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Book review. Daniel Leech-Wilkinson, 'The modern invention of medieval music: scholarship, ideology and performance'
Anyone who has heard medieval music in live performance or on record in the last fifty years knows the sound that medieval music used to make: the joyful yowling of a mixed crew of instrumentalists, bowing, tooting, honking, and plucking, and-in the best performances-above it all, a single, ecstatic
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