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Temporal Re-Circulation: A Theoretical Re-Definition of Time and Media as Cross-Epoch Cultural Structures

Hattori, Akihiro
PhilArchive · Papers
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philosophy
Contemporary media environments increasingly fragment human temporal experience, dissolving the continuity and contextual density that once structured daily life. This paper develops a philosophical account of media as temporal affordances and cultural time-structures, rather than mere containers of content. It advances a structural ontology of time in which temporal relations—synchronization, alignment, and irreversibility—form the primary basis of media experience. Drawing on media philosophy, phenomenology of temporality, and cultural memory theory, the paper introduces the concept of Dual-Now: a condition in which a past timepoint becomes experientially co-present with the present moment through structural correspondence. To articulate this mechanism, it proposes an Axiomatic Temporal Model consisting of six temporal axioms—Synchronous Identity, Irreversibility, Contextual Integrity, Day-Unit Holism, Temporal Visibility, and Continuity Across Days—and defines a Contextual Integrity Index (C) for evaluating the preservation of temporal structure across heterogeneous media. This framework enables a unified philosophical understanding of time-bearing media—from audiovisual archives to diaries, logs, and networked data streams—as diverse expressions of temporal form. It argues that temporal re-circulation can reactivate past time as a dynamically unfolding present, supporting intergenerational cultural memory and healthier relationships to lived time. The contribution is threefold: (1) reframing media as carriers of temporal structure that can be synchronized across epochs; (2) providing formal tools (Axiomatic Temporal Model, C-Index) for analyzing temporal completeness; and (3) theorizing Dual-Now as a novel experiential configuration of time. The paper concludes by identifying implications for future philosophical inquiry and interdisciplinary study of temporal experience in media environments.
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