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The Soul-Conquering Love in Fayz Kashani’s Poetry: Translations and Annotations (Persian and English)

Rahbari-Ghazani, Rasoul · 2026
PhilArchive · Papers · 2026
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philosophy
In this volume, I bring together a selection of Fayz Kashani’s poems on love, presenting love as the central force in his mystical and philosophical vision. Given the absence of a sustained English translation of Fayz’s poetry, my first aim is to respond to this press-ing gap. Accordingly, the focus here is on translation accompanied by restrained annotation; a fuller, more academically oriented com-mentary will be developed in subsequent work. Adopting a herme-neutic approach, the annotations offered here provide interpretive guidance where necessary while keeping the poems at the center of the reader’s experience. Fayz was primarily a philosopher, theologian, and mystic; he turns to poetry where prose reaches its limits, where argument can persuade but cannot transform. In his own practice, poetry is a “spiritual exercise,” a way to awaken the heart, to intensify longing for the divine Beloved, God, and to clothe wisdom in verse, thus facilitating its reception. Fayz’s poetry is approached in that same spirit, not merely as literature to be admired, but as language meant to work upon the reader. I do not intend to provide a comprehensive anthology of his poetry, nor do I arrange the selection chronologically. The poems selected here revolve around two closely related forms of love. The first is love for God (Chapter 6). The second is love for the Perfect Man (insān kāmil), the Twelfth Imam of Shiʿi Islam: al-Mahdi, who, for Fayz, mirrors the unknowable divine Essence most comprehen-sively at this age (Chapter 7). These two dimensions are not sepa-rate paths but one continuous movement: love for God unfolds through love for the one who most fully manifests Him. Each poem is preceded by a brief discussion of its central themes, then present-ed in Persian and English, with annotations that clarify difficult ex-pressions, symbolic references, and doctrinal allusions. The poems show how metaphysical doctrine, theology, and spiritual experience converge in the language of love. The preliminary Chapters 1–5 provide the conceptual framework for reading Fayz’s poetry: his intellectual environment, his understanding of longing, his graded psychology of love, his use of mystical symbols, and his metaphys-ics of the Perfect Man. Fayz’s poems are deceptively simple, but conceptually dense. In translations, I remain close to the sense of the original while producing English that reads as living language rather than a technical gloss. To accomplish this task, I have consistently priori-tized meaning over form in my translations. Also, where necessary, I have slightly adjusted the wording to maintain coherence and in-telligibility without altering the underlying concepts or imagery. This volume is addressed to two types of readers simulta-neously. For those already familiar with Persian mystical literature, it offers a focused engagement with one of its most intellectually rich yet relatively neglected figures. For readers approaching this tradition for the first time, it offers an entry point into a world where poetry, philosophy, and spirituality are inseparable. In both cases, hope is the same: that Fayz’s words may not only be studied but lived with.
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