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Conchita Wurst y la envidia de los monstruos, o de cómo una barba puede devenir mujer
El reciente triunfo de Conchita Wurst –artista transgénero que, representando a Austria, resultó ganadora en la versión 2014 del concurso de canto Eurovisión –permite poner a prueba los conceptos deleuziano-guattarianos del deseo como potencia positiva de producción y del devenir (mujer) como proces
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