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Eroticised Refusal Narratives and Perspectival Rape Myths
It is common to see fictional depictions in which one character rejects another’s sexual advances but, when their refusal is ignored or overpowered, they seemingly surrender to passion. I term these depictions, which frame this overcoming of refusal as a seduction, eroticized refusal narratives. This paper concerns how these narratives may be harmful: I develop a novel analysis of how these depictions may obstruct recognition of sexual violence. Feminist theorists have long argued that such depictions may promote rape myths and legitimise sexual violence. However, this work has largely neglected scholarship in aesthetics on the persuasive power of narrative. This paper remedies this oversight, analysing how these narratives frame sexual refusal, and connecting research on narrative in aesthetics to social research on ‘rape myths’. I draw on the idea that narrative fiction may equip us with new 'perspectives', an open-ended suite of interpretive dispositions, and argue that eroticised refusal narratives prescribe a perspective on which overcoming sexual refusal is erotic and excusable. I then suggest that these narratives may operate as a kind of illustrative example which 'exemplifies' this perspective, enabling viewers to export it. On this proposal, these narratives are exemplars of a standard 'script' for seduction. This perspective obstructs recognition of sexual violence, by disposing one to notice and produce excuses for ignoring sexual refusal: it thereby operates as an implicit, perspectival rape myth.
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