“I Dwell in Possibility”: The Poetics of Space in the Works of 1980s Japanese Avant-Garde Fashion Designers

ABSTRACT What is art? What is history? What is knowledge? What is scholarship? Following the discussion between art and craft, I reflect on the use of textile with scholarship from Julia Bryan-Wilson and Winnie Wong. Inspired by Susan Foster’s article “Choreography Empathy,” and Georgina Kleege’s More Than Meets the Eye, I associate space with choreography and kinesthetic movement – particularly the concept of “ma 間” for the 1960s-1980s Japanese fashion designers. 摘要 摘要 : 艺术是什么? 历史是什么? 知识是什么? 学术是什么? 继艺术与工艺之间的讨论之后, 我反思了朱莉娅·布莱恩-威尔逊和温妮·黄的学术研究中对纺织品的运用。受苏珊·福斯特的文章《编舞共情》和乔治娜·克利格的《不止于所见》的启发, 我将空间与编舞和运动学运动联系起来, 特别在1960年代至1980年代日本时装设计师的“间”概念之中。