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Historiographic and Iconographic Crypto-Narratives in Lope de Vega’s El niño inocente de la Guardia
When considering the representation of Judaism in the comedias of Lope de Vega, one play often cited is El niño inocente de la Guardia given the perceptible Anti-Semitism pervading the work. I suggest in this article that critics have ignored two crucial elements when studying the play as a whole
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