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They are what they speak: translating language uses into ethnic and gender identities in contemporary Chinese American fiction
This dissertation examines how uses of Chinese—principally Chinese Pidgin English and code-switching—manifest as ethnic and gender identities in three Chinese American novels: Amy Tan’s The Joy Luck Club (1989), Weike Wang’s Joan Is Okay (2022), and Kathryn Ma’s The Chinese Groove (2023). It has bec
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