Eros, Interest, and Partiality: On Agnes Callard's _Aspiration_

I consider Agnes Callard's _Aspiration_, primarily with regard to its characterization of aspirants as having a partial grasp of a value and being oriented toward their own self-improvement, and to its descriptions of individual case studies, primarily those of Alcibiades and the "good music student" who wishes to learn more about music for its own sake. While she surely has a real phenomenon in view, her theorization of it is more baffling than enlightening, hemmed in by bizarre side conditions on what could count as a reason for pursuing something and by curiously anhedonic exemplars. Her agents have no actual desire to engage in their pursuits, only intellectual respect for them, and no reason to do so: Callard substitutes for "partial grasp of a reason" the idea of two-faced "proleptic reason", whose two faces are a non-aspirational reason the agent has and an aspirational reason the agent doesn't have. Despite the book's subtitle and occasional obiter dicta, she has no concept of becoming, or agents who understand themselves as deepening their engagement with something out of interest in it.