Boolus, who thought he saw a ray of hope. “Against such a white man as they know you to be, I think they would,” answered Mr. Lanfranc. “But let that pass. Just now, all of us have seen you commit a crime. Two minutes more and that stone would have been swallowed up in the bog. The removal of boundary marks is a serious crime and a state prison offense. You’re due for a good long time behind the bars, Jim Boolus. Come along now,” he commanded, cutting short abruptly the mumbling appeals for mercy that the detected wretch was beginning. The whole party took up the march, and in a few hours reached the nearest town, where Jim Boolus was committed to the charge of the sheriff, who took him to the jail. There he stayed until, a few weeks later, he began his long prison term. The boys hurried at once to the plantation, where Lee flew to his mother’s arms. She hugged and cried over him, as mothers do, and then Bobby and Fred came in for a welcome scarcely less warm. It was a glorious reunion and one of the happiest occasions that the boys had ever known. “Do you remember what I said about a hunch this morning?” Bobby asked Fred, when, at the end of that jubilant day, they were getting ready for bed. “Yes,” agreed Fred, “your hunch was right. It sure has been our lucky day!” “And to think we found those boundary stones,” put in Lee. “That’s the best ever. My mother will want to thank you for that—when she gets over all this excitement over our return.” “Gee, but we’ll have a story to tell, when we get back to Rockledge,” was Fred’s comment. “Lost in a swamp, and fighting a cougar, and a moccasin snake, and sinking in the mush—” “They won’t believe the half of it,” added Bobby. “It sure was a lot of adventures!” “Well, now you’ve got to settle down to good times on the plantation,” said Lee. “I wonder if we’ll get back that motor boat,” cried Bobby, suddenly. “I don’t know,” answered the Southern boy. But it may be added that the boat had already been found and was returned to the Cartiers the next day. Delightful days on the plantation followed. The boys avoided the big swamp, but they visited the cotton and the rice fields, and had the best of times. “And now, back to school!” sang out Bobby one day, and here, getting ready to return to Rockledge, we will leave the lads. THE END This Isn’t All! Would you like to know what became of the good friends you have made in this book? Would you like to read other stories continuing their adventures and experiences, or other books quite as entertaining by the same author? On the reverse side of the wrapper which comes with this book, you will find a wonderful list of stories which you can buy at the same store where you got this book. Don’t throw away the Wrapper Use it as a handy catalog of the books you want some day to have. But in case you do mislay it, write to the Publishers for a complete catalog. THE HARDY BOYS SERIES By FRANKLIN W. DIXON Illustrated. Every Volume Complete in Itself THE HARDY BOYS are sons of a celebrated American detective, and during vacations and their off time from school they help their father by hunting down clues themselves. THE TOWER TREASURE—A dying criminal confessed that his loot had been secreted “in the tower.” It remained for the Hardy Boys to make an astonishing discovery that cleared up the mystery. THE HOUSE ON THE CLIFF—The house had been vacant and was supposed to be haunted. Mr. Hardy started to investigate—and disappeared! An odd tale, with plenty of excitement. THE SECRET OF THE OLD MILL—Counterfeit money was in circulation, and the limit was reached when Mrs. Hardy took some from a stranger. A tale full of thrills. THE MISSING CHUMS—Two of the Hardy Boys’ chums take a motor trip down the coast. They disappear and are almost rescued by their friends when all are captured. A thrilling story of adventure. HUNTING FOR HIDDEN GOLD—Mr. Hardy is injured in tracing some stolen gold. A hunt by the boys leads to an abandoned mine, and there things start to happen. A western story all boys will enjoy. THE SHORE ROAD MYSTERY—Automobiles were disappearing most mysteriously from the Shore Road. It remained for the Hardy Boys to solve the mystery. THE SECRET OF THE CAVES—When the boys reached the caves they came unexpectedly upon a queer old hermit. THE MYSTERY OF CABIN ISLAND—A story of queer adventures on a rockbound island. THE GREAT AIRPORT MYSTERY—The Hardy Boys solve the mystery of the disappearance of some valuable mail. WHAT HAPPENED AT MIDNIGHT—The boys follow a trail that ends in a strange and exciting situation. WHILE THE CLOCK TICKED—The Hardy Boys aid in vindicating a man who has been wrongly accused of a crime. GROSSET & DUNLAP, Publishers , NEW YORK TED SCOTT FLYING STORIES By FRANKLIN W. DIXON Illustrated. Each Volume Complete in Itself. No subject has so thoroughly caught the imagination of young America as aviation. This series has been inspired by recent daring feats of the air, and is dedicated to Lindbergh, Byrd, Chamberlin and other heroes of the skies. OVER THE OCEAN TO PARIS; or, Ted Scott’s Daring Long Distance Flight . RESCUED IN THE CLOUDS; or, Ted Scott, Hero of the Air . OVER THE ROCKIES WITH THE AIR MAIL; or, Ted Scott, Lost in the Wilderness . FIRST STOP HONOLULU; or, Ted Scott Over the Pacific . THE SEARCH FOR THE LOST FLYERS; or, Ted Scott Over the West Indies . SOUTH OF THE RIO GRANDE; or, Ted Scott On a Secret Mission . ACROSS THE PACIFIC; or, Ted Scott’s Hop to Australia . THE LONE EAGLE OF THE BORDER; or, Ted Scott and the Diamond Smugglers . FLYING AGAINST TIME; or, Breaking the Ocean to Ocean Record . OVER THE JUNGLE TRAILS; or, Ted Scott and the Missing Explorers . LOST AT THE SOUTH POLE; or, Ted Scott in Blizzard Land . THROUGH THE AIR TO ALASKA; or, Ted Scott’s Search in Nugget Valley . FLYING TO THE RESCUE; or, Ted Scott and the Big Dirigible . DANGER TRAILS OF THE SKY; or, Ted Scott’s Great Mountain Climb . FOLLOWING THE SUN SHADOW; or, Ted Scott and the Great Eclipse . GROSSET & DUNLAP, Publishers , NEW YORK THE REX LEE FLYING STORIES By THOMSON BURTIS Illustrated. Every Volume Complete in Itself. The author of this series of exciting flying stories is an experienced aviator. He says, “During my five years in the army I performed nearly every sort of flying duty—instructor, test pilot, bombing, photographing pilot, etc., in every variety of ship, from tiny scout planes to the gigantic three-motored Italian Caproni.” Not only has this author had many experiences as a flyer; a list of his activities while knocking around the country includes postal clerk, hobo, actor, writer, mutton chop salesman, preacher, roughneck in the oil fields, newspaper man, flyer, scenario writer in Hollywood and synthetic clown with the Sells Floto Circus. Having lived an active, daring life, and possessing a gift for good story telling, he is well qualified to write these adventures of a red-blooded dare-devil young American who became one of the country’s greatest flyers. REX LEE; GYPSY FLYER REX LEE; ON THE BORDER PATROL REX LEE; RANGER OF THE SKY REX LEE; SKY TRAILER REX LEE; ACE OF THE AIR MAIL REX LEE; NIGHT FLYER REX LEE’S MYSTERIOUS FLIGHT REX LEE; ROUGH RIDER OF THE AIR REX LEE; AERIAL ACROBAT REX LEE; TRAILING AIR BANDITS REX LEE; FLYING DETECTIVE GROSSET & DUNLAP, Publishers , NEW YORK FLYING STORIES FOR BOYS IN THE AIR WITH ANDY LANE By EUSTACE L. ADAMS Illustrated. Every Volume Complete in Itself. Mr. Adams, the author of this flying series for boys is an experienced aviator and has had many thrilling adventures in the air—both as a member of the famous Lafayette Escadrille in the World War and in the United States Naval Aviation Service flying with the squadrons patrolling the Atlantic Coast. His stories reveal not only his ability to tell daring and exciting air episodes but also his first hand knowledge of modern aeroplanes and the marvelous technical improvements which have been made in the past few years. Andy Lane flies the latest and most highly developed machines in the field of aviation. FIFTEEN DAYS IN THE AIR OVER THE POLAR ICE RACING ROUND THE WORLD THE RUNAWAY AIRSHIP PIRATES OF THE AIR ON THE WINGS OF FLAME THE MYSTERIOUS MONOPLANE THE FLYING WINDMILL THE PLANE WITHOUT A PILOT WINGS OF ADVENTURE ACROSS THE TOP OF THE WORLD PRISONERS OF THE CLOUDS GROSSET & DUNLAP, Publishers , NEW YORK BUDDY BOOKS FOR BOYS Illustrated. Individual Colored Wrappers. Tales of Western pioneer days and the California gold fields; tales of mystery, humor, adventure; thrilling stories of sports and aviation. There is a wide range of subjects in this list of titles—all by well-known authors of books for boys. HOT DOG PARTNERS, By William Heyliger YOUNG EAGLE OF THE TRAIL, By J. Allan Dunn THE LAND OF MONSTERS, By Harold M. Sherman QUARTERBACK HOTHEAD, By William Heyliger LEFTY LEIGHTON, By Percy Keese Fitzhugh NUMBER 44, By Harold M. Sherman BILL DARROW’S VICTORY, By William Heyliger THE STORY OF TERRIBLE TERRY, By Percy Keese Fitzhugh BEYOND THE DOG’S NOSE, By Harold M. Sherman DING PALMER, AIR DETECTIVE, By Harold M. Sherman BEAN-BALL BILL, By William Heyliger CAMERON MacBAIN, BACKWOODSMAN, By Harold M. Sherman FLYING HEELS, By Harold M. Sherman FLASHING STEEL, By Harold M. Sherman BUFFALO BOY, By J. Allan Dunn THE CLOUD PATROL, By Irving Crump SPIFFY HENSHAW, By Percy Keese Fitzhugh THE PILOT OF THE CLOUD PATROL, By Irving Crump DON RADER, TRAIL BLAZER, By Harold M. Sherman TUCK SIMMS, FORTY-NINER, By Edward Leonard WIGWAG WEIGAND, By Percy Keese Fitzhugh HERVEY WILLETTS, By Percy Keese Fitzhugh SKINNY McCORD, By Percy Keese Fitzhugh GROSSET & DUNLAP, Publishers , NEW YORK GREAT SPORT STORIES For Every Sport Season By HAROLD M. SHERMAN Here’s an author who knows his sports from having played them. Baseball, football, basketball, ice hockey, tennis, track—they’re all the same to Harold M. Sherman. He puts the most thrilling moments of these sports into his tales. Mr. Sherman is to-day’s most popular writer of sport stories—all of which are crowded with action, suspense and clean, vigorous fun. The Home Run Series Bases Full! Hit by Pitcher Safe! Hit and Run Double Play Batter Up! The Basketball Series Mayfield’s Fighting Five Get ’Em Mayfield Shoot That Ball! The Gridiron Series Goal to Go Hold That Line! Touchdown Block That Kick! One Minute to Play Fight ’Em, Big Three The Ice Hockey Series Flashing Steel Flying Heels Slashing Sticks Other Stories of Sport and Adventure The Land of Monsters Beyond the Dog’s Nose Cameron McBain Backwoodsman Ding Palmer Air Detective Don Rader, Trail Blazer No. 44 GROSSET & DUNLAP, Publishers , NEW YORK WESTERN STORIES FOR BOYS By JAMES CODY FERRIS Each Volume Complete in Itself. Thrilling tales of the great west, told primarily for boys but which will be read by all who love mystery, rapid action, and adventures in the great open spaces. The Manly boys, Roy and Teddy, are the sons of an old ranchman, the owner of many thousands of heads of cattle. The lads know how to ride, how to shoot, and how to take care of themselves under any and all circumstances. The cowboys of the X Bar X Ranch are real cowboys, on the job when required, but full of fun and daring—a bunch any reader will be delighted to know. THE X BAR X BOYS ON THE RANCH THE X BAR X BOYS IN THUNDER CANYON THE X BAR X BOYS ON WHIRLPOOL RIVER THE X BAR X BOYS ON BIG BISON TRAIL THE X BAR X BOYS AT THE ROUND-UP THE X BAR X BOYS AT NUGGET CAMP THE X BAR X BOYS AT RUSTLER’S GAP THE X BAR X BOYS AT GRIZZLY PASS THE X BAR X BOYS LOST IN THE ROCKIES THE X BAR X BOYS RIDING FOR LIFE THE X BAR X BOYS IN SMOKY VALLEY GROSSET & DUNLAP, Publishers , NEW YORK BOOKS BY LEO EDWARDS Illustrated. Every Volume Complete in Itself. Hundreds of thousands of boys who laughed until their sides ached over the weird and wonderful adventures of Jerry Todd and his gang demanded that Leo Edwards, the author, give them more books with belt-bursting laughs and creepy shivers. So he took Poppy Ott, Jerry Todd’s bosom chum and created the Poppy Ott series. Now there are two more series, The Andy Blake and the Trigger Berg—and if such a thing is possible—they are even more full of fun and excitement than the Jerry Todds. THE JERRY TODD BOOKS JERRY TODD AND THE WHISPERING MUMMY JERRY TODD AND THE ROSE COLORED CAT JERRY TODD AND THE OAK ISLAND TREASURE JERRY TODD AND THE WALTZING HEN JERRY TODD AND THE TALKING FROG JERRY TODD AND THE PURRING EGG JERRY TODD IN THE WHISPERING CAVE JERRY TODD, PIRATE JERRY TODD AND THE BOB-TAILED ELEPHANT JERRY TODD, EDITOR-IN-GRIEF JERRY TODD, CAVEMAN THE POPPY OTT BOOKS POPPY OTT AND THE STUTTERING PARROT POPPY OTT AND THE SEVEN LEAGUE STILTS POPPY OTT AND THE GALLOPING SNAIL POPPY OTT’S PEDIGREED PICKLES POPPY OTT AND THE FRECKLED GOLDFISH POPPY OTT AND THE TITTERING TOTEM POPPY OTT AND THE PRANCING PANCAKE THE ANDY BLAKE BOOKS ANDY BLAKE ANDY BLAKE’S COMET COASTER ANDY BLAKE’S SECRET SERVICE ANDY BLAKE AND THE POT OF GOLD THE TRIGGER BERG BOOKS TRIGGER BERG AND THE TREASURE TREE TRIGGER BERG AND 700 MOUSETRAPS TRIGGER BERG AND THE SACRED PIG THE TUFFY BEAN BOOKS TUFFY BEAN’S PUPPY DAYS TUFFY BEAN’S ONE RING CIRCUS TUFFY BEAN AT FUNNY-BONE FARM TUFFY BEAN AND THE LOST FORTUNE GROSSET & DUNLAP, Publishers , NEW YORK THE WESTY MARTIN BOOKS By PERCY KEESE FITZHUGH Author of the Tom Slade and Roy Blakeley Books, Etc. Illustrated. Every Volume Complete in Itself. Westy Martin, known to every friend of Roy Blakeley, appears as the hero of these adventures. As a scout in Bridgeboro and Temple Camp he has learned the rudiments of scoutcraft. Now as an Eagle scout you can follow him along new trails and among new adventures. How he became the companion of an old trapper on a trip into the heart of the Rockies, how he followed an old Indian trail, how he explored the vast spaces of the old Sante Fe Trail, and later was plunged into the dramatic events of the Mississippi flood, is told in these stories teeming with action and thrills. WESTY MARTIN WESTY MARTIN IN THE YELLOWSTONE WESTY MARTIN IN THE ROCKIES WESTY MARTIN ON THE SANTE FE TRAIL WESTY MARTIN ON THE OLD INDIAN TRAIL WESTY MARTIN IN THE LAND OF THE PURPLE SAGE WESTY MARTIN ON THE MISSISSIPPI WESTY MARTIN IN THE SIERRAS GROSSET & DUNLAP, Publishers , NEW YORK *** END OF THE PROJECT GUTENBERG EBOOK BOBBY BLAKE ON A PLANTATION; OR, LOST IN THE GREAT SWAMP *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- Seldon Powell Memorial (1 of 2)#465840
- Seldon Powell Memorial (2 of 2)#465841
- Book review of: A. Brooks, Who Really Cares: The Surprising Truth of Compassionate Conservatism#742522
- The Tyrannical Woman: The Collapse of Idolized Feminine Sexuality in Blake’s Visions of the Daughters of Albion#272157
- William Blake, Painter and Poet#55273
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive