The Moon Colony
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
CHAPTER XXIX
Out of the Depths CHAPTER XXIX Out of the Depths Epworth, Joan, and Billy soon grew weary of life with the Selinites. They were banqueted, honored in every way possible, and assured constantly of the gratitude and friendship of Moawha and her people. But the people were little, the houses were small, life was narrowed to investigations of the interior of the moon, and what they could learn from the Selinite scientists. In addition to this Epworth felt that it was his duty to go back to the Aerolite, and give aid to the colonists. They had made him co-leader with Toplinsky; and they expected him to give them the best advice and help he could. It entered his mind that he could bring them down into the interior of the moon where they could live with greater ease. But when he spoke of this to Moawha she demurred. She had heard about the colonists from Joan, and she was not impressed with the idea of turning a lot of robbers and bad men loose among her people. “At first, under your control, they might behave themselves,” she said, “but if you were to die they might decide to run wild, and annoy my people.” “That is true,” Epworth admitted reluctantly. “I am not bragging about their religious background.” “Even if I agreed, there comes the question of getting them here. How would you manage that? How will you go back to them?” “We might take them back to the earth,” Billy suggested. “That is another problem with Toplinsky dead. Just the same I am going to see just how easy it will be for us to fly up to the outer crust through Crater Agrippa.” “When you make the attempt I go with you,” said the loyal Joan. “Count me in it,” Billy added. “Very well; we are on our way.” To accomplish the ascending flight Epworth made three large motor-gliders. Well supplied with provisions for the trip, the three hardy Americans, accompanied by Moawha, made their way to the spot where the hole of the crater opened out from the inner world of the moon. It was a great frowning, black hole but the hardy adventurers did not let the looks of the route affect them. They bade Moawha a pleasant farewell, climbed into their gliders, and began to pedal around in a circle. In this manner they soon left the land of the Selinites, the light of day, and climbed up into the darkness with their flashlights in hand and their cavern lanterns fastened to their heads. The upward trip was uneventful until Epworth suddenly found himself flying near a roof of large boulders and rocks which had not been there when they came down from the cricket nest. When he was joined by Joan and Billy all three flew around in a circle looking for an opening that would lead them upward. They could find no way to go out. “What has happened?” Billy inquired in great alarm when they discovered that their way out was blocked. “All these rocks were not here when we came down.” “It looks to me as if that terrific explosion that Toplinsky set off has caused the insides of the crater to fall in and block all passage upward,” Epworth reasoned. “We are probably in a part of the crater which was narrow, and when the big boulders fell they crashed together.” “That means that we are not going out,” Joan observed very quietly. She was very anxious to get out and try to get back to the earth. Of the three she was the one who had little interest in the inside of the moon. “I—I—had been building up great hopes.” Epworth made a thorough examination of the rocks and debris that blocked the way. “We are not going out this way,” he said, shaking his head sadly. “It looks as if we are doomed to become Selinites.” “Moawha and her people are very charming,” Joan added thoughtfully, “but they are not our kind of people. They like us now but the Selinites may take a notion to change rulers over night. If they did we might not be so popular.” “The light in the Land of the Selinites is steady, constant, and never lets up,” Billy put in. “You have explained that to me with the statement that the sun shines all the time through an open space in Mount Leibnitz. That means that there is an outer opening in that mountain. Why not try going out that way?” “Billy, you are a scholar and a statesman,” Epworth declared enthusiastically. “We will do that very thing.” They returned to Moawha’s city, and explained to her why they could not go on to the outer portion of the moon. When they told her that they were going to try to go out through the hole in Mount Leibnitz she immediately informed them that she would go with them as far as Mount Leibnitz. Moawha had spent her entire life in the Land of the Selinites, and the idea that there was a great ball of fire out in space and shining through the outer rim of the moon was new and strange to her. “I can’t believe that there is such a fire,” she exclaimed. “If there is I want to see it.” Again Epworth, Joan and Billy, accompanied by Moawha, made a journey with a view of gaining the exterior. It was not a hard trip. All four had motor-gliders, and were able to fly easily over the rugged hills and interior projections of the moon which stuck up like small mountains. But as they approached the great Mount Leibnitz the air grew warmer and warmer. Presently it became intensely hot, and even when they faced this heat they did not get a view of the sun. It was the steady flame of sunlight reflected against the rugged interior near the south pole that created the heat. Nevertheless Epworth insisted on pressing onward. Finally they came to a mountain that ran up into a sharp peak. This mountain reflected many and varied coruscations, indicating that it was a large heap of colored stones. The heat here was almost unbearable but Epworth persisted in his advance until the three stood on a high peak with a blazing light all around them. Epworth was the first one to climb to the top of this peak. “There, Moawha, is the mass of fire that makes the light and heat for your world.” He turned, and lifted the little queen in his arms. What she saw caused her to cover her eyes with her hands and scream. A great ball of blazing fire, bigger than anything Epworth had ever seen, shot down at them from out of the sky. Its heat was scorching, burning, blistering. Just a few moments under that blazing glare, and their clothing would be scorched, their flesh would be a mass of blisters, and they would fall down never to rise, yet this was their only way out! “We can’t go out here,” Joan remarked quietly, as she pulled her brother back so that he was protected from the blazing sun by the top of the mountain. “This is just the beginning. There may be miles and miles of heated interior before we can get out of the hole to outer space.” “Then we will have the same heat until we get to a point where the movements of the moon bring about the fourteen days of night.” Billy’s voice was mournful. “It looks to me that we are inside of the moon for keeps.” Epworth led them down the mountain side to a spot where they were given the shadows of the hill in a way that brought a little relief from the terrible blaze. When he stopped he glanced at Joan’s hat. It was a combination of light straw and cloth, held away from her head by four slender slits of leather in such a way that the air percolated through her hair. Taking the hat in his hand he studied it for several moments. “I have an idea,” he said quietly. “Let’s go back to the Land of the Selinites, and work it out.” Blindly his companions followed him, and for two weeks Epworth worked with the best scientists of the Land. The result of this labor was the construction of three hollow body-helmets of asbestos, held away from the skin of the body so that air could percolate between the asbestos and their bodies. Air helmets for their heads were also made of asbestos. In addition to this, they covered their gliders with asbestos. Over all Epworth spread a coat of aluminum. Thus prepared they flew again to the South Pole. Moawha went with them. “I am not going to let my good friends leave me as long as I can see them,” she assured them. “Maybe you will have to come back again. I hope so. But if you do not you shall know that Moawha loves you, and wants you with her.” It was a solemn parting. They left Moawha standing on the shady side of Mount Leibnitz’ peak waving her hand at them, and crying softly. All three sprang into the air at the same time. Epworth jockeyed his glider near to Joan, and pointed upward. Upward meant straight into a blazing sun without any signs of land around them until they passed out of the crater. “That for the heat!” shouted Billy when he got up into the glare of the sun, and discovered that the improvised protection would in a way answer the purpose. “I can stand a little heat.” But he had no idea of the heat he would have to stand. Soon he discovered that he had spoken joyfully too soon. It was an endless fiery furnace. Hour after hour they circled upward and outward. The hole in Mount Leibnitz proved of enormous size; the heat was greater than any they had ever encountered. Fortunately Epworth had brought his binoculars with him, and using these, and his natural orientation, he was able to keep near the western line of the crater and know when they had left the inner part of the moon and had gained the outer portion. Then began another long, wearisome journey, traveling over the surface of the moon without a compass. Putting the sun to their backs the three flew on, and on and on. But to give all the details of that terrible trip through blinding, blazing heat would necessitate a volume. They found some diminution in the heat after leaving the crater of Mount Leibnitz. Had it not been so they would never have accomplished their journey. But finally they got to the Sea of Vapours and the lake that Toplinsky had made. Here they met with a pleasant surprise. Epworth and Billy were of the opinion that they would experience much trouble in learning to operate the Aerolite. The nearer they got to the Rocket ship the more depressed they became because of this idea. But when they landed near the Aerolite they were met by Michael Strauss. He greeted them joyfully. “You are just in time,” he said, shaking their hands heartily. “I have been digging into Toplinsky’s desk. The giant left hidden there some blue prints of the Aerolite, and instructions about controlling it, and directing its course. These instructions are simple to a navigator and mechanic, and now that Toplinsky is dead I will undertake to guide the Rocket back to the earth.” Gladly Epworth placed the matter in Michael’s hands after he had read the instructions, and under Michael’s skillful navigation the trip was made safely. Naturally Toplinsky’s moon colonization scheme fell through but Epworth gave the colonists time to disappear from the Arctic camp, and then he and Joan and Billy found their way back to America, and sent government planes to recover the loot Toplinsky had stolen. But one mystery always remained to trouble the astronomers. What had made the dark spot near the corner of the Sea of Vapours, and why did it gradually vanish? THE END *** END OF THE PROJECT GUTENBERG EBOOK THE MOON COLONY *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- A Colony of Girls#50380
- A Voyage to the Moon With Some Account of the Manners and Customs, Science and Philosophy, of the People of Morosofia, and Other Lunarians#35825
- A Voyage to the Moon#52791
- Colonial living#419880
- Welcoming the Moon#205972
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive