OSF
open access
Her Canvas, Her City: Gender, Gaze, and Empowerment in Art Engagement Among Women Artists and Viewers in Pune, India
Feminist visual theory holds that the devaluation of women’s art is reproduced not only by institutions but by how people look. We report a preregistered, mixed-methods study in Pune, India, connecting women artists’ lived experience with viewers’ perceptual responses. In an online experiment, 49 vi
Conceptio Open Archive
Analyze & explore related research in Conceptio
Connect this record directly into your research workflow or AI agent. Explore citations across open repositories, query full text, and export structured proof bundles.
This document is indexed with metadata only: full text is not available in the archive for this record. Open the official source ↗
Related documents
- Her Canvas, Her City: Gender, Gaze, and Empowerment in Art Engagement Among Women Artists and Viewers in Pune, India#1148225
- Transformative Expression#763248
- ArtSociety: Multi-Agent Multimodal Collaboration for Art Emotion Understanding#1071047
- Artists' Drawing Strategies Serve to Overcome Visual Processing Limitations#212178
- Creativity, Authenticity, and the Non-Instrumental Nature of Art: A Phenomenological Inquiry#113058
Record · ID 1148326
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Retrieved via Conceptio: every document is proof-bundled with source, license, and retrieval metadata.
Bring this data into your agent: Connect via MCP or API · 20 free credits to start · no card required
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive
Read the Docs → · View CLI source on GitHub · Conceptio Open Knowledge Archive