Repositório PUCRS
metadata only
As representações visuais do mal na comunicação: imaginário moderno e pós-moderno em imagens de A Divina Comédia e do filme Constantine
This thesis aims at investigating the visual representations of evil, focusing on the analysis of Gustave Doré’s illustrations to Dante Alighieri’s The Divine Comedy and the images of Francis Lawrence’s motion picture Constantine. With the objective of understanding how such images were embedded in
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- Giordano Bruno e "La furiosa Commedia"#736609
- Amor Cortês e Estupro na Literatura Medieval: representações narrativas em Perceval ou Le Conte du Graal (1181) e no lai Guigemar (1160-1178)#188750
- «Ma in Dante anche il silenzio parla». (Ig)noti cartografi dell'Inferno (e del Purgatorio), con alcune tessere francesi#274752
- Value Fictionalism in Nietzsche's Philosophy (A Reconsideration of Nadeem Hussain's Version)#85065
- ‘My Sister Reality’: The Franciscan Sources of Bazin’s Philosophy of Cinema#723965
Record · ID 946818
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive