PhilArchive
open access
André Malraux: Metamorphosis – The Life of Art in Time
This paper was delivered as the keynote address at a conference at the University of London on 19/6/2026. It examines a key aspect of André Malraux’s theory of art – his argument that art endures not through a power of timelessness, as Western culture has believed since the Renaissance, but through its power of metamorphosis. “Metamorphosis,” Malraux writes “is the very life of the work of art in time, one of its specific characteristics”. The paper also contrasts Malraux's thinking with the position of traditional aesthetics (such as analytic aesthetics) which has effectively ignored this issue.
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- Malraux, Art, and Modernity#90666
- Introduction and preparatory remarks for "Duchamp after Hegel: Exorcizing the End of Art"#714158
- Portrait of an Artist#991070
- Musical Portraits : Interpretations of Twenty Modern Composers#40040
- The aesthetics of painting, 2024 revision#107198
Record · ID 731248
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive