Entertaining Unhappiness

This essay sets out reflections on happiness that, it is argued, can be drawn from the 2013 film Blue Jasmine. In doing so, it seeks to demonstrate a certain epistemic potential of sound film, specifically, in the present case, a philosophical and psychological potential. It is argued that this kind of potential resides in a filmmaker’s ability to realistically represent aspects of the world that can otherwise rarely, if ever, be experienced so reflectively.