Eben Holden's Last Day A-Fishing
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
III hear the low, sweet music of many wings—the continuous treble of the honey-bee in chord with flashes of deep bass from the wings of that big, wild, improvident cousin of his. Above this lower heaven I could hear a tournament of bobolinks. They flew over me, and clung in the grass tops and sang—their notes bursting out like those of a plucked string. What a pressure of delight was behind them! Hope and I used to go there for berries when we were children, and later—when youth had come, and the colors of the wild rose and the tiger-lily were in our faces—we found a secret joy in being alone together. Those days there was something beautiful in that hidden fear we had of each other—was it not the native, imperial majesty of innocence? The look of her eyes seemed to lift me up and prepare me for any sacrifice. That orchestra of the meadow spoke our thoughts for us—youth, delight and love were in its music. Soon I heard a merry laugh and the sound of feet approaching, and then the voice of a young man. “Mary, I love you,” it said, “and I would die for your sake.” The same old story, and I knew that he meant every word of it. What Mary may have said to him I know well enough, too, although it came not to my ears; for when I rose, by and by, and crossed the woodland and saw them walking up the slopes, she all in white and crowned with meadow flowers, I observed that his arm supported her in the right way. I took down my rod and hurried up stream, and came soon where I could see Uncle Eb sitting motionless and leaning on a tree trunk. I approached him silently. His head leaned forward; the “pole” lay upon his knees. Like a child, weary of play, he had fallen asleep. His trout lay in a row beside him; there were at least a dozen. That old body was now, indeed, a very bad fit, and more—it was too shabby for a spirit so noble and brave. I knew, as I looked down upon him, that Uncle Eb would fish no more after that day. In a moment there came a twitch on the line. He woke suddenly, tightened his grasp, and flung another fish into the air. It broke free and fell upon the ripples. “Huh! ketched me nappin',” said he. “I declare, Bill, I'm kind o' shamed.” I could see that he felt the pathos of that moment. “I guess we've fished enough,” he said to himself, as he broke off the end of the pole and began to wind his line upon it. “When the fish hev t' wake ye up to be hauled in its redic'lous. The next time I go fishin' with you I'm goin' t' be rigged proper.” In a moment he went on: “Fishin' ain't what it used t' be. I've grown old and lazy, an' so has the brook. They've cut the timber an' dried the springs, an' by an' by the live water will go down to the big sea, an' the dead water will sink into the ground, an' you won't see any brook there.” We began our walk up one of the cowpaths. “One more look,” said he, facing about, and gazing up and down the familiar valley. “We've had a lot o' fun here—'bout as much as we're entitled to, I guess—let 'em have it.” So, in a way, he deeded Tinkle Brook and its valley to future generations. We proceeded in silence for a moment, and soon he added: “That little brook has done a lot fer us. It took our thoughts off the hard work, and helped us fergit the mortgage, an' taught us to laugh like the rapid water. It never owed us anything after the day Mose Tupper lost his pole. Put it all together, I guess I've laughed a year over that. 'Bout the best payin' job we ever done. Mose thought he had a whale, an' I don't blame him. Fact is, a lost fish is an awful liar. A trout would deceive the devil when he's way down out o' sight in the water, an' his weight is telegraphed through twenty feet o' line. When ye fetch him up an' look him square in the eye he tells a different story. I blame the fish more'n I do the folks. “That 'swallered pole' was a kind of a magic wand round here in Faraway. Ye could allwus fetch a laugh with it. Sometimes I think they must 'a' lost one commandment, an' that is: Be happy. Ye can't be happy an' be bad. I never see a bad man in my life that was hevin' fun. Let me hear a man laugh an' I'll tell ye what kind o' metal there is in him. There ain't any sech devilish sound in the world as the laugh of a wicked man. It's like the cry o' the swift, an' you 'member what that was.” Uncle Eb shook with laughter as I tried the cry of that deadly bugbear of my youth. We got into the wagon presently and drove away. The sun was down as I drew up at the old school-house. “Run in fer a minute an' set down in yer old seat an' see how it seems,” said Uncle Eb. “They're goin' to tear it down, an' tain't likely you'll see it ag'in.” I went to the door and lifted its clanking latch and walked in. My footsteps filled the silent room with echoes, and how small it looked! There was the same indescribable odor of the old time country school—that of pine timber and seasoning fire-wood. I sat down in the familiar seat carved by jack-knives. There was my name surrounded by others cut in the rough wood. Ghosts began to file into the dusky room, and above a plaintive hum of insects it seemed as if I could hear the voices of children and bits of the old lessons—that loud, triumphant sound of tender intelligence as it began to seize the alphabet; those parrot-like answers: “Round like a ball,” “Three-fourths water and one-fourth land,” and others like them. “William Brower, stop whispering!” I seemed to hear the teacher say. What was the writing on the blackboard? I rose and walked to it as I had been wont to do when the teacher gave his command. There in the silence of the closing day I learned my last lesson in the old school-house. These lines in the large, familiar script of Feary, who it seems had been a visitor at the last day of school, were written on the board: SCHOOL 'S OUT Attention all—the old school's end is near. Behold the sum of all its lessons here: If e'er by loss of friends your heart is bowed! Straightway go find ye others in the crowd. Let Love's discoveries console its pain And each year's loss be smaller than its gain. God's love is in them—count the friends ye get The only wealth, and foes the only debt. In life and Nature read the simple plan: Be kind, be just, and fear not God or man. School's out. I passed through the door—not eagerly, as when I had been a boy, but with feet paced by sober thought—and I felt like one who had “improved his time,” as they used to say. We rode in silence on our way to Hillsborough, as the dusk fell. “The end o' good things is better'n the beginning,” said Uncle Eb, as we got out of the carriage. III NE more scene from that last year, and I am done with it. There is much comes crowding out of my memory, but only one thing which I could wish were now a part of the record. Yet I have withheld it, and well might keep it to myself, for need of better words than any which have come to me in all my life. Christmas! And we were back in the old home again. We had brought the children with us. Somehow they seemed to know our needs and perils. They rallied to our defence, marching up and down with fife and drum, and waving banners, and shouts of victory—a battalion as brave as any in the great army of happiness. They saved the day which else had been overrun with thoughts and fears from the camp of the enemy. Well, we had a cheerful time of it, and not an eye closed until after the stroke of ten that night. Slowly, silence fell in the little house. Below-stairs the lights were out, and Hope and I were sitting alone before the fire. We were talking of old times in the dim firelight. Soon there came a gentle rap at our door. It was Uncle Eb with a candle in his hand. “I jes' thought I'd come in an' talk a leetle conversation,” said he, and sat down, laughing with good humor. “'Member the ol' hair trunk?” he asked, and when I assured him that we could not ever forget it, he put his hand over his face and shook with silent and almost sorrowful laughter. “I 'member years ago, you use' to think my watch was a gran' thing, an' when ye left hum ye wanted t' take it with ye, but we didn't think it was best then.” “Yes, I remember that.” “I don't s'pose”—he hesitated as a little embarrassed—“you've got so. many splendid things now, I—I don't s'pose—” “Oh, Uncle Eb, I'd prize it above all things,” I assured him. “Would ye? Here 't is,” said he, with a smile, as he took it out of his pocket and put it in my hand. “It's been a gran' good watch.” “But you—you'll need it.” “No,” he answered. “The clock 'll do fer me—I'm goin' to move soon.” “Move!” we both exclaimed. “Goin' out in the fields to work ag'in,” he added, cheerfully. After a glance at our faces, he added: “I ain't afraid. It's all goin' t' be fair an' square. If we couldn't meet them we loved, an' do fer 'em, it wouldn't be honest. We'd all feel as if we'd been kind o' cheated. Suthin' has always said to me: 'Eb Holden, when ye git through here yer goin' t' meet them ye love.' Who do ye s'pose it was that spoke t' me? I couldn't tell ye, but somebody said it, an' whoever 'tis He says the same thing to most ev'ry one in the world.” “It was the voice of Nature,” I suggested. “Call it God er Natur' er what ye please—fact is it's built into us an' is a part of us jest as the beams are a part o' this house. I don't b'lieve it was put there fer nuthin. An' it wa'n'. put there t' make fools of us nuther. I tell ye, Bill, this givin' life fer death ain't no hoss-trade. If ye give good value, ye're goin' to git good value, an' what folks hev been led to hope an' pray fer since Love come into the world, they're goin' to have—sure.” He went to Hope and put a tiny locket in her hand. Beneath its panel lay a ringlet of hair, golden-brown. “It was give to me,” he said, as he stood looking down at her. “Them little threads o' gold is kind o' wove all into my life. Sixty year ago I begun to spin my hope with 'em. It's grow-in' stronger an' stronger. It ain't possible that Natur' has been a foolin' me all this time.” After a little silence, he said to Hope: “I want you to have it.” Her pleasure delighted him, and his face glowed with tender feeling. Slowly he left us. The candle trembled in his hand, and flickering shadows fell upon us. He stopped in the open door. We knew well what thought was in his mind as he whispered back to us: “Merry Chris'mas—ev'ry year.” Soon I went to his room. The door was open. He had drawn off his boots and was sitting on the side of his bed. I did not enter or speak to him, as I had planned to do; for I saw him leaning forward on his elbows and wiping his eyes, and I heard him saying to himself: “Eb Holden, you oughter be 'shamed, I declare. Merry Chris'mas! I tell ye. Hold up yer head.” I returned to Hope, and we sat long looking into the firelight. Youth and its grace and color were gone from us, yet I saw in her that beauty “which maketh the face to shine.” Our love lay as a road before and behind us. Long ago it had left the enchanted gardens and had led us far, and was now entering the City of Faith and we could see its splendor against the cloud of mystery beyond. Our souls sought each other in the silence and were filled with awe as they looked ahead of them and, at last, I understood the love of a man for a woman. THE END *** END OF THE PROJECT GUTENBERG EBOOK EBEN HOLDEN'S LAST DAY A-FISHING *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate . While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org . This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
Related documents
- Combating illegal, unreported, and unregulated fishing#500118
- The Fisherman#416917
- Holden with the Cords#57257
- The Fishdollar Affair#58691
- My Book of Ten Fishes#56930
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive