fine-art

Documents about fine-art

• Candelabra (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese#618308Art Institute of Chicago
• Perkins Bass School, 1140 West 66th St., Englewood Neighborhood of Chicago, from the series “Revealing Chicago” (2003-2004)#622261Art Institute of Chicago
• Take Me to the Museum: Exploring the Use of Art Kits for Families in the Art Museum#272178BYU ScholarsArchive
• The development of a personal iconography in the medium of ceramic sculpture#203068OpenUCT
• Warming Dish (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese#618262Art Institute of Chicago
• Salver presented to the Archduchess Maria Theresa of Austria by King Louis XV of France, 1757#618330Art Institute of Chicago
• Sauceboat and Stand (one of a pair), from a Service Made for Pauline Bonaparte and Prince Camillo Borghese#618261Art Institute of Chicago
• A series of ceramic sculptures investigating social values through zoomorphic and anthropomorphic forms#215664OpenUCT
• Une semaine de bonté, ou, Les sept éléments capitaux (A Week of Kindness, or the Seven Capital Elements)#498269Art Institute of Chicago
• Beauty Wearing a Summer Kimono, from the series “New Patterns of Brocade Woven in Utamaro Style" ("Nishiki-ori Utamaro-gata-shinmoyo")#622183Art Institute of Chicago
• Nature, Fine Art, and _The Other One_: A Defense of the Artistic Sublime in Kant#82716PhilArchive
• Covered Cream Bowl from a Service Made for the Duke of Clarence (Later KingWilliam IV of the United Kingdom)#618340Art Institute of Chicago
• Covered Cream Bowl from a Service Made for the Duke of Clarence (Later KingWilliam IV of the United Kingdom)#618341Art Institute of Chicago
• Shallow Dish with Long-Tailed Birds in a Garden of Stylized Peonies and Fronds, Encircled by a Scrolling Wreath of Camellia and Lotus Blossoms#498560Art Institute of Chicago
• A Yard Crew Keeps Warm and Waits Between Jobs in a Converted Car in the Yard, No. 6 from the portfolio "Railroad Men"#498603Art Institute of Chicago
• Soup Plate presented to the Conde d’Aranda, Spanish ambassador to the French court, by King Louis XVI of France#618320Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [13]#618203Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [12]#618204Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [11]#618205Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [10]#618206Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [9]#618207Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [8]#618208Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [7]#618209Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [6]#618210Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [5]#618211Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [4]#618212Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [3]#618213Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [2]#618214Art Institute of Chicago
• 3300 Block to 4400 Block, Union Pacific Avenue, between South Grande Vista Avenue and South Marianna Avenue, Los Angeles/Commerce, California, December 2020 [1]#618215Art Institute of Chicago
• Young black woman taking selfie at the Natural Hair Empowerment March. Salvador BA (Jovem negra se autofotografando na marcha do empoderamento crespo. Salvador -BA)#618216Art Institute of Chicago
• Irrigation#333576Figshare
• Sage, Scribner’s Panic Grass, and Other Native Grasses, Fent’s Prairie, Salina, Kansas, from the series “Prairie: Images of Ground and Sky” (1978-85)#622254Art Institute of Chicago
• Images of Impermanence: Resistance! Paintings as Provisional Realities (group exhibition), Of Ghosts and Angels (group exhibition), Mandorla Art Award (finalist), Impact 12 International Printmaking Conference Exhibitions (Edge of Infinity)#336348Research Online
• The Professor's Lab#322238Figshare
• The Art of (Mis)alignment: How Fine-Tuning Methods Effectively Misalign and Realign LLMs in Post-Training#2457arXiv CS
• Interrogating Policy Diffusion in the Arts Education Sphere#460336ERIC
• Black youth protest at the World Social Forum against the genocide of black people (Protesto de jovens negros no Forum social mundial contra o genocidio do povo negro)#618217Art Institute of Chicago
• Black women from the MNU participating in the International Women's Day March in Bahia (Mulheres negras do MNU participando da marcha do dia internacional das mulheres na Bahia)#618219Art Institute of Chicago
• Wall Drawing #63: A wall is divided into four horizontal parts. In the top row are four equal vertical divisions, each with lines in a different direction. In the second row, six double combinations; in the third row, four triple combinations; in the bottom row, all four combinations superimposed#498552Art Institute of Chicago
• Union of Soviet Socialist Republics: Catalogue of the Soviet Pavilion at the International Press Exhibition, Cologne ("Pressa") [Union der Sozialistischen Sowjet-Republiken: Katalog des Sowjet-Pavillons auf der Internationalen Presse-Ausstellung, Köln ("Pressa")#498262Art Institute of Chicago
• ‘I’d got self-destruction down to a fine art’: A qualitative exploration of Relative Energy Deficiency in Sport (RED-S) in endurance athletes#89799PhilArchive
• 2 U.S.C. § 2082 — Authority of Commission to accept gifts and conduct other transactions relating to works of fine art and other property#557873US Code (LII)
• Caminhada do povo Negro para homenagem dos 300 anos da morte do grande líder negro Zumbí do Quilombo dos Palmares (Black Peoples’ Walk in honor of the 300th Death Anniversary of the great black leader Zumbí from Quilombo dos Palmares)#618218Art Institute of Chicago
• The Introduction to Hegel's Philosophy of Fine Arts Translated from the German with Notes and Prefatory Essay#52692Project Gutenberg
• Through the Policy Window: The Context of Cultural Policy: Introduction to the Symposium on the Policy Role of Education Entities.#130113ERIC
• After the deadly events of the last weekend in the Iranian capital, rebel groups continue their revolutionary actions --The attack on the American Embassy --Civilians are taken away --The Marines surrender --At the University, the guerrillas give courses in weapon handling --state of shah sacked. Presentation of ministers of the Bazargan cabinet, Tehran#498238Art Institute of Chicago
• The role and function of the Potnia Theron motif in the art of the Greek world 9th-6th century BC#447186University of Nottingham Repository
• Jerusalem Alley, A Symbolic Warsaw Street: when Soviet and Polish troops met in Warsaw on January 17, 1945, it was in Jerusalem Alley that they met. At that time, Warsaw was 95% destroyed and this street, like the rest, was like a cemetery in the city of the dead. But today, 15 years later, the scene has changed considerably.#498286Art Institute of Chicago
• Jerusalem Alley, A Symbolic Warsaw Street: when Soviet and Polish troops met in Warsaw on January 17, 1945, it was in Jerusalem Alley that they met. At that time, Warsaw was 95% destroyed and this street, like the rest, was like a cemetery in the city of the dead. But today, 15 years later, the scene has changed considerably.#498287Art Institute of Chicago
• Guide to the Principal Pictures in the Academy of Fine Arts at Venice#325491DOAB PROD Instance