El lenguaje como elemento inmanente del pensar y la tesis hegeliana de la muerte del Arte

The main claim of Hegel´s System is that in its inner structure reality is consubstantial with subjective reason, so that, in spite of all its eventual contradictions, reality can be understood by the human mind. However, the process of knowledge of the rationality of reality is at the same time the process of self-knowledge of the rationality that defines as such the human mind. In this general process of knowledge-self-knowledge, the different artistic forms and the different periods of the History of Art have, according to Hegel, a precise function. The main objective of this article is, in the first place, to clarify the function that, according to Hegel, Art has in the process of self-knowledge of human rationality, and, secondly, to analyze in that context the logic of the sublation of Art in the discursive element of language.