PhilArchive
open access
Spectators and Giants in Rousseau and Víctor Erice
This essay explores how some themes in the writing of Jean-Jacques Rousseau—particularly having to do with what it is to be a spectacle before others—might illuminate two feature films by the Spanish director Víctor Erice, The Spirit of the Beehive (El espíritu de la colmena, 1973) and El sur (1983).
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- Espectadores, gigantes e infancia: Jean-Jacques Rousseau y Víctor Erice#717388
- Democracia y revolución :estudio preliminar en torno a la filosofía de Jean Jacques Rousseau y su influencia en Maximilien Robespierre .#225110
- Learning to Read: A Problem for Adam Smith and a Solution from Jane Austen#745936
- THE VIOLENCE OF THE VISIBLE: Figures that Survive, Gazes that Remake the World#77266
- The Descent of Winter: William Carlos Williams Under the Influence of Paris#760495
Record · ID 717477
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive