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Re-membering First Love: Complicit Spectatorship and Mnemonic Labor from The Nine Righteous Ones to Faithful
Taking Lin Yi-han’s Fang Si-Chi’s First Love Paradise (2017) as an ethical and literary antecedent, this thesis examines Li Bo-jian’s novella The Nine Righteous Ones (2019) and its screen adaptation, Faithful (2023). Although Chinese and Taiwanese educational and institutional contexts differ, both
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