Regionalism, and Latin American Cinema as a Source of Hope, Renewal and Inspiration

We have entered a 21st century where people, rather than uniting across borders and daring to feel an affinity with the other ̶ bridging ethnic and national differences ̶ are now increasingly vulnerable, exposed to fragmenting movements often set in motion by leaders driven by egocentric values and self-interests pursued at the expense of the well-being of minorities and those occupying a lower level in the social hierarchy. While regionalism, nationalism and authoritarianism appear to be rising divisive movements triggered by such destabilising sociopolitical trends, within regionalism we can find examples of positive collaborations. Such is the case with Latin America today; a region which demonstrates a people coming together in a spirit of solidarity and creativity. Regionalism can in this case be inwardly advantageous. In a world characterised by personal disengagement and apathy, Latin America along with its indigenous communities uphold national values in a spirit of mutual comprehension on a communal level. Throughout history, these nations have been subjected to totalitarian regimes and hostile policies that disrupt societal structures. As a result, Latin American communities have developed resilience and a sense of hope deeply embedded in regional values. Its rich and diverse cinema reflects nations that despite all their uncertainties, differences, struggles and discontents have been showing the way forward. Drawing on Zygmunt Bauman, Kwame Anthony Appiah, and Richard A. Falk, this proposal explores Latin American cinema within a regional framework, looking at regionalism as a model for collective cooperation in the midst of a highly volatile world.