Point-Luminist Visual Philosophy II: The Monad-Quantum Isomorphism and Structural Panpsychism

Building upon the author’s previous framework of "Point-Luminism" as an ontological engineering of light, this paper investigates the metaphysical implications of the discrete luminous unit (DLU). We propose a novel synthesis of Leibnizian Monadology and contemporary Constitutive Panpsychism, termed "Monad-Quantum Isomorphism." We argue that the discrete points on the canvas are not merely physical reflectors but visual models of "Proto-Phenomenal Monads." The central challenge of panpsychism—the "Combination Problem"—is addressed through the introduction of the artist as a "Strong Observer." By imposing a high-density "Signature of Intentionality" (SI), the artist forces discrete micro-experiences to phase-lock into a coherent macroscopic gestalt. This establishes Point-Luminism not only as an aesthetic practice but as an empirical method for activating the latent consciousness of the material world.