Filming events

Eckardt argues against the ontological reduction of events to “little movies in time and space.” In this paper I explore what this means for the representation of events in visual discourse, specifically film. As it turns out, we can build a rather intuitive film semantics on top of the ‘regional event’ ontology that Eckardt rejects. But we can also follow Eckardt’s reasoning and incorporate her participant-based event ontology.