Acting otherwise: Phronesis, the erotic, and the ethics of acting under heteronomous conditions

keywords: artistic research, acting, performance, phronesis, the erotic, heteronomy, situated ethical judgement, actor-maker, grammar of minimal interference, instituent practice, love letter as method, reversed consent, counter-perversion, phronetic acting, phronetic holding, postdramatic theatre, pedagogy, artistic collaboration, contemporary nordic performance, post-#metoo, consent ethics, new public management, situated knowledge, embodied knowledge, aliveness, ambivalence, bartleby, audre lorde, georges bataille, jonna bornemark, shannon jackson, esa kirkkopelto, 4 floors of whores, enfant terrible, brave love